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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4F473E it is the complementary color #B0B8C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4F473E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4F473E shade: #544739, #65594C, #766B5F, #877D72 and #988F85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4F473E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4F473E shade: #4F473E, #3E352B, #2D2318, #1C1105 and #0B0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4F473E shade: #50483F, #50433F and #503F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4F473E shade: #50483F, #504D3F, #4F503F, #4A503F and #46503F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4F473E shade matches the following richer shades: #50483F, #5C4933, #674928, #734A1C and #7E4B11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4F473E shade: #50483F, #44474A, #394756, #2D4661 and #22456D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4F473E shade: #503F3F, #50433F, #50483F, #504C3F and #4F503F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4F473E shade: #221E1B, #39332D, #50483F, #675D51 and #7E7163

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4F473E shade: #4F473E, #44503F and #413F50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4F473E shade: #4F473E, #3F5048 and #483F50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4F473E shade: #4F473E, #44503F, #3F4750 and #4B3F50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4F473E shade: #4F473E, #3F503F, #3F4750 and #503F50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 22 / 69

HEX #4F473E

RGB 79 71 62

HSL 31.76, 0.12%, 0.28%

LAB 30.68, 1.65, 6.64

 

Complementary color

CMYK 9 / 5 / 0 / 24

HEX #B0B8C1

RGB 176 184 193

HSL 211.76, 0.12%, 0.72%

LAB 74.42, -1, -5.52

 

CMYK 0 / 15 / 32 / 67

HEX #544739

RGB 84 71 57

HSL 31.11, 0.19%, 0.28%

LAB 31.08, 3.07, 10.47

 

CMYK 0 / 12 / 25 / 60

HEX #65594C

RGB 101 89 76

HSL 31.2, 0.14%, 0.35%

LAB 38.61, 2.56, 9.31

 

CMYK 0 / 9 / 19 / 54

HEX #766B5F

RGB 118 107 95

HSL 31.3, 0.11%, 0.42%

LAB 45.9, 2.16, 8.29

 

CMYK 0 / 7 / 16 / 47

HEX #877D72

RGB 135 125 114

HSL 31.43, 0.08%, 0.49%

LAB 52.99, 1.83, 7.36

 

CMYK 0 / 6 / 13 / 40

HEX #988F85

RGB 152 143 133

HSL 31.58, 0.08%, 0.56%

LAB 59.9, 1.54, 6.51

HEX #988F85

CMYK 0 / 10 / 22 / 69

HEX #4F473E

RGB 79 71 62

HSL 31.76, 0.12%, 0.28%

LAB 30.68, 1.65, 6.64

 

CMYK 0 / 15 / 31 / 76

HEX #3E352B

RGB 62 53 43

HSL 31.58, 0.18%, 0.21%

LAB 22.81, 2.11, 7.78

 

CMYK 0 / 22 / 47 / 82

HEX #2D2318

RGB 45 35 24

HSL 31.43, 0.3%, 0.14%

LAB 14.55, 2.79, 9.18

 

CMYK 0 / 39 / 82 / 89

HEX #1C1105

RGB 28 17 5

HSL 31.3, 0.7%, 0.06%

LAB 5.95, 3.3, 6.92

 

CMYK 0 / 100 / 100 / 96

HEX #0B0000

RGB 11 0 0

HSL 0, 1%, 0.02%

LAB 0.64, 2.88, 1.02

 

CMYK 0 / 10 / 21 / 69

HEX #50483F

RGB 80 72 63

HSL 31.76, 0.12%, 0.28%

LAB 31.11, 1.64, 6.62

 

CMYK 0 / 16 / 21 / 69

HEX #50433F

RGB 80 67 63

HSL 14.12, 0.12%, 0.28%

LAB 29.61, 4.82, 4.49

 

CMYK 0 / 21 / 21 / 69

HEX #503F3F

RGB 80 63 63

HSL 0, 0.12%, 0.28%

LAB 28.43, 7.38, 2.8

 

