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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4F73BA it is the complementary color #B08C45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4F73BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4F73BA shade: #5473B5, #6585C8, #7697DB, #87A9EE and #98BBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4F73BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4F73BA shade: #4F73BA, #3E61A7, #2D4F94, #1C3D81 and #0B2B6E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4F73BA shade: #4F73BA, #4F56BA, #654FBA, #824FBA and #9F4FBA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4F73BA shade: #4F73BA, #4F56BA and #4F4FBA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4F73BA shade matches the following richer shades: #4F73BA, #3B6DCE, #2766E2 and #1360F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4F73BA shade: #4F73BA, #6379A7, #768093, #8A867F and #9E8D6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4F73BA shade: #4FAEBA, #4F91BA, #4F74BA, #4F58BA and #624FBA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4F73BA shade: #334E84, #3F60A1, #4F73BA, #6C8BC6 and #8AA2D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4F73BA shade: #4F73BA, #AA4FBA and #A0BA4F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4F73BA shade: #4F73BA, #BA4F74 and #74BA4F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4F73BA shade: #4F73BA, #AA4FBA, #BA954F and #5FBA4F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4F73BA shade: #4F73BA, #BA4FAA, #BA954F and #4FBA5F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 38 / 0 / 27

HEX #4F73BA

RGB 79 115 186

HSL 219.81, 0.44%, 0.52%

LAB 48.85, 8.78, -41.32

 

Complementary color

CMYK 0 / 20 / 61 / 31

HEX #B08C45

RGB 176 140 69

HSL 39.81, 0.44%, 0.48%

LAB 60.26, 5.38, 42.41

 

CMYK 54 / 36 / 0 / 29

HEX #5473B5

RGB 84 115 181

HSL 220.82, 0.4%, 0.52%

LAB 48.86, 8.23, -38.39

 

CMYK 50 / 34 / 0 / 22

HEX #6585C8

RGB 101 133 200

HSL 220.61, 0.47%, 0.59%

LAB 55.8, 7.34, -38.29

 

CMYK 46 / 31 / 0 / 14

HEX #7697DB

RGB 118 151 219

HSL 220.4, 0.58%, 0.66%

LAB 62.59, 6.61, -38.23

 

CMYK 43 / 29 / 0 / 7

HEX #87A9EE

RGB 135 169 238

HSL 220.19, 0.75%, 0.73%

LAB 69.26, 6, -38.21

 

CMYK 40 / 27 / 0 / 0

HEX #98BBFF

RGB 152 187 255

HSL 219.61, 1%, 0.8%

LAB 75.72, 4.94, -37.28

 

CMYK 58 / 38 / 0 / 27

HEX #4F73BA

RGB 79 115 186

HSL 219.81, 0.44%, 0.52%

LAB 48.85, 8.78, -41.32

 

CMYK 63 / 42 / 0 / 35

HEX #3E61A7

RGB 62 97 167

HSL 220, 0.46%, 0.45%

LAB 41.79, 10.08, -41.48

 

CMYK 70 / 47 / 0 / 42

HEX #2D4F94

RGB 45 79 148

HSL 220.19, 0.53%, 0.38%

LAB 34.58, 11.77, -41.67

 

CMYK 78 / 53 / 0 / 49

HEX #1C3D81

RGB 28 61 129

HSL 220.4, 0.64%, 0.31%

LAB 27.21, 14.04, -41.86

 

CMYK 90 / 61 / 0 / 57

HEX #0B2B6E

RGB 11 43 110

HSL 220.61, 0.82%, 0.24%

LAB 19.74, 17.16, -41.94

 

CMYK 58 / 38 / 0 / 27

HEX #4F73BA

RGB 79 115 186

HSL 219.81, 0.44%, 0.52%

LAB 48.85, 8.78, -41.32

 

CMYK 58 / 54 / 0 / 27

HEX #4F56BA

RGB 79 86 186

HSL 236.07, 0.44%, 0.52%

LAB 41, 26.99, -53.87

 

