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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4F512E it is the complementary color #B0AED1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4F512E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4F512E shade: #545129, #65633C, #76754F, #878762 and #989975

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4F512E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4F512E shade: #4F512E, #3E3F1B, #2D2D08, #1C1B00 and #0B0900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4F512E shade: #4F512D, #514A2D, #51402D, #51362D and #512D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4F512E shade: #4F512D, #45512D, #3C512D, #32512D and #2D5132

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4F512E shade matches the following richer shades: #4F512D, #585B23, #616619, #6A700E and #747A04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4F512E shade: #4F512D, #464738, #3D3C42, #34324C and #2B2857

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4F512E shade: #51402D, #51492D, #4F512D, #46512D and #3C512D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4F512E shade: #1C1C10, #35371F, #4F512D, #696C3C and #83864B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4F512E shade: #4F512E, #2D5136 and #452D51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4F512E shade: #4F512E, #2D4F51 and #512D4F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4F512E shade: #4F512E, #2D5136, #2F2D51 and #512D48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4F512E shade: #4F512E, #2D5141, #2F2D51 and #512D3D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 43 / 68

HEX #4F512E

RGB 79 81 46

HSL 63.43, 0.28%, 0.25%

LAB 33.44, -6.99, 20.3

 

Complementary color

CMYK 16 / 17 / 0 / 18

HEX #B0AED1

RGB 176 174 209

HSL 243.43, 0.28%, 0.75%

LAB 72.3, 7.79, -17.44

 

CMYK 0 / 4 / 51 / 67

HEX #545129

RGB 84 81 41

HSL 55.81, 0.34%, 0.25%

LAB 33.84, -5.24, 23.82

 

CMYK 0 / 2 / 41 / 60

HEX #65633C

RGB 101 99 60

HSL 57.07, 0.25%, 0.32%

LAB 41.24, -5.73, 22.45

 

CMYK 0 / 1 / 33 / 54

HEX #76754F

RGB 118 117 79

HSL 58.46, 0.2%, 0.39%

LAB 48.43, -6.08, 21.15

 

CMYK 0 / 0 / 27 / 47

HEX #878762

RGB 135 135 98

HSL 60, 0.16%, 0.46%

LAB 55.44, -6.34, 19.96

 

CMYK 1 / 0 / 24 / 40

HEX #989975

RGB 152 153 117

HSL 61.67, 0.15%, 0.53%

LAB 62.29, -6.55, 18.86

 

CMYK 2 / 0 / 43 / 68

HEX #4F512E

RGB 79 81 46

HSL 63.43, 0.28%, 0.25%

LAB 33.44, -6.99, 20.3

 

CMYK 2 / 0 / 57 / 75

HEX #3E3F1B

RGB 62 63 27

HSL 61.67, 0.4%, 0.18%

LAB 25.74, -6.54, 21.71

 

CMYK 0 / 0 / 82 / 82

HEX #2D2D08

RGB 45 45 8

HSL 60, 0.7%, 0.1%

LAB 17.7, -5.76, 22.02

 

CMYK 0 / 4 / 100 / 89

HEX #1C1B00

RGB 28 27 0

HSL 57.86, 1%, 0.05%

LAB 9.24, -4.19, 13.75

 

CMYK 0 / 18 / 100 / 96

HEX #0B0900

RGB 11 9 0

HSL 49.09, 1%, 0.02%

LAB 2.41, -0.72, 3.59

 

CMYK 2 / 0 / 44 / 68

HEX #4F512D

RGB 79 81 45

HSL 63.33, 0.29%, 0.25%

LAB 33.43, -7.12, 20.88

 

CMYK 0 / 9 / 44 / 68

HEX #514A2D

RGB 81 74 45

HSL 48.33, 0.29%, 0.25%

LAB 31.43, -1.93, 18.37

 

CMYK 0 / 21 / 44 / 68

HEX #51402D

RGB 81 64 45

HSL 31.67, 0.29%, 0.25%

LAB 28.39, 4.36, 14.41

 