CMYK 0 / 10 / 21 / 69

HEX #50483F

RGB 80 72 63

HSL 31.76, 0.12%, 0.28%

LAB 31.11, 1.64, 6.62

 

CMYK 0 / 4 / 21 / 69

HEX #504D3F

RGB 80 77 63

HSL 49.41, 0.12%, 0.28%

LAB 32.64, -1.48, 8.76

 

CMYK 1 / 0 / 21 / 69

HEX #4F503F

RGB 79 80 63

HSL 63.53, 0.12%, 0.28%

LAB 33.47, -3.77, 9.91

 

CMYK 7 / 0 / 21 / 69

HEX #4A503F

RGB 74 80 63

HSL 81.18, 0.12%, 0.28%

LAB 33.03, -5.94, 9.23

 

CMYK 13 / 0 / 21 / 69

HEX #46503F

RGB 70 80 63

HSL 95.29, 0.12%, 0.28%

LAB 32.7, -7.64, 8.71

 

CMYK 0 / 10 / 21 / 69

HEX #50483F

RGB 80 72 63

HSL 31.76, 0.12%, 0.28%

LAB 31.11, 1.64, 6.62

 

CMYK 0 / 21 / 45 / 64

HEX #5C4933

RGB 92 73 51

HSL 32.2, 0.29%, 0.28%

LAB 32.43, 4.67, 16.22

 

CMYK 0 / 29 / 61 / 60

HEX #674928

RGB 103 73 40

HSL 31.43, 0.44%, 0.28%

LAB 33.57, 8.7, 24.57

 

CMYK 0 / 36 / 76 / 55

HEX #734A1C

RGB 115 74 28

HSL 31.72, 0.61%, 0.28%

LAB 35.25, 12.96, 33.48

 

CMYK 0 / 40 / 87 / 51

HEX #7E4B11

RGB 126 75 17

HSL 31.93, 0.76%, 0.28%

LAB 36.94, 17.08, 40.58

 

CMYK 0 / 10 / 21 / 69

HEX #50483F

RGB 80 72 63

HSL 31.76, 0.12%, 0.28%

LAB 31.11, 1.64, 6.62

 

CMYK 8 / 4 / 0 / 71

HEX #44474A

RGB 68 71 74

HSL 210, 0.04%, 0.28%

LAB 29.99, -0.54, -2.23

 

CMYK 34 / 17 / 0 / 66

HEX #394756

RGB 57 71 86

HSL 211.03, 0.2%, 0.28%

LAB 29.53, -1.47, -10.74

 

CMYK 54 / 28 / 0 / 62

HEX #2D4661

RGB 45 70 97

HSL 211.15, 0.37%, 0.28%

LAB 28.91, -0.99, -18.85

 

CMYK 69 / 37 / 0 / 57

HEX #22456D

RGB 34 69 109

HSL 212, 0.52%, 0.28%

LAB 28.64, 1.53, -26.95

 

CMYK 0 / 21 / 21 / 69

HEX #503F3F

RGB 80 63 63

HSL 0, 0.12%, 0.28%

LAB 28.43, 7.38, 2.8

 

CMYK 0 / 16 / 21 / 69

HEX #50433F

RGB 80 67 63

HSL 14.12, 0.12%, 0.28%

LAB 29.61, 4.82, 4.49

 

CMYK 0 / 10 / 21 / 69

HEX #50483F

RGB 80 72 63

HSL 31.76, 0.12%, 0.28%

LAB 31.11, 1.64, 6.62

 

CMYK 0 / 5 / 21 / 69

HEX #504C3F

RGB 80 76 63

HSL 45.88, 0.12%, 0.28%

LAB 32.33, -0.86, 8.34

 

CMYK 1 / 0 / 21 / 69

HEX #4F503F

RGB 79 80 63

HSL 63.53, 0.12%, 0.28%

LAB 33.47, -3.77, 9.91

 

CMYK 0 / 12 / 21 / 87

HEX #221E1B

RGB 34 30 27

HSL 25.71, 0.11%, 0.12%

LAB 11.61, 1.25, 2.75

 

