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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4F8BBC it is the complementary color #B07443. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4F8BBC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4F8BBC shade: #548BB7, #659DCA, #76AFDD, #87C1F0 and #98D3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4F8BBC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4F8BBC shade: #4F8BBC, #3E79A9, #2D6796, #1C5583 and #0B4370

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4F8BBC shade: #4E8ABC, #4E6CBC, #4E4FBC, #6A4EBC and #884EBC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4F8BBC shade: #4E8ABC, #4E6CBC, #4E4FBC and #4E4EBC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4F8BBC shade matches the following richer shades: #4E8ABC, #3A8CCF, #268EE3 and #1290F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4F8BBC shade: #4E8ABC, #6188A8, #758694, #898480 and #9D826C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4F8BBC shade: #4EBCB1, #4EA9BC, #4E8CBC, #4E6FBC and #4E51BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4F8BBC shade: #325F84, #3E75A2, #4E8ABC, #6B9EC7 and #89B2D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4F8BBC shade: #4F8BBC, #934EBC and #B8BC4E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4F8BBC shade: #4F8BBC, #BC4E8C and #8CBC4E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4F8BBC shade: #4F8BBC, #934EBC, #BC7D4E and #76BC4E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4F8BBC shade: #4F8BBC, #B44EBC, #BC7D4E and #55BC4E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 26 / 0 / 26

HEX #4F8BBC

RGB 79 139 188

HSL 206.97, 0.45%, 0.52%

LAB 55.85, -4.86, -31.48

 

Complementary color

CMYK 0 / 34 / 62 / 31

HEX #B07443

RGB 176 116 67

HSL 26.97, 0.45%, 0.48%

LAB 54.16, 18.64, 36.32

 

CMYK 54 / 24 / 0 / 28

HEX #548BB7

RGB 84 139 183

HSL 206.67, 0.41%, 0.52%

LAB 55.86, -5.37, -28.6

 

CMYK 50 / 22 / 0 / 21

HEX #659DCA

RGB 101 157 202

HSL 206.73, 0.49%, 0.59%

LAB 62.63, -5.89, -28.77

 

CMYK 47 / 21 / 0 / 13

HEX #76AFDD

RGB 118 175 221

HSL 206.8, 0.6%, 0.66%

LAB 69.28, -6.31, -28.96

 

CMYK 44 / 20 / 0 / 6

HEX #87C1F0

RGB 135 193 240

HSL 206.86, 0.78%, 0.74%

LAB 75.81, -6.65, -29.16

 

CMYK 40 / 17 / 0 / 0

HEX #98D3FF

RGB 152 211 255

HSL 205.63, 1%, 0.8%

LAB 82.1, -7.98, -27.46

 

CMYK 58 / 26 / 0 / 26

HEX #4F8BBC

RGB 79 139 188

HSL 206.97, 0.45%, 0.52%

LAB 55.85, -4.86, -31.48

 

CMYK 63 / 28 / 0 / 34

HEX #3E79A9

RGB 62 121 169

HSL 206.92, 0.46%, 0.45%

LAB 48.96, -4.02, -31.34

 

CMYK 70 / 31 / 0 / 41

HEX #2D6796

RGB 45 103 150

HSL 206.86, 0.54%, 0.38%

LAB 41.94, -2.89, -31.19

 

CMYK 79 / 35 / 0 / 49

HEX #1C5583

RGB 28 85 131

HSL 206.8, 0.65%, 0.31%

LAB 34.77, -1.32, -31.02

 

CMYK 90 / 40 / 0 / 56

HEX #0B4370

RGB 11 67 112

HSL 206.73, 0.82%, 0.24%

LAB 27.45, 0.93, -30.79

 

CMYK 59 / 27 / 0 / 26

HEX #4E8ABC

RGB 78 138 188

HSL 207.27, 0.45%, 0.52%

LAB 55.51, -4.49, -32

 

CMYK 59 / 43 / 0 / 26

HEX #4E6CBC

RGB 78 108 188

HSL 223.64, 0.45%, 0.52%

LAB 46.94, 13.59, -45.5

 

