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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4F4B18CE it is the complementary color #B0B4E7CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4F4B18CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4F4B18CE shade: #544B13CE, #655D26CE, #766F39CE, #87814CCE and #98935FCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4F4B18CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4F4B18CE shade: #4F4B18CE, #3E3905CE, #2D2700CE, #1C1500CE and #0B0300CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4F4B18CE shade: #4E4A18, #4E3C18, #4E2D18, #4E1E18 and #4E1818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4F4B18CE shade: #4E4A18, #434E18, #354E18, #264E18 and #184E18

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4F4B18CE shade matches the following richer shades: #4E4A18, #565110 and #5F5807

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4F4B18CE shade: #4E4A18, #464320, #3E3C28, #353531 and #2D2E39

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4F4B18CE shade: #4E2D18, #4E3B18, #4E4A18, #444E18 and #364E18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4F4B18CE shade: #0F0E05, #2E2C0E, #4E4A18, #6E6822 and #8D862B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4F4B18CE shade: #4F4B18, #184E1E and #34184E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4F4B18CE shade: #4F4B18, #184E4A and #4A184E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4F4B18CE shade: #4F4B18, #184E1E, #181C4E and #4E1848

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4F4B18CE shade: #4F4B18, #184E2E, #181C4E and #4E1838

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 56 / 56

HEX #4F4B18CE

RGBA 79 75 24 0.81

HSLA 55.64, 0.53%, 0.2%, 0.81

LABA 31.26, -5.65, 29.99, 0.81

 

Complementary color

CMYK 19 / 18 / 0 / 8

HEX #B0B4E7CE

RGBA 176 180 231 0.81

HSLA 235.64, 0.53%, 0.8%, 0.81

LABA 74.6, 9.45, -25.93, 0.81

 

CMYK 0 / 9 / 63 / 54

HEX #544B13CE

RGBA 84 75 19 0.81

HSLA 51.69, 0.63%, 0.2%, 0.81

LABA 31.72, -3.47, 33, 0.81

 

CMYK 0 / 6 / 51 / 49

HEX #655D26CE

RGBA 101 93 38 0.81

HSLA 52.38, 0.45%, 0.27%, 0.81

LABA 39.13, -4.53, 32.08, 0.81

 

CMYK 0 / 5 / 42 / 44

HEX #766F39CE

RGBA 118 111 57 0.81

HSLA 53.11, 0.35%, 0.34%, 0.81

LABA 46.33, -5.28, 30.8, 0.81

 

CMYK 0 / 4 / 35 / 38

HEX #87814CCE

RGBA 135 129 76 0.81

HSLA 53.9, 0.28%, 0.41%, 0.81

LABA 53.36, -5.84, 29.48, 0.81

 

CMYK 0 / 3 / 30 / 33

HEX #98935FCE

RGBA 152 147 95 0.81

HSLA 54.74, 0.23%, 0.48%, 0.81

LABA 60.22, -6.28, 28.21, 0.81

 

CMYK 0 / 4 / 56 / 56

HEX #4F4B18CE

RGBA 79 75 24 0.81

HSLA 55.64, 0.53%, 0.2%, 0.81

LABA 31.26, -5.65, 29.99, 0.81

 

CMYK 0 / 7 / 74 / 61

HEX #3E3905CE

RGBA 62 57 5 0.81

HSLA 54.74, 0.85%, 0.13%, 0.81

LABA 23.54, -4.46, 30.22, 0.81

 

CMYK 0 / 11 / 81 / 67

HEX #2D2700CE

RGBA 45 39 0 0.81

HSLA 52, 1%, 0.09%, 0.81

LABA 15.53, -2.46, 22.6, 0.81

 

CMYK 0 / 20 / 81 / 72

HEX #1C1500CE

RGBA 28 21 0 0.81

HSLA 45, 1%, 0.05%, 0.81

LABA 7.07, 0.11, 10.6, 0.81

 

CMYK 0 / 59 / 81 / 78

HEX #0B0300CE

RGBA 11 3 0 0.81

HSLA 16.36, 1%, 0.02%, 0.81

LABA 1.23, 1.68, 1.87, 0.81

 

