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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4F5E84 it is the complementary color #B0A17B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4F5E84. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4F5E84 shade: #545E7F, #657092, #7682A5, #8794B8 and #98A6CB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4F5E84. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4F5E84 shade: #4F5E84, #3E4C71, #2D3A5E, #1C284B and #0B1638

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4F5E84 shade: #4E5D83, #4E4F83, #5C4E83, #6A4E83 and #784E83

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4F5E84 shade: #4E5D83, #4E4F83 and #4E4E83

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4F5E84 shade matches the following richer shades: #4E5D83, #3D5694, #2D4FA5, #1C47B5 and #0B40C6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4F5E84 shade: #4E5D83, #5F6572, #706C61, #817350 and #927B3F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4F5E84 shade: #4E7983, #4E6B83, #4E5D83, #4E4F83 and #5B4E83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4F5E84 shade: #2F384F, #3F4B69, #4E5D83, #5E709C and #7786AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4F5E84 shade: #4F5E84, #7E4E83 and #72834E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4F5E84 shade: #4F5E84, #834E5D and #5D834E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4F5E84 shade: #4F5E84, #7E4E83, #83744E and #53834E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4F5E84 shade: #4F5E84, #834E77, #83744E and #4E835A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 29 / 0 / 48

HEX #4F5E84

RGB 79 94 132

HSL 223.02, 0.25%, 0.41%

LAB 40.14, 4.55, -23.04

 

Complementary color

CMYK 0 / 9 / 30 / 31

HEX #B0A17B

RGB 176 161 123

HSL 43.02, 0.25%, 0.59%

LAB 66.63, -0.47, 21.81

 

CMYK 34 / 26 / 0 / 50

HEX #545E7F

RGB 84 94 127

HSL 226.05, 0.2%, 0.41%

LAB 40.28, 4.63, -19.74

 

CMYK 31 / 23 / 0 / 43

HEX #657092

RGB 101 112 146

HSL 225.33, 0.18%, 0.48%

LAB 47.53, 4.22, -19.88

 

CMYK 28 / 21 / 0 / 35

HEX #7682A5

RGB 118 130 165

HSL 224.68, 0.21%, 0.55%

LAB 54.59, 3.87, -20.06

 

CMYK 27 / 20 / 0 / 28

HEX #8794B8

RGB 135 148 184

HSL 224.08, 0.26%, 0.63%

LAB 61.47, 3.57, -20.27

 

CMYK 25 / 18 / 0 / 20

HEX #98A6CB

RGB 152 166 203

HSL 223.53, 0.33%, 0.7%

LAB 68.21, 3.3, -20.5

 

CMYK 40 / 29 / 0 / 48

HEX #4F5E84

RGB 79 94 132

HSL 223.02, 0.25%, 0.41%

LAB 40.14, 4.55, -23.04

 

CMYK 45 / 33 / 0 / 56

HEX #3E4C71

RGB 62 76 113

HSL 223.53, 0.29%, 0.34%

LAB 32.67, 5.17, -23.04

 

CMYK 52 / 38 / 0 / 63

HEX #2D3A5E

RGB 45 58 94

HSL 224.08, 0.35%, 0.27%

LAB 24.93, 6.01, -23.13

 

CMYK 63 / 47 / 0 / 71

HEX #1C284B

RGB 28 40 75

HSL 224.68, 0.46%, 0.2%

LAB 16.86, 7.23, -23.33

 

CMYK 80 / 61 / 0 / 78

HEX #0B1638

RGB 11 22 56

HSL 225.33, 0.67%, 0.13%

LAB 8.4, 9.24, -23.64

 

CMYK 40 / 29 / 0 / 49

HEX #4E5D83

RGB 78 93 131

HSL 223.02, 0.25%, 0.41%

LAB 39.73, 4.58, -23.07

 

CMYK 40 / 40 / 0 / 49

HEX #4E4F83

RGB 78 79 131

HSL 238.87, 0.25%, 0.41%

LAB 35.69, 13.49, -29.38

 

