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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4F360DCE it is the complementary color #B0C9F2CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4F360DCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4F360DCE shade: #543608CE, #65481BCE, #765A2ECE, #876C41CE and #987E54CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4F360DCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4F360DCE shade: #4F360DCE, #3E2400CE, #2D1200CE, #1C0000CE and #0B0000CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4F360DCE shade: #4F360D, #4F240D, #4F120D and #4F0D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4F360DCE shade: #4F360D, #4F480D, #444F0D, #334F0D and #214F0D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4F360DCE shade matches the following richer shades: #4F360D and #563805

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4F360DCE shade: #4F360D, #483414, #40321C, #393123 and #312F2B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4F360DCE shade: #4F120D, #4F240D, #4F360D, #4F470D and #454F0D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4F360DCE shade: #080501, #2B1E07, #4F360D, #724E13 and #966618

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4F360DCE shade: #4F360D, #194F0D and #1B0D4F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4F360DCE shade: #4F360D, #0D4F36 and #360D4F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4F360DCE shade: #4F360D, #194F0D, #0D264F and #430D4F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4F360DCE shade: #4F360D, #0D4F15, #0D264F and #4F0D47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 68 / 56

HEX #4F360DCE

RGBA 79 54 13 0.81

HSLA 37.27, 0.72%, 0.18%, 0.81

LABA 24.73, 6.85, 28.72, 0.81

 

Complementary color

CMYK 22 / 14 / 0 / 4

HEX #B0C9F2CE

RGBA 176 201 242 0.81

HSLA 217.27, 0.72%, 0.82%, 0.81

LABA 80.41, 0.63, -22.98, 0.81

 

CMYK 0 / 29 / 73 / 54

HEX #543608CE

RGBA 84 54 8 0.81

HSLA 36.32, 0.83%, 0.18%, 0.81

LABA 25.38, 9.21, 31.73, 0.81

 

CMYK 0 / 23 / 59 / 49

HEX #65481BCE

RGBA 101 72 27 0.81

HSLA 36.49, 0.58%, 0.25%, 0.81

LABA 32.88, 7.36, 30.93, 0.81

 

CMYK 0 / 19 / 49 / 44

HEX #765A2ECE

RGBA 118 90 46 0.81

HSLA 36.67, 0.44%, 0.32%, 0.81

LABA 40.18, 6, 29.48, 0.81

 

CMYK 0 / 16 / 42 / 38

HEX #876C41CE

RGBA 135 108 65 0.81

HSLA 36.86, 0.35%, 0.39%, 0.81

LABA 47.31, 4.95, 27.98, 0.81

 

CMYK 0 / 14 / 36 / 33

HEX #987E54CE

RGBA 152 126 84 0.81

HSLA 37.06, 0.29%, 0.46%, 0.81

LABA 54.28, 4.12, 26.58, 0.81

 

CMYK 0 / 26 / 68 / 56

HEX #4F360DCE

RGBA 79 54 13 0.81

HSLA 37.27, 0.72%, 0.18%, 0.81

LABA 24.73, 6.85, 28.72, 0.81

 

CMYK 0 / 34 / 81 / 61

HEX #3E2400CE

RGBA 62 36 0 0.81

HSLA 34.84, 1%, 0.12%, 0.81

LABA 16.92, 9.09, 24.84, 0.81

 

CMYK 0 / 49 / 81 / 67

HEX #2D1200CE

RGBA 45 18 0 0.81

HSLA 24, 1%, 0.09%, 0.81

LABA 8.91, 12.15, 13.61, 0.81

 

CMYK 0 / 81 / 81 / 72

HEX #1C0000CE

RGBA 28 0 0 0.81

HSLA 0, 1%, 0.05%, 0.81

LABA 2.23, 10.01, 3.52, 0.81

 

CMYK 0 / 81 / 81 / 78

HEX #0B0000CE

RGBA 11 0 0 0.81

HSLA 0, 1%, 0.02%, 0.81

LABA 0.64, 2.88, 1.02, 0.81

 

