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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4F123200 it is the complementary color #B0EDCD00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4F123200. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4F123200 shade: #54122D00, #65244000, #76365300, #87486600 and #985A7900

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4F123200. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4F123200 shade: #4F123200, #3E001F00, #2D000C00, #1C000000 and #0B000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4F123200 shade: #4F1232, #4F1221 and #4F1212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4F123200 shade: #4F1232, #4F1242, #4B124F, #3B124F and #2A124F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4F123200 shade matches the following richer shades: #4F1232, #570A32 and #5F0233

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4F123200 shade: #4F1232, #471A32, #3F2231, #372931 and #303130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4F123200 shade: #4B124F, #4F1243, #4F1232, #4F1222 and #4F1212

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4F123200 shade: #0C0307, #2D0A1D, #4F1232, #711A47 and #92215C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4F123200 shade: #4F1232, #4F3B12 and #124B4F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4F123200 shade: #4F1232, #324F12 and #12324F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4F123200 shade: #4F1232, #4F3B12, #124F2E and #12264F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4F123200 shade: #4F1232, #4F4D12, #124F2E and #12144F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #4F123200

RGBA 79 18 50 0

HSLA 328.52, 0.63%, 0.19%, 0

LABA 17.11, 31.45, -4.99, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #B0EDCD00

RGBA 176 237 205 0

HSLA 148.52, 0.63%, 0.81%, 0

LABA 89.02, -25.65, 9.31, 0

 

CMYK 0 / 0 / 0 / 0

HEX #54122D00

RGBA 84 18 45 0

HSLA 335.45, 0.65%, 0.2%, 0

LABA 17.95, 32.46, -0.06, 0

 

CMYK 0 / 0 / 0 / 0

HEX #65244000

RGBA 101 36 64 0

HSLA 334.15, 0.47%, 0.27%, 0

LABA 24.95, 32.31, -2.58, 0

 

CMYK 0 / 0 / 0 / 0

HEX #76365300

RGBA 118 54 83 0

HSLA 332.81, 0.37%, 0.34%, 0

LABA 32.07, 31.6, -4.29, 0

 

CMYK 0 / 0 / 0 / 0

HEX #87486600

RGBA 135 72 102 0

HSLA 331.43, 0.3%, 0.41%, 0

LABA 39.15, 30.73, -5.55, 0

 

CMYK 0 / 0 / 0 / 0

HEX #985A7900

RGBA 152 90 121 0

HSLA 330, 0.26%, 0.47%, 0

LABA 46.13, 29.85, -6.56, 0

 

CMYK 0 / 0 / 0 / 0

HEX #4F123200

RGBA 79 18 50 0

HSLA 328.52, 0.63%, 0.19%, 0

LABA 17.11, 31.45, -4.99, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3E001F00

RGBA 62 0 31 0

HSLA 330, 1%, 0.12%, 0

LABA 9.98, 31.25, -2.01, 0

 

CMYK 0 / 0 / 0 / 0

HEX #2D000C00

RGBA 45 0 12 0

HSLA 344, 1%, 0.09%, 0

LABA 5.28, 23.02, 3.38, 0

 

CMYK 0 / 0 / 0 / 0

HEX #1C000000

RGBA 28 0 0 0

HSLA 0, 1%, 0.05%, 0

LABA 2.23, 10.01, 3.52, 0

 

CMYK 0 / 0 / 0 / 0

HEX #0B000000

RGBA 11 0 0 0

HSLA 0, 1%, 0.02%, 0

LABA 0.64, 2.88, 1.02, 0

 

CMYK 0 / 77 / 37 / 69

HEX #4F1232

RGB 79 18 50

HSL 328.52, 0.63%, 0.19%

LAB 17.11, 31.45, -4.99

 

CMYK 0 / 77 / 58 / 69

HEX #4F1221

RGB 79 18 33

HSL 345.25, 0.63%, 0.19%

LAB 16.53, 29.49, 6.4

 

CMYK 0 / 77 / 77 / 69

HEX #4F1212

RGB 79 18 18

HSL 0, 0.63%, 0.19%

LAB 16.2, 28.35, 16.51

 

CMYK 0 / 77 / 37 / 69

HEX #4F1232

RGB 79 18 50

HSL 328.52, 0.63%, 0.19%

LAB 17.11, 31.45, -4.99

 

CMYK 0 / 77 / 16 / 69

HEX #4F1242

RGB 79 18 66

HSL 312.79, 0.63%, 0.19%

LAB 17.87, 33.89, -15.1

 

CMYK 5 / 77 / 0 / 69

HEX #4B124F

RGB 75 18 79

HSL 296.07, 0.63%, 0.19%

LAB 17.89, 35.21, -24.06

 

CMYK 25 / 77 / 0 / 69

HEX #3B124F

RGB 59 18 79

HSL 280.33, 0.63%, 0.19%

LAB 15.1, 31.2, -28.69

 

CMYK 47 / 77 / 0 / 69

HEX #2A124F

RGB 42 18 79

HSL 263.61, 0.63%, 0.19%

LAB 12.54, 27.3, -32.95

 

CMYK 0 / 77 / 37 / 69

HEX #4F1232

RGB 79 18 50

HSL 328.52, 0.63%, 0.19%

LAB 17.11, 31.45, -4.99

 

CMYK 0 / 89 / 43 / 66

HEX #570A32

RGB 87 10 50

HSL 328.83, 0.79%, 0.19%

LAB 17.8, 36.72, -3.78

 

CMYK 0 / 98 / 46 / 63

HEX #5F0233

RGB 95 2 51

HSL 328.39, 0.96%, 0.19%

LAB 18.87, 41.2, -2.71

 

