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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4F545B it is the complementary color #B0ABA4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4F545B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4F545B shade: #545456, #656669, #76787C, #878A8F and #989CA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4F545B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4F545B shade: #4F545B, #3E4248, #2D3035, #1C1E22 and #0B0C0F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4F545B shade: #4E535A, #4E4F5A, #4F4E5A, #524E5A and #564E5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4F545B shade: #4E535A, #4E4F5A and #4E4E5A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4F545B shade matches the following richer shades: #4E535A, #405067, #334E75, #254C82 and #174A90

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4F545B shade: #4E535A, #5B554C, #69573E, #775931 and #845C23

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4F545B shade: #4E595A, #4E565A, #4E535A, #4E505A and #4F4E5A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4F545B shade: #272A2D, #3B3E43, #4E535A, #616770 and #747B86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4F545B shade: #4F545B, #574E5A and #575A4E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4F545B shade: #4F545B, #5A4E53 and #535A4E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4F545B shade: #4F545B, #574E5A, #5A554E and #505A4E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4F545B shade: #4F545B, #5A4E59, #5A554E and #4E5A4F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 8 / 0 / 64

HEX #4F545B

RGB 79 84 91

HSL 215, 0.07%, 0.33%

LAB 35.51, -0.37, -4.76

 

Complementary color

CMYK 0 / 3 / 7 / 31

HEX #B0ABA4

RGB 176 171 164

HSL 35, 0.07%, 0.67%

LAB 70.2, 0.52, 4.22

 

CMYK 2 / 2 / 0 / 66

HEX #545456

RGB 84 84 86

HSL 240, 0.01%, 0.33%

LAB 35.79, 0.43, -1.17

 

CMYK 4 / 3 / 0 / 59

HEX #656669

RGB 101 102 105

HSL 225, 0.02%, 0.4%

LAB 43.2, 0.25, -1.83

 

CMYK 5 / 3 / 0 / 51

HEX #76787C

RGB 118 120 124

HSL 220, 0.02%, 0.47%

LAB 50.38, 0.08, -2.46

 

CMYK 6 / 3 / 0 / 44

HEX #878A8F

RGB 135 138 143

HSL 217.5, 0.03%, 0.55%

LAB 57.38, -0.08, -3.06

 

CMYK 6 / 4 / 0 / 36

HEX #989CA2

RGB 152 156 162

HSL 216, 0.05%, 0.62%

LAB 64.21, -0.24, -3.63

 

CMYK 13 / 8 / 0 / 64

HEX #4F545B

RGB 79 84 91

HSL 215, 0.07%, 0.33%

LAB 35.51, -0.37, -4.76

 

CMYK 14 / 8 / 0 / 72

HEX #3E4248

RGB 62 66 72

HSL 216, 0.07%, 0.26%

LAB 27.81, -0.21, -4.2

 

CMYK 15 / 9 / 0 / 79

HEX #2D3035

RGB 45 48 53

HSL 217.5, 0.08%, 0.19%

LAB 19.76, -0.04, -3.63

 

CMYK 18 / 12 / 0 / 87

HEX #1C1E22

RGB 28 30 34

HSL 220, 0.1%, 0.12%

LAB 11.21, 0.16, -3.05

 

CMYK 27 / 20 / 0 / 94

HEX #0B0C0F

RGB 11 12 15

HSL 225, 0.15%, 0.05%

LAB 3.33, 0.22, -1.47

 

CMYK 13 / 8 / 0 / 65

HEX #4E535A

RGB 78 83 90

HSL 215, 0.07%, 0.33%

LAB 35.09, -0.37, -4.76

 

CMYK 13 / 12 / 0 / 65

HEX #4E4F5A

RGB 78 79 90

HSL 235, 0.07%, 0.33%

LAB 33.88, 2.13, -6.57

 

