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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4F8228 it is the complementary color #B07DD7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4F8228. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4F8228 shade: #548223, #659436, #76A649, #87B85C and #98CA6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4F8228. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4F8228 shade: #4F8228, #3E7015, #2D5E02, #1C4C00 and #0B3A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4F8228 shade: #4E8128, #668128, #7E8128, #816B28 and #815328

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4F8228 shade: #4E8128, #368128, #288131, #288149 and #288161

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4F8228 shade matches the following richer shades: #4E8128, #4C8E1A and #4B9C0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4F8228 shade: #4E8128, #507335, #526643, #545850 and #554A5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4F8228 shade: #7E8128, #668128, #4E8128, #368128 and #288130

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4F8228 shade: #284214, #3B611E, #4E8128, #61A031 and #75C03B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4F8228 shade: #4F8228, #28816C and #812872

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4F8228 shade: #4F8228, #284E81 and #81284E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4F8228 shade: #4F8228, #28816C, #5A2881 and #81283C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4F8228 shade: #4F8228, #287B81, #5A2881 and #812D28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 69 / 49

HEX #4F8228

RGB 79 130 40

HSL 94, 0.53%, 0.33%

LAB 49.23, -33.22, 41.67

 

Complementary color

CMYK 18 / 42 / 0 / 16

HEX #B07DD7

RGB 176 125 215

HSL 274, 0.53%, 0.67%

LAB 60.61, 36.53, -38.76

 

CMYK 35 / 0 / 73 / 49

HEX #548223

RGB 84 130 35

HSL 89.05, 0.58%, 0.32%

LAB 49.46, -31.73, 44.08

 

CMYK 32 / 0 / 64 / 42

HEX #659436

RGB 101 148 54

HSL 90, 0.47%, 0.4%

LAB 56.3, -32.03, 43.45

 

CMYK 29 / 0 / 56 / 35

HEX #76A649

RGB 118 166 73

HSL 90.97, 0.39%, 0.47%

LAB 63.02, -32.15, 42.45

 

CMYK 27 / 0 / 50 / 28

HEX #87B85C

RGB 135 184 92

HSL 91.96, 0.39%, 0.54%

LAB 69.61, -32.18, 41.3

 

CMYK 25 / 0 / 45 / 21

HEX #98CA6F

RGB 152 202 111

HSL 92.97, 0.46%, 0.61%

LAB 76.11, -32.14, 40.12

 

CMYK 39 / 0 / 69 / 49

HEX #4F8228

RGB 79 130 40

HSL 94, 0.53%, 0.33%

LAB 49.23, -33.22, 41.67

 

CMYK 45 / 0 / 81 / 56

HEX #3E7015

RGB 62 112 21

HSL 92.97, 0.68%, 0.26%

LAB 42.26, -32.75, 41.85

 

CMYK 52 / 0 / 98 / 63

HEX #2D5E02

RGB 45 94 2

HSL 91.96, 0.96%, 0.19%

LAB 35.14, -31.89, 40.84

 

CMYK 63 / 0 / 100 / 70

HEX #1C4C00

RGB 28 76 0

HSL 97.89, 1%, 0.15%

LAB 27.89, -30.05, 35.44

 

CMYK 81 / 0 / 100 / 77

HEX #0B3A00

RGB 11 58 0

HSL 108.62, 1%, 0.11%

LAB 20.43, -27.53, 27.92

 

CMYK 40 / 0 / 69 / 49

HEX #4E8128

RGB 78 129 40

HSL 94.38, 0.53%, 0.33%

LAB 48.85, -33.13, 41.26

 

CMYK 21 / 0 / 69 / 49

HEX #668128

RGB 102 129 40

HSL 78.2, 0.53%, 0.33%

LAB 50.31, -23.57, 43.23

 

CMYK 2 / 0 / 69 / 49

HEX #7E8128

RGB 126 129 40

HSL 62.02, 0.53%, 0.33%

LAB 52.16, -12.99, 45.73

 