CMYK 0 / 32 / 84 / 69

HEX #4F360D

RGB 79 54 13

HSL 37.27, 0.72%, 0.18%

LAB 24.73, 6.85, 28.72

 

CMYK 0 / 54 / 84 / 69

HEX #4F240D

RGB 79 36 13

HSL 20.91, 0.72%, 0.18%

LAB 19.85, 18.32, 23.59

 

CMYK 0 / 77 / 84 / 69

HEX #4F120D

RGB 79 18 13

HSL 4.55, 0.72%, 0.18%

LAB 16.12, 28.09, 19.14

 

CMYK 0 / 84 / 84 / 69

HEX #4F0D0D

RGB 79 13 13

HSL 0, 0.72%, 0.18%

LAB 15.38, 30.16, 18.2

 

CMYK 0 / 32 / 84 / 69

HEX #4F360D

RGB 79 54 13

HSL 37.27, 0.72%, 0.18%

LAB 24.73, 6.85, 28.72

 

CMYK 0 / 9 / 84 / 69

HEX #4F480D

RGB 79 72 13

HSL 53.64, 0.72%, 0.18%

LAB 30.22, -4.5, 33.91

 

CMYK 14 / 0 / 84 / 69

HEX #444F0D

RGB 68 79 13

HSL 70, 0.72%, 0.18%

LAB 31.46, -14.13, 34.69

 

CMYK 35 / 0 / 84 / 69

HEX #334F0D

RGB 51 79 13

HSL 85.45, 0.72%, 0.18%

LAB 30.22, -21.97, 33.07

 

CMYK 58 / 0 / 84 / 69

HEX #214F0D

RGB 33 79 13

HSL 101.82, 0.72%, 0.18%

LAB 29.27, -28.86, 31.83

 

CMYK 0 / 32 / 84 / 69

HEX #4F360D

RGB 79 54 13

HSL 37.27, 0.72%, 0.18%

LAB 24.73, 6.85, 28.72

 

CMYK 0 / 35 / 94 / 66

HEX #563805

RGB 86 56 5

HSL 37.78, 0.89%, 0.18%

LAB 26.21, 8.84, 33.81

 

CMYK 0 / 32 / 84 / 69

HEX #4F360D

RGB 79 54 13

HSL 37.27, 0.72%, 0.18%

LAB 24.73, 6.85, 28.72

 

CMYK 0 / 28 / 72 / 72

HEX #483414

RGB 72 52 20

HSL 36.92, 0.57%, 0.18%

LAB 23.28, 4.97, 23.23

 

CMYK 0 / 22 / 56 / 75

HEX #40321C

RGB 64 50 28

HSL 36.67, 0.39%, 0.18%

LAB 21.78, 2.93, 16.33

 

CMYK 0 / 14 / 39 / 78

HEX #393123

RGB 57 49 35

HSL 38.18, 0.24%, 0.18%

LAB 20.78, 1.02, 10.27

 

CMYK 0 / 4 / 12 / 81

HEX #312F2B

RGB 49 47 43

HSL 40, 0.07%, 0.18%

LAB 19.48, 0.01, 2.88

 

CMYK 0 / 77 / 84 / 69

HEX #4F120D

RGB 79 18 13

HSL 4.55, 0.72%, 0.18%

LAB 16.12, 28.09, 19.14

 

CMYK 0 / 54 / 84 / 69

HEX #4F240D

RGB 79 36 13

HSL 20.91, 0.72%, 0.18%

LAB 19.85, 18.32, 23.59

 

CMYK 0 / 32 / 84 / 69

HEX #4F360D

RGB 79 54 13

HSL 37.27, 0.72%, 0.18%

LAB 24.73, 6.85, 28.72

 

CMYK 0 / 10 / 84 / 69

HEX #4F470D

RGB 79 71 13

HSL 52.73, 0.72%, 0.18%

LAB 29.91, -3.89, 33.62

 

