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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4F2C7F it is the complementary color #B0D380. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4F2C7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4F2C7F shade: #542C7A, #653E8D, #7650A0, #8762B3 and #9874C6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4F2C7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4F2C7F shade: #4F2C7F, #3E1A6C, #2D0859, #1C0046 and #0B0033

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4F2C7F shade: #502C81, #672C81, #7E2C81, #812C6E and #812C57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4F2C7F shade: #502C81, #392C81 and #2C2C81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4F2C7F shade matches the following richer shades: #502C81, #4E1E8F, #4C109D and #4902AB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4F2C7F shade: #502C81, #523A73, #544865, #575657 and #596449

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4F2C7F shade: #2C3681, #392C81, #502C81, #662C81 and #7D2C81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4F2C7F shade: #2A1744, #3D2262, #502C81, #6337A0 and #7642BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4F2C7F shade: #4F2C7F, #812C4D and #2C812E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4F2C7F shade: #4F2C7F, #81502C and #2C8150

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4F2C7F shade: #4F2C7F, #812C4D, #5E812C and #2C8161

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4F2C7F shade: #4F2C7F, #812C33, #5E812C and #2C817A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 65 / 0 / 50

HEX #4F2C7F

RGB 79 44 127

HSL 265.3, 0.49%, 0.34%

LAB 26.72, 34.57, -41.2

 

Complementary color

CMYK 17 / 0 / 39 / 17

HEX #B0D380

RGB 176 211 128

HSL 85.3, 0.49%, 0.66%

LAB 80.39, -25.51, 37.33

 

CMYK 31 / 64 / 0 / 52

HEX #542C7A

RGB 84 44 122

HSL 270.77, 0.47%, 0.33%

LAB 26.99, 34.44, -37.58

 

CMYK 28 / 56 / 0 / 45

HEX #653E8D

RGB 101 62 141

HSL 269.62, 0.39%, 0.4%

LAB 34.26, 33.47, -37.65

 

CMYK 26 / 50 / 0 / 37

HEX #7650A0

RGB 118 80 160

HSL 268.5, 0.33%, 0.47%

LAB 41.42, 32.47, -37.64

 

CMYK 25 / 45 / 0 / 30

HEX #8762B3

RGB 135 98 179

HSL 267.41, 0.35%, 0.54%

LAB 48.44, 31.54, -37.62

 

CMYK 23 / 41 / 0 / 22

HEX #9874C6

RGB 152 116 198

HSL 266.34, 0.42%, 0.62%

LAB 55.32, 30.68, -37.62

 

CMYK 38 / 65 / 0 / 50

HEX #4F2C7F

RGB 79 44 127

HSL 265.3, 0.49%, 0.34%

LAB 26.72, 34.57, -41.2

 

CMYK 43 / 76 / 0 / 58

HEX #3E1A6C

RGB 62 26 108

HSL 266.34, 0.61%, 0.26%

LAB 19.41, 35.48, -41

 

CMYK 49 / 91 / 0 / 65

HEX #2D0859

RGB 45 8 89

HSL 267.41, 0.84%, 0.19%

LAB 12.3, 35.52, -40.14

 

CMYK 60 / 100 / 0 / 73

HEX #1C0046

RGB 28 0 70

HSL 264, 1%, 0.14%

LAB 6.22, 31.93, -37.12

 

CMYK 78 / 100 / 0 / 80

HEX #0B0033

RGB 11 0 51

HSL 252.94, 1%, 0.1%

LAB 2.8, 18.05, -29

 

CMYK 38 / 66 / 0 / 49

HEX #502C81

RGB 80 44 129

HSL 265.41, 0.49%, 0.34%

LAB 26.99, 35.35, -42.01

 

CMYK 20 / 66 / 0 / 49

HEX #672C81

RGB 103 44 129

HSL 281.65, 0.49%, 0.34%

LAB 30.08, 40.95, -36.88

 

