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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4EFA87 it is the complementary color #B10578. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4EFA87. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4EFA87 shade: #53FA82, #64FF95, #75FFA8, #86FFBB and #97FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4EFA87. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4EFA87 shade: #4EFA87, #3DE874, #2CD661, #1BC44E and #0AB23B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4EFA87 shade: #4CFA86, #4CFA57, #70FA4C, #9FFA4C and #CEFA4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4EFA87 shade: #4CFA86, #4CFAB5, #4CFAE4, #4CE2FA and #4CB3FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4EFA87 shade matches the following richer shades: #4CFA86

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4EFA87 shade: #4CFA86, #5BEC8B, #6ADD90, #79CE95 and #87BF9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4EFA87 shade: #72FA4C, #4CFA55, #4CFA83, #4CFAB2 and #4CFAE0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4EFA87 shade: #06EE53, #24F96B, #4CFA86, #74FBA1 and #9CFCBC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4EFA87 shade: #4EFA87, #4CA0FA and #FA4C5B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4EFA87 shade: #4EFA87, #834CFA and #FA834C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4EFA87 shade: #4EFA87, #4CA0FA, #FA4CC3 and #FAA64C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4EFA87 shade: #4EFA87, #4C6CFA, #FA4CC3 and #FADA4C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 46 / 2

HEX #4EFA87

RGB 78 250 135

HSL 139.88, 0.95%, 0.64%

LAB 87.84, -67.67, 42.6

 

Complementary color

CMYK 0 / 97 / 32 / 31

HEX #B10578

RGB 177 5 120

HSL 319.88, 0.95%, 0.36%

LAB 39.26, 66.81, -15.93

 

CMYK 67 / 0 / 48 / 2

HEX #53FA82

RGB 83 250 130

HSL 136.89, 0.94%, 0.65%

LAB 87.88, -67.59, 45.06

 

CMYK 61 / 0 / 42 / 0

HEX #64FF95

RGB 100 255 149

HSL 138.97, 1%, 0.7%

LAB 90.04, -63.28, 38.73

 

CMYK 54 / 0 / 34 / 0

HEX #75FFA8

RGB 117 255 168

HSL 142.17, 1%, 0.73%

LAB 90.84, -56.44, 30.44

 

CMYK 47 / 0 / 27 / 0

HEX #86FFBB

RGB 134 255 187

HSL 146.28, 1%, 0.76%

LAB 91.76, -48.95, 22.18

 

CMYK 41 / 0 / 19 / 0

HEX #97FFCE

RGB 151 255 206

HSL 151.73, 1%, 0.8%

LAB 92.82, -40.94, 14.04

 

CMYK 69 / 0 / 46 / 2

HEX #4EFA87

RGB 78 250 135

HSL 139.88, 0.95%, 0.64%

LAB 87.84, -67.67, 42.6

 

CMYK 74 / 0 / 50 / 9

HEX #3DE874

RGB 61 232 116

HSL 139.3, 0.79%, 0.57%

LAB 81.82, -66.93, 44.09

 

CMYK 79 / 0 / 55 / 16

HEX #2CD661

RGB 44 214 97

HSL 138.71, 0.67%, 0.51%

LAB 75.76, -65.83, 45.61

 

CMYK 86 / 0 / 60 / 23

HEX #1BC44E

RGB 27 196 78

HSL 138.11, 0.76%, 0.44%

LAB 69.66, -64.24, 47.12

 

CMYK 94 / 0 / 67 / 30

HEX #0AB23B

RGB 10 178 59

HSL 137.5, 0.89%, 0.37%

LAB 63.53, -61.98, 48.5

 

CMYK 70 / 0 / 46 / 2

HEX #4CFA86

RGB 76 250 134

HSL 140, 0.95%, 0.64%

LAB 87.79, -68.14, 43

 

