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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4F4C92 it is the complementary color #B0B36D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4F4C92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4F4C92 shade: #544C8D, #655EA0, #7670B3, #8782C6 and #9894D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4F4C92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4F4C92 shade: #4F4C92, #3E3A7F, #2D286C, #1C1659 and #0B0446

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4F4C92 shade: #4F4C94, #634C94, #764C94, #894C94 and #944C8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4F4C92 shade: #4F4C94 and #4C4C94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4F4C92 shade matches the following richer shades: #4F4C94, #3F3AA6, #2E28B8, #1E16CB and #0D04DD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4F4C92 shade: #4F4C94, #605E82, #717170, #81835E and #92954B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4F4C92 shade: #4C7094, #4C5D94, #4F4C94, #624C94 and #754C94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4F4C92 shade: #32305E, #413E79, #4F4C94, #615EAC and #7C79BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4F4C92 shade: #4F4C92, #944C83 and #67944C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4F4C92 shade: #4F4C92, #944F4C and #4C944F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4F4C92 shade: #4F4C92, #944C83, #92944C and #4C945D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4F4C92 shade: #4F4C92, #944C6E, #92944C and #4C9473

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 48 / 0 / 43

HEX #4F4C92

RGB 79 76 146

HSL 242.57, 0.32%, 0.44%

LAB 35.8, 20.35, -38.37

 

Complementary color

CMYK 2 / 0 / 39 / 30

HEX #B0B36D

RGB 176 179 109

HSL 62.57, 0.32%, 0.56%

LAB 71.27, -11.77, 35.37

 

CMYK 40 / 46 / 0 / 45

HEX #544C8D

RGB 84 76 141

HSL 247.38, 0.3%, 0.43%

LAB 35.94, 20.14, -35.08

 

CMYK 37 / 41 / 0 / 37

HEX #655EA0

RGB 101 94 160

HSL 246.36, 0.26%, 0.5%

LAB 43.23, 19.14, -34.89

 

CMYK 34 / 37 / 0 / 30

HEX #7670B3

RGB 118 112 179

HSL 245.37, 0.31%, 0.57%

LAB 50.33, 18.29, -34.76

 

CMYK 32 / 34 / 0 / 22

HEX #8782C6

RGB 135 130 198

HSL 244.41, 0.37%, 0.64%

LAB 57.26, 17.56, -34.69

 

CMYK 30 / 32 / 0 / 15

HEX #9894D9

RGB 152 148 217

HSL 243.48, 0.48%, 0.72%

LAB 64.05, 16.93, -34.67

 

CMYK 46 / 48 / 0 / 43

HEX #4F4C92

RGB 79 76 146

HSL 242.57, 0.32%, 0.44%

LAB 35.8, 20.35, -38.37

 

CMYK 51 / 54 / 0 / 50

HEX #3E3A7F

RGB 62 58 127

HSL 243.48, 0.37%, 0.36%

LAB 28.33, 21.74, -38.69

 

CMYK 58 / 63 / 0 / 58

HEX #2D286C

RGB 45 40 108

HSL 244.41, 0.46%, 0.29%

LAB 20.67, 23.47, -39.05

 

CMYK 69 / 75 / 0 / 65

HEX #1C1659

RGB 28 22 89

HSL 245.37, 0.6%, 0.22%

LAB 12.87, 25.6, -39.28

 

CMYK 84 / 94 / 0 / 73

HEX #0B0446

RGB 11 4 70

HSL 246.36, 0.89%, 0.15%

LAB 5.42, 26.84, -38.5

 

CMYK 47 / 49 / 0 / 42

HEX #4F4C94

RGB 79 76 148

HSL 242.5, 0.32%, 0.44%

LAB 35.93, 20.98, -39.39

 

CMYK 33 / 49 / 0 / 42

HEX #634C94

RGB 99 76 148

HSL 259.17, 0.32%, 0.44%

LAB 37.77, 26.35, -36.34

 

