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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4F1087 it is the complementary color #B0EF78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4F1087. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4F1087 shade: #541082, #652295, #7634A8, #8746BB and #9858CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4F1087. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4F1087 shade: #4F1087, #3E0074, #2D0061, #1C004E and #0B003B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4F1087 shade: #501089, #711089, #891081, #891060 and #89103F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4F1087 shade: #501089, #2F1089 and #101089

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4F1087 shade matches the following richer shades: #501089 and #510495

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4F1087 shade: #501089, #4F1C7D, #4F2970, #4E3564 and #4D4257

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4F1087 shade: #101289, #2E1089, #4F1089, #6F1089 and #891083

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4F1087 shade: #25073F, #3A0C64, #501089, #6614AE and #7B19D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4F1087 shade: #4F1087, #891032 and #10891E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4F1087 shade: #4F1087, #894F10 and #10894F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4F1087 shade: #4F1087, #891032, #4A8910 and #108967

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4F1087 shade: #4F1087, #891210, #4A8910 and #108789

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 88 / 0 / 47

HEX #4F1087

RGB 79 16 135

HSL 271.76, 0.79%, 0.3%

LAB 22.94, 49.29, -52.39

 

Complementary color

CMYK 26 / 0 / 50 / 6

HEX #B0EF78

RGB 176 239 120

HSL 91.76, 0.79%, 0.7%

LAB 88.12, -39.44, 50.87

 

CMYK 35 / 88 / 0 / 49

HEX #541082

RGB 84 16 130

HSL 275.79, 0.78%, 0.29%

LAB 23.23, 48.85, -48.74

 

CMYK 32 / 77 / 0 / 42

HEX #652295

RGB 101 34 149

HSL 274.96, 0.63%, 0.36%

LAB 29.62, 49.7, -50.05

 

CMYK 30 / 69 / 0 / 34

HEX #7634A8

RGB 118 52 168

HSL 274.14, 0.53%, 0.43%

LAB 36.24, 49.55, -50.71

 

CMYK 28 / 63 / 0 / 27

HEX #8746BB

RGB 135 70 187

HSL 273.33, 0.46%, 0.5%

LAB 42.94, 48.94, -51.04

 

CMYK 26 / 57 / 0 / 19

HEX #9858CE

RGB 152 88 206

HSL 272.54, 0.55%, 0.58%

LAB 49.63, 48.13, -51.21

 

CMYK 41 / 88 / 0 / 47

HEX #4F1087

RGB 79 16 135

HSL 271.76, 0.79%, 0.3%

LAB 22.94, 49.29, -52.39

 

CMYK 47 / 100 / 0 / 55

HEX #3E0074

RGB 62 0 116

HSL 272.07, 1%, 0.23%

LAB 16.92, 47.18, -50.29

 

CMYK 54 / 100 / 0 / 62

HEX #2D0061

RGB 45 0 97

HSL 267.84, 1%, 0.19%

LAB 12.1, 41.01, -45.86

 

CMYK 64 / 100 / 0 / 69

HEX #1C004E

RGB 28 0 78

HSL 261.54, 1%, 0.15%

LAB 7.2, 34.6, -41.12

 

CMYK 81 / 100 / 0 / 77

HEX #0B003B

RGB 11 0 59

HSL 251.19, 1%, 0.12%

LAB 3.49, 22.81, -33.77

 

CMYK 42 / 88 / 0 / 46

HEX #501089

RGB 80 16 137

HSL 271.74, 0.79%, 0.3%

LAB 23.28, 49.9, -53.08

 

CMYK 18 / 88 / 0 / 46

HEX #711089

RGB 113 16 137

HSL 288.1, 0.79%, 0.3%

LAB 28.61, 55.09, -44.16

 

CMYK 0 / 88 / 6 / 46

HEX #891081

RGB 137 16 129

HSL 303.97, 0.79%, 0.3%

LAB 32.42, 58.23, -32.81

 

CMYK 0 / 88 / 30 / 46

HEX #891060

RGB 137 16 96

HSL 320.33, 0.79%, 0.3%

LAB 30.72, 53.65, -14.43

 

CMYK 0 / 88 / 54 / 46

HEX #89103F

RGB 137 16 63

HSL 336.69, 0.79%, 0.3%

LAB 29.53, 50.31, 5.62

 

CMYK 42 / 88 / 0 / 46

HEX #501089

RGB 80 16 137

HSL 271.74, 0.79%, 0.3%

LAB 23.28, 49.9, -53.08

 

CMYK 66 / 88 / 0 / 46

HEX #2F1089

RGB 47 16 137

HSL 255.37, 0.79%, 0.3%

LAB 19.14, 46.18, -60.04

 

CMYK 88 / 88 / 0 / 46

HEX #101089

RGB 16 16 137

HSL 240, 0.79%, 0.3%

LAB 16.93, 44.35, -63.79

 

CMYK 42 / 88 / 0 / 46

HEX #501089

RGB 80 16 137

HSL 271.74, 0.79%, 0.3%

LAB 23.28, 49.9, -53.08

 

CMYK 46 / 97 / 0 / 42

HEX #510495

RGB 81 4 149

HSL 271.86, 0.95%, 0.3%

LAB 23.69, 55.64, -59.86

 

CMYK 42 / 88 / 0 / 46

HEX #501089

RGB 80 16 137

HSL 271.74, 0.79%, 0.3%

LAB 23.28, 49.9, -53.08

 