CMYK 30 / 40 / 0 / 49

HEX #5C4E83

RGB 92 78 131

HSL 255.85, 0.25%, 0.41%

LAB 36.67, 18.34, -27.75

 

CMYK 19 / 40 / 0 / 49

HEX #6A4E83

RGB 106 78 131

HSL 271.7, 0.25%, 0.41%

LAB 38.11, 22.81, -25.4

 

CMYK 8 / 40 / 0 / 49

HEX #784E83

RGB 120 78 131

HSL 287.55, 0.25%, 0.41%

LAB 39.72, 27.42, -22.78

 

CMYK 40 / 29 / 0 / 49

HEX #4E5D83

RGB 78 93 131

HSL 223.02, 0.25%, 0.41%

LAB 39.73, 4.58, -23.07

 

CMYK 40 / 40 / 0 / 49

HEX #4E4F83

RGB 78 79 131

HSL 238.87, 0.25%, 0.41%

LAB 35.69, 13.49, -29.38

 

CMYK 40 / 40 / 0 / 49

HEX #4E4E83

RGB 78 78 131

HSL 240, 0.25%, 0.41%

LAB 35.41, 14.14, -29.82

 

CMYK 40 / 29 / 0 / 49

HEX #4E5D83

RGB 78 93 131

HSL 223.02, 0.25%, 0.41%

LAB 39.73, 4.58, -23.07

 

CMYK 59 / 42 / 0 / 42

HEX #3D5694

RGB 61 86 148

HSL 222.76, 0.42%, 0.41%

LAB 37.46, 10.24, -37.03

 

CMYK 73 / 52 / 0 / 35

HEX #2D4FA5

RGB 45 79 165

HSL 223, 0.57%, 0.41%

LAB 35.73, 18.24, -50.06

 

CMYK 85 / 61 / 0 / 29

HEX #1C47B5

RGB 28 71 181

HSL 223.14, 0.73%, 0.41%

LAB 34.17, 27.95, -62.14

 

CMYK 94 / 68 / 0 / 22

HEX #0B40C6

RGB 11 64 198

HSL 222.99, 0.89%, 0.41%

LAB 33.59, 38.2, -73.09

 

CMYK 40 / 29 / 0 / 49

HEX #4E5D83

RGB 78 93 131

HSL 223.02, 0.25%, 0.41%

LAB 39.73, 4.58, -23.07

 

CMYK 17 / 11 / 0 / 55

HEX #5F6572

RGB 95 101 114

HSL 221.05, 0.09%, 0.41%

LAB 42.7, 0.66, -8.09

 

CMYK 0 / 4 / 13 / 56

HEX #706C61

RGB 112 108 97

HSL 44, 0.07%, 0.41%

LAB 45.68, -0.53, 6.71

 

CMYK 0 / 11 / 38 / 49

HEX #817350

RGB 129 115 80

HSL 42.86, 0.23%, 0.41%

LAB 48.89, -0.05, 21.37

 

CMYK 0 / 16 / 57 / 43

HEX #927B3F

RGB 146 123 63

HSL 43.37, 0.4%, 0.41%

LAB 52.55, 1.1, 35.69

 

CMYK 40 / 8 / 0 / 49

HEX #4E7983

RGB 78 121 131

HSL 191.32, 0.25%, 0.41%

LAB 48.18, -12.08, -10.16

 

CMYK 40 / 18 / 0 / 49

HEX #4E6B83

RGB 78 107 131

HSL 207.17, 0.25%, 0.41%

LAB 43.91, -3.97, -16.63

 

CMYK 40 / 29 / 0 / 49

HEX #4E5D83

RGB 78 93 131

HSL 223.02, 0.25%, 0.41%

LAB 39.73, 4.58, -23.07

 

CMYK 40 / 40 / 0 / 49

HEX #4E4F83

RGB 78 79 131

HSL 238.87, 0.25%, 0.41%

LAB 35.69, 13.49, -29.38

 

