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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4F591E it is the complementary color #B0A6E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4F591E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4F591E shade: #545919, #656B2C, #767D3F, #878F52 and #98A165

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4F591E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4F591E shade: #4F591E, #3E470B, #2D3500, #1C2300 and #0B1100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4F591E shade: #4E581D, #58521D, #58421D, #58321D and #58231D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4F591E shade: #4E581D, #3E581D, #2E581D, #1F581D and #1D582C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4F591E shade matches the following richer shades: #4E581D, #546114, #5B6B0A and #617401

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4F591E shade: #4E581D, #484E27, #414530, #3B3C3A and #353243

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4F591E shade: #58421D, #58521D, #4E581D, #3F581D and #2F581D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4F591E shade: #171A09, #333913, #4E581D, #697728 and #859632

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4F591E shade: #4F591E, #1D5833 and #4A1D58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4F591E shade: #4F591E, #1D4E58 and #581D4E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4F591E shade: #4F591E, #1D5833, #271D58 and #581D42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4F591E shade: #4F591E, #1D5844, #271D58 and #581D31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 66 / 65

HEX #4F591E

RGB 79 89 30

HSL 70.17, 0.5%, 0.23%

LAB 35.79, -13.35, 31.88

 

Complementary color

CMYK 22 / 26 / 0 / 12

HEX #B0A6E1

RGB 176 166 225

HSL 250.17, 0.5%, 0.77%

LAB 70.83, 15.81, -28.44

 

CMYK 6 / 0 / 72 / 65

HEX #545919

RGB 84 89 25

HSL 64.69, 0.56%, 0.22%

LAB 36.18, -11.36, 34.78

 

CMYK 6 / 0 / 59 / 58

HEX #656B2C

RGB 101 107 44

HSL 65.71, 0.42%, 0.3%

LAB 43.45, -12.02, 33.89

 

CMYK 6 / 0 / 50 / 51

HEX #767D3F

RGB 118 125 63

HSL 66.77, 0.33%, 0.37%

LAB 50.54, -12.47, 32.68

 

CMYK 6 / 0 / 43 / 44

HEX #878F52

RGB 135 143 82

HSL 67.87, 0.27%, 0.44%

LAB 57.47, -12.79, 31.42

 

CMYK 6 / 0 / 37 / 37

HEX #98A165

RGB 152 161 101

HSL 69, 0.24%, 0.51%

LAB 64.25, -13.02, 30.19

 

CMYK 11 / 0 / 66 / 65

HEX #4F591E

RGB 79 89 30

HSL 70.17, 0.5%, 0.23%

LAB 35.79, -13.35, 31.88

 

CMYK 13 / 0 / 85 / 72

HEX #3E470B

RGB 62 71 11

HSL 69, 0.73%, 0.16%

LAB 28.26, -12.61, 32.28

 

CMYK 15 / 0 / 100 / 79

HEX #2D3500

RGB 45 53 0

HSL 69.06, 1%, 0.1%

LAB 20.46, -11.37, 28.47

 

CMYK 20 / 0 / 100 / 86

HEX #1C2300

RGB 28 35 0

HSL 72, 1%, 0.07%

LAB 12.28, -9.49, 17.99

 

CMYK 35 / 0 / 100 / 93

HEX #0B1100

RGB 11 17 0

HSL 81.18, 1%, 0.03%

LAB 4.26, -4.51, 6.3

 

CMYK 11 / 0 / 67 / 65

HEX #4E581D

RGB 78 88 29

HSL 70.17, 0.5%, 0.23%

LAB 35.38, -13.34, 31.9

 

CMYK 0 / 7 / 67 / 65

HEX #58521D

RGB 88 82 29

HSL 53.9, 0.5%, 0.23%

LAB 34.39, -5.03, 31.1

 

CMYK 0 / 25 / 67 / 65

HEX #58421D

RGB 88 66 29

HSL 37.63, 0.5%, 0.23%

LAB 29.56, 4.82, 25.74

 