CMYK 37 / 78 / 0 / 51

HEX #4F1C7D

RGB 79 28 125

HSL 271.55, 0.63%, 0.3%

LAB 23.58, 42.32, -45.03

 

CMYK 29 / 63 / 0 / 56

HEX #4F2970

RGB 79 41 112

HSL 272.11, 0.46%, 0.3%

LAB 25.01, 32.25, -34.43

 

CMYK 22 / 47 / 0 / 61

HEX #4E3564

RGB 78 53 100

HSL 271.91, 0.31%, 0.3%

LAB 26.98, 21.45, -23.58

 

CMYK 11 / 24 / 0 / 66

HEX #4D4257

RGB 77 66 87

HSL 271.43, 0.14%, 0.3%

LAB 29.82, 9.35, -10.79

 

CMYK 88 / 87 / 0 / 46

HEX #101289

RGB 16 18 137

HSL 239.01, 0.79%, 0.3%

LAB 17.22, 43.47, -63.3

 

CMYK 66 / 88 / 0 / 46

HEX #2E1089

RGB 46 16 137

HSL 254.88, 0.79%, 0.3%

LAB 19.05, 46.1, -60.21

 

CMYK 42 / 88 / 0 / 46

HEX #4F1089

RGB 79 16 137

HSL 271.24, 0.79%, 0.3%

LAB 23.13, 49.76, -53.33

 

CMYK 19 / 88 / 0 / 46

HEX #6F1089

RGB 111 16 137

HSL 287.11, 0.79%, 0.3%

LAB 28.26, 54.75, -44.74

 

CMYK 0 / 88 / 4 / 46

HEX #891083

RGB 137 16 131

HSL 302.98, 0.79%, 0.3%

LAB 32.54, 58.54, -33.88

 

CMYK 41 / 89 / 0 / 75

HEX #25073F

RGB 37 7 63

HSL 272.14, 0.8%, 0.14%

LAB 8.17, 27.52, -28.92

 

CMYK 42 / 88 / 0 / 61

HEX #3A0C64

RGB 58 12 100

HSL 271.36, 0.79%, 0.22%

LAB 15.91, 38.88, -41.49

 

CMYK 42 / 88 / 0 / 46

HEX #501089

RGB 80 16 137

HSL 271.74, 0.79%, 0.3%

LAB 23.28, 49.9, -53.08

 

CMYK 41 / 89 / 0 / 32

HEX #6614AE

RGB 102 20 174

HSL 271.95, 0.79%, 0.38%

LAB 30.35, 60.23, -64

 

CMYK 42 / 88 / 0 / 17

HEX #7B19D3

RGB 123 25 211

HSL 271.61, 0.79%, 0.46%

LAB 37.13, 69.73, -74.53

 

CMYK 41 / 88 / 0 / 47

HEX #4F1087

RGB 79 16 135

HSL 271.76, 0.79%, 0.3%

LAB 22.94, 49.29, -52.39

 

CMYK 0 / 88 / 64 / 46

HEX #891032

RGB 137 16 50

HSL 343.14, 0.79%, 0.3%

LAB 29.21, 49.37, 13.89

 

CMYK 88 / 0 / 78 / 46

HEX #10891E

RGB 16 137 30

HSL 126.94, 0.79%, 0.3%

LAB 49.61, -51.64, 45.41

 

CMYK 41 / 88 / 0 / 47

HEX #4F1087

RGB 79 16 135

HSL 271.76, 0.79%, 0.3%

LAB 22.94, 49.29, -52.39

 

CMYK 0 / 42 / 88 / 46

HEX #894F10

RGB 137 79 16

HSL 31.24, 0.79%, 0.3%

LAB 39.49, 19.78, 43.73

 

CMYK 88 / 0 / 42 / 46

HEX #10894F

RGB 16 137 79

HSL 151.24, 0.79%, 0.3%

LAB 50.18, -44.79, 22.6

 

CMYK 41 / 88 / 0 / 47

HEX #4F1087

RGB 79 16 135

HSL 271.76, 0.79%, 0.3%

LAB 22.94, 49.29, -52.39

 

CMYK 0 / 88 / 64 / 46

HEX #891032

RGB 137 16 50

HSL 343.14, 0.79%, 0.3%

LAB 29.21, 49.37, 13.89

 

CMYK 46 / 0 / 88 / 46

HEX #4A8910

RGB 74 137 16

HSL 91.24, 0.79%, 0.3%

LAB 51.13, -39.5, 51.52

 

CMYK 88 / 0 / 25 / 46

HEX #108967

RGB 16 137 103

HSL 163.14, 0.79%, 0.3%

LAB 50.66, -39.28, 9.66

 

CMYK 41 / 88 / 0 / 47

HEX #4F1087

RGB 79 16 135

HSL 271.76, 0.79%, 0.3%

LAB 22.94, 49.29, -52.39

 

CMYK 0 / 87 / 88 / 46

HEX #891210

RGB 137 18 16

HSL 0.99, 0.79%, 0.3%

LAB 28.87, 47.46, 34.83

 

CMYK 46 / 0 / 88 / 46

HEX #4A8910

RGB 74 137 16

HSL 91.24, 0.79%, 0.3%

LAB 51.13, -39.5, 51.52

 

CMYK 88 / 1 / 0 / 46

HEX #108789

RGB 16 135 137

HSL 180.99, 0.79%, 0.3%

LAB 50.97, -28.49, -9.68

 

Description

Color code: HEX #4F1087 | qconv.com Color code: HEX #4F1087 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 16 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 16 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 88 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 88% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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