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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4EF08E it is the complementary color #B10F71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4EF08E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4EF08E shade: #53F089, #64FF9C, #75FFAF, #86FFC2 and #97FFD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4EF08E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4EF08E shade: #4EF08E, #3DDE7B, #2CCC68, #1BBA55 and #0AA842

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4EF08E shade: #4DEF8D, #4DEF61, #64EF4D, #90EF4D and #BCEF4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4EF08E shade: #4DEF8D, #4DEFB9, #4DEFE5, #4DCEEF and #4DA2EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4EF08E shade matches the following richer shades: #4DEF8D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4EF08E shade: #4DEF8D, #5CE090, #6CD094, #7CC097 and #8BB19A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4EF08E shade: #65EF4D, #4DEF60, #4DEF8B, #4DEFB7 and #4DEFE2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4EF08E shade: #13D760, #27EC75, #4DEF8D, #73F3A5 and #99F6BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4EF08E shade: #4EF08E, #4D91EF and #EF4D4F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4EF08E shade: #4EF08E, #8B4DEF and #EF8B4D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4EF08E shade: #4EF08E, #4D91EF, #EF4DB1 and #EFAC4D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4EF08E shade: #4EF08E, #4D60EF, #EF4DB1 and #EFDD4D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 41 / 6

HEX #4EF08E

RGB 78 240 142

HSL 143.7, 0.84%, 0.62%

LAB 84.94, -62.96, 35.43

 

Complementary color

CMYK 0 / 92 / 36 / 31

HEX #B10F71

RGB 177 15 113

HSL 323.7, 0.84%, 0.38%

LAB 39.38, 64.92, -11.36

 

CMYK 65 / 0 / 43 / 6

HEX #53F089

RGB 83 240 137

HSL 140.64, 0.84%, 0.63%

LAB 84.98, -62.94, 37.98

 

CMYK 61 / 0 / 39 / 0

HEX #64FF9C

RGB 100 255 156

HSL 141.68, 1%, 0.7%

LAB 90.15, -62.11, 35.42

 

CMYK 54 / 0 / 31 / 0

HEX #75FFAF

RGB 117 255 175

HSL 145.22, 1%, 0.73%

LAB 90.96, -55.18, 27.08

 

CMYK 47 / 0 / 24 / 0

HEX #86FFC2

RGB 134 255 194

HSL 149.75, 1%, 0.76%

LAB 91.9, -47.61, 18.8

 

CMYK 41 / 0 / 16 / 0

HEX #97FFD5

RGB 151 255 213

HSL 155.77, 1%, 0.8%

LAB 92.97, -39.52, 10.66

 

CMYK 68 / 0 / 41 / 6

HEX #4EF08E

RGB 78 240 142

HSL 143.7, 0.84%, 0.62%

LAB 84.94, -62.96, 35.43

 

CMYK 73 / 0 / 45 / 13

HEX #3DDE7B

RGB 61 222 123

HSL 143.11, 0.71%, 0.55%

LAB 78.85, -62.37, 36.92

 

CMYK 78 / 0 / 49 / 20

HEX #2CCC68

RGB 44 204 104

HSL 142.5, 0.65%, 0.49%

LAB 72.71, -61.45, 38.49

 

CMYK 85 / 0 / 54 / 27

HEX #1BBA55

RGB 27 186 85

HSL 141.89, 0.75%, 0.42%

LAB 66.53, -60.06, 40.13

 

CMYK 94 / 0 / 61 / 34

HEX #0AA842

RGB 10 168 66

HSL 141.27, 0.89%, 0.35%

LAB 60.3, -58.03, 41.77

 

CMYK 68 / 0 / 41 / 6

HEX #4DEF8D

RGB 77 239 141

HSL 143.7, 0.84%, 0.62%

LAB 84.6, -62.94, 35.48

 