CMYK 12 / 13 / 0 / 65

HEX #4F4E5A

RGB 79 78 90

HSL 245, 0.07%, 0.33%

LAB 33.67, 3.15, -6.88

 

CMYK 9 / 13 / 0 / 65

HEX #524E5A

RGB 82 78 90

HSL 260, 0.07%, 0.33%

LAB 33.94, 4.3, -6.44

 

CMYK 4 / 13 / 0 / 65

HEX #564E5A

RGB 86 78 90

HSL 280, 0.07%, 0.33%

LAB 34.32, 5.86, -5.83

 

CMYK 13 / 8 / 0 / 65

HEX #4E535A

RGB 78 83 90

HSL 215, 0.07%, 0.33%

LAB 35.09, -0.37, -4.76

 

CMYK 13 / 12 / 0 / 65

HEX #4E4F5A

RGB 78 79 90

HSL 235, 0.07%, 0.33%

LAB 33.88, 2.13, -6.57

 

CMYK 13 / 13 / 0 / 65

HEX #4E4E5A

RGB 78 78 90

HSL 240, 0.07%, 0.33%

LAB 33.58, 2.76, -7.03

 

CMYK 13 / 8 / 0 / 65

HEX #4E535A

RGB 78 83 90

HSL 215, 0.07%, 0.33%

LAB 35.09, -0.37, -4.76

 

CMYK 38 / 22 / 0 / 60

HEX #405067

RGB 64 80 103

HSL 215.38, 0.23%, 0.33%

LAB 33.58, 0.11, -15.34

 

CMYK 56 / 33 / 0 / 54

HEX #334E75

RGB 51 78 117

HSL 215.45, 0.39%, 0.33%

LAB 32.78, 2.27, -25.42

 

CMYK 72 / 42 / 0 / 49

HEX #254C82

RGB 37 76 130

HSL 214.84, 0.56%, 0.33%

LAB 32.2, 5.52, -34.46

 

CMYK 84 / 49 / 0 / 44

HEX #174A90

RGB 23 74 144

HSL 214.71, 0.72%, 0.33%

LAB 32.02, 10.64, -43.39

 

CMYK 13 / 8 / 0 / 65

HEX #4E535A

RGB 78 83 90

HSL 215, 0.07%, 0.33%

LAB 35.09, -0.37, -4.76

 

CMYK 0 / 7 / 16 / 64

HEX #5B554C

RGB 91 85 76

HSL 36, 0.09%, 0.33%

LAB 36.45, 0.7, 6.13

 

CMYK 0 / 17 / 41 / 59

HEX #69573E

RGB 105 87 62

HSL 34.88, 0.26%, 0.33%

LAB 38.14, 3.49, 17.29

 

CMYK 0 / 25 / 59 / 53

HEX #775931

RGB 119 89 49

HSL 34.29, 0.42%, 0.33%

LAB 40.06, 7.32, 27.68

 

CMYK 0 / 30 / 73 / 48

HEX #845C23

RGB 132 92 35

HSL 35.26, 0.58%, 0.33%

LAB 42.28, 10.61, 38.01

 

CMYK 13 / 1 / 0 / 65

HEX #4E595A

RGB 78 89 90

HSL 185, 0.07%, 0.33%

LAB 36.93, -4.05, -2.04

 

CMYK 13 / 4 / 0 / 65

HEX #4E565A

RGB 78 86 90

HSL 200, 0.07%, 0.33%

LAB 36.01, -2.22, -3.4

 

CMYK 13 / 8 / 0 / 65

HEX #4E535A

RGB 78 83 90

HSL 215, 0.07%, 0.33%

LAB 35.09, -0.37, -4.76

 

CMYK 13 / 11 / 0 / 65

HEX #4E505A

RGB 78 80 90

HSL 230, 0.07%, 0.33%

LAB 34.18, 1.51, -6.12

 

CMYK 12 / 13 / 0 / 65

HEX #4F4E5A

RGB 79 78 90

HSL 245, 0.07%, 0.33%

LAB 33.67, 3.15, -6.88

 

