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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4F27A6 it is the complementary color #B0D859. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4F27A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4F27A6 shade: #5427A1, #6539B4, #764BC7, #875DDA and #986FED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4F27A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4F27A6 shade: #4F27A6, #3E1593, #2D0380, #1C006D and #0B005A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4F27A6 shade: #4F27A5, #7127A5, #9327A5, #A52796 and #A52773

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4F27A6 shade: #4F27A5, #2C27A5 and #2727A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4F27A6 shade matches the following richer shades: #4F27A5, #4816B6 and #4206C6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4F27A6 shade: #4F27A5, #553795, #5B4884, #615874 and #676963

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4F27A6 shade: #2744A5, #2B27A5, #4D27A5, #6E27A5 and #9027A5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4F27A6 shade: #2F1762, #3F1F84, #4F27A5, #5E2FC7 and #764AD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4F27A6 shade: #4F27A6, #A52766 and #33A527

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4F27A6 shade: #4F27A6, #A54D27 and #27A54D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4F27A6 shade: #4F27A6, #A52766, #7FA527 and #27A566

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4F27A6 shade: #4F27A6, #A52740, #7FA527 and #27A58C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 77 / 0 / 35

HEX #4F27A6

RGB 79 39 166

HSL 258.9, 0.62%, 0.4%

LAB 29.07, 48.14, -61.4

 

Complementary color

CMYK 19 / 0 / 59 / 15

HEX #B0D859

RGB 176 216 89

HSL 78.9, 0.62%, 0.6%

LAB 81.33, -31.95, 56.99

 

CMYK 48 / 76 / 0 / 37

HEX #5427A1

RGB 84 39 161

HSL 262.13, 0.61%, 0.39%

LAB 29.18, 47.54, -58.17

 

CMYK 44 / 68 / 0 / 29

HEX #6539B4

RGB 101 57 180

HSL 261.46, 0.52%, 0.46%

LAB 35.96, 46.64, -58.41

 

CMYK 41 / 62 / 0 / 22

HEX #764BC7

RGB 118 75 199

HSL 260.81, 0.53%, 0.54%

LAB 42.77, 45.52, -58.4

 

CMYK 38 / 57 / 0 / 15

HEX #875DDA

RGB 135 93 218

HSL 260.16, 0.63%, 0.61%

LAB 49.55, 44.36, -58.29

 

CMYK 36 / 53 / 0 / 7

HEX #986FED

RGB 152 111 237

HSL 259.52, 0.78%, 0.68%

LAB 56.25, 43.25, -58.13

 

CMYK 52 / 77 / 0 / 35

HEX #4F27A6

RGB 79 39 166

HSL 258.9, 0.62%, 0.4%

LAB 29.07, 48.14, -61.4

 

CMYK 58 / 86 / 0 / 42

HEX #3E1593

RGB 62 21 147

HSL 259.52, 0.75%, 0.33%

LAB 22.54, 48.55, -60.61

 

CMYK 65 / 98 / 0 / 50

HEX #2D0380

RGB 45 3 128

HSL 260.16, 0.95%, 0.26%

LAB 16.41, 47.78, -58.89

 

CMYK 74 / 100 / 0 / 57

HEX #1C006D

RGB 28 0 109

HSL 255.41, 1%, 0.21%

LAB 11.63, 43.02, -54.64

 

CMYK 88 / 100 / 0 / 65

HEX #0B005A

RGB 11 0 90

HSL 247.33, 1%, 0.18%

LAB 7.31, 37.18, -49.21

 

CMYK 52 / 76 / 0 / 35

HEX #4F27A5

RGB 79 39 165

HSL 259.05, 0.62%, 0.4%

LAB 28.98, 47.86, -60.95

 

CMYK 32 / 76 / 0 / 35

HEX #7127A5

RGB 113 39 165

HSL 275.24, 0.62%, 0.4%

LAB 33.3, 53.58, -53.7

 

CMYK 11 / 76 / 0 / 35

HEX #9327A5

RGB 147 39 165

HSL 291.43, 0.62%, 0.4%

LAB 38.5, 60.23, -45.06

 

CMYK 0 / 76 / 9 / 35

HEX #A52796

RGB 165 39 150

HSL 307.14, 0.62%, 0.4%

LAB 40.66, 61.6, -32.39

 

CMYK 0 / 76 / 30 / 35

HEX #A52773

RGB 165 39 115

HSL 323.81, 0.62%, 0.4%

LAB 39.05, 56.79, -13.33

 

CMYK 52 / 76 / 0 / 35

HEX #4F27A5

RGB 79 39 165

HSL 259.05, 0.62%, 0.4%

LAB 28.98, 47.86, -60.95

 

CMYK 73 / 76 / 0 / 35

HEX #2C27A5

RGB 44 39 165

HSL 242.38, 0.62%, 0.4%

LAB 25.87, 43.6, -66.17

 

CMYK 76 / 76 / 0 / 35

HEX #2727A5

RGB 39 39 165

HSL 240, 0.62%, 0.4%

LAB 25.56, 43.17, -66.7

 

CMYK 52 / 76 / 0 / 35

HEX #4F27A5

RGB 79 39 165

HSL 259.05, 0.62%, 0.4%

LAB 28.98, 47.86, -60.95

 

CMYK 60 / 88 / 0 / 29

HEX #4816B6

RGB 72 22 182

HSL 258.75, 0.78%, 0.4%

LAB 27.65, 58.45, -73.36

 

CMYK 67 / 97 / 0 / 22

HEX #4206C6

RGB 66 6 198

HSL 258.75, 0.94%, 0.4%

LAB 27.75, 65.72, -82.68

 

