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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4EEE79 it is the complementary color #B11186. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4EEE79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4EEE79 shade: #53EE74, #64FF87, #75FF9A, #86FFAD and #97FFC0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4EEE79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4EEE79 shade: #4EEE79, #3DDC66, #2CCA53, #1BB840 and #0AA62D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4EEE79 shade: #4FEE79, #4FEE4F, #7AEE4F, #A4EE4F and #CFEE4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4EEE79 shade: #4FEE79, #4FEEA4, #4FEECF, #4FE1EE and #4FB6EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4EEE79 shade matches the following richer shades: #4FEE79 and #3FFD72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4EEE79 shade: #4FEE79, #5EDE81, #6ECE88, #7EBF8F and #8DAF96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4EEE79 shade: #79EE4F, #4FEE4F, #4FEE79, #4FEEA3 and #4FEECE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4EEE79 shade: #15D549, #29EA5D, #4FEE79, #74F196 and #9AF5B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4EEE79 shade: #4EEE79, #4FA3EE and #EE4F64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4EEE79 shade: #4EEE79, #794FEE and #EE794F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4EEE79 shade: #4EEE79, #4FA3EE, #EE4FC3 and #EE994F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4EEE79 shade: #4EEE79, #4F74EE, #EE4FC3 and #EEC84F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 49 / 7

HEX #4EEE79

RGB 78 238 121

HSL 136.13, 0.82%, 0.62%

LAB 84.04, -65.59, 44.53

 

Complementary color

CMYK 0 / 90 / 24 / 31

HEX #B11186

RGB 177 17 134

HSL 316.13, 0.82%, 0.38%

LAB 40.36, 66.99, -22.92

 

CMYK 65 / 0 / 51 / 7

HEX #53EE74

RGB 83 238 116

HSL 132.77, 0.82%, 0.63%

LAB 84.1, -65.4, 46.99

 

CMYK 61 / 0 / 47 / 0

HEX #64FF87

RGB 100 255 135

HSL 133.55, 1%, 0.7%

LAB 89.85, -65.43, 45.24

 

CMYK 54 / 0 / 40 / 0

HEX #75FF9A

RGB 117 255 154

HSL 136.09, 1%, 0.73%

LAB 90.61, -58.81, 37.11

 

CMYK 47 / 0 / 32 / 0

HEX #86FFAD

RGB 134 255 173

HSL 139.34, 1%, 0.76%

LAB 91.51, -51.5, 28.93

 

CMYK 41 / 0 / 25 / 0

HEX #97FFC0

RGB 151 255 192

HSL 143.65, 1%, 0.8%

LAB 92.53, -43.63, 20.8

 

CMYK 67 / 0 / 49 / 7

HEX #4EEE79

RGB 78 238 121

HSL 136.13, 0.82%, 0.62%

LAB 84.04, -65.59, 44.53

 

CMYK 72 / 0 / 54 / 14

HEX #3DDC66

RGB 61 220 102

HSL 135.47, 0.69%, 0.55%

LAB 77.96, -64.87, 45.98

 

CMYK 78 / 0 / 59 / 21

HEX #2CCA53

RGB 44 202 83

HSL 134.81, 0.64%, 0.48%

LAB 71.83, -63.76, 47.42

 

CMYK 85 / 0 / 65 / 28

HEX #1BB840

RGB 27 184 64

HSL 134.14, 0.74%, 0.41%

LAB 65.66, -62.12, 48.76

 

CMYK 94 / 0 / 73 / 35

HEX #0AA62D

RGB 10 166 45

HSL 133.46, 0.89%, 0.35%

LAB 59.46, -59.72, 49.81

 

CMYK 67 / 0 / 49 / 7

HEX #4FEE79

RGB 79 238 121

HSL 135.85, 0.82%, 0.62%

LAB 84.07, -65.41, 44.57

 

CMYK 67 / 0 / 67 / 7

HEX #4FEE4F

RGB 79 238 79

HSL 120, 0.82%, 0.62%

LAB 83.64, -70.38, 62.49

 

