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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FAADE it is the complementary color #B05521. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FAADE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4FAADE shade: #54AAD9, #65BCEC, #76CEFF, #87E0FF and #98F2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FAADE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4FAADE shade: #4FAADE, #3E98CB, #2D86B8, #1C74A5 and #0B6292

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4FAADE shade: #4FAADE, #4F83DE, #4F5DDE, #684FDE and #8E4FDE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4FAADE shade: #4FAADE, #4F83DE, #4F5DDE and #4F4FDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4FAADE shade matches the following richer shades: #4FAADE and #3EAEEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4FAADE shade: #4FAADE, #60A5CD, #71A1BC, #829CAB and #93979A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4FAADE shade: #4FDEC3, #4FD2DE, #4FACDE, #4F86DE and #4F60DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4FAADE shade: #2381B7, #2D99D7, #4FAADE, #72BBE4 and #95CBEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4FAADE shade: #4FAADE, #9E4FDE and #DED64F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4FAADE shade: #4FAADE, #DE4FAC and #ACDE4F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4FAADE shade: #4FAADE, #9E4FDE, #DE814F and #8FDE4F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4FAADE shade: #4FAADE, #C84FDE, #DE814F and #65DE4F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 23 / 0 / 13

HEX #4FAADE

RGB 79 170 222

HSL 201.82, 0.68%, 0.59%

LAB 66.28, -11.28, -34.28

 

Complementary color

CMYK 0 / 52 / 81 / 31

HEX #B05521

RGB 176 85 33

HSL 21.82, 0.68%, 0.41%

LAB 46.76, 33.79, 45.44

 

CMYK 61 / 22 / 0 / 15

HEX #54AAD9

RGB 84 170 217

HSL 201.2, 0.64%, 0.59%

LAB 66.25, -11.99, -31.56

 

CMYK 57 / 20 / 0 / 7

HEX #65BCEC

RGB 101 188 236

HSL 201.33, 0.78%, 0.66%

LAB 72.75, -12.64, -31.83

 

CMYK 54 / 19 / 0 / 0

HEX #76CEFF

RGB 118 206 255

HSL 201.46, 1%, 0.73%

LAB 79.16, -13.15, -32.1

 

CMYK 47 / 12 / 0 / 0

HEX #87E0FF

RGB 135 224 255

HSL 195.5, 1%, 0.76%

LAB 84.83, -18.74, -23.37

 

CMYK 40 / 5 / 0 / 0

HEX #98F2FF

RGB 152 242 255

HSL 187.57, 1%, 0.8%

LAB 90.51, -23.7, -14.74

 

CMYK 64 / 23 / 0 / 13

HEX #4FAADE

RGB 79 170 222

HSL 201.82, 0.68%, 0.59%

LAB 66.28, -11.28, -34.28

 

CMYK 69 / 25 / 0 / 20

HEX #3E98CB

RGB 62 152 203

HSL 201.7, 0.58%, 0.52%

LAB 59.7, -10.29, -33.99

 

CMYK 76 / 27 / 0 / 28

HEX #2D86B8

RGB 45 134 184

HSL 201.58, 0.61%, 0.45%

LAB 53.02, -9.02, -33.68

 

CMYK 83 / 30 / 0 / 35

HEX #1C74A5

RGB 28 116 165

HSL 201.46, 0.71%, 0.38%

LAB 46.25, -7.34, -33.32

 

CMYK 92 / 33 / 0 / 43

HEX #0B6292

RGB 11 98 146

HSL 201.33, 0.86%, 0.31%

LAB 39.38, -5.1, -32.87

 

CMYK 64 / 23 / 0 / 13

HEX #4FAADE

RGB 79 170 222

HSL 201.82, 0.68%, 0.59%

LAB 66.28, -11.28, -34.28

 

CMYK 64 / 41 / 0 / 13

HEX #4F83DE

RGB 79 131 222

HSL 218.18, 0.68%, 0.59%

LAB 55.25, 11.23, -51.64

 

