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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4F8CDB it is the complementary color #B07324. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4F8CDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4F8CDB shade: #548CD6, #659EE9, #76B0FC, #87C2FF and #98D4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4F8CDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4F8CDB shade: #4F8CDB, #3E7AC8, #2D68B5, #1C56A2 and #0B448F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4F8CDB shade: #4D8BDB, #4D65DB, #5C4DDB, #824DDB and #A84DDB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4F8CDB shade: #4D8BDB, #4D65DB and #4D4DDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4F8CDB shade matches the following richer shades: #4D8BDB, #3C89EC and #2B86FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4F8CDB shade: #4D8BDB, #5F8DC9, #708FB8, #8191A7 and #939495

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4F8CDB shade: #4DD8DB, #4DB3DB, #4D8DDB, #4D67DB and #594DDB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4F8CDB shade: #2462B1, #2B74D3, #4D8BDB, #6FA1E2 and #92B8E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4F8CDB shade: #4F8CDB, #B74DDB and #C5DB4D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4F8CDB shade: #4F8CDB, #DB4D8D and #8DDB4D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4F8CDB shade: #4F8CDB, #B74DDB, #DB9B4D and #71DB4D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4F8CDB shade: #4F8CDB, #DB4DD4, #DB9B4D and #4DDB54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 36 / 0 / 14

HEX #4F8CDB

RGB 79 140 219

HSL 213.86, 0.66%, 0.58%

LAB 57.59, 4.81, -46.23

 

Complementary color

CMYK 0 / 35 / 80 / 31

HEX #B07324

RGB 176 115 36

HSL 33.86, 0.66%, 0.42%

LAB 53.62, 17.49, 50.59

 

CMYK 61 / 35 / 0 / 16

HEX #548CD6

RGB 84 140 214

HSL 214.15, 0.61%, 0.58%

LAB 57.56, 4.04, -43.47

 

CMYK 57 / 32 / 0 / 9

HEX #659EE9

RGB 101 158 233

HSL 214.09, 0.75%, 0.65%

LAB 64.24, 3.04, -43.44

 

CMYK 53 / 30 / 0 / 1

HEX #76B0FC

RGB 118 176 252

HSL 214.03, 0.96%, 0.73%

LAB 70.82, 2.22, -43.44

 

CMYK 47 / 24 / 0 / 0

HEX #87C2FF

RGB 135 194 255

HSL 210.5, 1%, 0.76%

LAB 76.65, -3.04, -35.92

 

CMYK 40 / 17 / 0 / 0

HEX #98D4FF

RGB 152 212 255

HSL 205.05, 1%, 0.8%

LAB 82.37, -8.51, -27.05

 

CMYK 64 / 36 / 0 / 14

HEX #4F8CDB

RGB 79 140 219

HSL 213.86, 0.66%, 0.58%

LAB 57.59, 4.81, -46.23

 

CMYK 69 / 39 / 0 / 22

HEX #3E7AC8

RGB 62 122 200

HSL 213.91, 0.56%, 0.51%

LAB 50.82, 6.23, -46.28

 

CMYK 75 / 43 / 0 / 29

HEX #2D68B5

RGB 45 104 181

HSL 213.97, 0.6%, 0.44%

LAB 43.94, 8.03, -46.32

 

CMYK 83 / 47 / 0 / 36

HEX #1C56A2

RGB 28 86 162

HSL 214.03, 0.71%, 0.37%

LAB 36.95, 10.36, -46.33

 

CMYK 92 / 52 / 0 / 44

HEX #0B448F

RGB 11 68 143

HSL 214.09, 0.86%, 0.3%

LAB 29.88, 13.43, -46.24

 

CMYK 65 / 37 / 0 / 14

HEX #4D8BDB

RGB 77 139 219

HSL 213.8, 0.66%, 0.58%

LAB 57.23, 5.06, -46.81

 