CMYK 0 / 11 / 21 / 78

HEX #39332D

RGB 57 51 45

HSL 30, 0.12%, 0.2%

LAB 21.68, 1.44, 4.77

 

CMYK 0 / 10 / 21 / 69

HEX #50483F

RGB 80 72 63

HSL 31.76, 0.12%, 0.28%

LAB 31.11, 1.64, 6.62

 

CMYK 0 / 10 / 21 / 60

HEX #675D51

RGB 103 93 81

HSL 32.73, 0.12%, 0.36%

LAB 40.09, 1.84, 8.36

 

CMYK 0 / 10 / 21 / 51

HEX #7E7163

RGB 126 113 99

HSL 31.11, 0.12%, 0.44%

LAB 48.44, 2.61, 9.61

 

CMYK 0 / 10 / 22 / 69

HEX #4F473E

RGB 79 71 62

HSL 31.76, 0.12%, 0.28%

LAB 30.68, 1.65, 6.64

 

CMYK 15 / 0 / 21 / 69

HEX #44503F

RGB 68 80 63

HSL 102.35, 0.12%, 0.28%

LAB 32.54, -8.48, 8.46

 

CMYK 19 / 21 / 0 / 69

HEX #413F50

RGB 65 63 80

HSL 247.06, 0.12%, 0.28%

LAB 27.46, 4.96, -9.94

 

CMYK 0 / 10 / 22 / 69

HEX #4F473E

RGB 79 71 62

HSL 31.76, 0.12%, 0.28%

LAB 30.68, 1.65, 6.64

 

CMYK 21 / 0 / 10 / 69

HEX #3F5048

RGB 63 80 72

HSL 151.76, 0.12%, 0.28%

LAB 32.4, -8.55, 2.52

 

CMYK 10 / 21 / 0 / 69

HEX #483F50

RGB 72 63 80

HSL 271.76, 0.12%, 0.28%

LAB 28.15, 7.67, -8.83

 

CMYK 0 / 10 / 22 / 69

HEX #4F473E

RGB 79 71 62

HSL 31.76, 0.12%, 0.28%

LAB 30.68, 1.65, 6.64

 

CMYK 15 / 0 / 21 / 69

HEX #44503F

RGB 68 80 63

HSL 102.35, 0.12%, 0.28%

LAB 32.54, -8.48, 8.46

 

CMYK 21 / 11 / 0 / 69

HEX #3F4750

RGB 63 71 80

HSL 211.76, 0.12%, 0.28%

LAB 29.77, -0.99, -6.47

 

CMYK 6 / 21 / 0 / 69

HEX #4B3F50

RGB 75 63 80

HSL 282.35, 0.12%, 0.28%

LAB 28.46, 8.85, -8.33

 

CMYK 0 / 10 / 22 / 69

HEX #4F473E

RGB 79 71 62

HSL 31.76, 0.12%, 0.28%

LAB 30.68, 1.65, 6.64

 

CMYK 21 / 0 / 21 / 69

HEX #3F503F

RGB 63 80 63

HSL 120, 0.12%, 0.28%

LAB 32.15, -10.53, 7.87

 

CMYK 21 / 11 / 0 / 69

HEX #3F4750

RGB 63 71 80

HSL 211.76, 0.12%, 0.28%

LAB 29.77, -0.99, -6.47

 

CMYK 0 / 21 / 0 / 69

HEX #503F50

RGB 80 63 80

HSL 300, 0.12%, 0.28%

LAB 29, 10.84, -7.45

 

Description

Color code: HEX #4F473E | qconv.com Color code: HEX #4F473E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 71 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 71 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 22 yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 22% 69% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

22% - evntogram™ - Live yo...
Link: http://evntogram.com

14% - Homey inspiration an...
Link: http://offbeathome.com

15% - Cuore Pánico | Tiend...
Link: http://www.cuorepanico.com

20% - פרופ' יונתן סמיל...
Link: http://www.jonathansmilansky.com

16% - Urlaub auf dem Weihe...
Link: http://www.weihermattenhof.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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