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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4F7BEF it is the complementary color #B08410. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4F7BEF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4F7BEF shade: #547BEA, #658DFD, #769FFF, #87B1FF and #98C3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4F7BEF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4F7BEF shade: #4F7BEF, #3E69DC, #2D57C9, #1C45B6 and #0B33A3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4F7BEF shade: #4E7AEF, #4E4FEF, #784EEF, #A44EEF and #CF4EEF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4F7BEF shade: #4E7AEF, #4E4FEF and #4E4EEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4F7BEF shade matches the following richer shades: #4E7AEF and #3E73FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4F7BEF shade: #4E7AEF, #5D81DF, #6D88CF, #7D8FBF and #8C96B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4F7BEF shade: #4ED1EF, #4EA6EF, #4E7BEF, #4E50EF and #764EEF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4F7BEF shade: #1449D6, #285EEB, #4E7AEF, #7396F2 and #99B3F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4F7BEF shade: #4F7BEF, #E14EEF and #BCEF4E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4F7BEF shade: #4F7BEF, #EF4E7B and #7BEF4E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4F7BEF shade: #4F7BEF, #E14EEF, #EFC14E and #5BEF4E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4F7BEF shade: #4F7BEF, #EF4ECC, #EFC14E and #4EEF71

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 49 / 0 / 6

HEX #4F7BEF

RGB 79 123 239

HSL 223.5, 0.83%, 0.62%

LAB 54.09, 21.99, -62.99

 

Complementary color

CMYK 0 / 25 / 91 / 31

HEX #B08410

RGB 176 132 16

HSL 43.5, 0.83%, 0.38%

LAB 57.82, 7.43, 60.34

 

CMYK 64 / 47 / 0 / 8

HEX #547BEA

RGB 84 123 234

HSL 224.4, 0.78%, 0.62%

LAB 54.02, 21.06, -60.3

 

CMYK 60 / 44 / 0 / 1

HEX #658DFD

RGB 101 141 253

HSL 224.21, 0.97%, 0.69%

LAB 60.7, 19.47, -60.06

 

CMYK 54 / 38 / 0 / 0

HEX #769FFF

RGB 118 159 255

HSL 222.04, 1%, 0.73%

LAB 66.42, 12.83, -52

 

CMYK 47 / 31 / 0 / 0

HEX #87B1FF

RGB 135 177 255

HSL 219, 1%, 0.76%

LAB 72.1, 6.33, -42.99

 

CMYK 40 / 24 / 0 / 0

HEX #98C3FF

RGB 152 195 255

HSL 214.95, 1%, 0.8%

LAB 77.83, 0.56, -34.02

 

CMYK 67 / 49 / 0 / 6

HEX #4F7BEF

RGB 79 123 239

HSL 223.5, 0.83%, 0.62%

LAB 54.09, 21.99, -62.99

 

CMYK 72 / 52 / 0 / 14

HEX #3E69DC

RGB 62 105 220

HSL 223.67, 0.69%, 0.55%

LAB 47.36, 24.08, -63.21

 

CMYK 78 / 57 / 0 / 21

HEX #2D57C9

RGB 45 87 201

HSL 223.85, 0.63%, 0.48%

LAB 40.56, 26.61, -63.39

 

CMYK 85 / 62 / 0 / 29

HEX #1C45B6

RGB 28 69 182

HSL 224.03, 0.73%, 0.41%

LAB 33.73, 29.67, -63.44

 

CMYK 93 / 69 / 0 / 36

HEX #0B33A3

RGB 11 51 163

HSL 224.21, 0.87%, 0.34%

LAB 26.97, 33.29, -63.19

 

CMYK 67 / 49 / 0 / 6

HEX #4E7AEF

RGB 78 122 239

HSL 223.6, 0.83%, 0.62%

LAB 53.78, 22.46, -63.48

 

CMYK 67 / 67 / 0 / 6

HEX #4E4FEF

RGB 78 79 239

HSL 239.63, 0.83%, 0.62%

LAB 43.42, 48.6, -80.33

 

CMYK 50 / 67 / 0 / 6

HEX #784EEF

RGB 120 78 239

HSL 255.65, 0.83%, 0.62%

LAB 46.54, 55.2, -75.09

 

CMYK 31 / 67 / 0 / 6

HEX #A44EEF

RGB 164 78 239

HSL 272.05, 0.83%, 0.62%

LAB 51.35, 63.28, -67.06

 

CMYK 13 / 67 / 0 / 6

HEX #CF4EEF

RGB 207 78 239

HSL 288.07, 0.83%, 0.62%

LAB 57.02, 72.14, -57.64

 

CMYK 67 / 49 / 0 / 6

HEX #4E7AEF

RGB 78 122 239

HSL 223.6, 0.83%, 0.62%

LAB 53.78, 22.46, -63.48

 

CMYK 67 / 67 / 0 / 6

HEX #4E4FEF

RGB 78 79 239

HSL 239.63, 0.83%, 0.62%

LAB 43.42, 48.6, -80.33

 

CMYK 67 / 67 / 0 / 6

HEX #4E4EEF

RGB 78 78 239

HSL 240, 0.83%, 0.62%

LAB 43.21, 49.17, -80.68

 

CMYK 67 / 49 / 0 / 6

HEX #4E7AEF

RGB 78 122 239

HSL 223.6, 0.83%, 0.62%

LAB 53.78, 22.46, -63.48

 

CMYK 76 / 55 / 0 / 0

HEX #3E73FE

RGB 62 115 254

HSL 223.44, 0.99%, 0.62%

LAB 52.33, 30.07, -74.19

 

CMYK 67 / 49 / 0 / 6

HEX #4E7AEF

RGB 78 122 239

HSL 223.6, 0.83%, 0.62%

LAB 53.78, 22.46, -63.48

 

