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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4F19B5 it is the complementary color #B0E64A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4F19B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4F19B5 shade: #5419B0, #652BC3, #763DD6, #874FE9 and #9861FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4F19B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4F19B5 shade: #4F19B5, #3E07A2, #2D008F, #1C007C and #0B0069

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4F19B5 shade: #4E18B3, #7718B3, #A118B3, #B3189B and #B31871

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4F19B5 shade: #4E18B3, #2418B3 and #1818B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4F19B5 shade matches the following richer shades: #4E18B3 and #4907C4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4F19B5 shade: #4E18B3, #5328A3, #583992, #5D4982 and #625A71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4F19B5 shade: #1837B3, #2218B3, #4C18B3, #7518B3 and #9E18B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4F19B5 shade: #2E0E6A, #3E138F, #4E18B3, #5D1DD7 and #753AE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4F19B5 shade: #4F19B5, #B31860 and #22B318

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4F19B5 shade: #4F19B5, #B34C18 and #18B34C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4F19B5 shade: #4F19B5, #B31860, #7FB318 and #18B36B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4F19B5 shade: #4F19B5, #B31832, #7FB318 and #18B399

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 86 / 0 / 29

HEX #4F19B5

RGB 79 25 181

HSL 260.77, 0.76%, 0.4%

LAB 28.63, 57.87, -71.13

 

Complementary color

CMYK 23 / 0 / 68 / 10

HEX #B0E64A

RGB 176 230 74

HSL 80.77, 0.76%, 0.6%

LAB 85.16, -39.42, 67.19

 

CMYK 52 / 86 / 0 / 31

HEX #5419B0

RGB 84 25 176

HSL 263.44, 0.75%, 0.39%

LAB 28.68, 57.12, -68.03

 

CMYK 48 / 78 / 0 / 24

HEX #652BC3

RGB 101 43 195

HSL 262.89, 0.64%, 0.47%

LAB 34.87, 57.27, -69.03

 

CMYK 45 / 71 / 0 / 16

HEX #763DD6

RGB 118 61 214

HSL 262.35, 0.65%, 0.54%

LAB 41.29, 56.67, -69.48

 

CMYK 42 / 66 / 0 / 9

HEX #874FE9

RGB 135 79 233

HSL 261.82, 0.78%, 0.61%

LAB 47.79, 55.75, -69.63

 

CMYK 40 / 62 / 0 / 1

HEX #9861FC

RGB 152 97 252

HSL 261.29, 0.96%, 0.68%

LAB 54.29, 54.69, -69.62

 

CMYK 56 / 86 / 0 / 29

HEX #4F19B5

RGB 79 25 181

HSL 260.77, 0.76%, 0.4%

LAB 28.63, 57.87, -71.13

 

CMYK 62 / 96 / 0 / 36

HEX #3E07A2

RGB 62 7 162

HSL 261.29, 0.92%, 0.33%

LAB 22.95, 56.46, -69.15

 

CMYK 69 / 100 / 0 / 44

HEX #2D008F

RGB 45 0 143

HSL 258.88, 1%, 0.28%

LAB 18.1, 52.53, -65.53

 

CMYK 77 / 100 / 0 / 51

HEX #1C007C

RGB 28 0 124

HSL 253.55, 1%, 0.24%

LAB 13.84, 46.98, -60.67

 

CMYK 90 / 100 / 0 / 59

HEX #0B0069

RGB 11 0 105

HSL 246.29, 1%, 0.21%

LAB 9.73, 41.43, -55.21

 

CMYK 56 / 87 / 0 / 30

HEX #4E18B3

RGB 78 24 179

HSL 260.9, 0.76%, 0.4%

LAB 28.19, 57.59, -70.67

 

CMYK 34 / 87 / 0 / 30

HEX #7718B3

RGB 119 24 179

HSL 276.77, 0.76%, 0.4%

LAB 33.63, 62.58, -61.53

 

CMYK 10 / 87 / 0 / 30

HEX #A118B3

RGB 161 24 179

HSL 293.03, 0.76%, 0.4%

LAB 40.39, 69.26, -50.25

 

CMYK 0 / 87 / 13 / 30

HEX #B3189B

RGB 179 24 155

HSL 309.29, 0.76%, 0.4%

LAB 42.16, 68.96, -32.88

 

CMYK 0 / 87 / 37 / 30

HEX #B31871

RGB 179 24 113

HSL 325.55, 0.76%, 0.4%

LAB 40.29, 63.87, -9.94

 

CMYK 56 / 87 / 0 / 30

HEX #4E18B3

RGB 78 24 179

HSL 260.9, 0.76%, 0.4%

LAB 28.19, 57.59, -70.67

 

CMYK 80 / 87 / 0 / 30

HEX #2418B3

RGB 36 24 179

HSL 244.65, 0.76%, 0.4%

LAB 24.59, 54.56, -76.75

 

CMYK 87 / 87 / 0 / 30

HEX #1818B3

RGB 24 24 179

HSL 240, 0.76%, 0.4%

LAB 24.01, 54.1, -77.73

 

CMYK 56 / 87 / 0 / 30

HEX #4E18B3

RGB 78 24 179

HSL 260.9, 0.76%, 0.4%

LAB 28.19, 57.59, -70.67

 

CMYK 63 / 96 / 0 / 23

HEX #4907C4

RGB 73 7 196

HSL 260.95, 0.93%, 0.4%

LAB 28.26, 65.44, -80.65

 

CMYK 56 / 87 / 0 / 30

HEX #4E18B3

RGB 78 24 179

HSL 260.9, 0.76%, 0.4%

LAB 28.19, 57.59, -70.67

 

