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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4F5225 it is the complementary color #B0ADDA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4F5225. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4F5225 shade: #545220, #656433, #767646, #878859 and #989A6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4F5225. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4F5225 shade: #4F5225, #3E4012, #2D2E00, #1C1C00 and #0B0A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4F5225 shade: #4E5124, #514824, #513C24, #513024 and #512424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4F5225 shade: #4E5124, #425124, #365124, #2A5124 and #24512B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4F5225 shade matches the following richer shades: #4E5124, #565A1B, #5E6411 and #676D08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4F5225 shade: #4E5124, #46472E, #3E3E37, #353441 and #2D2B4A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4F5225 shade: #513C24, #514824, #4E5124, #425124 and #365124

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4F5225 shade: #17180B, #333418, #4E5124, #696D31 and #858A3E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4F5225 shade: #4F5225, #245130 and #422451

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4F5225 shade: #4F5225, #244E51 and #51244E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4F5225 shade: #4F5225, #245130, #272451 and #512445

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4F5225 shade: #4F5225, #24513E, #272451 and #512438

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 55 / 68

HEX #4F5225

RGB 79 82 37

HSL 64, 0.38%, 0.23%

LAB 33.63, -8.65, 25.73

 

Complementary color

CMYK 19 / 21 / 0 / 15

HEX #B0ADDA

RGB 176 173 218

HSL 244, 0.38%, 0.77%

LAB 72.35, 10.33, -22.29

 

CMYK 0 / 2 / 62 / 67

HEX #545220

RGB 84 82 32

HSL 57.69, 0.45%, 0.23%

LAB 34.03, -6.73, 29.04

 

CMYK 0 / 1 / 50 / 60

HEX #656433

RGB 101 100 51

HSL 58.8, 0.33%, 0.3%

LAB 41.41, -7.36, 27.76

 

CMYK 0 / 0 / 41 / 54

HEX #767646

RGB 118 118 70

HSL 60, 0.26%, 0.37%

LAB 48.57, -7.81, 26.43

 

CMYK 1 / 0 / 35 / 47

HEX #878859

RGB 135 136 89

HSL 61.28, 0.21%, 0.44%

LAB 55.56, -8.13, 25.16

 

CMYK 1 / 0 / 30 / 40

HEX #989A6C

RGB 152 154 108

HSL 62.61, 0.19%, 0.51%

LAB 62.4, -8.38, 23.97

 

CMYK 4 / 0 / 55 / 68

HEX #4F5225

RGB 79 82 37

HSL 64, 0.38%, 0.23%

LAB 33.63, -8.65, 25.73

 

CMYK 3 / 0 / 72 / 75

HEX #3E4012

RGB 62 64 18

HSL 62.61, 0.56%, 0.16%

LAB 25.96, -8, 26.89

 

CMYK 2 / 0 / 100 / 82

HEX #2D2E00

RGB 45 46 0

HSL 61.3, 1%, 0.09%

LAB 17.97, -7.05, 25.6

 

CMYK 0 / 0 / 100 / 89

HEX #1C1C00

RGB 28 28 0

HSL 60, 1%, 0.05%

LAB 9.62, -4.88, 14.29

 

CMYK 0 / 9 / 100 / 96

HEX #0B0A00

RGB 11 10 0

HSL 54.55, 1%, 0.02%

LAB 2.6, -1.12, 3.88

 

CMYK 4 / 0 / 56 / 68

HEX #4E5124

RGB 78 81 36

HSL 64, 0.38%, 0.23%

LAB 33.2, -8.64, 25.77

 

CMYK 0 / 11 / 56 / 68

HEX #514824

RGB 81 72 36

HSL 48, 0.38%, 0.23%

LAB 30.67, -1.75, 22.81

 

CMYK 0 / 26 / 56 / 68

HEX #513C24

RGB 81 60 36

HSL 32, 0.38%, 0.23%

LAB 27.04, 5.83, 18.33

 