CMYK 52 / 76 / 0 / 35

HEX #4F27A5

RGB 79 39 165

HSL 259.05, 0.62%, 0.4%

LAB 28.98, 47.86, -60.95

 

CMYK 43 / 63 / 0 / 42

HEX #553795

RGB 85 55 149

HSL 259.15, 0.46%, 0.4%

LAB 31.43, 35.78, -47.2

 

CMYK 31 / 45 / 0 / 48

HEX #5B4884

RGB 91 72 132

HSL 259, 0.29%, 0.4%

LAB 35.05, 22.1, -30.93

 

CMYK 16 / 24 / 0 / 55

HEX #615874

RGB 97 88 116

HSL 259.29, 0.14%, 0.4%

LAB 39.21, 9.84, -14.56

 

CMYK 2 / 0 / 6 / 59

HEX #676963

RGB 103 105 99

HSL 80, 0.03%, 0.4%

LAB 44.07, -1.99, 3.1

 

CMYK 76 / 59 / 0 / 35

HEX #2744A5

RGB 39 68 165

HSL 226.19, 0.62%, 0.4%

LAB 32.44, 24.82, -55.4

 

CMYK 74 / 76 / 0 / 35

HEX #2B27A5

RGB 43 39 165

HSL 241.9, 0.62%, 0.4%

LAB 25.81, 43.51, -66.28

 

CMYK 53 / 76 / 0 / 35

HEX #4D27A5

RGB 77 39 165

HSL 258.1, 0.62%, 0.4%

LAB 28.76, 47.57, -61.31

 

CMYK 33 / 76 / 0 / 35

HEX #6E27A5

RGB 110 39 165

HSL 273.81, 0.62%, 0.4%

LAB 32.88, 53.03, -54.41

 

CMYK 13 / 76 / 0 / 35

HEX #9027A5

RGB 144 39 165

HSL 290, 0.62%, 0.4%

LAB 38.02, 59.62, -45.86

 

CMYK 52 / 77 / 0 / 62

HEX #2F1762

RGB 47 23 98

HSL 259.2, 0.62%, 0.24%

LAB 16, 31.28, -40.09

 

CMYK 52 / 77 / 0 / 48

HEX #3F1F84

RGB 63 31 132

HSL 259.01, 0.62%, 0.32%

LAB 22.66, 39.94, -51.04

 

CMYK 52 / 76 / 0 / 35

HEX #4F27A5

RGB 79 39 165

HSL 259.05, 0.62%, 0.4%

LAB 28.98, 47.86, -60.95

 

CMYK 53 / 76 / 0 / 22

HEX #5E2FC7

RGB 94 47 199

HSL 258.55, 0.62%, 0.48%

LAB 35.08, 55.59, -71.07

 

CMYK 45 / 65 / 0 / 16

HEX #764AD5

RGB 118 74 213

HSL 258.99, 0.62%, 0.56%

LAB 43.59, 49.84, -65.16

 

CMYK 52 / 77 / 0 / 35

HEX #4F27A6

RGB 79 39 166

HSL 258.9, 0.62%, 0.4%

LAB 29.07, 48.14, -61.4

 

CMYK 0 / 76 / 38 / 35

HEX #A52766

RGB 165 39 102

HSL 330, 0.62%, 0.4%

LAB 38.57, 55.29, -5.89

 

CMYK 69 / 0 / 76 / 35

HEX #33A527

RGB 51 165 39

HSL 114.29, 0.62%, 0.4%

LAB 59.67, -54.85, 52.39

 

CMYK 52 / 77 / 0 / 35

HEX #4F27A6

RGB 79 39 166

HSL 258.9, 0.62%, 0.4%

LAB 29.07, 48.14, -61.4

 

CMYK 0 / 53 / 76 / 35

HEX #A54D27

RGB 165 77 39

HSL 18.1, 0.62%, 0.4%

LAB 43.44, 33.76, 38.65

 

CMYK 76 / 0 / 53 / 35

HEX #27A54D

RGB 39 165 77

HSL 138.1, 0.62%, 0.4%

LAB 59.78, -52.69, 35.9

 

CMYK 52 / 77 / 0 / 35

HEX #4F27A6

RGB 79 39 166

HSL 258.9, 0.62%, 0.4%

LAB 29.07, 48.14, -61.4

 

CMYK 0 / 76 / 38 / 35

HEX #A52766

RGB 165 39 102

HSL 330, 0.62%, 0.4%

LAB 38.57, 55.29, -5.89

 

CMYK 23 / 0 / 76 / 35

HEX #7FA527

RGB 127 165 39

HSL 78.1, 0.62%, 0.4%

LAB 62.98, -30.81, 56.74

 

CMYK 76 / 0 / 38 / 35

HEX #27A566

RGB 39 165 102

HSL 150, 0.62%, 0.4%

LAB 60.16, -48.28, 23.29

 

CMYK 52 / 77 / 0 / 35

HEX #4F27A6

RGB 79 39 166

HSL 258.9, 0.62%, 0.4%

LAB 29.07, 48.14, -61.4

 

CMYK 0 / 76 / 61 / 35

HEX #A52740

RGB 165 39 64

HSL 348.1, 0.62%, 0.4%

LAB 37.52, 51.96, 16.84

 

CMYK 23 / 0 / 76 / 35

HEX #7FA527

RGB 127 165 39

HSL 78.1, 0.62%, 0.4%

LAB 62.98, -30.81, 56.74

 

CMYK 76 / 0 / 15 / 35

HEX #27A58C

RGB 39 165 140

HSL 168.1, 0.62%, 0.4%

LAB 60.99, -39.36, 3.4

 

Description

Color code: HEX #4F27A6 | qconv.com Color code: HEX #4F27A6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 39 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 39 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 77 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 77% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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