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Color name
HEX #4F9922

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4F9922 it is the complementary color #B066DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4F9922. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4F9922 shade: #54991D, #65AB30, #76BD43, #87CF56 and #98E169

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4F9922. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4F9922 shade: #4F9922, #3E870F, #2D7500, #1C6300 and #0B5100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4F9922 shade: #509B22, #709B22, #919B22, #9B8422 and #9B6422

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4F9922 shade: #509B22, #2F9B22, #229B35, #229B56 and #229B77

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4F9922 shade matches the following richer shades: #509B22, #4CAA13 and #48B903

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4F9922 shade: #509B22, #538B31, #577C40, #5B6D50 and #5F5E5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4F9922 shade: #919B22, #709B22, #509B22, #309B22 and #229B34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4F9922 shade: #2D5713, #3E791B, #509B22, #61BD29 and #75D43B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4F9922 shade: #4F9922, #229B85 and #9B2281

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4F9922 shade: #4F9922, #22509B and #9B2250

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4F9922 shade: #4F9922, #229B85, #6C229B and #9B2238

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4F9922 shade: #4F9922, #228D9B, #6C229B and #9B3022

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 78 / 40

HEX #4F9922

RGB 79 153 34

HSL 97.31, 0.64%, 0.37%

LAB 56.64, -43.5, 51.46

 

Complementary color

CMYK 20 / 54 / 0 / 13

HEX #B066DD

RGB 176 102 221

HSL 277.31, 0.64%, 0.63%

LAB 56.04, 50.26, -49.34

 

CMYK 45 / 0 / 81 / 40

HEX #54991D

RGB 84 153 29

HSL 93.39, 0.68%, 0.36%

LAB 56.84, -42.14, 53.32

 

CMYK 41 / 0 / 72 / 33

HEX #65AB30

RGB 101 171 48

HSL 94.15, 0.56%, 0.43%

LAB 63.43, -42.7, 53.48

 

CMYK 38 / 0 / 65 / 26

HEX #76BD43

RGB 118 189 67

HSL 94.92, 0.48%, 0.5%

LAB 69.93, -43.01, 52.94

 

CMYK 35 / 0 / 58 / 19

HEX #87CF56

RGB 135 207 86

HSL 95.7, 0.56%, 0.57%

LAB 76.34, -43.15, 52.05

 

CMYK 32 / 0 / 53 / 12

HEX #98E169

RGB 152 225 105

HSL 96.5, 0.67%, 0.65%

LAB 82.67, -43.19, 51

 

CMYK 48 / 0 / 78 / 40

HEX #4F9922

RGB 79 153 34

HSL 97.31, 0.64%, 0.37%

LAB 56.64, -43.5, 51.46

 

CMYK 54 / 0 / 89 / 47

HEX #3E870F

RGB 62 135 15

HSL 96.5, 0.8%, 0.29%

LAB 49.96, -42.61, 50.53

 

CMYK 62 / 0 / 100 / 54

HEX #2D7500

RGB 45 117 0

HSL 96.92, 1%, 0.23%

LAB 43.18, -41.18, 47.81

 

CMYK 72 / 0 / 100 / 61

HEX #1C6300

RGB 28 99 0

HSL 103.03, 1%, 0.19%

LAB 36.31, -38.87, 42.14

 

CMYK 86 / 0 / 100 / 68

HEX #0B5100

RGB 11 81 0

HSL 111.85, 1%, 0.16%

LAB 29.3, -35.85, 36.4

 

CMYK 48 / 0 / 78 / 39

HEX #509B22

RGB 80 155 34

HSL 97.19, 0.64%, 0.37%

LAB 57.33, -43.98, 52.13

 

CMYK 28 / 0 / 78 / 39

HEX #709B22

RGB 112 155 34

HSL 81.32, 0.64%, 0.37%

LAB 58.98, -32.41, 54.28

 

