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Color name
HEX #4EF216

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4EF216 it is the complementary color #B10DE9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4EF216. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4EF216 shade: #53F211, #64FF24, #75FF37, #86FF4A and #97FF5D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4EF216. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4EF216 shade: #4EF216, #3DE003, #2CCE00, #1BBC00 and #0AAA00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4EF216 shade: #4FF218, #8AF218, #C5F218, #F2E418 and #F2A918

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4EF216 shade: #4FF218, #18F21B, #18F256, #18F290 and #18F2CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4EF216 shade matches the following richer shades: #4FF218

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4EF216 shade: #4FF218, #59DE2B, #63CA3F, #6CB653 and #76A267

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4EF216 shade: #C6F218, #8CF218, #52F218, #18F218 and #18F252

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4EF216 shade: #33AD0A, #3FD40C, #4FF218, #6DF43F and #8AF666

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4EF216 shade: #4EF216, #18F2E3 and #F218A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4EF216 shade: #4EF216, #1852F2 and #F21852

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4EF216 shade: #4EF216, #18F2E3, #B718F2 and #F21826

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4EF216 shade: #4EF216, #18BFF2, #B718F2 and #F24B18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 91 / 5

HEX #4EF216

RGB 78 242 22

HSL 104.73, 0.89%, 0.52%

LAB 84.58, -75.01, 78.89

 

Complementary color

CMYK 24 / 94 / 0 / 9

HEX #B10DE9

RGB 177 13 233

HSL 284.73, 0.89%, 0.48%

LAB 46.34, 82.67, -71.74

 

CMYK 66 / 0 / 93 / 5

HEX #53F211

RGB 83 242 17

HSL 102.4, 0.9%, 0.51%

LAB 84.68, -74.16, 79.65

 

CMYK 61 / 0 / 86 / 0

HEX #64FF24

RGB 100 255 36

HSL 102.47, 1%, 0.57%

LAB 89.09, -74.16, 80.62

 

CMYK 54 / 0 / 78 / 0

HEX #75FF37

RGB 117 255 55

HSL 101.4, 1%, 0.61%

LAB 89.66, -69.28, 76.87

 

CMYK 47 / 0 / 71 / 0

HEX #86FF4A

RGB 134 255 74

HSL 100.11, 1%, 0.65%

LAB 90.36, -63.54, 71.83

 

CMYK 41 / 0 / 64 / 0

HEX #97FF5D

RGB 151 255 93

HSL 98.52, 1%, 0.68%

LAB 91.18, -57.04, 65.82

 

CMYK 68 / 0 / 91 / 5

HEX #4EF216

RGB 78 242 22

HSL 104.73, 0.89%, 0.52%

LAB 84.58, -75.01, 78.89

 

CMYK 73 / 0 / 99 / 12

HEX #3DE003

RGB 61 224 3

HSL 104.25, 0.97%, 0.45%

LAB 78.64, -72.9, 75.86

 

CMYK 79 / 0 / 100 / 19

HEX #2CCE00

RGB 44 206 0

HSL 107.18, 1%, 0.4%

LAB 72.68, -70.17, 71.26

 

CMYK 86 / 0 / 100 / 26

HEX #1BBC00

RGB 27 188 0

HSL 111.38, 1%, 0.37%

LAB 66.67, -66.92, 66.36

 

CMYK 94 / 0 / 100 / 33

HEX #0AAA00

RGB 10 170 0

HSL 116.47, 1%, 0.33%

LAB 60.62, -63.08, 61.46

 

CMYK 67 / 0 / 90 / 5

HEX #4FF218

RGB 79 242 24

HSL 104.86, 0.89%, 0.52%

LAB 84.6, -74.77, 78.63

 

CMYK 43 / 0 / 90 / 5

HEX #8AF218

RGB 138 242 24

HSL 88.62, 0.89%, 0.52%

LAB 86.49, -59.73, 80.97

 

CMYK 19 / 0 / 90 / 5

HEX #C5F218

RGB 197 242 24

HSL 72.39, 0.89%, 0.52%

LAB 89.6, -38.66, 84.79

 

CMYK 0 / 6 / 90 / 5

HEX #F2E418

RGB 242 228 24

HSL 56.15, 0.89%, 0.52%

LAB 89.13, -13.68, 85.82

 

CMYK 0 / 30 / 90 / 5

HEX #F2A918

RGB 242 169 24

HSL 39.91, 0.89%, 0.52%

LAB 74.39, 16.6, 74.56

 

CMYK 67 / 0 / 90 / 5

HEX #4FF218

RGB 79 242 24

HSL 104.86, 0.89%, 0.52%

LAB 84.6, -74.77, 78.63

 

CMYK 90 / 0 / 89 / 5

HEX #18F21B

RGB 24 242 27

HSL 120.83, 0.89%, 0.52%

LAB 83.85, -81.37, 77.22

 

CMYK 90 / 0 / 64 / 5

HEX #18F256

RGB 24 242 86

HSL 137.06, 0.89%, 0.52%

LAB 84.16, -77.45, 60.05

 

CMYK 90 / 0 / 40 / 5

HEX #18F290

RGB 24 242 144

HSL 153.03, 0.89%, 0.52%

LAB 84.85, -69.08, 34.17

 

CMYK 90 / 0 / 16 / 5

HEX #18F2CB

RGB 24 242 203

HSL 169.27, 0.89%, 0.52%

LAB 86.01, -56.14, 5.46

 

CMYK 67 / 0 / 90 / 5

HEX #4FF218

RGB 79 242 24

HSL 104.86, 0.89%, 0.52%

LAB 84.6, -74.77, 78.63

 

