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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4F882F it is the complementary color #B077D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4F882F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4F882F shade: #54882A, #659A3D, #76AC50, #87BE63 and #98D076

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4F882F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4F882F shade: #4F882F, #3E761C, #2D6409, #1C5200 and #0B4000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4F882F shade: #4F892F, #67892F, #80892F, #897A2F and #89612F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4F882F shade: #4F892F, #37892F, #2F893F, #2F8957 and #2F8970

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4F882F shade matches the following richer shades: #4F892F, #4B9820, #47A611 and #43B502

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4F882F shade: #4F892F, #537A3E, #586B4D, #5C5C5B and #604D6A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4F882F shade: #80892F, #68892F, #50892F, #38892F and #2F893E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4F882F shade: #2C4B1A, #3D6A24, #4F892F, #61A839 and #74C149

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4F882F shade: #4F882F, #2F897A and #892F74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4F882F shade: #4F882F, #2F5089 and #892F50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4F882F shade: #4F882F, #2F897A, #682F89 and #892F3E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4F882F shade: #4F882F, #2F7D89, #682F89 and #893B2F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 65 / 47

HEX #4F882F

RGB 79 136 47

HSL 98.43, 0.49%, 0.36%

LAB 51.24, -35.27, 40.73

 

Complementary color

CMYK 15 / 43 / 0 / 18

HEX #B077D0

RGB 176 119 208

HSL 278.43, 0.49%, 0.64%

LAB 58.95, 38.31, -37.42

 

CMYK 38 / 0 / 69 / 47

HEX #54882A

RGB 84 136 42

HSL 93.19, 0.53%, 0.35%

LAB 51.45, -33.93, 43.24

 

CMYK 34 / 0 / 60 / 40

HEX #659A3D

RGB 101 154 61

HSL 94.19, 0.43%, 0.42%

LAB 58.24, -34.13, 42.39

 

CMYK 31 / 0 / 53 / 33

HEX #76AC50

RGB 118 172 80

HSL 95.22, 0.37%, 0.49%

LAB 64.91, -34.17, 41.29

 

CMYK 29 / 0 / 48 / 25

HEX #87BE63

RGB 135 190 99

HSL 96.26, 0.41%, 0.57%

LAB 71.47, -34.14, 40.11

 

CMYK 27 / 0 / 43 / 18

HEX #98D076

RGB 152 208 118

HSL 97.33, 0.49%, 0.64%

LAB 77.93, -34.05, 38.92

 

CMYK 42 / 0 / 65 / 47

HEX #4F882F

RGB 79 136 47

HSL 98.43, 0.49%, 0.36%

LAB 51.24, -35.27, 40.73

 

CMYK 47 / 0 / 76 / 54

HEX #3E761C

RGB 62 118 28

HSL 97.33, 0.62%, 0.29%

LAB 44.33, -34.91, 41.3

 

CMYK 55 / 0 / 91 / 61

HEX #2D6409

RGB 45 100 9

HSL 96.26, 0.83%, 0.21%

LAB 37.28, -34.09, 40.64

 

CMYK 66 / 0 / 100 / 68

HEX #1C5200

RGB 28 82 0

HSL 99.51, 1%, 0.16%

LAB 30.11, -32.47, 37.23

 

CMYK 83 / 0 / 100 / 75

HEX #0B4000

RGB 11 64 0

HSL 109.69, 1%, 0.13%

LAB 22.79, -29.8, 30.45

 

CMYK 42 / 0 / 66 / 46

HEX #4F892F

RGB 79 137 47

HSL 98.67, 0.49%, 0.36%

LAB 51.56, -35.72, 41.09

 

CMYK 25 / 0 / 66 / 46

HEX #67892F

RGB 103 137 47

HSL 82.67, 0.49%, 0.36%

LAB 52.93, -26.59, 42.96

 

CMYK 7 / 0 / 66 / 46

HEX #80892F

RGB 128 137 47

HSL 66, 0.49%, 0.36%

LAB 54.75, -15.91, 45.45

 

