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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4F0BA9 it is the complementary color #B0F456. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4F0BA9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4F0BA9 shade: #540BA4, #651DB7, #762FCA, #8741DD and #9853F0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4F0BA9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4F0BA9 shade: #4F0BA9, #3E0096, #2D0083, #1C0070 and #0B005D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4F0BA9 shade: #4E0BA8, #790BA8, #A30BA8, #A80B82 and #A80B58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4F0BA9 shade: #4E0BA8, #240BA8 and #0B0BA8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4F0BA9 shade matches the following richer shades: #4E0BA8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4F0BA9 shade: #4E0BA8, #501999, #52288B, #54367C and #56446E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4F0BA9 shade: #0B1DA8, #220BA8, #4C0BA8, #760BA8 and #A00BA8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4F0BA9 shade: #2A065A, #3C0881, #4E0BA8, #600DCF and #7315F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4F0BA9 shade: #4F0BA9, #A80B47 and #0BA80D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4F0BA9 shade: #4F0BA9, #A84C0B and #0BA84C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4F0BA9 shade: #4F0BA9, #A80B47, #66A80B and #0BA86C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4F0BA9 shade: #4F0BA9, #A80B18, #66A80B and #0BA89B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 93 / 0 / 34

HEX #4F0BA9

RGB 79 11 169

HSL 265.82, 0.88%, 0.35%

LAB 26.06, 58.67, -68.18

 

Complementary color

CMYK 28 / 0 / 65 / 4

HEX #B0F456

RGB 176 244 86

HSL 85.82, 0.88%, 0.65%

LAB 89.21, -44.71, 66.82

 

CMYK 49 / 93 / 0 / 36

HEX #540BA4

RGB 84 11 164

HSL 268.63, 0.87%, 0.34%

LAB 26.17, 57.97, -64.94

 

CMYK 45 / 84 / 0 / 28

HEX #651DB7

RGB 101 29 183

HSL 268.05, 0.73%, 0.42%

LAB 31.95, 59.57, -66.75

 

CMYK 42 / 77 / 0 / 21

HEX #762FCA

RGB 118 47 202

HSL 267.48, 0.62%, 0.49%

LAB 38.11, 59.89, -67.74

 

CMYK 39 / 71 / 0 / 13

HEX #8741DD

RGB 135 65 221

HSL 266.92, 0.7%, 0.56%

LAB 44.45, 59.51, -68.25

 

CMYK 37 / 65 / 0 / 6

HEX #9853F0

RGB 152 83 240

HSL 266.37, 0.84%, 0.63%

LAB 50.87, 58.79, -68.48

 

CMYK 53 / 93 / 0 / 34

HEX #4F0BA9

RGB 79 11 169

HSL 265.82, 0.88%, 0.35%

LAB 26.06, 58.67, -68.18

 

CMYK 59 / 100 / 0 / 41

HEX #3E0096

RGB 62 0 150

HSL 264.8, 1%, 0.29%

LAB 20.93, 55.21, -65.13

 

CMYK 66 / 100 / 0 / 49

HEX #2D0083

RGB 45 0 131

HSL 260.61, 1%, 0.26%

LAB 16.49, 49.53, -60.67

 

CMYK 75 / 100 / 0 / 56

HEX #1C0070

RGB 28 0 112

HSL 255, 1%, 0.22%

LAB 12.07, 43.82, -55.86

 

CMYK 88 / 100 / 0 / 64

HEX #0B005D

RGB 11 0 93

HSL 247.1, 1%, 0.18%

LAB 7.78, 38.1, -50.45

 

CMYK 54 / 93 / 0 / 34

HEX #4E0BA8

RGB 78 11 168

HSL 265.61, 0.88%, 0.35%

LAB 25.82, 58.34, -67.97

 

CMYK 28 / 93 / 0 / 34

HEX #790BA8

RGB 121 11 168

HSL 282.04, 0.88%, 0.35%

LAB 32.1, 63.29, -57.41

 

CMYK 3 / 93 / 0 / 34

HEX #A30BA8

RGB 163 11 168

HSL 298.09, 0.88%, 0.35%

LAB 39.33, 69.85, -45.37

 

CMYK 0 / 93 / 23 / 34

HEX #A80B82

RGB 168 11 130

HSL 314.52, 0.88%, 0.35%

LAB 38.16, 65.43, -24.01

 

CMYK 0 / 93 / 48 / 34

HEX #A80B58

RGB 168 11 88

HSL 330.57, 0.88%, 0.35%

LAB 36.5, 61.01, 0.06

 

CMYK 54 / 93 / 0 / 34

HEX #4E0BA8

RGB 78 11 168

HSL 265.61, 0.88%, 0.35%

LAB 25.82, 58.34, -67.97

 

CMYK 79 / 93 / 0 / 34

HEX #240BA8

RGB 36 11 168

HSL 249.55, 0.88%, 0.35%

LAB 21.73, 55.71, -74.88

 

CMYK 93 / 93 / 0 / 34

HEX #0B0BA8

RGB 11 11 168

HSL 240, 0.88%, 0.35%

LAB 20.59, 55.08, -76.82

 

CMYK 54 / 93 / 0 / 34

HEX #4E0BA8

RGB 78 11 168

HSL 265.61, 0.88%, 0.35%

LAB 25.82, 58.34, -67.97

 

CMYK 54 / 93 / 0 / 34

HEX #4E0BA8

RGB 78 11 168

HSL 265.61, 0.88%, 0.35%

LAB 25.82, 58.34, -67.97

 

