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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4EFAA3 it is the complementary color #B1055C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4EFAA3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4EFAA3 shade: #53FA9E, #64FFB1, #75FFC4, #86FFD7 and #97FFEA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4EFAA3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4EFAA3 shade: #4EFAA3, #3DE890, #2CD67D, #1BC46A and #0AB257

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4EFAA3 shade: #4CFAA2, #4CFA73, #54FA4C, #83FA4C and #B2FA4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4EFAA3 shade: #4CFAA2, #4CFAD1, #4CF5FA, #4CC6FA and #4C96FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4EFAA3 shade matches the following richer shades: #4CFAA2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4EFAA3 shade: #4CFAA2, #5BECA2, #6ADDA3, #79CEA3 and #87BFA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4EFAA3 shade: #55FA4C, #4CFA72, #4CFAA0, #4CFACF and #4CF8FA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4EFAA3 shade: #06EE79, #24F98D, #4CFAA2, #74FBB7 and #9CFCCC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4EFAA3 shade: #4EFAA3, #4C83FA and #FA5B4C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4EFAA3 shade: #4EFAA3, #A04CFA and #FAA04C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4EFAA3 shade: #4EFAA3, #4C83FA, #FA4CA6 and #FAC34C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4EFAA3 shade: #4EFAA3, #4C4FFA, #FA4CA6 and #FAF84C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 35 / 2

HEX #4EFAA3

RGB 78 250 163

HSL 149.65, 0.95%, 0.64%

LAB 88.27, -62.85, 29.33

 

Complementary color

CMYK 0 / 97 / 48 / 31

HEX #B1055C

RGB 177 5 92

HSL 329.65, 0.95%, 0.36%

LAB 38.25, 64.14, 0.27

 

CMYK 67 / 0 / 37 / 2

HEX #53FA9E

RGB 83 250 158

HSL 146.95, 0.94%, 0.65%

LAB 88.29, -62.98, 31.89

 

CMYK 61 / 0 / 31 / 0

HEX #64FFB1

RGB 100 255 177

HSL 149.81, 1%, 0.7%

LAB 90.51, -58.3, 25.37

 

CMYK 54 / 0 / 23 / 0

HEX #75FFC4

RGB 117 255 196

HSL 154.35, 1%, 0.73%

LAB 91.36, -51.08, 16.94

 

CMYK 47 / 0 / 16 / 0

HEX #86FFD7

RGB 134 255 215

HSL 160.17, 1%, 0.76%

LAB 92.35, -43.28, 8.65

 

CMYK 41 / 0 / 8 / 0

HEX #97FFEA

RGB 151 255 234

HSL 167.88, 1%, 0.8%

LAB 93.47, -35.03, 0.54

 

CMYK 69 / 0 / 35 / 2

HEX #4EFAA3

RGB 78 250 163

HSL 149.65, 0.95%, 0.64%

LAB 88.27, -62.85, 29.33

 

CMYK 74 / 0 / 38 / 9

HEX #3DE890

RGB 61 232 144

HSL 149.12, 0.79%, 0.57%

LAB 82.23, -62.25, 30.78

 

CMYK 79 / 0 / 42 / 16

HEX #2CD67D

RGB 44 214 125

HSL 148.59, 0.67%, 0.51%

LAB 76.14, -61.36, 32.35

 

CMYK 86 / 0 / 46 / 23

HEX #1BC46A

RGB 27 196 106

HSL 148.05, 0.76%, 0.44%

LAB 70, -60.06, 34.02

 

CMYK 94 / 0 / 51 / 30

HEX #0AB257

RGB 10 178 87

HSL 147.5, 0.89%, 0.37%

LAB 63.83, -58.21, 35.81

 

CMYK 70 / 0 / 35 / 2

HEX #4CFAA2

RGB 76 250 162

HSL 149.66, 0.95%, 0.64%

LAB 88.22, -63.34, 29.75

 