CMYK 0 / 41 / 56 / 68

HEX #513024

RGB 81 48 36

HSL 16, 0.38%, 0.23%

LAB 23.64, 13.55, 13.97

 

CMYK 0 / 56 / 56 / 68

HEX #512424

RGB 81 36 36

HSL 0, 0.38%, 0.23%

LAB 20.59, 21.03, 9.92

 

CMYK 4 / 0 / 56 / 68

HEX #4E5124

RGB 78 81 36

HSL 64, 0.38%, 0.23%

LAB 33.2, -8.64, 25.77

 

CMYK 19 / 0 / 56 / 68

HEX #425124

RGB 66 81 36

HSL 80, 0.38%, 0.23%

LAB 32.19, -14.24, 24.32

 

CMYK 33 / 0 / 56 / 68

HEX #365124

RGB 54 81 36

HSL 96, 0.38%, 0.23%

LAB 31.34, -19.46, 23.09

 

CMYK 48 / 0 / 56 / 68

HEX #2A5124

RGB 42 81 36

HSL 112, 0.38%, 0.23%

LAB 30.65, -24.09, 22.09

 

CMYK 56 / 0 / 47 / 68

HEX #24512B

RGB 36 81 43

HSL 129.33, 0.38%, 0.23%

LAB 30.48, -24.92, 17.72

 

CMYK 4 / 0 / 56 / 68

HEX #4E5124

RGB 78 81 36

HSL 64, 0.38%, 0.23%

LAB 33.2, -8.64, 25.77

 

CMYK 4 / 0 / 70 / 65

HEX #565A1B

RGB 86 90 27

HSL 63.81, 0.54%, 0.23%

LAB 36.69, -10.83, 34.45

 

CMYK 6 / 0 / 83 / 61

HEX #5E6411

RGB 94 100 17

HSL 64.34, 0.71%, 0.23%

LAB 40.47, -13.2, 42.33

 

CMYK 6 / 0 / 93 / 57

HEX #676D08

RGB 103 109 8

HSL 63.56, 0.86%, 0.23%

LAB 44, -14.18, 48.04

 

CMYK 4 / 0 / 56 / 68

HEX #4E5124

RGB 78 81 36

HSL 64, 0.38%, 0.23%

LAB 33.2, -8.64, 25.77

 

CMYK 1 / 0 / 35 / 72

HEX #46472E

RGB 70 71 46

HSL 62.4, 0.21%, 0.23%

LAB 29.43, -5.12, 14.94

 

CMYK 0 / 0 / 11 / 76

HEX #3E3E37

RGB 62 62 55

HSL 60, 0.06%, 0.23%

LAB 26, -1.5, 4.31

 

CMYK 18 / 20 / 0 / 75

HEX #353441

RGB 53 52 65

HSL 244.62, 0.11%, 0.23%

LAB 22.28, 3.68, -7.94

 

CMYK 39 / 42 / 0 / 71

HEX #2D2B4A

RGB 45 43 74

HSL 243.87, 0.26%, 0.23%

LAB 19.14, 9.68, -18.95

 

CMYK 0 / 26 / 56 / 68

HEX #513C24

RGB 81 60 36

HSL 32, 0.38%, 0.23%

LAB 27.04, 5.83, 18.33

 

CMYK 0 / 11 / 56 / 68

HEX #514824

RGB 81 72 36

HSL 48, 0.38%, 0.23%

LAB 30.67, -1.75, 22.81

 

CMYK 4 / 0 / 56 / 68

HEX #4E5124

RGB 78 81 36

HSL 64, 0.38%, 0.23%

LAB 33.2, -8.64, 25.77

 

CMYK 19 / 0 / 56 / 68

HEX #425124

RGB 66 81 36

HSL 80, 0.38%, 0.23%

LAB 32.19, -14.24, 24.32

 