CMYK 13 / 0 / 84 / 69

HEX #454F0D

RGB 69 79 13

HSL 69.09, 0.72%, 0.18%

LAB 31.55, -13.65, 34.8

 

CMYK 0 / 37 / 88 / 97

HEX #080501

RGB 8 5 1

HSL 34.29, 0.78%, 0.02%

LAB 1.47, 0.23, 1.79

 

CMYK 0 / 30 / 84 / 83

HEX #2B1E07

RGB 43 30 7

HSL 38.33, 0.72%, 0.1%

LAB 12.34, 3.25, 15.5

 

CMYK 0 / 32 / 84 / 69

HEX #4F360D

RGB 79 54 13

HSL 37.27, 0.72%, 0.18%

LAB 24.73, 6.85, 28.72

 

CMYK 0 / 32 / 83 / 55

HEX #724E13

RGB 114 78 19

HSL 37.26, 0.71%, 0.26%

LAB 36.12, 9.63, 38.44

 

CMYK 0 / 32 / 84 / 41

HEX #966618

RGB 150 102 24

HSL 37.14, 0.72%, 0.34%

LAB 47.04, 12.68, 48.02

 

CMYK 0 / 32 / 84 / 69

HEX #4F360D

RGB 79 54 13

HSL 37.27, 0.72%, 0.18%

LAB 24.73, 6.85, 28.72

 

CMYK 68 / 0 / 84 / 69

HEX #194F0D

RGB 25 79 13

HSL 109.09, 0.72%, 0.18%

LAB 28.97, -31.24, 31.44

 

CMYK 66 / 84 / 0 / 69

HEX #1B0D4F

RGB 27 13 79

HSL 252.73, 0.72%, 0.18%

LAB 9.68, 27.5, -37.71

 

CMYK 0 / 32 / 84 / 69

HEX #4F360D

RGB 79 54 13

HSL 37.27, 0.72%, 0.18%

LAB 24.73, 6.85, 28.72

 

CMYK 84 / 0 / 32 / 69

HEX #0D4F36

RGB 13 79 54

HSL 157.27, 0.72%, 0.18%

LAB 29.27, -26.78, 9.18

 

CMYK 32 / 84 / 0 / 69

HEX #360D4F

RGB 54 13 79

HSL 277.27, 0.72%, 0.18%

LAB 13.45, 32.4, -31.39

 

CMYK 0 / 32 / 84 / 69

HEX #4F360D

RGB 79 54 13

HSL 37.27, 0.72%, 0.18%

LAB 24.73, 6.85, 28.72

 

CMYK 68 / 0 / 84 / 69

HEX #194F0D

RGB 25 79 13

HSL 109.09, 0.72%, 0.18%

LAB 28.97, -31.24, 31.44

 

CMYK 84 / 52 / 0 / 69

HEX #0D264F

RGB 13 38 79

HSL 217.27, 0.72%, 0.18%

LAB 15.68, 7.46, -27.99

 

CMYK 15 / 84 / 0 / 69

HEX #430D4F

RGB 67 13 79

HSL 289.09, 0.72%, 0.18%

LAB 15.73, 35.27, -27.61

 

CMYK 0 / 32 / 84 / 69

HEX #4F360D

RGB 79 54 13

HSL 37.27, 0.72%, 0.18%

LAB 24.73, 6.85, 28.72

 

CMYK 84 / 0 / 73 / 69

HEX #0D4F15

RGB 13 79 21

HSL 127.27, 0.72%, 0.18%

LAB 28.73, -33.08, 27.59

 

CMYK 84 / 52 / 0 / 69

HEX #0D264F

RGB 13 38 79

HSL 217.27, 0.72%, 0.18%

LAB 15.68, 7.46, -27.99

 

CMYK 0 / 84 / 10 / 69

HEX #4F0D47

RGB 79 13 71

HSL 307.27, 0.72%, 0.18%

LAB 17.48, 36.63, -19.16

 

Description

Color code: HEX #4F360DCE | qconv.com Color code: HEX #4F360DCE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 54 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 54 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 68 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 68% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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