CMYK 0 / 11 / 66 / 46

HEX #897A2F

RGB 137 122 47

HSL 50, 0.49%, 0.36%

LAB 51.2, -3.65, 41.91

 

CMYK 0 / 29 / 66 / 46

HEX #89612F

RGB 137 97 47

HSL 33.33, 0.49%, 0.36%

LAB 44.34, 10.75, 34.32

 

CMYK 42 / 0 / 66 / 46

HEX #4F892F

RGB 79 137 47

HSL 98.67, 0.49%, 0.36%

LAB 51.56, -35.72, 41.09

 

CMYK 60 / 0 / 66 / 46

HEX #37892F

RGB 55 137 47

HSL 114.67, 0.49%, 0.36%

LAB 50.58, -43.07, 39.73

 

CMYK 66 / 0 / 54 / 46

HEX #2F893F

RGB 47 137 63

HSL 130.67, 0.49%, 0.36%

LAB 50.52, -42.94, 31.76

 

CMYK 66 / 0 / 36 / 46

HEX #2F8957

RGB 47 137 87

HSL 146.67, 0.49%, 0.36%

LAB 50.9, -38.67, 19.2

 

CMYK 66 / 0 / 18 / 46

HEX #2F8970

RGB 47 137 112

HSL 163.33, 0.49%, 0.36%

LAB 51.46, -32.87, 5.66

 

CMYK 42 / 0 / 66 / 46

HEX #4F892F

RGB 79 137 47

HSL 98.67, 0.49%, 0.36%

LAB 51.56, -35.72, 41.09

 

CMYK 51 / 0 / 79 / 40

HEX #4B9820

RGB 75 152 32

HSL 98.5, 0.65%, 0.36%

LAB 56.14, -44.48, 51.59

 

CMYK 57 / 0 / 90 / 35

HEX #47A611

RGB 71 166 17

HSL 98.26, 0.81%, 0.36%

LAB 60.47, -51.63, 59.29

 

CMYK 63 / 0 / 99 / 29

HEX #43B502

RGB 67 181 2

HSL 98.21, 0.98%, 0.36%

LAB 65.16, -58.23, 65.22

 

CMYK 42 / 0 / 66 / 46

HEX #4F892F

RGB 79 137 47

HSL 98.67, 0.49%, 0.36%

LAB 51.56, -35.72, 41.09

 

CMYK 32 / 0 / 49 / 52

HEX #537A3E

RGB 83 122 62

HSL 99, 0.33%, 0.36%

LAB 47.11, -25.49, 28.45

 

CMYK 18 / 0 / 28 / 58

HEX #586B4D

RGB 88 107 77

HSL 98, 0.16%, 0.36%

LAB 42.95, -13.27, 14.54

 

CMYK 0 / 0 / 1 / 64

HEX #5C5C5B

RGB 92 92 91

HSL 60, 0.01%, 0.36%

LAB 39.04, -0.21, 0.57

 

CMYK 9 / 27 / 0 / 58

HEX #604D6A

RGB 96 77 106

HSL 279.31, 0.16%, 0.36%

LAB 35.66, 13.97, -13.78

 

CMYK 7 / 0 / 66 / 46

HEX #80892F

RGB 128 137 47

HSL 66, 0.49%, 0.36%

LAB 54.75, -15.91, 45.45

 

CMYK 24 / 0 / 66 / 46

HEX #68892F

RGB 104 137 47

HSL 82, 0.49%, 0.36%

LAB 52.99, -26.18, 43.05

 

CMYK 42 / 0 / 66 / 46

HEX #50892F

RGB 80 137 47

HSL 98, 0.49%, 0.36%

LAB 51.61, -35.37, 41.15

 

CMYK 59 / 0 / 66 / 46

HEX #38892F

RGB 56 137 47

HSL 114, 0.49%, 0.36%

LAB 50.61, -42.81, 39.77

 