CMYK 46 / 58 / 0 / 27

HEX #654FBA

RGB 101 79 186

HSL 252.34, 0.44%, 0.52%

LAB 41.06, 35.89, -53.68

 

CMYK 30 / 58 / 0 / 27

HEX #824FBA

RGB 130 79 186

HSL 268.6, 0.44%, 0.52%

LAB 44.06, 42.72, -48.69

 

CMYK 15 / 58 / 0 / 27

HEX #9F4FBA

RGB 159 79 186

HSL 284.86, 0.44%, 0.52%

LAB 47.63, 50.11, -42.79

 

CMYK 58 / 38 / 0 / 27

HEX #4F73BA

RGB 79 115 186

HSL 219.81, 0.44%, 0.52%

LAB 48.85, 8.78, -41.32

 

CMYK 58 / 54 / 0 / 27

HEX #4F56BA

RGB 79 86 186

HSL 236.07, 0.44%, 0.52%

LAB 41, 26.99, -53.87

 

CMYK 58 / 58 / 0 / 27

HEX #4F4FBA

RGB 79 79 186

HSL 240, 0.44%, 0.52%

LAB 39.24, 31.39, -56.71

 

CMYK 58 / 38 / 0 / 27

HEX #4F73BA

RGB 79 115 186

HSL 219.81, 0.44%, 0.52%

LAB 48.85, 8.78, -41.32

 

CMYK 71 / 47 / 0 / 19

HEX #3B6DCE

RGB 59 109 206

HSL 219.59, 0.6%, 0.52%

LAB 47.4, 16.05, -55.19

 

CMYK 83 / 55 / 0 / 11

HEX #2766E2

RGB 39 102 226

HSL 219.79, 0.76%, 0.52%

LAB 46.21, 25.81, -68.51

 

CMYK 92 / 61 / 0 / 4

HEX #1360F6

RGB 19 96 246

HSL 219.65, 0.93%, 0.52%

LAB 45.85, 36.09, -80.36

 

CMYK 58 / 38 / 0 / 27

HEX #4F73BA

RGB 79 115 186

HSL 219.81, 0.44%, 0.52%

LAB 48.85, 8.78, -41.32

 

CMYK 41 / 28 / 0 / 35

HEX #6379A7

RGB 99 121 167

HSL 220.59, 0.28%, 0.52%

LAB 50.82, 4.1, -27.12

 

CMYK 20 / 13 / 0 / 42

HEX #768093

RGB 118 128 147

HSL 219.31, 0.12%, 0.52%

LAB 53.38, 0.59, -11.46

 

CMYK 0 / 3 / 8 / 46

HEX #8A867F

RGB 138 134 127

HSL 38.18, 0.04%, 0.52%

LAB 56.07, 0.18, 4.29

 

CMYK 0 / 11 / 32 / 38

HEX #9E8D6B

RGB 158 141 107

HSL 40, 0.21%, 0.52%

LAB 59.32, 1.06, 20.49

 

CMYK 58 / 6 / 0 / 27

HEX #4FAEBA

RGB 79 174 186

HSL 186.73, 0.44%, 0.52%

LAB 66.12, -24.38, -14.61

 

CMYK 58 / 22 / 0 / 27

HEX #4F91BA

RGB 79 145 186

HSL 202.99, 0.44%, 0.52%

LAB 57.52, -8.91, -27.75

 

CMYK 58 / 38 / 0 / 27

HEX #4F74BA

RGB 79 116 186

HSL 219.25, 0.44%, 0.52%

LAB 49.13, 8.17, -40.88

 

CMYK 58 / 53 / 0 / 27

HEX #4F58BA

RGB 79 88 186

HSL 234.95, 0.44%, 0.52%

LAB 41.51, 25.73, -53.04

 

CMYK 47 / 58 / 0 / 27

HEX #624FBA

RGB 98 79 186

HSL 250.65, 0.44%, 0.52%

LAB 40.79, 35.24, -54.13

 