CMYK 64 / 58 / 0 / 13

HEX #4F5DDE

RGB 79 93 222

HSL 234.13, 0.68%, 0.59%

LAB 45.31, 34.72, -67.63

 

CMYK 53 / 64 / 0 / 13

HEX #684FDE

RGB 104 79 222

HSL 250.49, 0.68%, 0.59%

LAB 43.96, 47.11, -69.75

 

CMYK 36 / 64 / 0 / 13

HEX #8E4FDE

RGB 142 79 222

HSL 266.43, 0.68%, 0.59%

LAB 47.77, 54.35, -63.38

 

CMYK 64 / 23 / 0 / 13

HEX #4FAADE

RGB 79 170 222

HSL 201.82, 0.68%, 0.59%

LAB 66.28, -11.28, -34.28

 

CMYK 64 / 41 / 0 / 13

HEX #4F83DE

RGB 79 131 222

HSL 218.18, 0.68%, 0.59%

LAB 55.25, 11.23, -51.64

 

CMYK 64 / 58 / 0 / 13

HEX #4F5DDE

RGB 79 93 222

HSL 234.13, 0.68%, 0.59%

LAB 45.31, 34.72, -67.63

 

CMYK 64 / 64 / 0 / 13

HEX #4F4FDE

RGB 79 79 222

HSL 240, 0.68%, 0.59%

LAB 42.04, 43.21, -72.96

 

CMYK 64 / 23 / 0 / 13

HEX #4FAADE

RGB 79 170 222

HSL 201.82, 0.68%, 0.59%

LAB 66.28, -11.28, -34.28

 

CMYK 74 / 27 / 0 / 7

HEX #3EAEEE

RGB 62 174 238

HSL 201.82, 0.84%, 0.59%

LAB 67.63, -10.63, -40.98

 

CMYK 64 / 23 / 0 / 13

HEX #4FAADE

RGB 79 170 222

HSL 201.82, 0.68%, 0.59%

LAB 66.28, -11.28, -34.28

 

CMYK 53 / 20 / 0 / 20

HEX #60A5CD

RGB 96 165 205

HSL 202.02, 0.52%, 0.59%

LAB 64.81, -10.55, -27.1

 

CMYK 40 / 14 / 0 / 26

HEX #71A1BC

RGB 113 161 188

HSL 201.6, 0.36%, 0.59%

LAB 63.86, -9.05, -19.01

 

CMYK 24 / 9 / 0 / 33

HEX #829CAB

RGB 130 156 171

HSL 201.95, 0.2%, 0.59%

LAB 62.9, -5.63, -10.82

 

CMYK 5 / 2 / 0 / 40

HEX #93979A

RGB 147 151 154

HSL 205.71, 0.03%, 0.59%

LAB 62.23, -0.84, -2.09

 

CMYK 64 / 0 / 12 / 13

HEX #4FDEC3

RGB 79 222 195

HSL 168.67, 0.68%, 0.59%

LAB 80.65, -44.44, 2.01

 

CMYK 64 / 5 / 0 / 13

HEX #4FD2DE

RGB 79 210 222

HSL 185.03, 0.68%, 0.59%

LAB 77.89, -31.72, -16.51

 

CMYK 64 / 23 / 0 / 13

HEX #4FACDE

RGB 79 172 222

HSL 200.98, 0.68%, 0.59%

LAB 66.86, -12.37, -33.38

 

CMYK 64 / 40 / 0 / 13

HEX #4F86DE

RGB 79 134 222

HSL 216.92, 0.68%, 0.59%

LAB 56.07, 9.41, -50.32

 

CMYK 64 / 57 / 0 / 13

HEX #4F60DE

RGB 79 96 222

HSL 232.87, 0.68%, 0.59%

LAB 46.04, 32.87, -66.44

 

