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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4F432C it is the complementary color #B0BCD3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4F432C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4F432C shade: #544327, #65553A, #76674D, #877960 and #988B73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4F432C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4F432C shade: #4F432C, #3E3119, #2D1F06, #1C0D00 and #0B0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4F432C shade: #4E432C, #4E392C, #4E302C and #4E2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4F432C shade: #4E432C, #4E4C2C, #484E2C, #3E4E2C and #354E2C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4F432C shade matches the following richer shades: #4E432C, #584622, #624918, #6C4C0E and #764F04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4F432C shade: #4E432C, #443F36, #3B3C40, #31394A and #273654

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4F432C shade: #4E302C, #4E392C, #4E422C, #4E4B2C and #484E2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4F432C shade: #1A160E, #342C1D, #4E432C, #69593B and #836F4A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4F432C shade: #4F432C, #314E2C and #352C4E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4F432C shade: #4F432C, #2C4E42 and #422C4E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4F432C shade: #4F432C, #314E2C, #2C384E and #492C4E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4F432C shade: #4F432C, #2C4E31, #2C384E and #4E2C49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 44 / 69

HEX #4F432C

RGB 79 67 44

HSL 39.43, 0.28%, 0.24%

LAB 29.05, 1.36, 15.87

 

Complementary color

CMYK 17 / 11 / 0 / 17

HEX #B0BCD3

RGB 176 188 211

HSL 219.43, 0.28%, 0.76%

LAB 76.01, 0.61, -12.95

 

CMYK 0 / 20 / 54 / 67

HEX #544327

RGB 84 67 39

HSL 37.33, 0.37%, 0.24%

LAB 29.53, 3.17, 19.68

 

CMYK 0 / 16 / 43 / 60

HEX #65553A

RGB 101 85 58

HSL 37.67, 0.27%, 0.31%

LAB 37.06, 2.35, 18.2

 

CMYK 0 / 13 / 35 / 54

HEX #76674D

RGB 118 103 77

HSL 38.05, 0.21%, 0.38%

LAB 44.36, 1.74, 16.88

 

CMYK 0 / 10 / 29 / 47

HEX #877960

RGB 135 121 96

HSL 38.46, 0.17%, 0.45%

LAB 51.46, 1.26, 15.69

 

CMYK 0 / 9 / 24 / 40

HEX #988B73

RGB 152 139 115

HSL 38.92, 0.15%, 0.52%

LAB 58.39, 0.87, 14.62

 

CMYK 0 / 15 / 44 / 69

HEX #4F432C

RGB 79 67 44

HSL 39.43, 0.28%, 0.24%

LAB 29.05, 1.36, 15.87

 

CMYK 0 / 21 / 60 / 76

HEX #3E3119

RGB 62 49 25

HSL 38.92, 0.43%, 0.17%

LAB 21.17, 2.23, 17.43

 

CMYK 0 / 31 / 87 / 82

HEX #2D1F06

RGB 45 31 6

HSL 38.46, 0.76%, 0.1%

LAB 12.93, 3.59, 16.75

 

CMYK 0 / 54 / 100 / 89

HEX #1C0D00

RGB 28 13 0

HSL 27.86, 1%, 0.05%

LAB 4.83, 4.69, 7.32

 

CMYK 0 / 100 / 100 / 96

HEX #0B0000

RGB 11 0 0

HSL 0, 1%, 0.02%

LAB 0.64, 2.88, 1.02

 

CMYK 0 / 14 / 44 / 69

HEX #4E432C

RGB 78 67 44

HSL 40.59, 0.28%, 0.24%

LAB 28.94, 0.88, 15.7

 

CMYK 0 / 27 / 44 / 69

HEX #4E392C

RGB 78 57 44

HSL 22.94, 0.28%, 0.24%

LAB 25.94, 7.29, 11.72

 

CMYK 0 / 38 / 44 / 69

HEX #4E302C

RGB 78 48 44

HSL 7.06, 0.28%, 0.24%

LAB 23.39, 13.13, 8.23

 