CMYK 0 / 17 / 69 / 49

HEX #816B28

RGB 129 107 40

HSL 45.17, 0.53%, 0.33%

LAB 46.09, 0.72, 39.51

 

CMYK 0 / 36 / 69 / 49

HEX #815328

RGB 129 83 40

HSL 28.99, 0.53%, 0.33%

LAB 39.59, 14.85, 32.43

 

CMYK 40 / 0 / 69 / 49

HEX #4E8128

RGB 78 129 40

HSL 94.38, 0.53%, 0.33%

LAB 48.85, -33.13, 41.26

 

CMYK 58 / 0 / 69 / 49

HEX #368128

RGB 54 129 40

HSL 110.56, 0.53%, 0.33%

LAB 47.8, -40.91, 39.82

 

CMYK 69 / 0 / 62 / 49

HEX #288131

RGB 40 129 49

HSL 126.07, 0.53%, 0.33%

LAB 47.46, -43.3, 35.14

 

CMYK 69 / 0 / 43 / 49

HEX #288149

RGB 40 129 73

HSL 142.25, 0.53%, 0.33%

LAB 47.79, -39.5, 22.9

 

CMYK 69 / 0 / 25 / 49

HEX #288161

RGB 40 129 97

HSL 158.43, 0.53%, 0.33%

LAB 48.28, -34.27, 9.83

 

CMYK 40 / 0 / 69 / 49

HEX #4E8128

RGB 78 129 40

HSL 94.38, 0.53%, 0.33%

LAB 48.85, -33.13, 41.26

 

CMYK 46 / 0 / 82 / 44

HEX #4C8E1A

RGB 76 142 26

HSL 94.14, 0.69%, 0.33%

LAB 52.9, -40.44, 50.45

 

CMYK 52 / 0 / 92 / 39

HEX #4B9C0C

RGB 75 156 12

HSL 93.75, 0.86%, 0.33%

LAB 57.37, -46.9, 57.61

 

CMYK 40 / 0 / 69 / 49

HEX #4E8128

RGB 78 129 40

HSL 94.38, 0.53%, 0.33%

LAB 48.85, -33.13, 41.26

 

CMYK 30 / 0 / 54 / 55

HEX #507335

RGB 80 115 53

HSL 93.87, 0.37%, 0.33%

LAB 44.55, -24.32, 30.1

 

CMYK 20 / 0 / 34 / 60

HEX #526643

RGB 82 102 67

HSL 94.29, 0.21%, 0.33%

LAB 40.74, -14.62, 17.39

 

CMYK 5 / 0 / 9 / 65

HEX #545850

RGB 84 88 80

HSL 90, 0.05%, 0.33%

LAB 36.82, -3.28, 4.09

 

CMYK 10 / 21 / 0 / 63

HEX #554A5E

RGB 85 74 94

HSL 273, 0.12%, 0.33%

LAB 33.22, 8.94, -10.04

 

CMYK 2 / 0 / 69 / 49

HEX #7E8128

RGB 126 129 40

HSL 62.02, 0.53%, 0.33%

LAB 52.16, -12.99, 45.73

 

CMYK 21 / 0 / 69 / 49

HEX #668128

RGB 102 129 40

HSL 78.2, 0.53%, 0.33%

LAB 50.31, -23.57, 43.23

 

CMYK 40 / 0 / 69 / 49

HEX #4E8128

RGB 78 129 40

HSL 94.38, 0.53%, 0.33%

LAB 48.85, -33.13, 41.26

 

CMYK 58 / 0 / 69 / 49

HEX #368128

RGB 54 129 40

HSL 110.56, 0.53%, 0.33%

LAB 47.8, -40.91, 39.82

 

CMYK 69 / 0 / 63 / 49

HEX #288130

RGB 40 129 48

HSL 125.39, 0.53%, 0.33%

LAB 47.45, -43.43, 35.61

 