CMYK 33 / 0 / 56 / 68

HEX #365124

RGB 54 81 36

HSL 96, 0.38%, 0.23%

LAB 31.34, -19.46, 23.09

 

CMYK 4 / 0 / 54 / 91

HEX #17180B

RGB 23 24 11

HSL 64.62, 0.37%, 0.07%

LAB 7.76, -3.14, 7.04

 

CMYK 2 / 0 / 54 / 80

HEX #333418

RGB 51 52 24

HSL 62.14, 0.37%, 0.15%

LAB 20.93, -5.52, 17.47

 

CMYK 4 / 0 / 56 / 68

HEX #4E5124

RGB 78 81 36

HSL 64, 0.38%, 0.23%

LAB 33.2, -8.64, 25.77

 

CMYK 4 / 0 / 55 / 57

HEX #696D31

RGB 105 109 49

HSL 64, 0.38%, 0.31%

LAB 44.46, -10.85, 32.56

 

CMYK 4 / 0 / 55 / 46

HEX #858A3E

RGB 133 138 62

HSL 63.95, 0.38%, 0.39%

LAB 55.6, -13.05, 39.46

 

CMYK 4 / 0 / 55 / 68

HEX #4F5225

RGB 79 82 37

HSL 64, 0.38%, 0.23%

LAB 33.63, -8.65, 25.73

 

CMYK 56 / 0 / 41 / 68

HEX #245130

RGB 36 81 48

HSL 136, 0.38%, 0.23%

LAB 30.58, -23.94, 14.81

 

CMYK 19 / 56 / 0 / 68

HEX #422451

RGB 66 36 81

HSL 280, 0.38%, 0.23%

LAB 20.1, 23.42, -22

 

CMYK 4 / 0 / 55 / 68

HEX #4F5225

RGB 79 82 37

HSL 64, 0.38%, 0.23%

LAB 33.63, -8.65, 25.73

 

CMYK 56 / 4 / 0 / 68

HEX #244E51

RGB 36 78 81

HSL 184, 0.38%, 0.23%

LAB 30.44, -13.63, -6.28

 

CMYK 0 / 56 / 4 / 68

HEX #51244E

RGB 81 36 78

HSL 304, 0.38%, 0.23%

LAB 22.16, 27.71, -16.58

 

CMYK 4 / 0 / 55 / 68

HEX #4F5225

RGB 79 82 37

HSL 64, 0.38%, 0.23%

LAB 33.63, -8.65, 25.73

 

CMYK 56 / 0 / 41 / 68

HEX #245130

RGB 36 81 48

HSL 136, 0.38%, 0.23%

LAB 30.58, -23.94, 14.81

 

CMYK 52 / 56 / 0 / 68

HEX #272451

RGB 39 36 81

HSL 244, 0.38%, 0.23%

LAB 16.93, 15.25, -27.24

 

CMYK 0 / 56 / 15 / 68

HEX #512445

RGB 81 36 69

HSL 316, 0.38%, 0.23%

LAB 21.73, 25.94, -11.17

 

CMYK 4 / 0 / 55 / 68

HEX #4F5225

RGB 79 82 37

HSL 64, 0.38%, 0.23%

LAB 33.63, -8.65, 25.73

 

CMYK 56 / 0 / 23 / 68

HEX #24513E

RGB 36 81 62

HSL 154.67, 0.38%, 0.23%

LAB 30.9, -20.73, 6.51

 

CMYK 52 / 56 / 0 / 68

HEX #272451

RGB 39 36 81

HSL 244, 0.38%, 0.23%

LAB 16.93, 15.25, -27.24

 

CMYK 0 / 56 / 31 / 68

HEX #512438

RGB 81 36 56

HSL 333.33, 0.38%, 0.23%

LAB 21.19, 23.69, -3.06

 

Description

Color code: HEX #4F5225 | qconv.com Color code: HEX #4F5225 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 82 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 82 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 55 yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 55% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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