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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FA577CE it is the complementary color #B05A88CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FA577CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4FA577CE shade: #54A572CE, #65B785CE, #76C998CE, #87DBABCE and #98EDBECE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FA577CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4FA577CE shade: #4FA577CE, #3E9364CE, #2D8151CE, #1C6F3ECE and #0B5D2BCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4FA577CE shade: #50A577, #50A560, #56A550, #6DA550 and #84A550

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4FA577CE shade: #50A577, #50A58F, #50A5A5, #508EA5 and #5077A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4FA577CE shade matches the following richer shades: #50A577, #3CB976, #28CD75, #14E173 and #00F472

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4FA577CE shade: #50A577, #639179, #777E7A, #8B6A7C and #9F567D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4FA577CE shade: #57A550, #50A55F, #50A576, #50A58D and #50A5A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4FA577CE shade: #356E4F, #428963, #50A577, #68B68C and #84C4A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4FA577CE shade: #4FA577, #506EA5 and #A55450

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4FA577CE shade: #4FA577, #7650A5 and #A57650

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4FA577CE shade: #4FA577, #506EA5, #A5507F and #A58750

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4FA577CE shade: #4FA577, #5054A5, #A5507F and #A5A150

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 23 / 29

HEX #4FA577CE

RGBA 79 165 119 0.81

HSLA 147.91, 0.35%, 0.48%, 0.81

LABA 61.57, -36.92, 16.08, 0.81

 

Complementary color

CMYK 0 / 40 / 18 / 25

HEX #B05A88CE

RGBA 176 90 136 0.81

HSLA 327.91, 0.35%, 0.52%, 0.81

LABA 49.88, 40.62, -9.62, 0.81

 

CMYK 40 / 0 / 25 / 29

HEX #54A572CE

RGBA 84 165 114 0.81

HSLA 142.22, 0.33%, 0.49%, 0.81

LABA 61.66, -36.62, 18.99, 0.81

 

CMYK 36 / 0 / 22 / 23

HEX #65B785CE

RGBA 101 183 133 0.81

HSLA 143.41, 0.36%, 0.56%, 0.81

LABA 68.26, -36.41, 17.81, 0.81

 

CMYK 33 / 0 / 20 / 17

HEX #76C998CE

RGBA 118 201 152 0.81

HSLA 144.58, 0.43%, 0.63%, 0.81

LABA 74.76, -36.17, 16.72, 0.81

 

CMYK 31 / 0 / 18 / 11

HEX #87DBABCE

RGBA 135 219 171 0.81

HSLA 145.71, 0.54%, 0.69%, 0.81

LABA 81.16, -35.91, 15.7, 0.81

 

CMYK 29 / 0 / 16 / 6

HEX #98EDBECE

RGBA 152 237 190 0.81

HSLA 146.82, 0.7%, 0.76%, 0.81

LABA 87.47, -35.66, 14.75, 0.81

 

CMYK 42 / 0 / 23 / 29

HEX #4FA577CE

RGBA 79 165 119 0.81

HSLA 147.91, 0.35%, 0.48%, 0.81

LABA 61.57, -36.92, 16.08, 0.81

 

CMYK 47 / 0 / 26 / 34

HEX #3E9364CE

RGBA 62 147 100 0.81

HSLA 146.82, 0.41%, 0.41%, 0.81

LABA 54.88, -36.99, 17.36, 0.81

 

CMYK 53 / 0 / 30 / 40

HEX #2D8151CE

RGBA 45 129 81 0.81

HSLA 145.71, 0.48%, 0.34%, 0.81

LABA 48.07, -36.9, 18.79, 0.81

 

CMYK 61 / 0 / 36 / 46

HEX #1C6F3ECE

RGBA 28 111 62 0.81

HSLA 144.58, 0.6%, 0.27%, 0.81

LABA 41.16, -36.46, 20.4, 0.81

 

CMYK 71 / 0 / 44 / 51

HEX #0B5D2BCE

RGBA 11 93 43 0.81

HSLA 143.41, 0.79%, 0.2%, 0.81

LABA 34.14, -35.38, 22.21, 0.81

 

CMYK 52 / 0 / 28 / 35

HEX #50A577

RGB 80 165 119

HSL 147.53, 0.35%, 0.48%

LAB 61.61, -36.67, 16.14

 