CMYK 68 / 0 / 59 / 6

HEX #4DEF61

RGB 77 239 97

HSL 127.41, 0.84%, 0.62%

LAB 84.06, -69.23, 55.52

 

CMYK 58 / 0 / 68 / 6

HEX #64EF4D

RGB 100 239 77

HSL 111.48, 0.84%, 0.62%

LAB 84.47, -66.48, 64.3

 

CMYK 40 / 0 / 68 / 6

HEX #90EF4D

RGB 144 239 77

HSL 95.19, 0.84%, 0.62%

LAB 86.11, -54.18, 66.52

 

CMYK 21 / 0 / 68 / 6

HEX #BCEF4D

RGB 188 239 77

HSL 78.89, 0.84%, 0.62%

LAB 88.43, -38.72, 69.65

 

CMYK 68 / 0 / 41 / 6

HEX #4DEF8D

RGB 77 239 141

HSL 143.7, 0.84%, 0.62%

LAB 84.6, -62.94, 35.48

 

CMYK 68 / 0 / 23 / 6

HEX #4DEFB9

RGB 77 239 185

HSL 160, 0.84%, 0.62%

LAB 85.41, -54.22, 14.09

 

CMYK 68 / 0 / 4 / 6

HEX #4DEFE5

RGB 77 239 229

HSL 176.3, 0.84%, 0.62%

LAB 86.49, -43.39, -7.38

 

CMYK 68 / 14 / 0 / 6

HEX #4DCEEF

RGB 77 206 239

HSL 192.22, 0.84%, 0.62%

LAB 77.25, -25.05, -26.6

 

CMYK 68 / 32 / 0 / 6

HEX #4DA2EF

RGB 77 162 239

HSL 208.52, 0.84%, 0.62%

LAB 64.68, -1.54, -46.12

 

CMYK 68 / 0 / 41 / 6

HEX #4DEF8D

RGB 77 239 141

HSL 143.7, 0.84%, 0.62%

LAB 84.6, -62.94, 35.48

 

CMYK 68 / 0 / 41 / 6

HEX #4DEF8D

RGB 77 239 141

HSL 143.7, 0.84%, 0.62%

LAB 84.6, -62.94, 35.48

 

CMYK 59 / 0 / 36 / 12

HEX #5CE090

RGB 92 224 144

HSL 143.64, 0.68%, 0.62%

LAB 80.52, -53.91, 28.62

 

CMYK 48 / 0 / 29 / 18

HEX #6CD094

RGB 108 208 148

HSL 144, 0.52%, 0.62%

LAB 76.34, -42.77, 20.96

 

CMYK 35 / 0 / 21 / 25

HEX #7CC097

RGB 124 192 151

HSL 143.82, 0.35%, 0.62%

LAB 72.37, -30.4, 13.96

 

CMYK 21 / 0 / 13 / 31

HEX #8BB19A

RGB 139 177 154

HSL 143.68, 0.2%, 0.62%

LAB 68.94, -17.57, 7.58

 

CMYK 58 / 0 / 68 / 6

HEX #65EF4D

RGB 101 239 77

HSL 111.11, 0.84%, 0.62%

LAB 84.5, -66.24, 64.35

 

CMYK 68 / 0 / 60 / 6

HEX #4DEF60

RGB 77 239 96

HSL 127.04, 0.84%, 0.62%

LAB 84.05, -69.34, 55.94

 

CMYK 68 / 0 / 42 / 6

HEX #4DEF8B

RGB 77 239 139

HSL 142.96, 0.84%, 0.62%

LAB 84.57, -63.28, 36.44

 

CMYK 68 / 0 / 23 / 6

HEX #4DEFB7

RGB 77 239 183

HSL 159.26, 0.84%, 0.62%

LAB 85.37, -54.66, 15.07

 

CMYK 68 / 0 / 5 / 6

HEX #4DEFE2

RGB 77 239 226

HSL 175.19, 0.84%, 0.62%

LAB 86.41, -44.19, -5.93

 