CMYK 39 / 0 / 70 / 74

HEX #284214

RGB 40 66 20

HSL 93.91, 0.53%, 0.17%

LAB 24.95, -19.37, 24.25

 

CMYK 39 / 0 / 69 / 62

HEX #3B611E

RGB 59 97 30

HSL 94.03, 0.53%, 0.25%

LAB 37.06, -26.24, 32.86

 

CMYK 40 / 0 / 69 / 49

HEX #4E8128

RGB 78 129 40

HSL 94.38, 0.53%, 0.33%

LAB 48.85, -33.13, 41.26

 

CMYK 39 / 0 / 69 / 37

HEX #61A031

RGB 97 160 49

HSL 94.05, 0.53%, 0.41%

LAB 59.8, -39.31, 49.3

 

CMYK 39 / 0 / 69 / 25

HEX #75C03B

RGB 117 192 59

HSL 93.83, 0.53%, 0.49%

LAB 70.73, -45.26, 57

 

CMYK 39 / 0 / 69 / 49

HEX #4F8228

RGB 79 130 40

HSL 94, 0.53%, 0.33%

LAB 49.23, -33.22, 41.67

 

CMYK 69 / 0 / 16 / 49

HEX #28816C

RGB 40 129 108

HSL 165.84, 0.53%, 0.33%

LAB 48.55, -31.44, 3.79

 

CMYK 0 / 69 / 12 / 49

HEX #812872

RGB 129 40 114

HSL 310.11, 0.53%, 0.33%

LAB 32.7, 46.7, -23.03

 

CMYK 39 / 0 / 69 / 49

HEX #4F8228

RGB 79 130 40

HSL 94, 0.53%, 0.33%

LAB 49.23, -33.22, 41.67

 

CMYK 69 / 40 / 0 / 49

HEX #284E81

RGB 40 78 129

HSL 214.38, 0.53%, 0.33%

LAB 32.89, 4.33, -32.74

 

CMYK 0 / 69 / 40 / 49

HEX #81284E

RGB 129 40 78

HSL 334.38, 0.53%, 0.33%

LAB 31.2, 41.61, -2.11

 

CMYK 39 / 0 / 69 / 49

HEX #4F8228

RGB 79 130 40

HSL 94, 0.53%, 0.33%

LAB 49.23, -33.22, 41.67

 

CMYK 69 / 0 / 16 / 49

HEX #28816C

RGB 40 129 108

HSL 165.84, 0.53%, 0.33%

LAB 48.55, -31.44, 3.79

 

CMYK 30 / 69 / 0 / 49

HEX #5A2881

RGB 90 40 129

HSL 273.71, 0.53%, 0.33%

LAB 27.51, 39.84, -41.12

 

CMYK 0 / 69 / 53 / 49

HEX #81283C

RGB 129 40 60

HSL 346.52, 0.53%, 0.33%

LAB 30.67, 39.73, 8.98

 

CMYK 39 / 0 / 69 / 49

HEX #4F8228

RGB 79 130 40

HSL 94, 0.53%, 0.33%

LAB 49.23, -33.22, 41.67

 

CMYK 69 / 5 / 0 / 49

HEX #287B81

RGB 40 123 129

HSL 184.04, 0.53%, 0.33%

LAB 47.24, -22.3, -10.54

 

CMYK 30 / 69 / 0 / 49

HEX #5A2881

RGB 90 40 129

HSL 273.71, 0.53%, 0.33%

LAB 27.51, 39.84, -41.12

 

CMYK 0 / 65 / 69 / 49

HEX #812D28

RGB 129 45 40

HSL 3.37, 0.53%, 0.33%

LAB 31.11, 35.91, 22.52

 

Description

Color code: HEX #4F8228 | qconv.com Color code: HEX #4F8228 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 130 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 130 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 69 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 69% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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