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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4F983E it is the complementary color #B067C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4F983E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4F983E shade: #549839, #65AA4C, #76BC5F, #87CE72 and #98E085

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4F983E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4F983E shade: #4F983E, #3E862B, #2D7418, #1C6205 and #0B5000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4F983E shade: #4F983E, #67983E, #7F983E, #97983E and #98803E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4F983E shade: #4F983E, #3E9845, #3E985D, #3E9875 and #3E988E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4F983E shade matches the following richer shades: #4F983E, #44A92C, #39BA1B and #2ECC0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4F983E shade: #4F983E, #59864F, #647560, #6F6472 and #7A5283

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4F983E shade: #80983E, #68983E, #50983E, #3E9844 and #3E985C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4F983E shade: #305D26, #3F7A32, #4F983E, #5EB54A and #78C167

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4F983E shade: #4F983E, #3E9898 and #983E74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4F983E shade: #4F983E, #3E5098 and #983E50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4F983E shade: #4F983E, #3E9898, #863E98 and #983E3E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4F983E shade: #4F983E, #3E7D98, #863E98 and #98593E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 59 / 40

HEX #4F983E

RGB 79 152 62

HSL 108.67, 0.42%, 0.42%

LAB 56.55, -40.6, 39.71

 

Complementary color

CMYK 9 / 47 / 0 / 24

HEX #B067C1

RGB 176 103 193

HSL 288.67, 0.42%, 0.58%

LAB 54.85, 43.84, -35.32

 

CMYK 45 / 0 / 63 / 40

HEX #549839

RGB 84 152 57

HSL 102.95, 0.45%, 0.41%

LAB 56.72, -39.56, 42.31

 

CMYK 41 / 0 / 55 / 33

HEX #65AA4C

RGB 101 170 76

HSL 104.04, 0.38%, 0.48%

LAB 63.37, -39.64, 41.2

 

CMYK 37 / 0 / 49 / 26

HEX #76BC5F

RGB 118 188 95

HSL 105.16, 0.41%, 0.55%

LAB 69.93, -39.59, 39.99

 

CMYK 34 / 0 / 45 / 19

HEX #87CE72

RGB 135 206 114

HSL 106.3, 0.48%, 0.63%

LAB 76.38, -39.47, 38.77

 

CMYK 32 / 0 / 41 / 12

HEX #98E085

RGB 152 224 133

HSL 107.47, 0.59%, 0.7%

LAB 82.74, -39.3, 37.57

 

CMYK 48 / 0 / 59 / 40

HEX #4F983E

RGB 79 152 62

HSL 108.67, 0.42%, 0.42%

LAB 56.55, -40.6, 39.71

 

CMYK 54 / 0 / 68 / 47

HEX #3E862B

RGB 62 134 43

HSL 107.47, 0.51%, 0.35%

LAB 49.8, -40.33, 40.74

 

CMYK 61 / 0 / 79 / 55

HEX #2D7418

RGB 45 116 24

HSL 106.3, 0.66%, 0.27%

LAB 42.94, -39.65, 41.2

 

CMYK 71 / 0 / 95 / 62

HEX #1C6205

RGB 28 98 5

HSL 105.16, 0.9%, 0.2%

LAB 35.97, -38.25, 40.39

 

CMYK 86 / 0 / 100 / 69

HEX #0B5000

RGB 11 80 0

HSL 111.75, 1%, 0.16%

LAB 28.92, -35.51, 36.1

 

CMYK 48 / 0 / 59 / 40

HEX #4F983E

RGB 79 152 62

HSL 108.67, 0.42%, 0.42%

LAB 56.55, -40.6, 39.71

 

CMYK 32 / 0 / 59 / 40

HEX #67983E

RGB 103 152 62

HSL 92.67, 0.42%, 0.42%

LAB 57.74, -32.36, 41.38

 

CMYK 16 / 0 / 59 / 40

HEX #7F983E

RGB 127 152 62

HSL 76.67, 0.42%, 0.42%

LAB 59.27, -22.87, 43.52

 