CMYK 49 / 75 / 0 / 36

HEX #5328A3

RGB 83 40 163

HSL 260.98, 0.61%, 0.4%

LAB 29.41, 47.44, -59

 

CMYK 40 / 61 / 0 / 43

HEX #583992

RGB 88 57 146

HSL 260.9, 0.44%, 0.4%

LAB 31.98, 34.44, -44.45

 

CMYK 28 / 44 / 0 / 49

HEX #5D4982

RGB 93 73 130

HSL 261.05, 0.28%, 0.4%

LAB 35.41, 21.53, -29.12

 

CMYK 13 / 20 / 0 / 56

HEX #625A71

RGB 98 90 113

HSL 260.87, 0.11%, 0.4%

LAB 39.75, 8.24, -11.89

 

CMYK 87 / 69 / 0 / 30

HEX #1837B3

RGB 24 55 179

HSL 228, 0.76%, 0.4%

LAB 29.87, 37.4, -68.02

 

CMYK 81 / 87 / 0 / 30

HEX #2218B3

RGB 34 24 179

HSL 243.87, 0.76%, 0.4%

LAB 24.48, 54.47, -76.94

 

CMYK 58 / 87 / 0 / 30

HEX #4C18B3

RGB 76 24 179

HSL 260.13, 0.76%, 0.4%

LAB 27.97, 57.39, -71.04

 

CMYK 35 / 87 / 0 / 30

HEX #7518B3

RGB 117 24 179

HSL 276, 0.76%, 0.4%

LAB 33.33, 62.3, -62.03

 

CMYK 12 / 87 / 0 / 30

HEX #9E18B3

RGB 158 24 179

HSL 291.87, 0.76%, 0.4%

LAB 39.88, 68.75, -51.09

 

CMYK 57 / 87 / 0 / 58

HEX #2E0E6A

RGB 46 14 106

HSL 260.87, 0.77%, 0.24%

LAB 15.15, 37.99, -46.77

 

CMYK 57 / 87 / 0 / 44

HEX #3E138F

RGB 62 19 143

HSL 260.81, 0.77%, 0.32%

LAB 21.85, 48.21, -59.27

 

CMYK 56 / 87 / 0 / 30

HEX #4E18B3

RGB 78 24 179

HSL 260.9, 0.76%, 0.4%

LAB 28.19, 57.59, -70.67

 

CMYK 57 / 87 / 0 / 16

HEX #5D1DD7

RGB 93 29 215

HSL 260.65, 0.76%, 0.48%

LAB 34.22, 66.47, -81.78

 

CMYK 49 / 75 / 0 / 11

HEX #753AE4

RGB 117 58 228

HSL 260.82, 0.76%, 0.56%

LAB 41.86, 61.52, -76.55

 

CMYK 56 / 86 / 0 / 29

HEX #4F19B5

RGB 79 25 181

HSL 260.77, 0.76%, 0.4%

LAB 28.63, 57.87, -71.13

 

CMYK 0 / 87 / 46 / 30

HEX #B31860

RGB 179 24 96

HSL 332.13, 0.76%, 0.4%

LAB 39.72, 62.25, -0.08

 

CMYK 81 / 0 / 87 / 30

HEX #22B318

RGB 34 179 24

HSL 116.13, 0.76%, 0.4%

LAB 63.87, -62.88, 60.47

 

CMYK 56 / 86 / 0 / 29

HEX #4F19B5

RGB 79 25 181

HSL 260.77, 0.76%, 0.4%

LAB 28.63, 57.87, -71.13

 

CMYK 0 / 58 / 87 / 30

HEX #B34C18

RGB 179 76 24

HSL 20.13, 0.76%, 0.4%

LAB 45.38, 39.3, 48.25

 

CMYK 87 / 0 / 58 / 30

HEX #18B34C

RGB 24 179 76

HSL 140.13, 0.76%, 0.4%

LAB 64.13, -59.3, 41.57

 

CMYK 56 / 86 / 0 / 29

HEX #4F19B5

RGB 79 25 181

HSL 260.77, 0.76%, 0.4%

LAB 28.63, 57.87, -71.13

 

CMYK 0 / 87 / 46 / 30

HEX #B31860

RGB 179 24 96

HSL 332.13, 0.76%, 0.4%

LAB 39.72, 62.25, -0.08

 

CMYK 29 / 0 / 87 / 30

HEX #7FB318

RGB 127 179 24

HSL 80.13, 0.76%, 0.4%

LAB 67.14, -37.85, 64.58

 

CMYK 87 / 0 / 40 / 30

HEX #18B36B

RGB 24 179 107

HSL 152.13, 0.76%, 0.4%

LAB 64.56, -54.12, 26.42

 

CMYK 56 / 86 / 0 / 29

HEX #4F19B5

RGB 79 25 181

HSL 260.77, 0.76%, 0.4%

LAB 28.63, 57.87, -71.13

 

CMYK 0 / 87 / 72 / 30

HEX #B31832

RGB 179 24 50

HSL 349.94, 0.76%, 0.4%

LAB 38.67, 59.22, 27.71

 

CMYK 29 / 0 / 87 / 30

HEX #7FB318

RGB 127 179 24

HSL 80.13, 0.76%, 0.4%

LAB 67.14, -37.85, 64.58

 

CMYK 87 / 0 / 15 / 30

HEX #18B399

RGB 24 179 153

HSL 169.94, 0.76%, 0.4%

LAB 65.54, -43.33, 2.72

 

Description

Color code: HEX #4F19B5 | qconv.com Color code: HEX #4F19B5 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 25 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 25 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 86 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 86% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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