CMYK 66 / 0 / 55 / 46

HEX #2F893E

RGB 47 137 62

HSL 130, 0.49%, 0.36%

LAB 50.5, -43.08, 32.26

 

CMYK 41 / 0 / 65 / 71

HEX #2C4B1A

RGB 44 75 26

HSL 97.96, 0.49%, 0.2%

LAB 28.49, -21.69, 25.12

 

CMYK 42 / 0 / 66 / 58

HEX #3D6A24

RGB 61 106 36

HSL 98.57, 0.49%, 0.28%

LAB 40.29, -29.16, 33.55

 

CMYK 42 / 0 / 66 / 46

HEX #4F892F

RGB 79 137 47

HSL 98.67, 0.49%, 0.36%

LAB 51.56, -35.72, 41.09

 

CMYK 42 / 0 / 66 / 34

HEX #61A839

RGB 97 168 57

HSL 98.38, 0.49%, 0.44%

LAB 62.37, -42.06, 48.7

 

CMYK 40 / 0 / 62 / 24

HEX #74C149

RGB 116 193 73

HSL 98.5, 0.49%, 0.52%

LAB 71.1, -44.83, 51.62

 

CMYK 42 / 0 / 65 / 47

HEX #4F882F

RGB 79 136 47

HSL 98.43, 0.49%, 0.36%

LAB 51.24, -35.27, 40.73

 

CMYK 66 / 0 / 11 / 46

HEX #2F897A

RGB 47 137 122

HSL 170, 0.49%, 0.36%

LAB 51.72, -30.2, 0.24

 

CMYK 0 / 66 / 15 / 46

HEX #892F74

RGB 137 47 116

HSL 314, 0.49%, 0.36%

LAB 35.23, 46.27, -20.26

 

CMYK 42 / 0 / 65 / 47

HEX #4F882F

RGB 79 136 47

HSL 98.43, 0.49%, 0.36%

LAB 51.24, -35.27, 40.73

 

CMYK 66 / 42 / 0 / 46

HEX #2F5089

RGB 47 80 137

HSL 218, 0.49%, 0.36%

LAB 34.29, 7.33, -35.42

 

CMYK 0 / 66 / 42 / 46

HEX #892F50

RGB 137 47 80

HSL 338, 0.49%, 0.36%

LAB 33.84, 41.34, 0.63

 

CMYK 42 / 0 / 65 / 47

HEX #4F882F

RGB 79 136 47

HSL 98.43, 0.49%, 0.36%

LAB 51.24, -35.27, 40.73

 

CMYK 66 / 0 / 11 / 46

HEX #2F897A

RGB 47 137 122

HSL 170, 0.49%, 0.36%

LAB 51.72, -30.2, 0.24

 

CMYK 24 / 66 / 0 / 46

HEX #682F89

RGB 104 47 137

HSL 278, 0.49%, 0.36%

LAB 31.31, 41.52, -39.89

 

CMYK 0 / 66 / 55 / 46

HEX #892F3E

RGB 137 47 62

HSL 350, 0.49%, 0.36%

LAB 33.35, 39.53, 11.6

 

CMYK 42 / 0 / 65 / 47

HEX #4F882F

RGB 79 136 47

HSL 98.43, 0.49%, 0.36%

LAB 51.24, -35.27, 40.73

 

CMYK 66 / 9 / 0 / 46

HEX #2F7D89

RGB 47 125 137

HSL 188, 0.49%, 0.36%

LAB 48.36, -19.65, -13.56

 

CMYK 24 / 66 / 0 / 46

HEX #682F89

RGB 104 47 137

HSL 278, 0.49%, 0.36%

LAB 31.31, 41.52, -39.89

 

CMYK 0 / 57 / 66 / 46

HEX #893B2F

RGB 137 59 47

HSL 8, 0.49%, 0.36%

LAB 35.3, 32.41, 23.64

 

Description

Color code: HEX #4F882F | qconv.com Color code: HEX #4F882F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 136 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 136 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 65 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 65% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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