CMYK 0 / 33 / 44 / 68

HEX #51362D

RGB 81 54 45

HSL 15, 0.29%, 0.25%

LAB 25.49, 10.79, 10.52

 

CMYK 0 / 44 / 44 / 68

HEX #512D2D

RGB 81 45 45

HSL 0, 0.29%, 0.25%

LAB 23.05, 16.56, 7.15

 

CMYK 2 / 0 / 44 / 68

HEX #4F512D

RGB 79 81 45

HSL 63.33, 0.29%, 0.25%

LAB 33.43, -7.12, 20.88

 

CMYK 15 / 0 / 44 / 68

HEX #45512D

RGB 69 81 45

HSL 80, 0.29%, 0.25%

LAB 32.57, -11.7, 19.61

 

CMYK 26 / 0 / 44 / 68

HEX #3C512D

RGB 60 81 45

HSL 95, 0.29%, 0.25%

LAB 31.89, -15.63, 18.6

 

CMYK 38 / 0 / 44 / 68

HEX #32512D

RGB 50 81 45

HSL 111.67, 0.29%, 0.25%

LAB 31.24, -19.67, 17.63

 

CMYK 44 / 0 / 38 / 68

HEX #2D5132

RGB 45 81 50

HSL 128.33, 0.29%, 0.25%

LAB 31.05, -20.59, 14.29

 

CMYK 2 / 0 / 44 / 68

HEX #4F512D

RGB 79 81 45

HSL 63.33, 0.29%, 0.25%

LAB 33.43, -7.12, 20.88

 

CMYK 3 / 0 / 62 / 64

HEX #585B23

RGB 88 91 35

HSL 63.21, 0.44%, 0.25%

LAB 37.26, -9.81, 31.2

 

CMYK 5 / 0 / 75 / 60

HEX #616619

RGB 97 102 25

HSL 63.9, 0.61%, 0.25%

LAB 41.4, -12.49, 40.36

 

CMYK 5 / 0 / 88 / 56

HEX #6A700E

RGB 106 112 14

HSL 63.67, 0.78%, 0.25%

LAB 45.2, -14.23, 47.72

 

CMYK 5 / 0 / 97 / 52

HEX #747A04

RGB 116 122 4

HSL 63.05, 0.94%, 0.25%

LAB 49.06, -15.21, 53.33

 

CMYK 2 / 0 / 44 / 68

HEX #4F512D

RGB 79 81 45

HSL 63.33, 0.29%, 0.25%

LAB 33.43, -7.12, 20.88

 

CMYK 1 / 0 / 21 / 72

HEX #464738

RGB 70 71 56

HSL 64, 0.12%, 0.25%

LAB 29.65, -3.45, 8.91

 

CMYK 8 / 9 / 0 / 74

HEX #3D3C42

RGB 61 60 66

HSL 250, 0.05%, 0.25%

LAB 25.61, 1.82, -3.53

 

CMYK 32 / 34 / 0 / 70

HEX #34324C

RGB 52 50 76

HSL 244.62, 0.21%, 0.25%

LAB 22.06, 7.82, -15.68

 

CMYK 51 / 54 / 0 / 66

HEX #2B2857

RGB 43 40 87

HSL 243.83, 0.37%, 0.25%

LAB 18.88, 15.6, -28.12

 

CMYK 0 / 21 / 44 / 68

HEX #51402D

RGB 81 64 45

HSL 31.67, 0.29%, 0.25%

LAB 28.39, 4.36, 14.41

 

CMYK 0 / 10 / 44 / 68

HEX #51492D

RGB 81 73 45

HSL 46.67, 0.29%, 0.25%

LAB 31.12, -1.31, 17.98

 

CMYK 2 / 0 / 44 / 68

HEX #4F512D

RGB 79 81 45

HSL 63.33, 0.29%, 0.25%

LAB 33.43, -7.12, 20.88

 

CMYK 14 / 0 / 44 / 68

HEX #46512D

RGB 70 81 45

HSL 78.33, 0.29%, 0.25%

LAB 32.65, -11.25, 19.73

 