CMYK 58 / 42 / 0 / 13

HEX #5D81DF

RGB 93 129 223

HSL 223.38, 0.67%, 0.62%

LAB 55.44, 15.34, -51.85

 

CMYK 47 / 34 / 0 / 19

HEX #6D88CF

RGB 109 136 207

HSL 223.47, 0.51%, 0.62%

LAB 57.43, 9.62, -39.65

 

CMYK 35 / 25 / 0 / 25

HEX #7D8FBF

RGB 125 143 191

HSL 223.64, 0.34%, 0.62%

LAB 59.68, 5.24, -27.04

 

CMYK 20 / 15 / 0 / 31

HEX #8C96B0

RGB 140 150 176

HSL 223.33, 0.19%, 0.62%

LAB 62.1, 2.1, -14.76

 

CMYK 67 / 13 / 0 / 6

HEX #4ED1EF

RGB 78 209 239

HSL 191.18, 0.83%, 0.62%

LAB 78.14, -26.39, -25.24

 

CMYK 67 / 31 / 0 / 6

HEX #4EA6EF

RGB 78 166 239

HSL 207.2, 0.83%, 0.62%

LAB 65.85, -3.65, -44.29

 

CMYK 67 / 49 / 0 / 6

HEX #4E7BEF

RGB 78 123 239

HSL 223.23, 0.83%, 0.62%

LAB 54.05, 21.84, -63.06

 

CMYK 67 / 67 / 0 / 6

HEX #4E50EF

RGB 78 80 239

HSL 239.25, 0.83%, 0.62%

LAB 43.64, 48.02, -79.98

 

CMYK 51 / 67 / 0 / 6

HEX #764EEF

RGB 118 78 239

HSL 254.91, 0.83%, 0.62%

LAB 46.35, 54.87, -75.41

 

CMYK 91 / 66 / 0 / 16

HEX #1449D6

RGB 20 73 214

HSL 223.61, 0.83%, 0.46%

LAB 37.42, 38.77, -76.05

 

CMYK 83 / 60 / 0 / 8

HEX #285EEB

RGB 40 94 235

HSL 223.38, 0.83%, 0.54%

LAB 44.88, 34.36, -75.76

 

CMYK 67 / 49 / 0 / 6

HEX #4E7AEF

RGB 78 122 239

HSL 223.6, 0.83%, 0.62%

LAB 53.78, 22.46, -63.48

 

CMYK 52 / 38 / 0 / 5

HEX #7396F2

RGB 115 150 242

HSL 223.46, 0.83%, 0.7%

LAB 63.23, 13.42, -49.94

 

CMYK 38 / 27 / 0 / 4

HEX #99B3F6

RGB 153 179 246

HSL 223.23, 0.84%, 0.78%

LAB 73.33, 7.22, -36.14

 

CMYK 67 / 49 / 0 / 6

HEX #4F7BEF

RGB 79 123 239

HSL 223.5, 0.83%, 0.62%

LAB 54.09, 21.99, -62.99

 

CMYK 6 / 67 / 0 / 6

HEX #E14EEF

RGB 225 78 239

HSL 294.78, 0.83%, 0.62%

LAB 59.61, 76, -53.37

 

CMYK 21 / 0 / 67 / 6

HEX #BCEF4E

RGB 188 239 78

HSL 79.01, 0.83%, 0.62%

LAB 88.44, -38.66, 69.29

 

CMYK 67 / 49 / 0 / 6

HEX #4F7BEF

RGB 79 123 239

HSL 223.5, 0.83%, 0.62%

LAB 54.09, 21.99, -62.99

 

CMYK 0 / 67 / 49 / 6

HEX #EF4E7B

RGB 239 78 123

HSL 343.23, 0.83%, 0.62%

LAB 57.3, 64.58, 10.09

 

CMYK 49 / 0 / 67 / 6

HEX #7BEF4E

RGB 123 239 78

HSL 103.23, 0.83%, 0.62%

LAB 85.25, -60.44, 64.98

 

CMYK 67 / 49 / 0 / 6

HEX #4F7BEF

RGB 79 123 239

HSL 223.5, 0.83%, 0.62%

LAB 54.09, 21.99, -62.99

 

CMYK 6 / 67 / 0 / 6

HEX #E14EEF

RGB 225 78 239

HSL 294.78, 0.83%, 0.62%

LAB 59.61, 76, -53.37

 

CMYK 0 / 19 / 67 / 6

HEX #EFC14E

RGB 239 193 78

HSL 42.86, 0.83%, 0.62%

LAB 80.2, 4.6, 61.97

 

CMYK 62 / 0 / 67 / 6

HEX #5BEF4E

RGB 91 239 78

HSL 115.16, 0.83%, 0.62%

LAB 84.23, -68.41, 63.59

 

CMYK 67 / 49 / 0 / 6

HEX #4F7BEF

RGB 79 123 239

HSL 223.5, 0.83%, 0.62%

LAB 54.09, 21.99, -62.99

 

CMYK 0 / 67 / 15 / 6

HEX #EF4ECC

RGB 239 78 204

HSL 313.04, 0.83%, 0.62%

LAB 60.03, 73.79, -32.85

 

CMYK 0 / 19 / 67 / 6

HEX #EFC14E

RGB 239 193 78

HSL 42.86, 0.83%, 0.62%

LAB 80.2, 4.6, 61.97

 

CMYK 67 / 0 / 53 / 6

HEX #4EEF71

RGB 78 239 113

HSL 133.04, 0.83%, 0.62%

LAB 84.25, -67.06, 48.55

 

Description

Color code: HEX #4F7BEF | qconv.com Color code: HEX #4F7BEF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 123 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 123 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 49 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 49% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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