CMYK 13 / 7 / 0 / 82

HEX #272A2D

RGB 39 42 45

HSL 210, 0.07%, 0.16%

LAB 16.88, -0.56, -2.41

 

CMYK 12 / 7 / 0 / 74

HEX #3B3E43

RGB 59 62 67

HSL 217.5, 0.06%, 0.25%

LAB 26.1, -0.06, -3.5

 

CMYK 13 / 8 / 0 / 65

HEX #4E535A

RGB 78 83 90

HSL 215, 0.07%, 0.33%

LAB 35.09, -0.37, -4.76

 

CMYK 13 / 8 / 0 / 56

HEX #616770

RGB 97 103 112

HSL 216, 0.07%, 0.41%

LAB 43.38, -0.29, -5.84

 

CMYK 13 / 8 / 0 / 47

HEX #747B86

RGB 116 123 134

HSL 216.67, 0.07%, 0.49%

LAB 51.38, -0.21, -6.87

 

CMYK 13 / 8 / 0 / 64

HEX #4F545B

RGB 79 84 91

HSL 215, 0.07%, 0.33%

LAB 35.51, -0.37, -4.76

 

CMYK 3 / 13 / 0 / 65

HEX #574E5A

RGB 87 78 90

HSL 285, 0.07%, 0.33%

LAB 34.42, 6.26, -5.67

 

CMYK 3 / 0 / 13 / 65

HEX #575A4E

RGB 87 90 78

HSL 75, 0.07%, 0.33%

LAB 37.64, -3.64, 6.53

 

CMYK 13 / 8 / 0 / 64

HEX #4F545B

RGB 79 84 91

HSL 215, 0.07%, 0.33%

LAB 35.51, -0.37, -4.76

 

CMYK 0 / 13 / 8 / 65

HEX #5A4E53

RGB 90 78 83

HSL 335, 0.07%, 0.33%

LAB 34.49, 5.98, -1.11

 

CMYK 8 / 0 / 13 / 65

HEX #535A4E

RGB 83 90 78

HSL 95, 0.07%, 0.33%

LAB 37.3, -5.29, 6

 

CMYK 13 / 8 / 0 / 64

HEX #4F545B

RGB 79 84 91

HSL 215, 0.07%, 0.33%

LAB 35.51, -0.37, -4.76

 

CMYK 3 / 13 / 0 / 65

HEX #574E5A

RGB 87 78 90

HSL 285, 0.07%, 0.33%

LAB 34.42, 6.26, -5.67

 

CMYK 0 / 6 / 13 / 65

HEX #5A554E

RGB 90 85 78

HSL 35, 0.07%, 0.33%

LAB 36.41, 0.65, 4.81

 

CMYK 11 / 0 / 13 / 65

HEX #505A4E

RGB 80 90 78

HSL 110, 0.07%, 0.33%

LAB 37.06, -6.51, 5.61

 

CMYK 13 / 8 / 0 / 64

HEX #4F545B

RGB 79 84 91

HSL 215, 0.07%, 0.33%

LAB 35.51, -0.37, -4.76

 

CMYK 0 / 13 / 1 / 65

HEX #5A4E59

RGB 90 78 89

HSL 305, 0.07%, 0.33%

LAB 34.69, 7.23, -4.61

 

CMYK 0 / 6 / 13 / 65

HEX #5A554E

RGB 90 85 78

HSL 35, 0.07%, 0.33%

LAB 36.41, 0.65, 4.81

 

CMYK 13 / 0 / 12 / 65

HEX #4E5A4F

RGB 78 90 79

HSL 125, 0.07%, 0.33%

LAB 36.92, -7.1, 4.78

 

Description

Color code: HEX #4F545B | qconv.com Color code: HEX #4F545B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 84 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 84 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 8 magenta, none yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 8% 0% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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