CMYK 48 / 84 / 0 / 40

HEX #501999

RGB 80 25 153

HSL 265.78, 0.72%, 0.35%

LAB 25.86, 50.82, -58.75

 

CMYK 41 / 71 / 0 / 45

HEX #52288B

RGB 82 40 139

HSL 265.45, 0.55%, 0.35%

LAB 27.23, 40.71, -47.86

 

CMYK 32 / 56 / 0 / 51

HEX #54367C

RGB 84 54 124

HSL 265.71, 0.39%, 0.35%

LAB 29.36, 29.08, -35.05

 

CMYK 22 / 38 / 0 / 57

HEX #56446E

RGB 86 68 110

HSL 265.71, 0.24%, 0.35%

LAB 32.34, 17.12, -21.5

 

CMYK 93 / 83 / 0 / 34

HEX #0B1DA8

RGB 11 29 168

HSL 233.12, 0.88%, 0.35%

LAB 22.92, 48.08, -72.93

 

CMYK 80 / 93 / 0 / 34

HEX #220BA8

RGB 34 11 168

HSL 248.79, 0.88%, 0.35%

LAB 21.6, 55.63, -75.09

 

CMYK 55 / 93 / 0 / 34

HEX #4C0BA8

RGB 76 11 168

HSL 264.84, 0.88%, 0.35%

LAB 25.57, 58.17, -68.39

 

CMYK 30 / 93 / 0 / 34

HEX #760BA8

RGB 118 11 168

HSL 280.89, 0.88%, 0.35%

LAB 31.62, 62.88, -58.22

 

CMYK 5 / 93 / 0 / 34

HEX #A00BA8

RGB 160 11 168

HSL 296.94, 0.88%, 0.35%

LAB 38.79, 69.34, -46.26

 

CMYK 53 / 93 / 0 / 65

HEX #2A065A

RGB 42 6 90

HSL 265.71, 0.88%, 0.19%

LAB 11.69, 36.25, -41.84

 

CMYK 53 / 94 / 0 / 49

HEX #3C0881

RGB 60 8 129

HSL 265.79, 0.88%, 0.27%

LAB 18.88, 47.76, -55.38

 

CMYK 54 / 93 / 0 / 34

HEX #4E0BA8

RGB 78 11 168

HSL 265.61, 0.88%, 0.35%

LAB 25.82, 58.34, -67.97

 

CMYK 54 / 94 / 0 / 19

HEX #600DCF

RGB 96 13 207

HSL 265.67, 0.88%, 0.43%

LAB 32.44, 68.62, -80.08

 

CMYK 52 / 91 / 0 / 6

HEX #7315F0

RGB 115 21 240

HSL 265.75, 0.88%, 0.51%

LAB 38.68, 76.2, -88.61

 

CMYK 53 / 93 / 0 / 34

HEX #4F0BA9

RGB 79 11 169

HSL 265.82, 0.88%, 0.35%

LAB 26.06, 58.67, -68.18

 

CMYK 0 / 93 / 58 / 34

HEX #A80B47

RGB 168 11 71

HSL 337.07, 0.88%, 0.35%

LAB 36.02, 59.71, 10.4

 

CMYK 93 / 0 / 92 / 34

HEX #0BA80D

RGB 11 168 13

HSL 120.76, 0.88%, 0.35%

LAB 59.98, -62.12, 59.12

 

CMYK 53 / 93 / 0 / 34

HEX #4F0BA9

RGB 79 11 169

HSL 265.82, 0.88%, 0.35%

LAB 26.06, 58.67, -68.18

 

CMYK 0 / 55 / 93 / 34

HEX #A84C0B

RGB 168 76 11

HSL 24.84, 0.88%, 0.35%

LAB 43.53, 34.68, 50.45

 

CMYK 93 / 0 / 55 / 34

HEX #0BA84C

RGB 11 168 76

HSL 144.84, 0.88%, 0.35%

LAB 60.43, -56.57, 37.11

 

CMYK 53 / 93 / 0 / 34

HEX #4F0BA9

RGB 79 11 169

HSL 265.82, 0.88%, 0.35%

LAB 26.06, 58.67, -68.18

 

CMYK 0 / 93 / 58 / 34

HEX #A80B47

RGB 168 11 71

HSL 337.07, 0.88%, 0.35%

LAB 36.02, 59.71, 10.4

 

CMYK 39 / 0 / 93 / 34

HEX #66A80B

RGB 102 168 11

HSL 85.22, 0.88%, 0.35%

LAB 62.38, -42.75, 62.39

 

CMYK 93 / 0 / 36 / 34

HEX #0BA86C

RGB 11 168 108

HSL 157.07, 0.88%, 0.35%

LAB 60.92, -50.69, 21

 

CMYK 53 / 93 / 0 / 34

HEX #4F0BA9

RGB 79 11 169

HSL 265.82, 0.88%, 0.35%

LAB 26.06, 58.67, -68.18

 

CMYK 0 / 93 / 86 / 34

HEX #A80B18

RGB 168 11 24

HSL 355.03, 0.88%, 0.35%

LAB 35.26, 57.59, 38.75

 

CMYK 39 / 0 / 93 / 34

HEX #66A80B

RGB 102 168 11

HSL 85.22, 0.88%, 0.35%

LAB 62.38, -42.75, 62.39

 

CMYK 93 / 0 / 8 / 34

HEX #0BA89B

RGB 11 168 155

HSL 175.03, 0.88%, 0.35%

LAB 62.03, -38.68, -3.54

 

Description

Color code: HEX #4F0BA9 | qconv.com Color code: HEX #4F0BA9 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 11 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 11 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 93 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 93% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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