CMYK 67 / 0 / 90 / 5

HEX #4FF218

RGB 79 242 24

HSL 104.86, 0.89%, 0.52%

LAB 84.6, -74.77, 78.63

 

CMYK 60 / 0 / 81 / 13

HEX #59DE2B

RGB 89 222 43

HSL 104.58, 0.73%, 0.52%

LAB 78.78, -65.54, 69.71

 

CMYK 51 / 0 / 69 / 21

HEX #63CA3F

RGB 99 202 63

HSL 104.46, 0.57%, 0.52%

LAB 73.06, -54.52, 57.64

 

CMYK 41 / 0 / 54 / 29

HEX #6CB653

RGB 108 182 83

HSL 104.85, 0.4%, 0.52%

LAB 67.48, -41.72, 42.77

 

CMYK 27 / 0 / 36 / 36

HEX #76A267

RGB 118 162 103

HSL 104.75, 0.24%, 0.52%

LAB 62.23, -26.34, 26.04

 

CMYK 18 / 0 / 90 / 5

HEX #C6F218

RGB 198 242 24

HSL 72.11, 0.89%, 0.52%

LAB 89.66, -38.26, 84.86

 

CMYK 42 / 0 / 90 / 5

HEX #8CF218

RGB 140 242 24

HSL 88.07, 0.89%, 0.52%

LAB 86.58, -59.1, 81.08

 

CMYK 66 / 0 / 90 / 5

HEX #52F218

RGB 82 242 24

HSL 104.04, 0.89%, 0.52%

LAB 84.67, -74.2, 78.72

 

CMYK 90 / 0 / 90 / 5

HEX #18F218

RGB 24 242 24

HSL 120, 0.89%, 0.52%

LAB 83.84, -81.46, 77.69

 

CMYK 90 / 0 / 66 / 5

HEX #18F252

RGB 24 242 82

HSL 135.96, 0.89%, 0.52%

LAB 84.13, -77.86, 61.62

 

CMYK 71 / 0 / 94 / 32

HEX #33AD0A

RGB 51 173 10

HSL 104.91, 0.89%, 0.36%

LAB 62.18, -58.83, 61.61

 

CMYK 70 / 0 / 94 / 17

HEX #3FD40C

RGB 63 212 12

HSL 104.7, 0.89%, 0.44%

LAB 74.93, -68.8, 72

 

CMYK 67 / 0 / 90 / 5

HEX #4FF218

RGB 79 242 24

HSL 104.86, 0.89%, 0.52%

LAB 84.6, -74.77, 78.63

 

CMYK 55 / 0 / 74 / 4

HEX #6DF43F

RGB 109 244 63

HSL 104.75, 0.89%, 0.6%

LAB 86.16, -67.05, 71.04

 

CMYK 44 / 0 / 59 / 4

HEX #8AF666

RGB 138 246 102

HSL 105, 0.89%, 0.68%

LAB 88.1, -56.61, 58.49

 

CMYK 68 / 0 / 91 / 5

HEX #4EF216

RGB 78 242 22

HSL 104.73, 0.89%, 0.52%

LAB 84.58, -75.01, 78.89

 

CMYK 90 / 0 / 6 / 5

HEX #18F2E3

RGB 24 242 227

HSL 175.87, 0.89%, 0.52%

LAB 86.62, -49.8, -6.21

 

CMYK 0 / 90 / 30 / 5

HEX #F218A9

RGB 242 24 169

HSL 320.09, 0.89%, 0.52%

LAB 54.44, 83.46, -21.23

 

CMYK 68 / 0 / 91 / 5

HEX #4EF216

RGB 78 242 22

HSL 104.73, 0.89%, 0.52%

LAB 84.58, -75.01, 78.89

 

CMYK 90 / 66 / 0 / 5

HEX #1852F2

RGB 24 82 242

HSL 224.04, 0.89%, 0.52%

LAB 42.22, 43.57, -84.09

 

CMYK 0 / 90 / 66 / 5

HEX #F21852

RGB 242 24 82

HSL 344.04, 0.89%, 0.52%

LAB 51.99, 76.77, 27.47

 

CMYK 68 / 0 / 91 / 5

HEX #4EF216

RGB 78 242 22

HSL 104.73, 0.89%, 0.52%

LAB 84.58, -75.01, 78.89

 

CMYK 90 / 0 / 6 / 5

HEX #18F2E3

RGB 24 242 227

HSL 175.87, 0.89%, 0.52%

LAB 86.62, -49.8, -6.21

 

CMYK 24 / 90 / 0 / 5

HEX #B718F2

RGB 183 24 242

HSL 283.76, 0.89%, 0.52%

LAB 48.43, 83.67, -73.38

 

CMYK 0 / 90 / 84 / 5

HEX #F21826

RGB 242 24 38

HSL 356.15, 0.89%, 0.52%

LAB 51.46, 75.26, 51.74

 

CMYK 68 / 0 / 91 / 5

HEX #4EF216

RGB 78 242 22

HSL 104.73, 0.89%, 0.52%

LAB 84.58, -75.01, 78.89

 

CMYK 90 / 21 / 0 / 5

HEX #18BFF2

RGB 24 191 242

HSL 194.04, 0.89%, 0.52%

LAB 72.14, -21.41, -36.17

 

CMYK 24 / 90 / 0 / 5

HEX #B718F2

RGB 183 24 242

HSL 283.76, 0.89%, 0.52%

LAB 48.43, 83.67, -73.38

 

CMYK 0 / 69 / 90 / 5

HEX #F24B18

RGB 242 75 24

HSL 14.04, 0.89%, 0.52%

LAB 56.06, 61.88, 61.14

 

Description

Color code: HEX #4EF216 | qconv.com Color code: HEX #4EF216 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 242 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 242 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 91 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 91% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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