CMYK 26 / 0 / 44 / 68

HEX #3C512D

RGB 60 81 45

HSL 95, 0.29%, 0.25%

LAB 31.89, -15.63, 18.6

 

CMYK 0 / 0 / 43 / 89

HEX #1C1C10

RGB 28 28 16

HSL 60, 0.27%, 0.09%

LAB 9.91, -2.59, 7.75

 

CMYK 4 / 0 / 44 / 78

HEX #35371F

RGB 53 55 31

HSL 65, 0.28%, 0.17%

LAB 22.26, -5.48, 14.77

 

CMYK 2 / 0 / 44 / 68

HEX #4F512D

RGB 79 81 45

HSL 63.33, 0.29%, 0.25%

LAB 33.43, -7.12, 20.88

 

CMYK 3 / 0 / 44 / 58

HEX #696C3C

RGB 105 108 60

HSL 63.75, 0.29%, 0.33%

LAB 44.31, -9.1, 26.4

 

CMYK 2 / 0 / 44 / 47

HEX #83864B

RGB 131 134 75

HSL 63.05, 0.28%, 0.41%

LAB 54.43, -10.44, 31.3

 

CMYK 2 / 0 / 43 / 68

HEX #4F512E

RGB 79 81 46

HSL 63.43, 0.28%, 0.25%

LAB 33.44, -6.99, 20.3

 

CMYK 44 / 0 / 33 / 68

HEX #2D5136

RGB 45 81 54

HSL 135, 0.29%, 0.25%

LAB 31.14, -19.77, 11.93

 

CMYK 15 / 44 / 0 / 68

HEX #452D51

RGB 69 45 81

HSL 280, 0.29%, 0.25%

LAB 22.78, 18.66, -17.77

 

CMYK 2 / 0 / 43 / 68

HEX #4F512E

RGB 79 81 46

HSL 63.43, 0.28%, 0.25%

LAB 33.44, -6.99, 20.3

 

CMYK 44 / 2 / 0 / 68

HEX #2D4F51

RGB 45 79 81

HSL 183.33, 0.29%, 0.25%

LAB 31.22, -11.74, -5.07

 

CMYK 0 / 44 / 2 / 68

HEX #512D4F

RGB 81 45 79

HSL 303.33, 0.29%, 0.25%

LAB 24.29, 22.53, -13.96

 

CMYK 2 / 0 / 43 / 68

HEX #4F512E

RGB 79 81 46

HSL 63.43, 0.28%, 0.25%

LAB 33.44, -6.99, 20.3

 

CMYK 44 / 0 / 33 / 68

HEX #2D5136

RGB 45 81 54

HSL 135, 0.29%, 0.25%

LAB 31.14, -19.77, 11.93

 

CMYK 42 / 44 / 0 / 68

HEX #2F2D51

RGB 47 45 81

HSL 243.33, 0.29%, 0.25%

LAB 20.34, 11.2, -21.76

 

CMYK 0 / 44 / 11 / 68

HEX #512D48

RGB 81 45 72

HSL 315, 0.29%, 0.25%

LAB 23.98, 21.09, -9.76

 

CMYK 2 / 0 / 43 / 68

HEX #4F512E

RGB 79 81 46

HSL 63.43, 0.28%, 0.25%

LAB 33.44, -6.99, 20.3

 

CMYK 44 / 0 / 20 / 68

HEX #2D5141

RGB 45 81 65

HSL 153.33, 0.29%, 0.25%

LAB 31.4, -17.25, 5.39

 

CMYK 42 / 44 / 0 / 68

HEX #2F2D51

RGB 47 45 81

HSL 243.33, 0.29%, 0.25%

LAB 20.34, 11.2, -21.76

 

CMYK 0 / 44 / 25 / 68

HEX #512D3D

RGB 81 45 61

HSL 333.33, 0.29%, 0.25%

LAB 23.55, 19.03, -2.99

 

Description

Color code: HEX #4F512E | qconv.com Color code: HEX #4F512E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 81 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 81 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 43 yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 43% 68% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

15% - Fábio Rebelo
Link: http://www.fabiorebelo.com.br

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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