CMYK 1 / 0 / 59 / 40

HEX #97983E

RGB 151 152 62

HSL 60.67, 0.42%, 0.42%

LAB 61.12, -12.65, 46.1

 

CMYK 0 / 16 / 59 / 40

HEX #98803E

RGB 152 128 62

HSL 44, 0.42%, 0.42%

LAB 54.51, 0.89, 38.66

 

CMYK 48 / 0 / 59 / 40

HEX #4F983E

RGB 79 152 62

HSL 108.67, 0.42%, 0.42%

LAB 56.55, -40.6, 39.71

 

CMYK 59 / 0 / 55 / 40

HEX #3E9845

RGB 62 152 69

HSL 124.67, 0.42%, 0.42%

LAB 56, -44.47, 35.45

 

CMYK 59 / 0 / 39 / 40

HEX #3E985D

RGB 62 152 93

HSL 140.67, 0.42%, 0.42%

LAB 56.36, -40.55, 23.24

 

CMYK 59 / 0 / 23 / 40

HEX #3E9875

RGB 62 152 117

HSL 156.67, 0.42%, 0.42%

LAB 56.85, -35.49, 10.51

 

CMYK 59 / 0 / 7 / 40

HEX #3E988E

RGB 62 152 142

HSL 173.33, 0.42%, 0.42%

LAB 57.5, -29.14, -2.77

 

CMYK 48 / 0 / 59 / 40

HEX #4F983E

RGB 79 152 62

HSL 108.67, 0.42%, 0.42%

LAB 56.55, -40.6, 39.71

 

CMYK 60 / 0 / 74 / 34

HEX #44A92C

RGB 68 169 44

HSL 108.48, 0.59%, 0.42%

LAB 61.47, -52.06, 52.56

 

CMYK 69 / 0 / 85 / 27

HEX #39BA1B

RGB 57 186 27

HSL 108.68, 0.75%, 0.42%

LAB 66.57, -61.3, 62.34

 

CMYK 77 / 0 / 95 / 20

HEX #2ECC0A

RGB 46 204 10

HSL 108.87, 0.91%, 0.42%

LAB 72.09, -69.13, 69.75

 

CMYK 48 / 0 / 59 / 40

HEX #4F983E

RGB 79 152 62

HSL 108.67, 0.42%, 0.42%

LAB 56.55, -40.6, 39.71

 

CMYK 34 / 0 / 41 / 47

HEX #59864F

RGB 89 134 79

HSL 109.09, 0.26%, 0.42%

LAB 51.54, -26.71, 24.83

 

CMYK 15 / 0 / 18 / 54

HEX #647560

RGB 100 117 96

HSL 108.57, 0.1%, 0.42%

LAB 47.34, -10.66, 9.51

 

CMYK 3 / 12 / 0 / 55

HEX #6F6472

RGB 111 100 114

HSL 287.14, 0.07%, 0.42%

LAB 43.81, 7.19, -6.27

 

CMYK 7 / 37 / 0 / 49

HEX #7A5283

RGB 122 82 131

HSL 288.98, 0.23%, 0.42%

LAB 40.91, 25.72, -20.91

 

CMYK 16 / 0 / 59 / 40

HEX #80983E

RGB 128 152 62

HSL 76, 0.42%, 0.42%

LAB 59.34, -22.46, 43.62

 

CMYK 32 / 0 / 59 / 40

HEX #68983E

RGB 104 152 62

HSL 92, 0.42%, 0.42%

LAB 57.8, -31.99, 41.46

 

CMYK 47 / 0 / 59 / 40

HEX #50983E

RGB 80 152 62

HSL 108, 0.42%, 0.42%

LAB 56.59, -40.29, 39.77

 

CMYK 59 / 0 / 55 / 40

HEX #3E9844

RGB 62 152 68

HSL 124, 0.42%, 0.42%

LAB 55.99, -44.61, 35.94

 