CMYK 0 / 43 / 67 / 65

HEX #58321D

RGB 88 50 29

HSL 21.36, 0.5%, 0.23%

LAB 25.09, 14.95, 20.5

 

CMYK 0 / 60 / 67 / 65

HEX #58231D

RGB 88 35 29

HSL 6.1, 0.5%, 0.23%

LAB 21.45, 23.99, 16.03

 

CMYK 11 / 0 / 67 / 65

HEX #4E581D

RGB 78 88 29

HSL 70.17, 0.5%, 0.23%

LAB 35.38, -13.34, 31.9

 

CMYK 30 / 0 / 67 / 65

HEX #3E581D

RGB 62 88 29

HSL 86.44, 0.5%, 0.23%

LAB 34.17, -20.58, 30.24

 

CMYK 48 / 0 / 67 / 65

HEX #2E581D

RGB 46 88 29

HSL 102.71, 0.5%, 0.23%

LAB 33.24, -26.94, 28.95

 

CMYK 65 / 0 / 67 / 65

HEX #1F581D

RGB 31 88 29

HSL 117.97, 0.5%, 0.23%

LAB 32.61, -31.7, 28.07

 

CMYK 67 / 0 / 50 / 65

HEX #1D582C

RGB 29 88 44

HSL 135.25, 0.5%, 0.23%

LAB 32.75, -29.91, 19.97

 

CMYK 11 / 0 / 67 / 65

HEX #4E581D

RGB 78 88 29

HSL 70.17, 0.5%, 0.23%

LAB 35.38, -13.34, 31.9

 

CMYK 13 / 0 / 79 / 62

HEX #546114

RGB 84 97 20

HSL 70.13, 0.66%, 0.23%

LAB 38.7, -16.13, 39.34

 

CMYK 15 / 0 / 91 / 58

HEX #5B6B0A

RGB 91 107 10

HSL 69.9, 0.83%, 0.23%

LAB 42.4, -18.66, 45.87

 

CMYK 16 / 0 / 99 / 55

HEX #617401

RGB 97 116 1

HSL 69.91, 0.98%, 0.23%

LAB 45.68, -20.88, 50.73

 

CMYK 11 / 0 / 67 / 65

HEX #4E581D

RGB 78 88 29

HSL 70.17, 0.5%, 0.23%

LAB 35.38, -13.34, 31.9

 

CMYK 8 / 0 / 50 / 69

HEX #484E27

RGB 72 78 39

HSL 69.23, 0.33%, 0.23%

LAB 31.75, -9.37, 22.17

 

CMYK 6 / 0 / 30 / 73

HEX #414530

RGB 65 69 48

HSL 71.43, 0.18%, 0.23%

LAB 28.36, -5.87, 12.17

 

CMYK 2 / 0 / 3 / 76

HEX #3B3C3A

RGB 59 60 58

HSL 90, 0.02%, 0.23%

LAB 25.16, -0.88, 1.08

 

CMYK 21 / 25 / 0 / 74

HEX #353243

RGB 53 50 67

HSL 250.59, 0.15%, 0.23%

LAB 21.74, 5.59, -10.12

 

CMYK 0 / 25 / 67 / 65

HEX #58421D

RGB 88 66 29

HSL 37.63, 0.5%, 0.23%

LAB 29.56, 4.82, 25.74

 

CMYK 0 / 7 / 67 / 65

HEX #58521D

RGB 88 82 29

HSL 53.9, 0.5%, 0.23%

LAB 34.39, -5.03, 31.1

 

CMYK 11 / 0 / 67 / 65

HEX #4E581D

RGB 78 88 29

HSL 70.17, 0.5%, 0.23%

LAB 35.38, -13.34, 31.9

 

CMYK 28 / 0 / 67 / 65

HEX #3F581D

RGB 63 88 29

HSL 85.42, 0.5%, 0.23%

LAB 34.24, -20.15, 30.34

 