CMYK 20 / 49 / 0 / 42

HEX #764C94

RGB 118 76 148

HSL 275, 0.32%, 0.44%

LAB 39.85, 31.87, -32.92

 

CMYK 7 / 49 / 0 / 42

HEX #894C94

RGB 137 76 148

HSL 290.83, 0.32%, 0.44%

LAB 42.19, 37.6, -29.07

 

CMYK 0 / 49 / 6 / 42

HEX #944C8B

RGB 148 76 139

HSL 307.5, 0.32%, 0.44%

LAB 43.25, 39.27, -21.87

 

CMYK 47 / 49 / 0 / 42

HEX #4F4C94

RGB 79 76 148

HSL 242.5, 0.32%, 0.44%

LAB 35.93, 20.98, -39.39

 

CMYK 49 / 49 / 0 / 42

HEX #4C4C94

RGB 76 76 148

HSL 240, 0.32%, 0.44%

LAB 35.68, 20.23, -39.79

 

CMYK 47 / 49 / 0 / 42

HEX #4F4C94

RGB 79 76 148

HSL 242.5, 0.32%, 0.44%

LAB 35.93, 20.98, -39.39

 

CMYK 62 / 65 / 0 / 35

HEX #3F3AA6

RGB 63 58 166

HSL 242.78, 0.48%, 0.44%

LAB 31.43, 35.06, -57.59

 

CMYK 75 / 78 / 0 / 28

HEX #2E28B8

RGB 46 40 184

HSL 242.5, 0.64%, 0.44%

LAB 28.27, 49.37, -73.59

 

CMYK 85 / 89 / 0 / 20

HEX #1E16CB

RGB 30 22 203

HSL 242.65, 0.8%, 0.44%

LAB 27.19, 61.86, -86.61

 

CMYK 94 / 98 / 0 / 13

HEX #0D04DD

RGB 13 4 221

HSL 242.49, 0.96%, 0.44%

LAB 27.83, 70.42, -96.02

 

CMYK 47 / 49 / 0 / 42

HEX #4F4C94

RGB 79 76 148

HSL 242.5, 0.32%, 0.44%

LAB 35.93, 20.98, -39.39

 

CMYK 26 / 28 / 0 / 49

HEX #605E82

RGB 96 94 130

HSL 243.33, 0.16%, 0.44%

LAB 41.38, 9.33, -19.79

 

CMYK 0 / 0 / 1 / 56

HEX #717170

RGB 113 113 112

HSL 60, 0%, 0.44%

LAB 47.61, -0.2, 0.55

 

CMYK 2 / 0 / 28 / 49

HEX #81835E

RGB 129 131 94

HSL 63.24, 0.16%, 0.44%

LAB 53.72, -7.17, 19.81

 

CMYK 2 / 0 / 50 / 42

HEX #92954B

RGB 146 149 75

HSL 62.43, 0.33%, 0.44%

LAB 59.99, -12.09, 38.37

 

CMYK 49 / 24 / 0 / 42

HEX #4C7094

RGB 76 112 148

HSL 210, 0.32%, 0.44%

LAB 45.99, -2.4, -23.57

 

CMYK 49 / 37 / 0 / 42

HEX #4C5D94

RGB 76 93 148

HSL 225.83, 0.32%, 0.44%

LAB 40.42, 9.32, -32.28

 

CMYK 47 / 49 / 0 / 42

HEX #4F4C94

RGB 79 76 148

HSL 242.5, 0.32%, 0.44%

LAB 35.93, 20.98, -39.39

 

CMYK 34 / 49 / 0 / 42

HEX #624C94

RGB 98 76 148

HSL 258.33, 0.32%, 0.44%

LAB 37.67, 26.06, -36.51

 

CMYK 21 / 49 / 0 / 42

HEX #754C94

RGB 117 76 148

HSL 274.17, 0.32%, 0.44%

LAB 39.73, 31.57, -33.11

 