CMYK 0 / 5 / 69 / 69

HEX #4E4A18

RGB 78 74 24

HSL 55.56, 0.53%, 0.2%

LAB 30.84, -5.55, 29.51

 

CMYK 0 / 23 / 69 / 69

HEX #4E3C18

RGB 78 60 24

HSL 40, 0.53%, 0.2%

LAB 26.5, 3.19, 24.76

 

CMYK 0 / 42 / 69 / 69

HEX #4E2D18

RGB 78 45 24

HSL 23.33, 0.53%, 0.2%

LAB 22.17, 12.88, 19.77

 

CMYK 0 / 62 / 69 / 69

HEX #4E1E18

RGB 78 30 24

HSL 6.67, 0.53%, 0.2%

LAB 18.43, 22.14, 15.22

 

CMYK 0 / 69 / 69 / 69

HEX #4E1818

RGB 78 24 24

HSL 0, 0.53%, 0.2%

LAB 17.17, 25.44, 13.65

 

CMYK 0 / 5 / 69 / 69

HEX #4E4A18

RGB 78 74 24

HSL 55.56, 0.53%, 0.2%

LAB 30.84, -5.55, 29.51

 

CMYK 14 / 0 / 69 / 69

HEX #434E18

RGB 67 78 24

HSL 72.22, 0.53%, 0.2%

LAB 31.13, -13.3, 29.53

 

CMYK 32 / 0 / 69 / 69

HEX #354E18

RGB 53 78 24

HSL 87.78, 0.53%, 0.2%

LAB 30.09, -19.7, 28.09

 

CMYK 51 / 0 / 69 / 69

HEX #264E18

RGB 38 78 24

HSL 104.44, 0.53%, 0.2%

LAB 29.23, -25.66, 26.9

 

CMYK 69 / 0 / 69 / 69

HEX #184E18

RGB 24 78 24

HSL 120, 0.53%, 0.2%

LAB 28.67, -29.97, 26.12

 

CMYK 0 / 5 / 69 / 69

HEX #4E4A18

RGB 78 74 24

HSL 55.56, 0.53%, 0.2%

LAB 30.84, -5.55, 29.51

 

CMYK 0 / 6 / 81 / 66

HEX #565110

RGB 86 81 16

HSL 55.71, 0.69%, 0.2%

LAB 33.78, -6.23, 36.3

 

CMYK 0 / 7 / 93 / 63

HEX #5F5807

RGB 95 88 7

HSL 55.23, 0.86%, 0.2%

LAB 36.8, -6.21, 42.18

 

CMYK 0 / 5 / 69 / 69

HEX #4E4A18

RGB 78 74 24

HSL 55.56, 0.53%, 0.2%

LAB 30.84, -5.55, 29.51

 

CMYK 0 / 4 / 54 / 73

HEX #464320

RGB 70 67 32

HSL 55.26, 0.37%, 0.2%

LAB 27.9, -4.5, 21.55

 

CMYK 0 / 3 / 35 / 76

HEX #3E3C28

RGB 62 60 40

HSL 54.55, 0.22%, 0.2%

LAB 24.98, -2.93, 12.71

 

CMYK 0 / 0 / 8 / 79

HEX #353531

RGB 53 53 49

HSL 60, 0.04%, 0.2%

LAB 22.03, -0.9, 2.52

 

CMYK 21 / 19 / 0 / 78

HEX #2D2E39

RGB 45 46 57

HSL 235, 0.12%, 0.2%

LAB 19.25, 2.42, -7.14

 

CMYK 0 / 42 / 69 / 69

HEX #4E2D18

RGB 78 45 24

HSL 23.33, 0.53%, 0.2%

LAB 22.17, 12.88, 19.77

 

CMYK 0 / 24 / 69 / 69

HEX #4E3B18

RGB 78 59 24

HSL 38.89, 0.53%, 0.2%

LAB 26.2, 3.84, 24.42

 

CMYK 0 / 5 / 69 / 69

HEX #4E4A18

RGB 78 74 24

HSL 55.56, 0.53%, 0.2%

LAB 30.84, -5.55, 29.51

 