CMYK 70 / 0 / 65 / 2

HEX #4CFA57

RGB 76 250 87

HSL 123.79, 0.95%, 0.64%

LAB 87.29, -74.02, 63.28

 

CMYK 55 / 0 / 70 / 2

HEX #70FA4C

RGB 112 250 76

HSL 107.59, 0.95%, 0.64%

LAB 88.13, -67.48, 68.61

 

CMYK 36 / 0 / 70 / 2

HEX #9FFA4C

RGB 159 250 76

HSL 91.38, 0.95%, 0.64%

LAB 89.98, -53.76, 71.1

 

CMYK 18 / 0 / 70 / 2

HEX #CEFA4C

RGB 206 250 76

HSL 75.17, 0.95%, 0.64%

LAB 92.58, -36.87, 74.56

 

CMYK 70 / 0 / 46 / 2

HEX #4CFA86

RGB 76 250 134

HSL 140, 0.95%, 0.64%

LAB 87.79, -68.14, 43

 

CMYK 70 / 0 / 28 / 2

HEX #4CFAB5

RGB 76 250 181

HSL 156.21, 0.95%, 0.64%

LAB 88.56, -59.55, 20.56

 

CMYK 70 / 0 / 9 / 2

HEX #4CFAE4

RGB 76 250 228

HSL 172.41, 0.95%, 0.64%

LAB 89.63, -48.56, -2.23

 

CMYK 70 / 10 / 0 / 2

HEX #4CE2FA

RGB 76 226 250

HSL 188.28, 0.95%, 0.64%

LAB 83.35, -31.65, -23.15

 

CMYK 70 / 28 / 0 / 2

HEX #4CB3FA

RGB 76 179 250

HSL 204.48, 0.95%, 0.64%

LAB 69.95, -7.52, -43.84

 

CMYK 70 / 0 / 46 / 2

HEX #4CFA86

RGB 76 250 134

HSL 140, 0.95%, 0.64%

LAB 87.79, -68.14, 43

 

CMYK 70 / 0 / 46 / 2

HEX #4CFA86

RGB 76 250 134

HSL 140, 0.95%, 0.64%

LAB 87.79, -68.14, 43

 

CMYK 61 / 0 / 41 / 7

HEX #5BEC8B

RGB 91 236 139

HSL 139.86, 0.79%, 0.64%

LAB 84.01, -59.61, 35.76

 

CMYK 52 / 0 / 35 / 13

HEX #6ADD90

RGB 106 221 144

HSL 139.83, 0.63%, 0.64%

LAB 80.06, -49.52, 28.09

 

CMYK 41 / 0 / 28 / 19

HEX #79CE95

RGB 121 206 149

HSL 139.76, 0.46%, 0.64%

LAB 76.3, -38.17, 20.47

 

CMYK 29 / 0 / 19 / 25

HEX #87BF9A

RGB 135 191 154

HSL 140.36, 0.3%, 0.64%

LAB 72.72, -25.92, 12.92

 

CMYK 54 / 0 / 70 / 2

HEX #72FA4C

RGB 114 250 76

HSL 106.9, 0.95%, 0.64%

LAB 88.19, -66.98, 68.69

 

CMYK 70 / 0 / 66 / 2

HEX #4CFA55

RGB 76 250 85

HSL 123.1, 0.95%, 0.64%

LAB 87.27, -74.21, 64.05

 

CMYK 70 / 0 / 48 / 2

HEX #4CFA83

RGB 76 250 131

HSL 138.97, 0.95%, 0.64%

LAB 87.75, -68.6, 44.39

 

CMYK 70 / 0 / 29 / 2

HEX #4CFAB2

RGB 76 250 178

HSL 155.17, 0.95%, 0.64%

LAB 88.51, -60.18, 22.02

 

CMYK 70 / 0 / 10 / 2

HEX #4CFAE0

RGB 76 250 224

HSL 171.03, 0.95%, 0.64%

LAB 89.53, -49.57, -0.3

 