CMYK 31 / 40 / 0 / 49

HEX #5B4E83

RGB 91 78 131

HSL 254.72, 0.25%, 0.41%

LAB 36.58, 18.03, -27.91

 

CMYK 41 / 29 / 0 / 69

HEX #2F384F

RGB 47 56 79

HSL 223.13, 0.25%, 0.25%

LAB 23.66, 2.93, -15.24

 

CMYK 40 / 29 / 0 / 59

HEX #3F4B69

RGB 63 75 105

HSL 222.86, 0.25%, 0.33%

LAB 32.05, 3.61, -18.96

 

CMYK 40 / 29 / 0 / 49

HEX #4E5D83

RGB 78 93 131

HSL 223.02, 0.25%, 0.41%

LAB 39.73, 4.58, -23.07

 

CMYK 40 / 28 / 0 / 39

HEX #5E709C

RGB 94 112 156

HSL 222.58, 0.25%, 0.49%

LAB 47.45, 4.91, -25.95

 

CMYK 31 / 23 / 0 / 32

HEX #7786AD

RGB 119 134 173

HSL 223.33, 0.25%, 0.57%

LAB 56.08, 3.92, -22.37

 

CMYK 40 / 29 / 0 / 48

HEX #4F5E84

RGB 79 94 132

HSL 223.02, 0.25%, 0.41%

LAB 40.14, 4.55, -23.04

 

CMYK 4 / 40 / 0 / 49

HEX #7E4E83

RGB 126 78 131

HSL 294.34, 0.25%, 0.41%

LAB 40.45, 29.42, -21.59

 

CMYK 13 / 0 / 40 / 49

HEX #72834E

RGB 114 131 78

HSL 79.25, 0.25%, 0.41%

LAB 52.24, -15.61, 26.61

 

CMYK 40 / 29 / 0 / 48

HEX #4F5E84

RGB 79 94 132

HSL 223.02, 0.25%, 0.41%

LAB 40.14, 4.55, -23.04

 

CMYK 0 / 40 / 29 / 49

HEX #834E5D

RGB 131 78 93

HSL 343.02, 0.25%, 0.41%

LAB 39.69, 24.4, 0.79

 

CMYK 29 / 0 / 40 / 49

HEX #5D834E

RGB 93 131 78

HSL 103.02, 0.25%, 0.41%

LAB 50.82, -23.9, 24.49

 

CMYK 40 / 29 / 0 / 48

HEX #4F5E84

RGB 79 94 132

HSL 223.02, 0.25%, 0.41%

LAB 40.14, 4.55, -23.04

 

CMYK 4 / 40 / 0 / 49

HEX #7E4E83

RGB 126 78 131

HSL 294.34, 0.25%, 0.41%

LAB 40.45, 29.42, -21.59

 

CMYK 0 / 11 / 40 / 49

HEX #83744E

RGB 131 116 78

HSL 43.02, 0.25%, 0.41%

LAB 49.33, -0, 23.13

 

CMYK 37 / 0 / 40 / 49

HEX #53834E

RGB 83 131 78

HSL 114.34, 0.25%, 0.41%

LAB 50.24, -27.52, 23.63

 

CMYK 40 / 29 / 0 / 48

HEX #4F5E84

RGB 79 94 132

HSL 223.02, 0.25%, 0.41%

LAB 40.14, 4.55, -23.04

 

CMYK 0 / 40 / 9 / 49

HEX #834E77

RGB 131 78 119

HSL 313.58, 0.25%, 0.41%

LAB 40.58, 28.77, -13.97

 

CMYK 0 / 11 / 40 / 49

HEX #83744E

RGB 131 116 78

HSL 43.02, 0.25%, 0.41%

LAB 49.33, -0, 23.13

 

CMYK 40 / 0 / 31 / 49

HEX #4E835A

RGB 78 131 90

HSL 133.58, 0.25%, 0.41%

LAB 50.2, -27.07, 16.76

 

Description

Color code: HEX #4F5E84 | qconv.com Color code: HEX #4F5E84 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 94 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 94 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 29 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 29% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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