CMYK 2 / 66 / 0 / 49

HEX #7E2C81

RGB 126 44 129

HSL 297.88, 0.49%, 0.34%

LAB 33.61, 46.83, -31.05

 

CMYK 0 / 66 / 15 / 49

HEX #812C6E

RGB 129 44 110

HSL 313.41, 0.49%, 0.34%

LAB 33.12, 44.34, -19.83

 

CMYK 0 / 66 / 33 / 49

HEX #812C57

RGB 129 44 87

HSL 329.65, 0.49%, 0.34%

LAB 32.16, 40.95, -6.54

 

CMYK 38 / 66 / 0 / 49

HEX #502C81

RGB 80 44 129

HSL 265.41, 0.49%, 0.34%

LAB 26.99, 35.35, -42.01

 

CMYK 56 / 66 / 0 / 49

HEX #392C81

RGB 57 44 129

HSL 249.18, 0.49%, 0.34%

LAB 24.5, 30.42, -46.17

 

CMYK 66 / 66 / 0 / 49

HEX #2C2C81

RGB 44 44 129

HSL 240, 0.49%, 0.34%

LAB 23.41, 28.12, -48

 

CMYK 38 / 66 / 0 / 49

HEX #502C81

RGB 80 44 129

HSL 265.41, 0.49%, 0.34%

LAB 26.99, 35.35, -42.01

 

CMYK 45 / 79 / 0 / 44

HEX #4E1E8F

RGB 78 30 143

HSL 265.49, 0.65%, 0.34%

LAB 25.36, 45.9, -53.43

 

CMYK 52 / 90 / 0 / 38

HEX #4C109D

RGB 76 16 157

HSL 265.53, 0.82%, 0.34%

LAB 24.77, 54.27, -63.02

 

CMYK 57 / 99 / 0 / 33

HEX #4902AB

RGB 73 2 171

HSL 265.21, 0.98%, 0.34%

LAB 24.95, 60.46, -71.24

 

CMYK 38 / 66 / 0 / 49

HEX #502C81

RGB 80 44 129

HSL 265.41, 0.49%, 0.34%

LAB 26.99, 35.35, -42.01

 

CMYK 29 / 50 / 0 / 55

HEX #523A73

RGB 82 58 115

HSL 265.26, 0.33%, 0.34%

LAB 29.56, 23.55, -29.07

 

CMYK 17 / 29 / 0 / 60

HEX #544865

RGB 84 72 101

HSL 264.83, 0.17%, 0.34%

LAB 32.83, 11.55, -15.08

 

CMYK 0 / 1 / 0 / 66

HEX #575657

RGB 87 86 87

HSL 300, 0.01%, 0.34%

LAB 36.69, 0.62, -0.44

 

CMYK 11 / 0 / 27 / 61

HEX #596449

RGB 89 100 73

HSL 84.44, 0.16%, 0.34%

LAB 40.77, -9.59, 13.95

 

CMYK 66 / 58 / 0 / 49

HEX #2C3681

RGB 44 54 129

HSL 232.94, 0.49%, 0.34%

LAB 26.04, 21.38, -43.72

 

CMYK 56 / 66 / 0 / 49

HEX #392C81

RGB 57 44 129

HSL 249.18, 0.49%, 0.34%

LAB 24.5, 30.42, -46.17

 

CMYK 38 / 66 / 0 / 49

HEX #502C81

RGB 80 44 129

HSL 265.41, 0.49%, 0.34%

LAB 26.99, 35.35, -42.01

 

CMYK 21 / 66 / 0 / 49

HEX #662C81

RGB 102 44 129

HSL 280.94, 0.49%, 0.34%

LAB 29.94, 40.7, -37.12

 

CMYK 3 / 66 / 0 / 49

HEX #7D2C81

RGB 125 44 129

HSL 297.18, 0.49%, 0.34%

LAB 33.45, 46.57, -31.32

 