CMYK 0 / 77 / 37 / 69

HEX #4F1232

RGB 79 18 50

HSL 328.52, 0.63%, 0.19%

LAB 17.11, 31.45, -4.99

 

CMYK 0 / 63 / 30 / 72

HEX #471A32

RGB 71 26 50

HSL 328, 0.46%, 0.19%

LAB 17.03, 24.66, -5.26

 

CMYK 0 / 46 / 22 / 75

HEX #3F2231

RGB 63 34 49

HSL 328.97, 0.3%, 0.19%

LAB 17.56, 16.38, -3.89

 

CMYK 0 / 25 / 11 / 78

HEX #372931

RGB 55 41 49

HSL 325.71, 0.15%, 0.19%

LAB 18.45, 8.15, -2.69

 

CMYK 2 / 0 / 2 / 81

HEX #303130

RGB 48 49 48

HSL 120, 0.01%, 0.19%

LAB 20.2, -0.67, 0.48

 

CMYK 5 / 77 / 0 / 69

HEX #4B124F

RGB 75 18 79

HSL 296.07, 0.63%, 0.19%

LAB 17.89, 35.21, -24.06

 

CMYK 0 / 77 / 15 / 69

HEX #4F1243

RGB 79 18 67

HSL 311.8, 0.63%, 0.19%

LAB 17.92, 34.06, -15.71

 

CMYK 0 / 77 / 37 / 69

HEX #4F1232

RGB 79 18 50

HSL 328.52, 0.63%, 0.19%

LAB 17.11, 31.45, -4.99

 

CMYK 0 / 77 / 57 / 69

HEX #4F1222

RGB 79 18 34

HSL 344.26, 0.63%, 0.19%

LAB 16.55, 29.58, 5.72

 

CMYK 0 / 77 / 77 / 69

HEX #4F1212

RGB 79 18 18

HSL 0, 0.63%, 0.19%

LAB 16.2, 28.35, 16.51

 

CMYK 0 / 75 / 42 / 95

HEX #0C0307

RGB 12 3 7

HSL 333.33, 0.6%, 0.03%

LAB 1.43, 2.94, -0.67

 

CMYK 0 / 78 / 36 / 82

HEX #2D0A1D

RGB 45 10 29

HSL 327.43, 0.64%, 0.11%

LAB 7.8, 20.34, -4.14

 

CMYK 0 / 77 / 37 / 69

HEX #4F1232

RGB 79 18 50

HSL 328.52, 0.63%, 0.19%

LAB 17.11, 31.45, -4.99

 

CMYK 0 / 77 / 37 / 56

HEX #711A47

RGB 113 26 71

HSL 328.97, 0.63%, 0.27%

LAB 25.88, 41.48, -5.69

 

CMYK 0 / 77 / 37 / 43

HEX #92215C

RGB 146 33 92

HSL 328.67, 0.63%, 0.35%

LAB 33.92, 50.93, -6.81

 

CMYK 0 / 77 / 37 / 69

HEX #4F1232

RGB 79 18 50

HSL 328.52, 0.63%, 0.19%

LAB 17.11, 31.45, -4.99

 

CMYK 0 / 25 / 77 / 69

HEX #4F3B12

RGB 79 59 18

HSL 40.33, 0.63%, 0.19%

LAB 26.26, 3.92, 27.77

 

CMYK 77 / 5 / 0 / 69

HEX #124B4F

RGB 18 75 79

HSL 183.93, 0.63%, 0.19%

LAB 28.71, -16.27, -7.66

 

CMYK 0 / 77 / 37 / 69

HEX #4F1232

RGB 79 18 50

HSL 328.52, 0.63%, 0.19%

LAB 17.11, 31.45, -4.99

 

CMYK 37 / 0 / 77 / 69

HEX #324F12

RGB 50 79 18

HSL 88.52, 0.63%, 0.19%

LAB 30.19, -22.04, 30.98

 

CMYK 77 / 37 / 0 / 69

HEX #12324F

RGB 18 50 79

HSL 208.52, 0.63%, 0.19%

LAB 19.94, -0.47, -21.18

 

CMYK 0 / 77 / 37 / 69

HEX #4F1232

RGB 79 18 50

HSL 328.52, 0.63%, 0.19%

LAB 17.11, 31.45, -4.99

 

CMYK 0 / 25 / 77 / 69

HEX #4F3B12

RGB 79 59 18

HSL 40.33, 0.63%, 0.19%

LAB 26.26, 3.92, 27.77

 

CMYK 77 / 0 / 42 / 69

HEX #124F2E

RGB 18 79 46

HSL 147.54, 0.63%, 0.19%

LAB 29.2, -27.89, 14.1

 

CMYK 77 / 52 / 0 / 69

HEX #12264F

RGB 18 38 79

HSL 220.33, 0.63%, 0.19%

LAB 15.9, 8.25, -27.62

 

CMYK 0 / 77 / 37 / 69

HEX #4F1232

RGB 79 18 50

HSL 328.52, 0.63%, 0.19%

LAB 17.11, 31.45, -4.99

 

CMYK 0 / 3 / 77 / 69

HEX #4F4D12

RGB 79 77 18

HSL 58.03, 0.63%, 0.19%

LAB 31.84, -7.25, 33.39

 

CMYK 77 / 0 / 42 / 69

HEX #124F2E

RGB 18 79 46

HSL 147.54, 0.63%, 0.19%

LAB 29.2, -27.89, 14.1

 

CMYK 77 / 75 / 0 / 69

HEX #12144F

RGB 18 20 79

HSL 238.03, 0.63%, 0.19%

LAB 10.51, 21.7, -36.38

 

Description

Color code: HEX #4F123200 | qconv.com Color code: HEX #4F123200 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 18 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 18 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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