CMYK 59 / 58 / 0 / 26

HEX #4E4FBC

RGB 78 79 188

HSL 239.45, 0.45%, 0.52%

LAB 39.31, 31.87, -57.77

 

CMYK 44 / 59 / 0 / 26

HEX #6A4EBC

RGB 106 78 188

HSL 255.27, 0.45%, 0.52%

LAB 41.44, 38.17, -54.21

 

CMYK 28 / 59 / 0 / 26

HEX #884EBC

RGB 136 78 188

HSL 271.64, 0.45%, 0.52%

LAB 44.68, 45.23, -48.83

 

CMYK 59 / 27 / 0 / 26

HEX #4E8ABC

RGB 78 138 188

HSL 207.27, 0.45%, 0.52%

LAB 55.51, -4.49, -32

 

CMYK 59 / 43 / 0 / 26

HEX #4E6CBC

RGB 78 108 188

HSL 223.64, 0.45%, 0.52%

LAB 46.94, 13.59, -45.5

 

CMYK 59 / 58 / 0 / 26

HEX #4E4FBC

RGB 78 79 188

HSL 239.45, 0.45%, 0.52%

LAB 39.31, 31.87, -57.77

 

CMYK 59 / 59 / 0 / 26

HEX #4E4EBC

RGB 78 78 188

HSL 240, 0.45%, 0.52%

LAB 39.07, 32.49, -58.17

 

CMYK 59 / 27 / 0 / 26

HEX #4E8ABC

RGB 78 138 188

HSL 207.27, 0.45%, 0.52%

LAB 55.51, -4.49, -32

 

CMYK 72 / 32 / 0 / 19

HEX #3A8CCF

RGB 58 140 207

HSL 206.98, 0.61%, 0.52%

LAB 56.25, -2.64, -41.66

 

CMYK 83 / 37 / 0 / 11

HEX #268EE3

RGB 38 142 227

HSL 206.98, 0.77%, 0.52%

LAB 57.37, 1.25, -51.12

 

CMYK 93 / 42 / 0 / 3

HEX #1290F7

RGB 18 144 247

HSL 206.99, 0.93%, 0.52%

LAB 58.78, 6.4, -59.97

 

CMYK 59 / 27 / 0 / 26

HEX #4E8ABC

RGB 78 138 188

HSL 207.27, 0.45%, 0.52%

LAB 55.51, -4.49, -32

 

CMYK 42 / 19 / 0 / 34

HEX #6188A8

RGB 97 136 168

HSL 207.04, 0.29%, 0.52%

LAB 55.05, -4.93, -21.2

 

CMYK 21 / 9 / 0 / 42

HEX #758694

RGB 117 134 148

HSL 207.1, 0.13%, 0.52%

LAB 55.04, -2.96, -9.56

 

CMYK 0 / 4 / 7 / 46

HEX #898480

RGB 137 132 128

HSL 26.67, 0.04%, 0.52%

LAB 55.46, 1.12, 2.82

 

CMYK 0 / 17 / 31 / 38

HEX #9D826C

RGB 157 130 108

HSL 26.94, 0.2%, 0.52%

LAB 56.3, 6.96, 15.79

 

CMYK 59 / 0 / 6 / 26

HEX #4EBCB1

RGB 78 188 177

HSL 174, 0.45%, 0.52%

LAB 70.01, -33.88, -3.85

 

CMYK 59 / 10 / 0 / 26

HEX #4EA9BC

RGB 78 169 188

HSL 190.36, 0.45%, 0.52%

LAB 64.66, -21.43, -17.93

 

CMYK 59 / 26 / 0 / 26

HEX #4E8CBC

RGB 78 140 188

HSL 206.18, 0.45%, 0.52%

LAB 56.09, -5.64, -31.09

 

CMYK 59 / 41 / 0 / 26

HEX #4E6FBC

RGB 78 111 188

HSL 222, 0.45%, 0.52%

LAB 47.78, 11.72, -44.18

 