CMYK 47 / 0 / 67 / 65

HEX #2F581D

RGB 47 88 29

HSL 101.69, 0.5%, 0.23%

LAB 33.29, -26.58, 29.02

 

CMYK 12 / 0 / 65 / 90

HEX #171A09

RGB 23 26 9

HSL 70.59, 0.49%, 0.07%

LAB 8.49, -4.96, 8.92

 

CMYK 11 / 0 / 67 / 78

HEX #333913

RGB 51 57 19

HSL 69.47, 0.5%, 0.15%

LAB 22.57, -9.21, 22.37

 

CMYK 11 / 0 / 67 / 65

HEX #4E581D

RGB 78 88 29

HSL 70.17, 0.5%, 0.23%

LAB 35.38, -13.34, 31.9

 

CMYK 12 / 0 / 66 / 53

HEX #697728

RGB 105 119 40

HSL 70.63, 0.5%, 0.31%

LAB 47.43, -17.08, 40.27

 

CMYK 11 / 0 / 67 / 41

HEX #859632

RGB 133 150 50

HSL 70.2, 0.5%, 0.39%

LAB 59, -20.27, 48.74

 

CMYK 11 / 0 / 66 / 65

HEX #4F591E

RGB 79 89 30

HSL 70.17, 0.5%, 0.23%

LAB 35.79, -13.35, 31.88

 

CMYK 67 / 0 / 42 / 65

HEX #1D5833

RGB 29 88 51

HSL 142.37, 0.5%, 0.23%

LAB 32.87, -28.54, 15.98

 

CMYK 16 / 67 / 0 / 65

HEX #4A1D58

RGB 74 29 88

HSL 285.76, 0.5%, 0.23%

LAB 20.2, 31.62, -26.46

 

CMYK 11 / 0 / 66 / 65

HEX #4F591E

RGB 79 89 30

HSL 70.17, 0.5%, 0.23%

LAB 35.79, -13.35, 31.88

 

CMYK 67 / 11 / 0 / 65

HEX #1D4E58

RGB 29 78 88

HSL 190.17, 0.5%, 0.23%

LAB 30.44, -12.9, -10.79

 

CMYK 0 / 67 / 11 / 65

HEX #581D4E

RGB 88 29 78

HSL 310.17, 0.5%, 0.23%

LAB 21.96, 33.68, -16.82

 

CMYK 11 / 0 / 66 / 65

HEX #4F591E

RGB 79 89 30

HSL 70.17, 0.5%, 0.23%

LAB 35.79, -13.35, 31.88

 

CMYK 67 / 0 / 42 / 65

HEX #1D5833

RGB 29 88 51

HSL 142.37, 0.5%, 0.23%

LAB 32.87, -28.54, 15.98

 

CMYK 56 / 67 / 0 / 65

HEX #271D58

RGB 39 29 88

HSL 250.17, 0.5%, 0.23%

LAB 15.56, 22.62, -34.16

 

CMYK 0 / 67 / 25 / 65

HEX #581D42

RGB 88 29 66

HSL 322.37, 0.5%, 0.23%

LAB 21.38, 31.64, -9.54

 

CMYK 11 / 0 / 66 / 65

HEX #4F591E

RGB 79 89 30

HSL 70.17, 0.5%, 0.23%

LAB 35.79, -13.35, 31.88

 

CMYK 67 / 0 / 23 / 65

HEX #1D5844

RGB 29 88 68

HSL 159.66, 0.5%, 0.23%

LAB 33.26, -24.49, 6.05

 

CMYK 56 / 67 / 0 / 65

HEX #271D58

RGB 39 29 88

HSL 250.17, 0.5%, 0.23%

LAB 15.56, 22.62, -34.16

 

CMYK 0 / 67 / 44 / 65

HEX #581D31

RGB 88 29 49

HSL 339.66, 0.5%, 0.23%

LAB 20.73, 29.25, 1.27

 

Description

Color code: HEX #4F591E | qconv.com Color code: HEX #4F591E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 89 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 89 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 66 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 66% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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