CMYK 49 / 0 / 67 / 7

HEX #7AEE4F

RGB 122 238 79

HSL 103.77, 0.82%, 0.62%

LAB 84.92, -60.27, 64.24

 

CMYK 31 / 0 / 67 / 7

HEX #A4EE4F

RGB 164 238 79

HSL 87.92, 0.82%, 0.62%

LAB 86.8, -46.9, 66.79

 

CMYK 13 / 0 / 67 / 7

HEX #CFEE4F

RGB 207 238 79

HSL 71.7, 0.82%, 0.62%

LAB 89.38, -30.83, 70.27

 

CMYK 67 / 0 / 49 / 7

HEX #4FEE79

RGB 79 238 121

HSL 135.85, 0.82%, 0.62%

LAB 84.07, -65.41, 44.57

 

CMYK 67 / 0 / 31 / 7

HEX #4FEEA4

RGB 79 238 164

HSL 152.08, 0.82%, 0.62%

LAB 84.74, -57.96, 24.02

 

CMYK 67 / 0 / 13 / 7

HEX #4FEECF

RGB 79 238 207

HSL 168.3, 0.82%, 0.62%

LAB 85.66, -48.33, 2.96

 

CMYK 67 / 5 / 0 / 7

HEX #4FE1EE

RGB 79 225 238

HSL 184.91, 0.82%, 0.62%

LAB 82.75, -34.26, -17.72

 

CMYK 67 / 24 / 0 / 7

HEX #4FB6EE

RGB 79 182 238

HSL 201.13, 0.82%, 0.62%

LAB 70.38, -12.63, -36.65

 

CMYK 67 / 0 / 49 / 7

HEX #4FEE79

RGB 79 238 121

HSL 135.85, 0.82%, 0.62%

LAB 84.07, -65.41, 44.57

 

CMYK 75 / 0 / 55 / 1

HEX #3FFD72

RGB 63 253 114

HSL 136.11, 0.98%, 0.62%

LAB 88.22, -73.86, 52.81

 

CMYK 67 / 0 / 49 / 7

HEX #4FEE79

RGB 79 238 121

HSL 135.85, 0.82%, 0.62%

LAB 84.07, -65.41, 44.57

 

CMYK 58 / 0 / 42 / 13

HEX #5EDE81

RGB 94 222 129

HSL 136.41, 0.66%, 0.62%

LAB 79.73, -55.28, 35.22

 

CMYK 47 / 0 / 34 / 19

HEX #6ECE88

RGB 110 206 136

HSL 136.25, 0.49%, 0.62%

LAB 75.6, -43.59, 26.27

 

CMYK 34 / 0 / 25 / 25

HEX #7EBF8F

RGB 126 191 143

HSL 135.69, 0.34%, 0.62%

LAB 72.01, -30.84, 17.79

 

CMYK 19 / 0 / 14 / 31

HEX #8DAF96

RGB 141 175 150

HSL 135.88, 0.18%, 0.62%

LAB 68.41, -16.64, 9.03

 

CMYK 49 / 0 / 67 / 7

HEX #79EE4F

RGB 121 238 79

HSL 104.15, 0.82%, 0.62%

LAB 84.88, -60.55, 64.19

 

CMYK 67 / 0 / 67 / 7

HEX #4FEE4F

RGB 79 238 79

HSL 120, 0.82%, 0.62%

LAB 83.64, -70.38, 62.49

 

CMYK 67 / 0 / 49 / 7

HEX #4FEE79

RGB 79 238 121

HSL 135.85, 0.82%, 0.62%

LAB 84.07, -65.41, 44.57

 

CMYK 67 / 0 / 32 / 7

HEX #4FEEA3

RGB 79 238 163

HSL 151.7, 0.82%, 0.62%

LAB 84.72, -58.16, 24.51

 

CMYK 67 / 0 / 13 / 7

HEX #4FEECE

RGB 79 238 206

HSL 167.92, 0.82%, 0.62%

LAB 85.64, -48.58, 3.44

 