CMYK 81 / 30 / 0 / 28

HEX #2381B7

RGB 35 129 183

HSL 201.89, 0.68%, 0.43%

LAB 51.24, -7.62, -35.92

 

CMYK 79 / 29 / 0 / 16

HEX #2D99D7

RGB 45 153 215

HSL 201.88, 0.68%, 0.51%

LAB 60.11, -8.82, -40.09

 

CMYK 64 / 23 / 0 / 13

HEX #4FAADE

RGB 79 170 222

HSL 201.82, 0.68%, 0.59%

LAB 66.28, -11.28, -34.28

 

CMYK 50 / 18 / 0 / 11

HEX #72BBE4

RGB 114 187 228

HSL 201.58, 0.68%, 0.67%

LAB 72.71, -11.72, -27.52

 

CMYK 37 / 14 / 0 / 8

HEX #95CBEB

RGB 149 203 235

HSL 202.33, 0.68%, 0.75%

LAB 79.1, -9.68, -21.39

 

CMYK 64 / 23 / 0 / 13

HEX #4FAADE

RGB 79 170 222

HSL 201.82, 0.68%, 0.59%

LAB 66.28, -11.28, -34.28

 

CMYK 29 / 64 / 0 / 13

HEX #9E4FDE

RGB 158 79 222

HSL 273.15, 0.68%, 0.59%

LAB 49.66, 57.73, -60.24

 

CMYK 0 / 4 / 64 / 13

HEX #DED64F

RGB 222 214 79

HSL 56.64, 0.68%, 0.59%

LAB 84.06, -13.19, 65.13

 

CMYK 64 / 23 / 0 / 13

HEX #4FAADE

RGB 79 170 222

HSL 201.82, 0.68%, 0.59%

LAB 66.28, -11.28, -34.28

 

CMYK 0 / 64 / 23 / 13

HEX #DE4FAC

RGB 222 79 172

HSL 320.98, 0.68%, 0.59%

LAB 56.19, 64.68, -20.61

 

CMYK 23 / 0 / 64 / 13

HEX #ACDE4F

RGB 172 222 79

HSL 80.98, 0.68%, 0.59%

LAB 82.69, -37, 62.6

 

CMYK 64 / 23 / 0 / 13

HEX #4FAADE

RGB 79 170 222

HSL 201.82, 0.68%, 0.59%

LAB 66.28, -11.28, -34.28

 

CMYK 29 / 64 / 0 / 13

HEX #9E4FDE

RGB 158 79 222

HSL 273.15, 0.68%, 0.59%

LAB 49.66, 57.73, -60.24

 

CMYK 0 / 42 / 64 / 13

HEX #DE814F

RGB 222 129 79

HSL 20.98, 0.68%, 0.59%

LAB 63.17, 31.5, 42.08

 

CMYK 36 / 0 / 64 / 13

HEX #8FDE4F

RGB 143 222 79

HSL 93.15, 0.68%, 0.59%

LAB 81.1, -47.42, 60.42

 

CMYK 64 / 23 / 0 / 13

HEX #4FAADE

RGB 79 170 222

HSL 201.82, 0.68%, 0.59%

LAB 66.28, -11.28, -34.28

 

CMYK 10 / 64 / 0 / 13

HEX #C84FDE

RGB 200 79 222

HSL 290.77, 0.68%, 0.59%

LAB 55.22, 67.08, -51.02

 

CMYK 0 / 42 / 64 / 13

HEX #DE814F

RGB 222 129 79

HSL 20.98, 0.68%, 0.59%

LAB 63.17, 31.5, 42.08

 

CMYK 55 / 0 / 64 / 13

HEX #65DE4F

RGB 101 222 79

HSL 110.77, 0.68%, 0.59%

LAB 79.37, -60.02, 58.04

 

Description

Color code: HEX #4FAADE | qconv.com Color code: HEX #4FAADE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 170 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 170 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 23 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 23% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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