CMYK 6 / 0 / 78 / 39

HEX #919B22

RGB 145 155 34

HSL 64.96, 0.64%, 0.37%

LAB 61.29, -18.49, 57.26

 

CMYK 0 / 15 / 78 / 39

HEX #9B8422

RGB 155 132 34

HSL 48.6, 0.64%, 0.37%

LAB 55.67, -1.67, 52.42

 

CMYK 0 / 35 / 78 / 39

HEX #9B6422

RGB 155 100 34

HSL 32.73, 0.64%, 0.37%

LAB 47.23, 16.49, 44.41

 

CMYK 48 / 0 / 78 / 39

HEX #509B22

RGB 80 155 34

HSL 97.19, 0.64%, 0.37%

LAB 57.33, -43.98, 52.13

 

CMYK 70 / 0 / 78 / 39

HEX #2F9B22

RGB 47 155 34

HSL 113.55, 0.64%, 0.37%

LAB 56.25, -52.61, 50.72

 

CMYK 78 / 0 / 66 / 39

HEX #229B35

RGB 34 155 53

HSL 129.42, 0.64%, 0.37%

LAB 56.13, -53.12, 43.03

 

CMYK 78 / 0 / 45 / 39

HEX #229B56

RGB 34 155 86

HSL 145.79, 0.64%, 0.37%

LAB 56.54, -48.23, 27.14

 

CMYK 78 / 0 / 23 / 39

HEX #229B77

RGB 34 155 119

HSL 162.15, 0.64%, 0.37%

LAB 57.19, -41.06, 9.77

 

CMYK 48 / 0 / 78 / 39

HEX #509B22

RGB 80 155 34

HSL 97.19, 0.64%, 0.37%

LAB 57.33, -43.98, 52.13

 

CMYK 55 / 0 / 89 / 33

HEX #4CAA13

RGB 76 170 19

HSL 97.35, 0.8%, 0.37%

LAB 61.94, -51.65, 60.22

 

CMYK 61 / 0 / 98 / 27

HEX #48B903

RGB 72 185 3

HSL 97.25, 0.97%, 0.37%

LAB 66.58, -58.38, 66.3

 

CMYK 48 / 0 / 78 / 39

HEX #509B22

RGB 80 155 34

HSL 97.19, 0.64%, 0.37%

LAB 57.33, -43.98, 52.13

 

CMYK 40 / 0 / 65 / 45

HEX #538B31

RGB 83 139 49

HSL 97.33, 0.48%, 0.37%

LAB 52.43, -35.01, 41.18

 

CMYK 30 / 0 / 48 / 51

HEX #577C40

RGB 87 124 64

HSL 97, 0.32%, 0.37%

LAB 48.02, -24.68, 28.55

 

CMYK 17 / 0 / 27 / 57

HEX #5B6D50

RGB 91 109 80

HSL 97.24, 0.15%, 0.37%

LAB 43.86, -12.66, 14.04

 

CMYK 0 / 1 / 0 / 63

HEX #5F5E5F

RGB 95 94 95

HSL 300, 0.01%, 0.37%

LAB 40.02, 0.61, -0.44

 

CMYK 6 / 0 / 78 / 39

HEX #919B22

RGB 145 155 34

HSL 64.96, 0.64%, 0.37%

LAB 61.29, -18.49, 57.26

 

CMYK 28 / 0 / 78 / 39

HEX #709B22

RGB 112 155 34

HSL 81.32, 0.64%, 0.37%

LAB 58.98, -32.41, 54.28

 

CMYK 48 / 0 / 78 / 39

HEX #509B22

RGB 80 155 34

HSL 97.19, 0.64%, 0.37%

LAB 57.33, -43.98, 52.13

 

CMYK 69 / 0 / 78 / 39

HEX #309B22

RGB 48 155 34

HSL 113.06, 0.64%, 0.37%

LAB 56.27, -52.41, 50.75

 

CMYK 78 / 0 / 66 / 39

HEX #229B34

RGB 34 155 52

HSL 128.93, 0.64%, 0.37%

LAB 56.12, -53.23, 43.46

 