CMYK 65 / 54 / 0 / 14

HEX #4D65DB

RGB 77 101 219

HSL 229.86, 0.66%, 0.58%

LAB 46.97, 28.42, -63.23

 

CMYK 58 / 65 / 0 / 14

HEX #5C4DDB

RGB 92 77 219

HSL 246.34, 0.66%, 0.58%

LAB 42.3, 45.36, -70.78

 

CMYK 41 / 65 / 0 / 14

HEX #824DDB

RGB 130 77 219

HSL 262.39, 0.66%, 0.58%

LAB 45.86, 52.19, -64.83

 

CMYK 23 / 65 / 0 / 14

HEX #A84DDB

RGB 168 77 219

HSL 278.45, 0.66%, 0.58%

LAB 50.39, 60.17, -57.3

 

CMYK 65 / 37 / 0 / 14

HEX #4D8BDB

RGB 77 139 219

HSL 213.8, 0.66%, 0.58%

LAB 57.23, 5.06, -46.81

 

CMYK 65 / 54 / 0 / 14

HEX #4D65DB

RGB 77 101 219

HSL 229.86, 0.66%, 0.58%

LAB 46.97, 28.42, -63.23

 

CMYK 65 / 65 / 0 / 14

HEX #4D4DDB

RGB 77 77 219

HSL 240, 0.66%, 0.58%

LAB 41.22, 43.15, -72.61

 

CMYK 65 / 37 / 0 / 14

HEX #4D8BDB

RGB 77 139 219

HSL 213.8, 0.66%, 0.58%

LAB 57.23, 5.06, -46.81

 

CMYK 75 / 42 / 0 / 7

HEX #3C89EC

RGB 60 137 236

HSL 213.75, 0.82%, 0.58%

LAB 56.99, 9.77, -56.71

 

CMYK 83 / 47 / 0 / 1

HEX #2B86FD

RGB 43 134 253

HSL 214, 0.98%, 0.58%

LAB 56.74, 16.17, -66.53

 

CMYK 65 / 37 / 0 / 14

HEX #4D8BDB

RGB 77 139 219

HSL 213.8, 0.66%, 0.58%

LAB 57.23, 5.06, -46.81

 

CMYK 53 / 30 / 0 / 21

HEX #5F8DC9

RGB 95 141 201

HSL 213.96, 0.5%, 0.58%

LAB 57.75, 1.55, -35.82

 

CMYK 39 / 22 / 0 / 28

HEX #708FB8

RGB 112 143 184

HSL 214.17, 0.34%, 0.58%

LAB 58.56, -0.34, -24.87

 

CMYK 23 / 13 / 0 / 35

HEX #8191A7

RGB 129 145 167

HSL 214.74, 0.18%, 0.58%

LAB 59.62, -0.75, -13.48

 

CMYK 1 / 1 / 0 / 42

HEX #939495

RGB 147 148 149

HSL 210, 0.01%, 0.58%

LAB 61.27, -0.16, -0.66

 

CMYK 65 / 1 / 0 / 14

HEX #4DD8DB

RGB 77 216 219

HSL 181.27, 0.66%, 0.58%

LAB 79.5, -35.7, -12.49

 

CMYK 65 / 18 / 0 / 14

HEX #4DB3DB

RGB 77 179 219

HSL 196.9, 0.66%, 0.58%

LAB 68.7, -17.38, -28.89

 

CMYK 65 / 36 / 0 / 14

HEX #4D8DDB

RGB 77 141 219

HSL 212.96, 0.66%, 0.58%

LAB 57.79, 3.87, -45.92

 

CMYK 65 / 53 / 0 / 14

HEX #4D67DB

RGB 77 103 219

HSL 229.01, 0.66%, 0.58%

LAB 47.49, 27.17, -62.41

 

CMYK 59 / 65 / 0 / 14

HEX #594DDB

RGB 89 77 219

HSL 245.07, 0.66%, 0.58%

LAB 42.07, 44.89, -71.17

 