CMYK 70 / 0 / 54 / 2

HEX #4CFA73

RGB 76 250 115

HSL 133.45, 0.95%, 0.64%

LAB 87.56, -70.85, 51.62

 

CMYK 66 / 0 / 70 / 2

HEX #54FA4C

RGB 84 250 76

HSL 117.24, 0.95%, 0.64%

LAB 87.38, -73.58, 67.59

 

CMYK 48 / 0 / 70 / 2

HEX #83FA4C

RGB 131 250 76

HSL 101.03, 0.95%, 0.64%

LAB 88.79, -62.41, 69.49

 

CMYK 29 / 0 / 70 / 2

HEX #B2FA4C

RGB 178 250 76

HSL 84.83, 0.95%, 0.64%

LAB 90.94, -47.23, 72.38

 

CMYK 70 / 0 / 35 / 2

HEX #4CFAA2

RGB 76 250 162

HSL 149.66, 0.95%, 0.64%

LAB 88.22, -63.34, 29.75

 

CMYK 70 / 0 / 16 / 2

HEX #4CFAD1

RGB 76 250 209

HSL 165.86, 0.95%, 0.64%

LAB 89.16, -53.26, 6.96

 

CMYK 70 / 2 / 0 / 2

HEX #4CF5FA

RGB 76 245 250

HSL 181.72, 0.95%, 0.64%

LAB 88.8, -40.47, -14.93

 

CMYK 70 / 21 / 0 / 2

HEX #4CC6FA

RGB 76 198 250

HSL 197.93, 0.95%, 0.64%

LAB 75.34, -17.69, -35.44

 

CMYK 70 / 40 / 0 / 2

HEX #4C96FA

RGB 76 150 250

HSL 214.48, 0.95%, 0.64%

LAB 61.87, 9.05, -56.61

 

CMYK 70 / 0 / 35 / 2

HEX #4CFAA2

RGB 76 250 162

HSL 149.66, 0.95%, 0.64%

LAB 88.22, -63.34, 29.75

 

CMYK 70 / 0 / 35 / 2

HEX #4CFAA2

RGB 76 250 162

HSL 149.66, 0.95%, 0.64%

LAB 88.22, -63.34, 29.75

 

CMYK 61 / 0 / 31 / 7

HEX #5BECA2

RGB 91 236 162

HSL 149.38, 0.79%, 0.64%

LAB 84.39, -55.45, 24.62

 

CMYK 52 / 0 / 26 / 13

HEX #6ADDA3

RGB 106 221 163

HSL 149.74, 0.63%, 0.64%

LAB 80.42, -45.92, 18.7

 

CMYK 41 / 0 / 21 / 19

HEX #79CEA3

RGB 121 206 163

HSL 149.65, 0.46%, 0.64%

LAB 76.59, -35.44, 13.43

 

CMYK 29 / 0 / 15 / 25

HEX #87BFA3

RGB 135 191 163

HSL 150, 0.3%, 0.64%

LAB 72.93, -24.14, 8.33

 

CMYK 66 / 0 / 70 / 2

HEX #55FA4C

RGB 85 250 76

HSL 116.9, 0.95%, 0.64%

LAB 87.4, -73.39, 67.62

 

CMYK 70 / 0 / 54 / 2

HEX #4CFA72

RGB 76 250 114

HSL 133.1, 0.95%, 0.64%

LAB 87.54, -70.98, 52.06

 

CMYK 70 / 0 / 36 / 2

HEX #4CFAA0

RGB 76 250 160

HSL 148.97, 0.95%, 0.64%

LAB 88.18, -63.71, 30.71

 

CMYK 70 / 0 / 17 / 2

HEX #4CFACF

RGB 76 250 207

HSL 165.17, 0.95%, 0.64%

LAB 89.12, -53.74, 7.93

 

CMYK 70 / 1 / 0 / 2

HEX #4CF8FA

RGB 76 248 250

HSL 180.69, 0.95%, 0.64%

LAB 89.66, -41.82, -13.64

 