CMYK 48 / 0 / 78 / 66

HEX #2D5713

RGB 45 87 19

HSL 97.06, 0.64%, 0.21%

LAB 32.75, -27.8, 33.04

 

CMYK 49 / 0 / 78 / 53

HEX #3E791B

RGB 62 121 27

HSL 97.66, 0.64%, 0.29%

LAB 45.33, -36.27, 42.67

 

CMYK 48 / 0 / 78 / 39

HEX #509B22

RGB 80 155 34

HSL 97.19, 0.64%, 0.37%

LAB 57.33, -43.98, 52.13

 

CMYK 49 / 0 / 78 / 26

HEX #61BD29

RGB 97 189 41

HSL 97.3, 0.64%, 0.45%

LAB 68.82, -51.67, 61.09

 

CMYK 45 / 0 / 72 / 17

HEX #75D43B

RGB 117 212 59

HSL 97.25, 0.64%, 0.53%

LAB 76.79, -53.33, 63.18

 

CMYK 48 / 0 / 78 / 40

HEX #4F9922

RGB 79 153 34

HSL 97.31, 0.64%, 0.37%

LAB 56.64, -43.5, 51.46

 

CMYK 78 / 0 / 14 / 39

HEX #229B85

RGB 34 155 133

HSL 169.09, 0.64%, 0.37%

LAB 57.54, -37.4, 2.34

 

CMYK 0 / 78 / 17 / 39

HEX #9B2281

RGB 155 34 129

HSL 312.89, 0.64%, 0.37%

LAB 37.29, 57.69, -24.92

 

CMYK 48 / 0 / 78 / 40

HEX #4F9922

RGB 79 153 34

HSL 97.31, 0.64%, 0.37%

LAB 56.64, -43.5, 51.46

 

CMYK 78 / 48 / 0 / 39

HEX #22509B

RGB 34 80 155

HSL 217.19, 0.64%, 0.37%

LAB 34.89, 12.23, -45.43

 

CMYK 0 / 78 / 48 / 39

HEX #9B2250

RGB 155 34 80

HSL 337.19, 0.64%, 0.37%

LAB 35.38, 51.91, 3.29

 

CMYK 48 / 0 / 78 / 40

HEX #4F9922

RGB 79 153 34

HSL 97.31, 0.64%, 0.37%

LAB 56.64, -43.5, 51.46

 

CMYK 78 / 0 / 14 / 39

HEX #229B85

RGB 34 155 133

HSL 169.09, 0.64%, 0.37%

LAB 57.54, -37.4, 2.34

 

CMYK 30 / 78 / 0 / 39

HEX #6C229B

RGB 108 34 155

HSL 276.69, 0.64%, 0.37%

LAB 31.11, 52.37, -51.24

 

CMYK 0 / 78 / 64 / 39

HEX #9B2238

RGB 155 34 56

HSL 349.09, 0.64%, 0.37%

LAB 34.8, 50.06, 18.02

 

CMYK 48 / 0 / 78 / 40

HEX #4F9922

RGB 79 153 34

HSL 97.31, 0.64%, 0.37%

LAB 56.64, -43.5, 51.46

 

CMYK 78 / 9 / 0 / 39

HEX #228D9B

RGB 34 141 155

HSL 186.94, 0.64%, 0.37%

LAB 53.77, -24.07, -15.88

 

CMYK 30 / 78 / 0 / 39

HEX #6C229B

RGB 108 34 155

HSL 276.69, 0.64%, 0.37%

LAB 31.11, 52.37, -51.24

 

CMYK 0 / 69 / 78 / 39

HEX #9B3022

RGB 155 48 34

HSL 6.94, 0.64%, 0.37%

LAB 36.36, 43.68, 33.4

 

Description

Color code: HEX #4F9922 | qconv.com Color code: HEX #4F9922 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 153 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 153 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 78 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 78% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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