CMYK 80 / 45 / 0 / 31

HEX #2462B1

RGB 36 98 177

HSL 213.62, 0.66%, 0.42%

LAB 41.67, 9.26, -47.63

 

CMYK 80 / 45 / 0 / 17

HEX #2B74D3

RGB 43 116 211

HSL 213.93, 0.66%, 0.5%

LAB 49.14, 11.58, -55.26

 

CMYK 65 / 37 / 0 / 14

HEX #4D8BDB

RGB 77 139 219

HSL 213.8, 0.66%, 0.58%

LAB 57.23, 5.06, -46.81

 

CMYK 51 / 29 / 0 / 11

HEX #6FA1E2

RGB 111 161 226

HSL 213.91, 0.66%, 0.66%

LAB 65.25, 1.32, -37.98

 

CMYK 37 / 21 / 0 / 9

HEX #92B8E9

RGB 146 184 233

HSL 213.79, 0.66%, 0.74%

LAB 73.72, -0.82, -28.53

 

CMYK 64 / 36 / 0 / 14

HEX #4F8CDB

RGB 79 140 219

HSL 213.86, 0.66%, 0.58%

LAB 57.59, 4.81, -46.23

 

CMYK 16 / 65 / 0 / 14

HEX #B74DDB

RGB 183 77 219

HSL 284.79, 0.66%, 0.58%

LAB 52.39, 63.51, -53.99

 

CMYK 10 / 0 / 65 / 14

HEX #C5DB4D

RGB 197 219 77

HSL 69.3, 0.66%, 0.58%

LAB 83.48, -25.98, 64.72

 

CMYK 64 / 36 / 0 / 14

HEX #4F8CDB

RGB 79 140 219

HSL 213.86, 0.66%, 0.58%

LAB 57.59, 4.81, -46.23

 

CMYK 0 / 65 / 36 / 14

HEX #DB4D8D

RGB 219 77 141

HSL 332.96, 0.66%, 0.58%

LAB 54.33, 60.85, -5.26

 

CMYK 36 / 0 / 65 / 14

HEX #8DDB4D

RGB 141 219 77

HSL 92.96, 0.66%, 0.58%

LAB 80.1, -47.01, 60.13

 

CMYK 64 / 36 / 0 / 14

HEX #4F8CDB

RGB 79 140 219

HSL 213.86, 0.66%, 0.58%

LAB 57.59, 4.81, -46.23

 

CMYK 16 / 65 / 0 / 14

HEX #B74DDB

RGB 183 77 219

HSL 284.79, 0.66%, 0.58%

LAB 52.39, 63.51, -53.99

 

CMYK 0 / 29 / 65 / 14

HEX #DB9B4D

RGB 219 155 77

HSL 32.96, 0.66%, 0.58%

LAB 68.78, 16.24, 49.42

 

CMYK 48 / 0 / 65 / 14

HEX #71DB4D

RGB 113 219 77

HSL 104.79, 0.66%, 0.58%

LAB 78.87, -55.82, 58.44

 

CMYK 64 / 36 / 0 / 14

HEX #4F8CDB

RGB 79 140 219

HSL 213.86, 0.66%, 0.58%

LAB 57.59, 4.81, -46.23

 

CMYK 0 / 65 / 3 / 14

HEX #DB4DD4

RGB 219 77 212

HSL 302.96, 0.66%, 0.58%

LAB 57.19, 70.57, -42.06

 

CMYK 0 / 29 / 65 / 14

HEX #DB9B4D

RGB 219 155 77

HSL 32.96, 0.66%, 0.58%

LAB 68.78, 16.24, 49.42

 

CMYK 65 / 0 / 62 / 14

HEX #4DDB54

RGB 77 219 84

HSL 122.96, 0.66%, 0.58%

LAB 77.8, -63.93, 54.01

 

Description

Color code: HEX #4F8CDB | qconv.com Color code: HEX #4F8CDB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 140 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 140 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 36 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 36% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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