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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4EF847 it is the complementary color #B107B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4EF847. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4EF847 shade: #53F842, #64FF55, #75FF68, #86FF7B and #97FF8E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4EF847. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4EF847 shade: #4EF847, #3DE634, #2CD421, #1BC20E and #0AB000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4EF847 shade: #50F849, #7FF849, #AEF849, #DEF849 and #F8E449

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4EF847 shade: #50F849, #49F871, #49F8A1, #49F8D0 and #49F2F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4EF847 shade matches the following richer shades: #50F849

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4EF847 shade: #50F849, #5EE958, #6CDA67, #7ACB77 and #88BB86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4EF847 shade: #AFF849, #80F849, #52F849, #49F86F and #49F89E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4EF847 shade: #11E608, #2AF721, #50F849, #76FA71 and #9CFB99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4EF847 shade: #4EF847, #49DEF8 and #F84998

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4EF847 shade: #4EF847, #4952F8 and #F84952

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4EF847 shade: #4EF847, #49DEF8, #F049F8 and #F86349

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4EF847 shade: #4EF847, #49A9F8, #F049F8 and #F89849

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 71 / 3

HEX #4EF847

RGB 78 248 71

HSL 117.63, 0.93%, 0.63%

LAB 86.61, -74.43, 68.53

 

Complementary color

CMYK 4 / 96 / 0 / 28

HEX #B107B8

RGB 177 7 184

HSL 297.63, 0.93%, 0.37%

LAB 42.7, 75.08, -49.33

 

CMYK 67 / 0 / 73 / 3

HEX #53F842

RGB 83 248 66

HSL 114.4, 0.93%, 0.62%

LAB 86.69, -73.89, 70.34

 

CMYK 61 / 0 / 67 / 0

HEX #64FF55

RGB 100 255 85

HSL 114.71, 1%, 0.67%

LAB 89.34, -71.24, 66.43

 

CMYK 54 / 0 / 59 / 0

HEX #75FF68

RGB 117 255 104

HSL 114.83, 1%, 0.7%

LAB 90, -65.49, 59.6

 

CMYK 47 / 0 / 52 / 0

HEX #86FF7B

RGB 134 255 123

HSL 115, 1%, 0.74%

LAB 90.79, -58.92, 52.25

 

CMYK 41 / 0 / 44 / 0

HEX #97FF8E

RGB 151 255 142

HSL 115.22, 1%, 0.78%

LAB 91.71, -51.67, 44.61

 

CMYK 69 / 0 / 71 / 3

HEX #4EF847

RGB 78 248 71

HSL 117.63, 0.93%, 0.63%

LAB 86.61, -74.43, 68.53

 

CMYK 73 / 0 / 77 / 10

HEX #3DE634

RGB 61 230 52

HSL 116.97, 0.78%, 0.55%

LAB 80.65, -72.99, 68.69

 

CMYK 79 / 0 / 84 / 17

HEX #2CD421

RGB 44 212 33

HSL 116.31, 0.73%, 0.48%

LAB 74.66, -71.01, 68.09

 

CMYK 86 / 0 / 93 / 24

HEX #1BC20E

RGB 27 194 14

HSL 115.67, 0.87%, 0.41%

LAB 68.64, -68.32, 66.32

 

CMYK 94 / 0 / 100 / 31

HEX #0AB000

RGB 10 176 0

HSL 116.59, 1%, 0.35%

LAB 62.6, -64.76, 63.05

 

CMYK 68 / 0 / 71 / 3

HEX #50F849

RGB 80 248 73

HSL 117.6, 0.93%, 0.63%

LAB 86.66, -73.92, 67.9

 

CMYK 49 / 0 / 71 / 3

HEX #7FF849

RGB 127 248 73

HSL 101.49, 0.93%, 0.63%

LAB 88.03, -63.02, 69.74

 

CMYK 30 / 0 / 71 / 3

HEX #AEF849

RGB 174 248 73

HSL 85.37, 0.93%, 0.63%

LAB 90.14, -47.99, 72.56

 

CMYK 10 / 0 / 71 / 3

HEX #DEF849

RGB 222 248 73

HSL 68.91, 0.93%, 0.63%

LAB 93.08, -29.89, 76.44

 

CMYK 0 / 8 / 71 / 3

HEX #F8E449

RGB 248 228 73

HSL 53.14, 0.93%, 0.63%

LAB 89.82, -9.7, 73.94

 

CMYK 68 / 0 / 71 / 3

HEX #50F849

RGB 80 248 73

HSL 117.6, 0.93%, 0.63%

LAB 86.66, -73.92, 67.9

 

CMYK 71 / 0 / 54 / 3

HEX #49F871

RGB 73 248 113

HSL 133.71, 0.93%, 0.63%

LAB 86.87, -70.93, 51.69

 

CMYK 71 / 0 / 35 / 3

HEX #49F8A1

RGB 73 248 161

HSL 150.17, 0.93%, 0.63%

LAB 87.55, -63.23, 29.34

 

CMYK 71 / 0 / 16 / 3

HEX #49F8D0

RGB 73 248 208

HSL 166.29, 0.93%, 0.63%

LAB 88.5, -53.08, 6.52

 

CMYK 71 / 2 / 0 / 3

HEX #49F2F8

RGB 73 242 248

HSL 182.06, 0.93%, 0.63%

LAB 87.82, -40.04, -15.36

 

CMYK 68 / 0 / 71 / 3

HEX #50F849

RGB 80 248 73

HSL 117.6, 0.93%, 0.63%

LAB 86.66, -73.92, 67.9

 

CMYK 68 / 0 / 71 / 3

HEX #50F849

RGB 80 248 73

HSL 117.6, 0.93%, 0.63%

LAB 86.66, -73.92, 67.9

 