CMYK 0 / 44 / 44 / 69

HEX #4E2C2C

RGB 78 44 44

HSL 0, 0.28%, 0.24%

LAB 22.31, 15.7, 6.73

 

CMYK 0 / 14 / 44 / 69

HEX #4E432C

RGB 78 67 44

HSL 40.59, 0.28%, 0.24%

LAB 28.94, 0.88, 15.7

 

CMYK 0 / 3 / 44 / 69

HEX #4E4C2C

RGB 78 76 44

HSL 56.47, 0.28%, 0.24%

LAB 31.74, -4.71, 19.31

 

CMYK 8 / 0 / 44 / 69

HEX #484E2C

RGB 72 78 44

HSL 70.59, 0.28%, 0.24%

LAB 31.83, -8.72, 19.31

 

CMYK 21 / 0 / 44 / 69

HEX #3E4E2C

RGB 62 78 44

HSL 88.24, 0.28%, 0.24%

LAB 31.01, -13.23, 18.1

 

CMYK 32 / 0 / 44 / 69

HEX #354E2C

RGB 53 78 44

HSL 104.12, 0.28%, 0.24%

LAB 30.37, -17.04, 17.15

 

CMYK 0 / 14 / 44 / 69

HEX #4E432C

RGB 78 67 44

HSL 40.59, 0.28%, 0.24%

LAB 28.94, 0.88, 15.7

 

CMYK 0 / 20 / 61 / 65

HEX #584622

RGB 88 70 34

HSL 40, 0.44%, 0.24%

LAB 30.81, 2.74, 24.33

 

CMYK 0 / 26 / 76 / 62

HEX #624918

RGB 98 73 24

HSL 39.73, 0.61%, 0.24%

LAB 32.76, 5.08, 32.21

 

CMYK 0 / 30 / 87 / 58

HEX #6C4C0E

RGB 108 76 14

HSL 39.57, 0.77%, 0.24%

LAB 34.78, 7.73, 38.89

 

CMYK 0 / 33 / 97 / 54

HEX #764F04

RGB 118 79 4

HSL 39.47, 0.93%, 0.24%

LAB 36.84, 10.53, 44.28

 

CMYK 0 / 14 / 44 / 69

HEX #4E432C

RGB 78 67 44

HSL 40.59, 0.28%, 0.24%

LAB 28.94, 0.88, 15.7

 

CMYK 0 / 7 / 21 / 73

HEX #443F36

RGB 68 63 54

HSL 38.57, 0.11%, 0.24%

LAB 26.88, 0.35, 6.3

 

CMYK 8 / 6 / 0 / 75

HEX #3B3C40

RGB 59 60 64

HSL 228, 0.04%, 0.24%

LAB 25.36, 0.52, -2.61

 

CMYK 34 / 23 / 0 / 71

HEX #31394A

RGB 49 57 74

HSL 220.8, 0.2%, 0.24%

LAB 23.91, 1.38, -11.52

 

CMYK 54 / 36 / 0 / 67

HEX #273654

RGB 39 54 84

HSL 220, 0.37%, 0.24%

LAB 22.69, 3.55, -20.11

 

CMYK 0 / 38 / 44 / 69

HEX #4E302C

RGB 78 48 44

HSL 7.06, 0.28%, 0.24%

LAB 23.39, 13.13, 8.23

 

CMYK 0 / 27 / 44 / 69

HEX #4E392C

RGB 78 57 44

HSL 22.94, 0.28%, 0.24%

LAB 25.94, 7.29, 11.72

 

CMYK 0 / 15 / 44 / 69

HEX #4E422C

RGB 78 66 44

HSL 38.82, 0.28%, 0.24%

LAB 28.64, 1.52, 15.3

 

CMYK 0 / 4 / 44 / 69

HEX #4E4B2C

RGB 78 75 44

HSL 54.71, 0.28%, 0.24%

LAB 31.43, -4.1, 18.91

 

CMYK 8 / 0 / 44 / 69

HEX #484E2C

RGB 72 78 44

HSL 70.59, 0.28%, 0.24%

LAB 31.83, -8.72, 19.31

 