CMYK 61 / 41 / 0 / 48

HEX #334E84

RGB 51 78 132

HSL 220, 0.44%, 0.36%

LAB 33.6, 7.62, -33.42

 

CMYK 61 / 40 / 0 / 37

HEX #3F60A1

RGB 63 96 161

HSL 219.8, 0.44%, 0.44%

LAB 41.21, 8.8, -38.84

 

CMYK 58 / 38 / 0 / 27

HEX #4F73BA

RGB 79 115 186

HSL 219.81, 0.44%, 0.52%

LAB 48.85, 8.78, -41.32

 

CMYK 45 / 30 / 0 / 22

HEX #6C8BC6

RGB 108 139 198

HSL 219.33, 0.44%, 0.6%

LAB 57.78, 4.92, -34.02

 

CMYK 34 / 23 / 0 / 18

HEX #8AA2D2

RGB 138 162 210

HSL 220, 0.44%, 0.68%

LAB 66.44, 3.15, -27.17

 

CMYK 58 / 38 / 0 / 27

HEX #4F73BA

RGB 79 115 186

HSL 219.81, 0.44%, 0.52%

LAB 48.85, 8.78, -41.32

 

CMYK 9 / 58 / 0 / 27

HEX #AA4FBA

RGB 170 79 186

HSL 291.03, 0.44%, 0.52%

LAB 49.11, 52.98, -40.36

 

CMYK 14 / 0 / 58 / 27

HEX #A0BA4F

RGB 160 186 79

HSL 74.58, 0.44%, 0.52%

LAB 71.66, -24.77, 50.28

 

CMYK 58 / 38 / 0 / 27

HEX #4F73BA

RGB 79 115 186

HSL 219.81, 0.44%, 0.52%

LAB 48.85, 8.78, -41.32

 

CMYK 0 / 58 / 38 / 27

HEX #BA4F74

RGB 186 79 116

HSL 339.25, 0.44%, 0.52%

LAB 48.63, 46.84, 0.69

 

CMYK 38 / 0 / 58 / 27

HEX #74BA4F

RGB 116 186 79

HSL 99.25, 0.44%, 0.52%

LAB 69.04, -41.25, 46.59

 

CMYK 58 / 38 / 0 / 27

HEX #4F73BA

RGB 79 115 186

HSL 219.81, 0.44%, 0.52%

LAB 48.85, 8.78, -41.32

 

CMYK 9 / 58 / 0 / 27

HEX #AA4FBA

RGB 170 79 186

HSL 291.03, 0.44%, 0.52%

LAB 49.11, 52.98, -40.36

 

CMYK 0 / 20 / 58 / 27

HEX #BA954F

RGB 186 149 79

HSL 39.25, 0.44%, 0.52%

LAB 63.75, 5.55, 41.72

 

CMYK 49 / 0 / 58 / 27

HEX #5FBA4F

RGB 95 186 79

HSL 111.03, 0.44%, 0.52%

LAB 68.11, -47.86, 45.27

 

CMYK 58 / 38 / 0 / 27

HEX #4F73BA

RGB 79 115 186

HSL 219.81, 0.44%, 0.52%

LAB 48.85, 8.78, -41.32

 

CMYK 0 / 58 / 9 / 27

HEX #BA4FAA

RGB 186 79 170

HSL 308.97, 0.44%, 0.52%

LAB 50.61, 54.46, -28.5

 

CMYK 0 / 20 / 58 / 27

HEX #BA954F

RGB 186 149 79

HSL 39.25, 0.44%, 0.52%

LAB 63.75, 5.55, 41.72

 

CMYK 58 / 0 / 49 / 27

HEX #4FBA5F

RGB 79 186 95

HSL 128.97, 0.44%, 0.52%

LAB 67.73, -50.01, 36.92

 

Description

Color code: HEX #4F73BA | qconv.com Color code: HEX #4F73BA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 115 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 115 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 38 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 38% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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