CMYK 59 / 57 / 0 / 26

HEX #4E51BC

RGB 78 81 188

HSL 238.36, 0.45%, 0.52%

LAB 39.81, 30.62, -56.97

 

CMYK 62 / 28 / 0 / 48

HEX #325F84

RGB 50 95 132

HSL 207.07, 0.45%, 0.36%

LAB 38.77, -3.47, -25.29

 

CMYK 62 / 28 / 0 / 36

HEX #3E75A2

RGB 62 117 162

HSL 207, 0.45%, 0.44%

LAB 47.44, -4.02, -29.63

 

CMYK 59 / 27 / 0 / 26

HEX #4E8ABC

RGB 78 138 188

HSL 207.27, 0.45%, 0.52%

LAB 55.51, -4.49, -32

 

CMYK 46 / 21 / 0 / 22

HEX #6B9EC7

RGB 107 158 199

HSL 206.74, 0.45%, 0.6%

LAB 63.1, -5.89, -26.35

 

CMYK 35 / 15 / 0 / 18

HEX #89B2D2

RGB 137 178 210

HSL 206.3, 0.45%, 0.68%

LAB 70.74, -5.96, -20.6

 

CMYK 58 / 26 / 0 / 26

HEX #4F8BBC

RGB 79 139 188

HSL 206.97, 0.45%, 0.52%

LAB 55.85, -4.86, -31.48

 

CMYK 22 / 59 / 0 / 26

HEX #934EBC

RGB 147 78 188

HSL 277.64, 0.45%, 0.52%

LAB 46.02, 47.98, -46.62

 

CMYK 2 / 0 / 59 / 26

HEX #B8BC4E

RGB 184 188 78

HSL 62.18, 0.45%, 0.52%

LAB 74, -16, 53.85

 

CMYK 58 / 26 / 0 / 26

HEX #4F8BBC

RGB 79 139 188

HSL 206.97, 0.45%, 0.52%

LAB 55.85, -4.86, -31.48

 

CMYK 0 / 59 / 26 / 26

HEX #BC4E8C

RGB 188 78 140

HSL 326.18, 0.45%, 0.52%

LAB 49.54, 50.98, -12.35

 

CMYK 26 / 0 / 59 / 26

HEX #8CBC4E

RGB 140 188 78

HSL 86.18, 0.45%, 0.52%

LAB 70.93, -33.63, 49.57

 

CMYK 58 / 26 / 0 / 26

HEX #4F8BBC

RGB 79 139 188

HSL 206.97, 0.45%, 0.52%

LAB 55.85, -4.86, -31.48

 

CMYK 22 / 59 / 0 / 26

HEX #934EBC

RGB 147 78 188

HSL 277.64, 0.45%, 0.52%

LAB 46.02, 47.98, -46.62

 

CMYK 0 / 34 / 59 / 26

HEX #BC7D4E

RGB 188 125 78

HSL 25.64, 0.45%, 0.52%

LAB 57.95, 19.58, 35.33

 

CMYK 37 / 0 / 59 / 26

HEX #76BC4E

RGB 118 188 78

HSL 98.18, 0.45%, 0.52%

LAB 69.73, -41.54, 47.87

 

CMYK 58 / 26 / 0 / 26

HEX #4F8BBC

RGB 79 139 188

HSL 206.97, 0.45%, 0.52%

LAB 55.85, -4.86, -31.48

 

CMYK 4 / 59 / 0 / 26

HEX #B44EBC

RGB 180 78 188

HSL 295.64, 0.45%, 0.52%

LAB 50.43, 56.43, -39.34

 

CMYK 0 / 34 / 59 / 26

HEX #BC7D4E

RGB 188 125 78

HSL 25.64, 0.45%, 0.52%

LAB 57.95, 19.58, 35.33

 

CMYK 55 / 0 / 59 / 26

HEX #55BC4E

RGB 85 188 78

HSL 116.18, 0.45%, 0.52%

LAB 68.35, -51.53, 45.92

 

Description

Color code: HEX #4F8BBC | qconv.com Color code: HEX #4F8BBC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 139 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 139 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 26 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 26% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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