CMYK 38 / 66 / 0 / 73

HEX #2A1744

RGB 42 23 68

HSL 265.33, 0.49%, 0.18%

LAB 12.75, 20.8, -24.99

 

CMYK 38 / 65 / 0 / 62

HEX #3D2262

RGB 61 34 98

HSL 265.31, 0.48%, 0.26%

LAB 20.12, 27.87, -33.33

 

CMYK 38 / 66 / 0 / 49

HEX #502C81

RGB 80 44 129

HSL 265.41, 0.49%, 0.34%

LAB 26.99, 35.35, -42.01

 

CMYK 38 / 66 / 0 / 37

HEX #6337A0

RGB 99 55 160

HSL 265.14, 0.49%, 0.42%

LAB 33.82, 41.92, -49.93

 

CMYK 38 / 65 / 0 / 25

HEX #7642BE

RGB 118 66 190

HSL 265.16, 0.49%, 0.5%

LAB 40.35, 47.97, -57.08

 

CMYK 38 / 65 / 0 / 50

HEX #4F2C7F

RGB 79 44 127

HSL 265.3, 0.49%, 0.34%

LAB 26.72, 34.57, -41.2

 

CMYK 0 / 66 / 40 / 49

HEX #812C4D

RGB 129 44 77

HSL 336.71, 0.49%, 0.34%

LAB 31.82, 39.7, -0.54

 

CMYK 66 / 0 / 64 / 49

HEX #2C812E

RGB 44 129 46

HSL 121.41, 0.49%, 0.34%

LAB 47.54, -42.79, 36.7

 

CMYK 38 / 65 / 0 / 50

HEX #4F2C7F

RGB 79 44 127

HSL 265.3, 0.49%, 0.34%

LAB 26.72, 34.57, -41.2

 

CMYK 0 / 38 / 66 / 49

HEX #81502C

RGB 129 80 44

HSL 25.41, 0.49%, 0.34%

LAB 38.87, 16.9, 29.4

 

CMYK 66 / 0 / 38 / 49

HEX #2C8150

RGB 44 129 80

HSL 145.41, 0.49%, 0.34%

LAB 48.03, -37.31, 19.29

 

CMYK 38 / 65 / 0 / 50

HEX #4F2C7F

RGB 79 44 127

HSL 265.3, 0.49%, 0.34%

LAB 26.72, 34.57, -41.2

 

CMYK 0 / 66 / 40 / 49

HEX #812C4D

RGB 129 44 77

HSL 336.71, 0.49%, 0.34%

LAB 31.82, 39.7, -0.54

 

CMYK 27 / 0 / 66 / 49

HEX #5E812C

RGB 94 129 44

HSL 84.71, 0.49%, 0.34%

LAB 49.81, -26.58, 40.78

 

CMYK 66 / 0 / 25 / 49

HEX #2C8161

RGB 44 129 97

HSL 157.41, 0.49%, 0.34%

LAB 48.38, -33.51, 10

 

CMYK 38 / 65 / 0 / 50

HEX #4F2C7F

RGB 79 44 127

HSL 265.3, 0.49%, 0.34%

LAB 26.72, 34.57, -41.2

 

CMYK 0 / 66 / 60 / 49

HEX #812C33

RGB 129 44 51

HSL 355.06, 0.49%, 0.34%

LAB 31.13, 37.15, 15.5

 

CMYK 27 / 0 / 66 / 49

HEX #5E812C

RGB 94 129 44

HSL 84.71, 0.49%, 0.34%

LAB 49.81, -26.58, 40.78

 

CMYK 66 / 0 / 5 / 49

HEX #2C817A

RGB 44 129 122

HSL 175.06, 0.49%, 0.34%

LAB 49.06, -26.82, -3.68

 

Description

Color code: HEX #4F2C7F | qconv.com Color code: HEX #4F2C7F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 44 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 44 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 65 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 65% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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