CMYK 97 / 0 / 49 / 7

HEX #06EE79

RGB 6 238 121

HSL 149.74, 0.95%, 0.48%

LAB 83.21, -72.36, 43.32

 

CMYK 86 / 0 / 43 / 2

HEX #24F98D

RGB 36 249 141

HSL 149.58, 0.95%, 0.56%

LAB 87.02, -71.21, 38.51

 

CMYK 70 / 0 / 35 / 2

HEX #4CFAA2

RGB 76 250 162

HSL 149.66, 0.95%, 0.64%

LAB 88.22, -63.34, 29.75

 

CMYK 54 / 0 / 27 / 2

HEX #74FBB7

RGB 116 251 183

HSL 149.78, 0.94%, 0.72%

LAB 89.92, -52.25, 21.57

 

CMYK 38 / 0 / 19 / 1

HEX #9CFCCC

RGB 156 252 204

HSL 150, 0.94%, 0.8%

LAB 92.15, -38.65, 14.15

 

CMYK 69 / 0 / 35 / 2

HEX #4EFAA3

RGB 78 250 163

HSL 149.65, 0.95%, 0.64%

LAB 88.27, -62.85, 29.33

 

CMYK 70 / 48 / 0 / 2

HEX #4C83FA

RGB 76 131 250

HSL 221.03, 0.95%, 0.64%

LAB 56.75, 20.49, -64.8

 

CMYK 0 / 64 / 70 / 2

HEX #FA5B4C

RGB 250 91 76

HSL 5.17, 0.95%, 0.64%

LAB 60.18, 59.78, 41.23

 

CMYK 69 / 0 / 35 / 2

HEX #4EFAA3

RGB 78 250 163

HSL 149.65, 0.95%, 0.64%

LAB 88.27, -62.85, 29.33

 

CMYK 36 / 70 / 0 / 2

HEX #A04CFA

RGB 160 76 250

HSL 268.97, 0.95%, 0.64%

LAB 51.32, 65.94, -73.29

 

CMYK 0 / 36 / 70 / 2

HEX #FAA04C

RGB 250 160 76

HSL 28.97, 0.95%, 0.64%

LAB 73.54, 26.38, 56.13

 

CMYK 69 / 0 / 35 / 2

HEX #4EFAA3

RGB 78 250 163

HSL 149.65, 0.95%, 0.64%

LAB 88.27, -62.85, 29.33

 

CMYK 70 / 48 / 0 / 2

HEX #4C83FA

RGB 76 131 250

HSL 221.03, 0.95%, 0.64%

LAB 56.75, 20.49, -64.8

 

CMYK 0 / 70 / 34 / 2

HEX #FA4CA6

RGB 250 76 166

HSL 328.97, 0.95%, 0.64%

LAB 60.11, 72.56, -10.75

 

CMYK 0 / 22 / 70 / 2

HEX #FAC34C

RGB 250 195 76

HSL 41.03, 0.95%, 0.64%

LAB 81.77, 8.07, 64.78

 

CMYK 69 / 0 / 35 / 2

HEX #4EFAA3

RGB 78 250 163

HSL 149.65, 0.95%, 0.64%

LAB 88.27, -62.85, 29.33

 

CMYK 70 / 68 / 0 / 2

HEX #4C4FFA

RGB 76 79 250

HSL 238.97, 0.95%, 0.64%

LAB 44.28, 51.91, -85.11

 

CMYK 0 / 70 / 34 / 2

HEX #FA4CA6

RGB 250 76 166

HSL 328.97, 0.95%, 0.64%

LAB 60.11, 72.56, -10.75

 

CMYK 0 / 1 / 70 / 2

HEX #FAF84C

RGB 250 248 76

HSL 59.31, 0.95%, 0.64%

LAB 95.15, -18.52, 78.14

 

Description

Color code: HEX #4EFAA3 | qconv.com Color code: HEX #4EFAA3 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 250 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 250 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 35 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 35% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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