CMYK 91 / 0 / 55 / 16

HEX #13D760

RGB 19 215 96

HSL 143.57, 0.84%, 0.46%

LAB 75.81, -68.36, 46.09

 

CMYK 83 / 0 / 50 / 7

HEX #27EC75

RGB 39 236 117

HSL 143.76, 0.84%, 0.54%

LAB 82.76, -70.59, 44.7

 

CMYK 68 / 0 / 41 / 6

HEX #4DEF8D

RGB 77 239 141

HSL 143.7, 0.84%, 0.62%

LAB 84.6, -62.94, 35.48

 

CMYK 53 / 0 / 32 / 5

HEX #73F3A5

RGB 115 243 165

HSL 143.44, 0.84%, 0.7%

LAB 87.22, -52.61, 27.06

 

CMYK 38 / 0 / 23 / 4

HEX #99F6BE

RGB 153 246 190

HSL 143.87, 0.84%, 0.78%

LAB 90.05, -39.46, 18.38

 

CMYK 68 / 0 / 41 / 6

HEX #4EF08E

RGB 78 240 142

HSL 143.7, 0.84%, 0.62%

LAB 84.94, -62.96, 35.43

 

CMYK 68 / 39 / 0 / 6

HEX #4D91EF

RGB 77 145 239

HSL 214.81, 0.84%, 0.62%

LAB 59.94, 8.36, -53.62

 

CMYK 0 / 68 / 67 / 6

HEX #EF4D4F

RGB 239 77 79

HSL 359.26, 0.84%, 0.62%

LAB 56.31, 61.95, 34.49

 

CMYK 68 / 0 / 41 / 6

HEX #4EF08E

RGB 78 240 142

HSL 143.7, 0.84%, 0.62%

LAB 84.94, -62.96, 35.43

 

CMYK 42 / 68 / 0 / 6

HEX #8B4DEF

RGB 139 77 239

HSL 262.96, 0.84%, 0.62%

LAB 48.3, 59.01, -72.16

 

CMYK 0 / 42 / 68 / 6

HEX #EF8B4D

RGB 239 139 77

HSL 22.96, 0.84%, 0.62%

LAB 67.54, 32.96, 48.69

 

CMYK 68 / 0 / 41 / 6

HEX #4EF08E

RGB 78 240 142

HSL 143.7, 0.84%, 0.62%

LAB 84.94, -62.96, 35.43

 

CMYK 68 / 39 / 0 / 6

HEX #4D91EF

RGB 77 145 239

HSL 214.81, 0.84%, 0.62%

LAB 59.94, 8.36, -53.62

 

CMYK 0 / 68 / 26 / 6

HEX #EF4DB1

RGB 239 77 177

HSL 322.96, 0.84%, 0.62%

LAB 58.82, 70.6, -19.24

 

CMYK 0 / 28 / 68 / 6

HEX #EFAC4D

RGB 239 172 77

HSL 35.19, 0.84%, 0.62%

LAB 75.07, 15.57, 56.95

 

CMYK 68 / 0 / 41 / 6

HEX #4EF08E

RGB 78 240 142

HSL 143.7, 0.84%, 0.62%

LAB 84.94, -62.96, 35.43

 

CMYK 68 / 60 / 0 / 6

HEX #4D60EF

RGB 77 96 239

HSL 232.96, 0.84%, 0.62%

LAB 47.2, 38.35, -74.15

 

CMYK 0 / 68 / 26 / 6

HEX #EF4DB1

RGB 239 77 177

HSL 322.96, 0.84%, 0.62%

LAB 58.82, 70.6, -19.24

 

CMYK 0 / 8 / 68 / 6

HEX #EFDD4D

RGB 239 221 77

HSL 53.33, 0.84%, 0.62%

LAB 87.29, -9.74, 69.68

 

Description

Color code: HEX #4EF08E | qconv.com Color code: HEX #4EF08E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 240 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 240 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 41 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 41% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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