CMYK 13 / 0 / 69 / 69

HEX #444E18

RGB 68 78 24

HSL 71.11, 0.53%, 0.2%

LAB 31.22, -12.82, 29.64

 

CMYK 31 / 0 / 69 / 69

HEX #364E18

RGB 54 78 24

HSL 86.67, 0.53%, 0.2%

LAB 30.15, -19.27, 28.18

 

CMYK 0 / 7 / 67 / 94

HEX #0F0E05

RGB 15 14 5

HSL 54, 0.5%, 0.04%

LAB 3.85, -0.98, 3.7

 

CMYK 0 / 4 / 70 / 82

HEX #2E2C0E

RGB 46 44 14

HSL 56.25, 0.53%, 0.12%

LAB 17.52, -4.05, 19.2

 

CMYK 0 / 5 / 69 / 69

HEX #4E4A18

RGB 78 74 24

HSL 55.56, 0.53%, 0.2%

LAB 30.84, -5.55, 29.51

 

CMYK 0 / 5 / 69 / 57

HEX #6E6822

RGB 110 104 34

HSL 55.26, 0.53%, 0.28%

LAB 43.26, -6.91, 38.75

 

CMYK 0 / 5 / 70 / 45

HEX #8D862B

RGB 141 134 43

HSL 55.71, 0.53%, 0.36%

LAB 54.96, -8.72, 47.73

 

CMYK 0 / 5 / 70 / 69

HEX #4F4B18

RGB 79 75 24

HSL 55.64, 0.53%, 0.2%

LAB 31.26, -5.65, 29.99

 

CMYK 69 / 0 / 62 / 69

HEX #184E1E

RGB 24 78 30

HSL 126.67, 0.53%, 0.2%

LAB 28.74, -29.14, 23

 

CMYK 33 / 69 / 0 / 69

HEX #34184E

RGB 52 24 78

HSL 271.11, 0.53%, 0.2%

LAB 15.13, 25.86, -28

 

CMYK 0 / 5 / 70 / 69

HEX #4F4B18

RGB 79 75 24

HSL 55.64, 0.53%, 0.2%

LAB 31.26, -5.65, 29.99

 

CMYK 69 / 0 / 5 / 69

HEX #184E4A

RGB 24 78 74

HSL 175.56, 0.53%, 0.2%

LAB 29.76, -18.55, -2.85

 

CMYK 5 / 69 / 0 / 69

HEX #4A184E

RGB 74 24 78

HSL 295.56, 0.53%, 0.2%

LAB 18.62, 31.99, -22.22

 

CMYK 0 / 5 / 70 / 69

HEX #4F4B18

RGB 79 75 24

HSL 55.64, 0.53%, 0.2%

LAB 31.26, -5.65, 29.99

 

CMYK 69 / 0 / 62 / 69

HEX #184E1E

RGB 24 78 30

HSL 126.67, 0.53%, 0.2%

LAB 28.74, -29.14, 23

 

CMYK 69 / 64 / 0 / 69

HEX #181C4E

RGB 24 28 78

HSL 235.56, 0.53%, 0.2%

LAB 13.08, 16.45, -31.48

 

CMYK 0 / 69 / 8 / 69

HEX #4E1848

RGB 78 24 72

HSL 306.67, 0.53%, 0.2%

LAB 18.97, 31.96, -17.52

 

CMYK 0 / 5 / 70 / 69

HEX #4F4B18

RGB 79 75 24

HSL 55.64, 0.53%, 0.2%

LAB 31.26, -5.65, 29.99

 

CMYK 69 / 0 / 41 / 69

HEX #184E2E

RGB 24 78 46

HSL 144.44, 0.53%, 0.2%

LAB 29.01, -26.16, 13.87

 

CMYK 69 / 64 / 0 / 69

HEX #181C4E

RGB 24 28 78

HSL 235.56, 0.53%, 0.2%

LAB 13.08, 16.45, -31.48

 

CMYK 0 / 69 / 28 / 69

HEX #4E1838

RGB 78 24 56

HSL 324.44, 0.53%, 0.2%

LAB 18.18, 29.19, -7.63

 

Description

Color code: HEX #4F4B18CE | qconv.com Color code: HEX #4F4B18CE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 75 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 75 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 56 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 56% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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