CMYK 52 / 0 / 42 / 35

HEX #50A560

RGB 80 165 96

HSL 131.29, 0.35%, 0.48%

LAB 61.19, -40.99, 28.07

 

CMYK 48 / 0 / 52 / 35

HEX #56A550

RGB 86 165 80

HSL 115.76, 0.35%, 0.48%

LAB 61.19, -41.71, 36.44

 

CMYK 34 / 0 / 52 / 35

HEX #6DA550

RGB 109 165 80

HSL 99.53, 0.35%, 0.48%

LAB 62.29, -34.17, 38.02

 

CMYK 20 / 0 / 52 / 35

HEX #84A550

RGB 132 165 80

HSL 83.29, 0.35%, 0.48%

LAB 63.67, -25.54, 40.01

 

CMYK 52 / 0 / 28 / 35

HEX #50A577

RGB 80 165 119

HSL 147.53, 0.35%, 0.48%

LAB 61.61, -36.67, 16.14

 

CMYK 52 / 0 / 13 / 35

HEX #50A58F

RGB 80 165 143

HSL 164.47, 0.35%, 0.48%

LAB 62.17, -31.24, 3.56

 

CMYK 52 / 0 / 0 / 35

HEX #50A5A5

RGB 80 165 165

HSL 180, 0.35%, 0.48%

LAB 62.79, -25.54, -7.88

 

CMYK 52 / 14 / 0 / 35

HEX #508EA5

RGB 80 142 165

HSL 196.24, 0.35%, 0.48%

LAB 55.85, -13.45, -18.32

 

CMYK 52 / 28 / 0 / 35

HEX #5077A5

RGB 80 119 165

HSL 212.47, 0.35%, 0.48%

LAB 49.03, -0.26, -28.84

 

CMYK 52 / 0 / 28 / 35

HEX #50A577

RGB 80 165 119

HSL 147.53, 0.35%, 0.48%

LAB 61.61, -36.67, 16.14

 

CMYK 68 / 0 / 36 / 27

HEX #3CB976

RGB 60 185 118

HSL 147.84, 0.51%, 0.48%

LAB 67.25, -49.62, 24.27

 

CMYK 80 / 0 / 43 / 20

HEX #28CD75

RGB 40 205 117

HSL 148, 0.67%, 0.48%

LAB 73.15, -60.05, 32.52

 

CMYK 91 / 0 / 49 / 12

HEX #14E173

RGB 20 225 115

HSL 147.8, 0.84%, 0.48%

LAB 79.18, -68.65, 41.17

 

CMYK 100 / 0 / 53 / 4

HEX #00F472

RGB 0 244 114

HSL 148.03, 1%, 0.48%

LAB 84.95, -75.44, 48.75

 

CMYK 52 / 0 / 28 / 35

HEX #50A577

RGB 80 165 119

HSL 147.53, 0.35%, 0.48%

LAB 61.61, -36.67, 16.14

 

CMYK 32 / 0 / 17 / 43

HEX #639179

RGB 99 145 121

HSL 148.7, 0.19%, 0.48%

LAB 56.37, -21.02, 7.79

 

CMYK 6 / 0 / 3 / 51

HEX #777E7A

RGB 119 126 122

HSL 145.71, 0.03%, 0.48%

LAB 52.12, -3.42, 1.27

 

CMYK 0 / 24 / 11 / 45

HEX #8B6A7C

RGB 139 106 124

HSL 327.27, 0.13%, 0.48%

LAB 48.58, 16.24, -4.9

 

CMYK 0 / 46 / 21 / 38

HEX #9F567D

RGB 159 86 125

HSL 327.95, 0.3%, 0.48%

LAB 46.32, 35.21, -8.6

 

CMYK 47 / 0 / 52 / 35

HEX #57A550

RGB 87 165 80

HSL 115.06, 0.35%, 0.48%

LAB 61.23, -41.41, 36.5

 

CMYK 52 / 0 / 42 / 35

HEX #50A55F

RGB 80 165 95

HSL 130.59, 0.35%, 0.48%

LAB 61.17, -41.15, 28.58

 

CMYK 52 / 0 / 28 / 35

HEX #50A576

RGB 80 165 118

HSL 146.82, 0.35%, 0.48%

LAB 61.59, -36.87, 16.66

 