CMYK 59 / 0 / 39 / 40

HEX #3E985C

RGB 62 152 92

HSL 140, 0.42%, 0.42%

LAB 56.34, -40.73, 23.76

 

CMYK 48 / 0 / 59 / 64

HEX #305D26

RGB 48 93 38

HSL 109.09, 0.42%, 0.26%

LAB 35.2, -27.48, 26.52

 

CMYK 48 / 0 / 59 / 52

HEX #3F7A32

RGB 63 122 50

HSL 109.17, 0.42%, 0.34%

LAB 45.92, -34.14, 33.05

 

CMYK 48 / 0 / 59 / 40

HEX #4F983E

RGB 79 152 62

HSL 108.67, 0.42%, 0.42%

LAB 56.55, -40.6, 39.71

 

CMYK 48 / 0 / 59 / 29

HEX #5EB54A

RGB 94 181 74

HSL 108.79, 0.42%, 0.5%

LAB 66.46, -46.7, 45.67

 

CMYK 38 / 0 / 47 / 24

HEX #78C167

RGB 120 193 103

HSL 108.67, 0.42%, 0.58%

LAB 71.63, -40.1, 38.14

 

CMYK 48 / 0 / 59 / 40

HEX #4F983E

RGB 79 152 62

HSL 108.67, 0.42%, 0.42%

LAB 56.55, -40.6, 39.71

 

CMYK 59 / 0 / 0 / 40

HEX #3E9898

RGB 62 152 152

HSL 180, 0.42%, 0.42%

LAB 57.8, -26.34, -8.02

 

CMYK 0 / 59 / 24 / 40

HEX #983E74

RGB 152 62 116

HSL 324, 0.42%, 0.42%

LAB 40.22, 43.88, -12.39

 

CMYK 48 / 0 / 59 / 40

HEX #4F983E

RGB 79 152 62

HSL 108.67, 0.42%, 0.42%

LAB 56.55, -40.6, 39.71

 

CMYK 59 / 47 / 0 / 40

HEX #3E5098

RGB 62 80 152

HSL 228, 0.42%, 0.42%

LAB 36.04, 15.78, -41.7

 

CMYK 0 / 59 / 47 / 40

HEX #983E50

RGB 152 62 80

HSL 348, 0.42%, 0.42%

LAB 39.07, 39.39, 8.46

 

CMYK 48 / 0 / 59 / 40

HEX #4F983E

RGB 79 152 62

HSL 108.67, 0.42%, 0.42%

LAB 56.55, -40.6, 39.71

 

CMYK 59 / 0 / 0 / 40

HEX #3E9898

RGB 62 152 152

HSL 180, 0.42%, 0.42%

LAB 57.8, -26.34, -8.02

 

CMYK 12 / 59 / 0 / 40

HEX #863E98

RGB 134 62 152

HSL 288, 0.42%, 0.42%

LAB 39.21, 44.96, -36.21

 

CMYK 0 / 59 / 59 / 40

HEX #983E3E

RGB 152 62 62

HSL 0, 0.42%, 0.42%

LAB 38.67, 37.76, 19.19

 

CMYK 48 / 0 / 59 / 40

HEX #4F983E

RGB 79 152 62

HSL 108.67, 0.42%, 0.42%

LAB 56.55, -40.6, 39.71

 

CMYK 59 / 18 / 0 / 40

HEX #3E7D98

RGB 62 125 152

HSL 198, 0.42%, 0.42%

LAB 49.45, -11.97, -20.66

 

CMYK 12 / 59 / 0 / 40

HEX #863E98

RGB 134 62 152

HSL 288, 0.42%, 0.42%

LAB 39.21, 44.96, -36.21

 

CMYK 0 / 41 / 59 / 40

HEX #98593E

RGB 152 89 62

HSL 18, 0.42%, 0.42%

LAB 44.47, 23.2, 26.6

 

Description

Color code: HEX #4F983E | qconv.com Color code: HEX #4F983E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 152 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 152 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 59 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 59% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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