CMYK 90 / 0 / 66 / 16

HEX #15D549

RGB 21 213 73

HSL 136.25, 0.82%, 0.46%

LAB 74.97, -70.45, 55.23

 

CMYK 82 / 0 / 60 / 8

HEX #29EA5D

RGB 41 234 93

HSL 136.17, 0.82%, 0.54%

LAB 81.9, -73, 54.62

 

CMYK 67 / 0 / 49 / 7

HEX #4FEE79

RGB 79 238 121

HSL 135.85, 0.82%, 0.62%

LAB 84.07, -65.41, 44.57

 

CMYK 52 / 0 / 38 / 5

HEX #74F196

RGB 116 241 150

HSL 136.32, 0.82%, 0.7%

LAB 86.42, -54.19, 33.57

 

CMYK 37 / 0 / 27 / 4

HEX #9AF5B2

RGB 154 245 178

HSL 135.82, 0.82%, 0.78%

LAB 89.57, -40.91, 23.89

 

CMYK 67 / 0 / 49 / 7

HEX #4EEE79

RGB 78 238 121

HSL 136.13, 0.82%, 0.62%

LAB 84.04, -65.59, 44.53

 

CMYK 67 / 32 / 0 / 7

HEX #4FA3EE

RGB 79 163 238

HSL 208.3, 0.82%, 0.62%

LAB 64.99, -2.14, -45.09

 

CMYK 0 / 67 / 58 / 7

HEX #EE4F64

RGB 238 79 100

HSL 352.08, 0.82%, 0.62%

LAB 56.77, 62.13, 22.88

 

CMYK 67 / 0 / 49 / 7

HEX #4EEE79

RGB 78 238 121

HSL 136.13, 0.82%, 0.62%

LAB 84.04, -65.59, 44.53

 

CMYK 49 / 67 / 0 / 7

HEX #794FEE

RGB 121 79 238

HSL 255.85, 0.82%, 0.62%

LAB 46.75, 54.57, -74.19

 

CMYK 0 / 49 / 67 / 7

HEX #EE794F

RGB 238 121 79

HSL 15.85, 0.82%, 0.62%

LAB 63.69, 41.87, 43.23

 

CMYK 67 / 0 / 49 / 7

HEX #4EEE79

RGB 78 238 121

HSL 136.13, 0.82%, 0.62%

LAB 84.04, -65.59, 44.53

 

CMYK 67 / 32 / 0 / 7

HEX #4FA3EE

RGB 79 163 238

HSL 208.3, 0.82%, 0.62%

LAB 64.99, -2.14, -45.09

 

CMYK 0 / 67 / 18 / 7

HEX #EE4FC3

RGB 238 79 195

HSL 316.23, 0.82%, 0.62%

LAB 59.63, 71.94, -28.36

 

CMYK 0 / 36 / 67 / 7

HEX #EE994F

RGB 238 153 79

HSL 27.92, 0.82%, 0.62%

LAB 70.54, 25.32, 51.03

 

CMYK 67 / 0 / 49 / 7

HEX #4EEE79

RGB 78 238 121

HSL 136.13, 0.82%, 0.62%

LAB 84.04, -65.59, 44.53

 

CMYK 67 / 51 / 0 / 7

HEX #4F74EE

RGB 79 116 238

HSL 226.04, 0.82%, 0.62%

LAB 52.2, 25.96, -65.47

 

CMYK 0 / 67 / 18 / 7

HEX #EE4FC3

RGB 238 79 195

HSL 316.23, 0.82%, 0.62%

LAB 59.63, 71.94, -28.36

 

CMYK 0 / 16 / 67 / 7

HEX #EEC84F

RGB 238 200 79

HSL 45.66, 0.82%, 0.62%

LAB 81.87, 0.61, 63.27

 

Description

Color code: HEX #4EEE79 | qconv.com Color code: HEX #4EEE79 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 238 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 238 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 49 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 49% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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