CMYK 52 / 0 / 15 / 35

HEX #50A58D

RGB 80 165 141

HSL 163.06, 0.35%, 0.48%

LAB 62.12, -31.72, 4.6

 

CMYK 52 / 0 / 1 / 35

HEX #50A5A4

RGB 80 165 164

HSL 179.29, 0.35%, 0.48%

LAB 62.76, -25.81, -7.36

 

CMYK 52 / 0 / 28 / 57

HEX #356E4F

RGB 53 110 79

HSL 147.37, 0.35%, 0.32%

LAB 41.96, -26.62, 11.66

 

CMYK 52 / 0 / 28 / 46

HEX #428963

RGB 66 137 99

HSL 147.89, 0.35%, 0.4%

LAB 51.78, -31.64, 13.69

 

CMYK 52 / 0 / 28 / 35

HEX #50A577

RGB 80 165 119

HSL 147.53, 0.35%, 0.48%

LAB 61.61, -36.67, 16.14

 

CMYK 43 / 0 / 23 / 29

HEX #68B68C

RGB 104 182 140

HSL 147.69, 0.35%, 0.56%

LAB 68.24, -33.71, 13.99

 

CMYK 33 / 0 / 18 / 23

HEX #84C4A1

RGB 132 196 161

HSL 147.19, 0.35%, 0.64%

LAB 74.16, -27.92, 11.15

 

CMYK 52 / 0 / 28 / 35

HEX #4FA577

RGB 79 165 119

HSL 147.91, 0.35%, 0.48%

LAB 61.57, -36.92, 16.08

 

CMYK 52 / 33 / 0 / 35

HEX #506EA5

RGB 80 110 165

HSL 218.82, 0.35%, 0.48%

LAB 46.41, 5.19, -32.93

 

CMYK 0 / 49 / 52 / 35

HEX #A55450

RGB 165 84 80

HSL 2.82, 0.35%, 0.48%

LAB 45.52, 32.88, 17.66

 

CMYK 52 / 0 / 28 / 35

HEX #4FA577

RGB 79 165 119

HSL 147.91, 0.35%, 0.48%

LAB 61.57, -36.92, 16.08

 

CMYK 28 / 52 / 0 / 35

HEX #7650A5

RGB 118 80 165

HSL 266.82, 0.35%, 0.48%

LAB 41.7, 33.74, -40.17

 

CMYK 0 / 28 / 52 / 35

HEX #A57650

RGB 165 118 80

HSL 26.82, 0.35%, 0.48%

LAB 53.53, 13.87, 28.13

 

CMYK 52 / 0 / 28 / 35

HEX #4FA577

RGB 79 165 119

HSL 147.91, 0.35%, 0.48%

LAB 61.57, -36.92, 16.08

 

CMYK 52 / 33 / 0 / 35

HEX #506EA5

RGB 80 110 165

HSL 218.82, 0.35%, 0.48%

LAB 46.41, 5.19, -32.93

 

CMYK 0 / 52 / 23 / 35

HEX #A5507F

RGB 165 80 127

HSL 326.82, 0.35%, 0.48%

LAB 46, 40.76, -10.2

 

CMYK 0 / 18 / 52 / 35

HEX #A58750

RGB 165 135 80

HSL 38.82, 0.35%, 0.48%

LAB 57.95, 4.28, 33.68

 

CMYK 52 / 0 / 28 / 35

HEX #4FA577

RGB 79 165 119

HSL 147.91, 0.35%, 0.48%

LAB 61.57, -36.92, 16.08

 

CMYK 52 / 49 / 0 / 35

HEX #5054A5

RGB 80 84 165

HSL 237.18, 0.35%, 0.48%

LAB 39.18, 21.55, -44.4

 

CMYK 0 / 52 / 23 / 35

HEX #A5507F

RGB 165 80 127

HSL 326.82, 0.35%, 0.48%

LAB 46, 40.76, -10.2

 

CMYK 0 / 2 / 52 / 35

HEX #A5A150

RGB 165 161 80

HSL 57.18, 0.35%, 0.48%

LAB 65.02, -9.88, 42.22

 

Description

Color code: HEX #4FA577CE | qconv.com Color code: HEX #4FA577CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 165 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 165 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 23 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 23% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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