CMYK 0 / 15 / 46 / 90

HEX #1A160E

RGB 26 22 14

HSL 40, 0.3%, 0.08%

LAB 7.45, 0.32, 5.23

 

CMYK 0 / 15 / 44 / 80

HEX #342C1D

RGB 52 44 29

HSL 39.13, 0.28%, 0.16%

LAB 18.45, 0.95, 11.09

 

CMYK 0 / 14 / 44 / 69

HEX #4E432C

RGB 78 67 44

HSL 40.59, 0.28%, 0.24%

LAB 28.94, 0.88, 15.7

 

CMYK 0 / 15 / 44 / 59

HEX #69593B

RGB 105 89 59

HSL 39.13, 0.28%, 0.32%

LAB 38.66, 1.9, 19.78

 

CMYK 0 / 15 / 44 / 49

HEX #836F4A

RGB 131 111 74

HSL 38.95, 0.28%, 0.4%

LAB 47.87, 2.4, 23.51

 

CMYK 0 / 15 / 44 / 69

HEX #4F432C

RGB 79 67 44

HSL 39.43, 0.28%, 0.24%

LAB 29.05, 1.36, 15.87

 

CMYK 37 / 0 / 44 / 69

HEX #314E2C

RGB 49 78 44

HSL 111.18, 0.28%, 0.24%

LAB 30.12, -18.63, 16.77

 

CMYK 32 / 44 / 0 / 69

HEX #352C4E

RGB 53 44 78

HSL 255.88, 0.28%, 0.24%

LAB 20.47, 12.92, -19.5

 

CMYK 0 / 15 / 44 / 69

HEX #4F432C

RGB 79 67 44

HSL 39.43, 0.28%, 0.24%

LAB 29.05, 1.36, 15.87

 

CMYK 44 / 0 / 15 / 69

HEX #2C4E42

RGB 44 78 66

HSL 158.82, 0.28%, 0.24%

LAB 30.35, -15.64, 3.23

 

CMYK 15 / 44 / 0 / 69

HEX #422C4E

RGB 66 44 78

HSL 278.82, 0.28%, 0.24%

LAB 21.98, 17.48, -17.03

 

CMYK 0 / 15 / 44 / 69

HEX #4F432C

RGB 79 67 44

HSL 39.43, 0.28%, 0.24%

LAB 29.05, 1.36, 15.87

 

CMYK 37 / 0 / 44 / 69

HEX #314E2C

RGB 49 78 44

HSL 111.18, 0.28%, 0.24%

LAB 30.12, -18.63, 16.77

 

CMYK 44 / 28 / 0 / 69

HEX #2C384E

RGB 44 56 78

HSL 218.82, 0.28%, 0.24%

LAB 23.38, 1.63, -15.02

 

CMYK 6 / 44 / 0 / 69

HEX #492C4E

RGB 73 44 78

HSL 291.18, 0.28%, 0.24%

LAB 22.89, 20.02, -15.55

 

CMYK 0 / 15 / 44 / 69

HEX #4F432C

RGB 79 67 44

HSL 39.43, 0.28%, 0.24%

LAB 29.05, 1.36, 15.87

 

CMYK 44 / 0 / 37 / 69

HEX #2C4E31

RGB 44 78 49

HSL 128.82, 0.28%, 0.24%

LAB 29.93, -19.56, 13.39

 

CMYK 44 / 28 / 0 / 69

HEX #2C384E

RGB 44 56 78

HSL 218.82, 0.28%, 0.24%

LAB 23.38, 1.63, -15.02

 

CMYK 0 / 44 / 6 / 69

HEX #4E2C49

RGB 78 44 73

HSL 308.82, 0.28%, 0.24%

LAB 23.35, 20.77, -11.44

 

Description

Color code: HEX #4F432C | qconv.com Color code: HEX #4F432C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 67 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 67 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 44 yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 44% 69% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

42% - 22[夫婦] | 離婚・浮気・夫婦の悩み...
Link: http://huhu.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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