CMYK 47 / 49 / 0 / 63

HEX #32305E

RGB 50 48 94

HSL 242.61, 0.32%, 0.28%

LAB 22.3, 14.33, -27.26

 

CMYK 46 / 49 / 0 / 53

HEX #413E79

RGB 65 62 121

HSL 243.05, 0.32%, 0.36%

LAB 29.28, 17.86, -33.39

 

CMYK 47 / 49 / 0 / 42

HEX #4F4C94

RGB 79 76 148

HSL 242.5, 0.32%, 0.44%

LAB 35.93, 20.98, -39.39

 

CMYK 44 / 45 / 0 / 33

HEX #615EAC

RGB 97 94 172

HSL 242.31, 0.32%, 0.52%

LAB 43.54, 21.58, -41.5

 

CMYK 33 / 35 / 0 / 27

HEX #7C79BA

RGB 124 121 186

HSL 242.77, 0.32%, 0.6%

LAB 53.5, 16.52, -33.79

 

CMYK 46 / 48 / 0 / 43

HEX #4F4C92

RGB 79 76 146

HSL 242.57, 0.32%, 0.44%

LAB 35.8, 20.35, -38.37

 

CMYK 0 / 49 / 11 / 42

HEX #944C83

RGB 148 76 131

HSL 314.17, 0.32%, 0.44%

LAB 42.92, 37.85, -17.54

 

CMYK 30 / 0 / 49 / 42

HEX #67944C

RGB 103 148 76

HSL 97.5, 0.32%, 0.44%

LAB 56.67, -28.85, 33.11

 

CMYK 46 / 48 / 0 / 43

HEX #4F4C92

RGB 79 76 146

HSL 242.57, 0.32%, 0.44%

LAB 35.8, 20.35, -38.37

 

CMYK 0 / 47 / 49 / 42

HEX #944F4C

RGB 148 79 76

HSL 2.5, 0.32%, 0.44%

LAB 41.86, 28.47, 14.71

 

CMYK 49 / 0 / 47 / 42

HEX #4C944F

RGB 76 148 79

HSL 122.5, 0.32%, 0.44%

LAB 55.36, -37.5, 29.6

 

CMYK 46 / 48 / 0 / 43

HEX #4F4C92

RGB 79 76 146

HSL 242.57, 0.32%, 0.44%

LAB 35.8, 20.35, -38.37

 

CMYK 0 / 49 / 11 / 42

HEX #944C83

RGB 148 76 131

HSL 314.17, 0.32%, 0.44%

LAB 42.92, 37.85, -17.54

 

CMYK 1 / 0 / 49 / 42

HEX #92944C

RGB 146 148 76

HSL 61.67, 0.32%, 0.44%

LAB 59.72, -11.45, 37.53

 

CMYK 49 / 0 / 37 / 42

HEX #4C945D

RGB 76 148 93

HSL 134.17, 0.32%, 0.44%

LAB 55.59, -35.14, 22.31

 

CMYK 46 / 48 / 0 / 43

HEX #4F4C92

RGB 79 76 146

HSL 242.57, 0.32%, 0.44%

LAB 35.8, 20.35, -38.37

 

CMYK 0 / 49 / 26 / 42

HEX #944C6E

RGB 148 76 110

HSL 331.67, 0.32%, 0.44%

LAB 42.14, 34.45, -5.85

 

CMYK 1 / 0 / 49 / 42

HEX #92944C

RGB 146 148 76

HSL 61.67, 0.32%, 0.44%

LAB 59.72, -11.45, 37.53

 

CMYK 49 / 0 / 22 / 42

HEX #4C9473

RGB 76 148 115

HSL 152.5, 0.32%, 0.44%

LAB 56.04, -30.68, 10.59

 

Description

Color code: HEX #4F4C92 | qconv.com Color code: HEX #4F4C92 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 76 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 76 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 48 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 48% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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