CMYK 97 / 0 / 65 / 7

HEX #06EE53

RGB 6 238 83

HSL 139.91, 0.95%, 0.48%

LAB 82.81, -77.32, 59.76

 

CMYK 86 / 0 / 57 / 2

HEX #24F96B

RGB 36 249 107

HSL 140, 0.95%, 0.56%

LAB 86.6, -76.3, 53.93

 

CMYK 70 / 0 / 46 / 2

HEX #4CFA86

RGB 76 250 134

HSL 140, 0.95%, 0.64%

LAB 87.79, -68.14, 43

 

CMYK 54 / 0 / 36 / 2

HEX #74FBA1

RGB 116 251 161

HSL 140, 0.94%, 0.72%

LAB 89.52, -56.31, 32.18

 

CMYK 38 / 0 / 25 / 1

HEX #9CFCBC

RGB 156 252 188

HSL 140, 0.94%, 0.8%

LAB 91.83, -41.66, 21.9

 

CMYK 69 / 0 / 46 / 2

HEX #4EFA87

RGB 78 250 135

HSL 139.88, 0.95%, 0.64%

LAB 87.84, -67.67, 42.6

 

CMYK 70 / 36 / 0 / 2

HEX #4CA0FA

RGB 76 160 250

HSL 211.03, 0.95%, 0.64%

LAB 64.63, 3.2, -52.23

 

CMYK 0 / 70 / 64 / 2

HEX #FA4C5B

RGB 250 76 91

HSL 354.83, 0.95%, 0.64%

LAB 58.27, 66.35, 30.46

 

CMYK 69 / 0 / 46 / 2

HEX #4EFA87

RGB 78 250 135

HSL 139.88, 0.95%, 0.64%

LAB 87.84, -67.67, 42.6

 

CMYK 48 / 70 / 0 / 2

HEX #834CFA

RGB 131 76 250

HSL 258.97, 0.95%, 0.64%

LAB 48.13, 60.96, -78.62

 

CMYK 0 / 48 / 70 / 2

HEX #FA834C

RGB 250 131 76

HSL 18.97, 0.95%, 0.64%

LAB 67.34, 41.29, 49.36

 

CMYK 69 / 0 / 46 / 2

HEX #4EFA87

RGB 78 250 135

HSL 139.88, 0.95%, 0.64%

LAB 87.84, -67.67, 42.6

 

CMYK 70 / 36 / 0 / 2

HEX #4CA0FA

RGB 76 160 250

HSL 211.03, 0.95%, 0.64%

LAB 64.63, 3.2, -52.23

 

CMYK 0 / 70 / 22 / 2

HEX #FA4CC3

RGB 250 76 195

HSL 318.97, 0.95%, 0.64%

LAB 61.16, 75.97, -25.83

 

CMYK 0 / 34 / 70 / 2

HEX #FAA64C

RGB 250 166 76

HSL 31.03, 0.95%, 0.64%

LAB 74.9, 23.24, 57.59

 

CMYK 69 / 0 / 46 / 2

HEX #4EFA87

RGB 78 250 135

HSL 139.88, 0.95%, 0.64%

LAB 87.84, -67.67, 42.6

 

CMYK 70 / 57 / 0 / 2

HEX #4C6CFA

RGB 76 108 250

HSL 228.97, 0.95%, 0.64%

LAB 50.88, 34.63, -74.31

 

CMYK 0 / 70 / 22 / 2

HEX #FA4CC3

RGB 250 76 195

HSL 318.97, 0.95%, 0.64%

LAB 61.16, 75.97, -25.83

 

CMYK 0 / 13 / 70 / 2

HEX #FADA4C

RGB 250 218 76

HSL 48.97, 0.95%, 0.64%

LAB 87.48, -3.72, 70.57

 

Description

Color code: HEX #4EFA87 | qconv.com Color code: HEX #4EFA87 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 250 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 250 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 46 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 46% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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