CMYK 60 / 0 / 62 / 9

HEX #5EE958

RGB 94 233 88

HSL 117.52, 0.77%, 0.63%

LAB 82.57, -64.75, 57.79

 

CMYK 50 / 0 / 53 / 15

HEX #6CDA67

RGB 108 218 103

HSL 117.39, 0.61%, 0.63%

LAB 78.64, -54.04, 46.64

 

CMYK 40 / 0 / 41 / 20

HEX #7ACB77

RGB 122 203 119

HSL 117.86, 0.45%, 0.63%

LAB 74.94, -41.58, 34.28

 

CMYK 27 / 0 / 28 / 27

HEX #88BB86

RGB 136 187 134

HSL 117.74, 0.28%, 0.63%

LAB 71.21, -27.26, 21.6

 

CMYK 29 / 0 / 71 / 3

HEX #AFF849

RGB 175 248 73

HSL 85.03, 0.93%, 0.63%

LAB 90.2, -47.63, 72.63

 

CMYK 48 / 0 / 71 / 3

HEX #80F849

RGB 128 248 73

HSL 101.14, 0.93%, 0.63%

LAB 88.07, -62.74, 69.79

 

CMYK 67 / 0 / 71 / 3

HEX #52F849

RGB 82 248 73

HSL 116.91, 0.93%, 0.63%

LAB 86.71, -73.55, 67.96

 

CMYK 71 / 0 / 55 / 3

HEX #49F86F

RGB 73 248 111

HSL 133.03, 0.93%, 0.63%

LAB 86.85, -71.18, 52.57

 

CMYK 71 / 0 / 36 / 3

HEX #49F89E

RGB 73 248 158

HSL 149.14, 0.93%, 0.63%

LAB 87.49, -63.79, 30.78

 

CMYK 93 / 0 / 97 / 10

HEX #11E608

RGB 17 230 8

HSL 117.57, 0.93%, 0.47%

LAB 80.03, -78.97, 76.32

 

CMYK 83 / 0 / 87 / 3

HEX #2AF721

RGB 42 247 33

HSL 117.48, 0.93%, 0.55%

LAB 85.57, -81.15, 77.71

 

CMYK 68 / 0 / 71 / 3

HEX #50F849

RGB 80 248 73

HSL 117.6, 0.93%, 0.63%

LAB 86.66, -73.92, 67.9

 

CMYK 53 / 0 / 55 / 2

HEX #76FA71

RGB 118 250 113

HSL 117.81, 0.93%, 0.71%

LAB 88.65, -62.41, 54.09

 

CMYK 38 / 0 / 39 / 2

HEX #9CFB99

RGB 156 251 153

HSL 118.16, 0.92%, 0.79%

LAB 90.94, -46.96, 38.32

 

CMYK 69 / 0 / 71 / 3

HEX #4EF847

RGB 78 248 71

HSL 117.63, 0.93%, 0.63%

LAB 86.61, -74.43, 68.53

 

CMYK 71 / 10 / 0 / 3

HEX #49DEF8

RGB 73 222 248

HSL 188.91, 0.93%, 0.63%

LAB 82.07, -30.71, -24.04

 

CMYK 0 / 71 / 39 / 3

HEX #F84998

RGB 248 73 152

HSL 332.91, 0.93%, 0.63%

LAB 58.96, 71.6, -4.35

 

CMYK 69 / 0 / 71 / 3

HEX #4EF847

RGB 78 248 71

HSL 117.63, 0.93%, 0.63%

LAB 86.61, -74.43, 68.53

 

CMYK 71 / 67 / 0 / 3

HEX #4952F8

RGB 73 82 248

HSL 236.91, 0.93%, 0.63%

LAB 44.56, 49.23, -83.53

 

CMYK 0 / 71 / 67 / 3

HEX #F84952

RGB 248 73 82

HSL 356.91, 0.93%, 0.63%

LAB 57.4, 66.33, 34.47

 

CMYK 69 / 0 / 71 / 3

HEX #4EF847

RGB 78 248 71

HSL 117.63, 0.93%, 0.63%

LAB 86.61, -74.43, 68.53

 

CMYK 71 / 10 / 0 / 3

HEX #49DEF8

RGB 73 222 248

HSL 188.91, 0.93%, 0.63%

LAB 82.07, -30.71, -24.04

 

CMYK 3 / 71 / 0 / 3

HEX #F049F8

RGB 240 73 248

HSL 297.26, 0.93%, 0.63%

LAB 61.71, 82.35, -54.88

 

CMYK 0 / 60 / 71 / 3

HEX #F86349

RGB 248 99 73

HSL 8.91, 0.93%, 0.63%

LAB 61.1, 55.56, 43.82

 

CMYK 69 / 0 / 71 / 3

HEX #4EF847

RGB 78 248 71

HSL 117.63, 0.93%, 0.63%

LAB 86.61, -74.43, 68.53

 

CMYK 71 / 32 / 0 / 3

HEX #49A9F8

RGB 73 169 248

HSL 207.09, 0.93%, 0.63%

LAB 66.95, -3.04, -47.47

 

CMYK 3 / 71 / 0 / 3

HEX #F049F8

RGB 240 73 248

HSL 297.26, 0.93%, 0.63%

LAB 61.71, 82.35, -54.88

 

CMYK 0 / 39 / 71 / 3

HEX #F89849

RGB 248 152 73

HSL 27.09, 0.93%, 0.63%

LAB 71.48, 29.6, 55.24

 

Description

Color code: HEX #4EF847 | qconv.com Color code: HEX #4EF847 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 248 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 248 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 71 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 71% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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