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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4EEE06 it is the complementary color #B111F9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4EEE06. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4EEE06 shade: #53EE01, #64FF14, #75FF27, #86FF3A and #97FF4D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4EEE06. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4EEE06 shade: #4EEE06, #3DDC00, #2CCA00, #1BB800 and #0AA600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4EEE06 shade: #4EEF06, #8DEF06, #CCEF06, #EFD306 and #EF9406

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4EEE06 shade: #4EEF06, #10EF06, #06EF3B, #06EF7A and #06EFB9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4EEE06 shade matches the following richer shades: #4EEF06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4EEE06 shade: #4EEF06, #56DB1A, #5DC72E, #65B342 and #6C9F55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4EEE06 shade: #CCEF06, #8EEF06, #50EF06, #12EF06 and #06EF39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4EEE06 shade: #349E04, #41C605, #4EEF06, #67F925 and #83FA4D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4EEE06 shade: #4EEE06, #06EFD4 and #EF06AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4EEE06 shade: #4EEE06, #0650EF and #EF0650

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4EEE06 shade: #4EEE06, #06EFD4, #A506EF and #EF0621

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4EEE06 shade: #4EEE06, #06C4EF, #A506EF and #EF3106

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 97 / 7

HEX #4EEE06

RGB 78 238 6

HSL 101.38, 0.95%, 0.48%

LAB 83.33, -74.07, 79.51

 

Complementary color

CMYK 29 / 93 / 0 / 2

HEX #B111F9

RGB 177 17 249

HSL 281.38, 0.95%, 0.52%

LAB 47.74, 85.12, -78.47

 

CMYK 65 / 0 / 100 / 7

HEX #53EE01

RGB 83 238 1

HSL 99.24, 0.99%, 0.47%

LAB 83.44, -73.16, 80.06

 

CMYK 61 / 0 / 92 / 0

HEX #64FF14

RGB 100 255 20

HSL 99.57, 1%, 0.54%

LAB 89.05, -74.6, 83.08

 

CMYK 54 / 0 / 85 / 0

HEX #75FF27

RGB 117 255 39

HSL 98.33, 1%, 0.58%

LAB 89.6, -69.98, 80.67

 

CMYK 47 / 0 / 77 / 0

HEX #86FF3A

RGB 134 255 58

HSL 96.85, 1%, 0.61%

LAB 90.27, -64.5, 76.81

 

CMYK 41 / 0 / 70 / 0

HEX #97FF4D

RGB 151 255 77

HSL 95.06, 1%, 0.65%

LAB 91.07, -58.25, 71.73

 

CMYK 67 / 0 / 97 / 7

HEX #4EEE06

RGB 78 238 6

HSL 101.38, 0.95%, 0.48%

LAB 83.33, -74.07, 79.51

 

CMYK 72 / 0 / 100 / 14

HEX #3DDC00

RGB 61 220 0

HSL 103.36, 1%, 0.43%

LAB 77.39, -71.76, 75.13

 

CMYK 78 / 0 / 100 / 21

HEX #2CCA00

RGB 44 202 0

HSL 106.93, 1%, 0.4%

LAB 71.4, -69, 70.24

 

CMYK 85 / 0 / 100 / 28

HEX #1BB800

RGB 27 184 0

HSL 111.2, 1%, 0.36%

LAB 65.37, -65.78, 65.32

 

CMYK 94 / 0 / 100 / 35

HEX #0AA600

RGB 10 166 0

HSL 116.39, 1%, 0.33%

LAB 59.28, -61.95, 60.39

 

CMYK 67 / 0 / 97 / 6

HEX #4EEF06

RGB 78 239 6

HSL 101.46, 0.95%, 0.48%

LAB 83.63, -74.38, 79.75

 

CMYK 41 / 0 / 97 / 6

HEX #8DEF06

RGB 141 239 6

HSL 85.24, 0.95%, 0.48%

LAB 85.71, -57.92, 82.28

 

CMYK 15 / 0 / 97 / 6

HEX #CCEF06

RGB 204 239 6

HSL 69.01, 0.95%, 0.48%

LAB 89.2, -34.77, 86.49

 

CMYK 0 / 12 / 97 / 6

HEX #EFD306

RGB 239 211 6

HSL 52.79, 0.95%, 0.48%

LAB 84.46, -6.68, 84.18

 

CMYK 0 / 38 / 97 / 6

HEX #EF9406

RGB 239 148 6

HSL 36.57, 0.95%, 0.48%

LAB 69.14, 26.19, 73.46

 

CMYK 67 / 0 / 97 / 6

HEX #4EEF06

RGB 78 239 6

HSL 101.46, 0.95%, 0.48%

LAB 83.63, -74.38, 79.75

 

CMYK 93 / 0 / 97 / 6

HEX #10EF06

RGB 16 239 6

HSL 117.42, 0.95%, 0.48%

LAB 82.84, -81.43, 78.78

 

CMYK 97 / 0 / 75 / 6

HEX #06EF3B

RGB 6 239 59

HSL 133.65, 0.95%, 0.48%

LAB 82.96, -79.69, 68.61

 

CMYK 97 / 0 / 49 / 6

HEX #06EF7A

RGB 6 239 122

HSL 149.87, 0.95%, 0.48%

LAB 83.54, -72.52, 43.24

 

CMYK 97 / 0 / 23 / 6

HEX #06EFB9

RGB 6 239 185

HSL 166.09, 0.95%, 0.48%

LAB 84.62, -59.98, 12.86

 

CMYK 67 / 0 / 97 / 6

HEX #4EEF06

RGB 78 239 6

HSL 101.46, 0.95%, 0.48%

LAB 83.63, -74.38, 79.75

 

CMYK 67 / 0 / 97 / 6

HEX #4EEF06

RGB 78 239 6

HSL 101.46, 0.95%, 0.48%

LAB 83.63, -74.38, 79.75

 

CMYK 61 / 0 / 88 / 14

HEX #56DB1A

RGB 86 219 26

HSL 101.35, 0.79%, 0.48%

LAB 77.71, -65.93, 72.53

 

CMYK 53 / 0 / 77 / 22

HEX #5DC72E

RGB 93 199 46

HSL 101.57, 0.62%, 0.48%

LAB 71.81, -56.29, 62.33

 

CMYK 44 / 0 / 63 / 30

HEX #65B342

RGB 101 179 66

HSL 101.42, 0.46%, 0.48%

LAB 66.06, -44.54, 48.89

 

CMYK 32 / 0 / 47 / 38

HEX #6C9F55

RGB 108 159 85

HSL 101.35, 0.3%, 0.48%

LAB 60.46, -31.09, 33.21

 

CMYK 15 / 0 / 97 / 6

HEX #CCEF06

RGB 204 239 6

HSL 69.01, 0.95%, 0.48%

LAB 89.2, -34.77, 86.49

 

CMYK 41 / 0 / 97 / 6

HEX #8EEF06

RGB 142 239 6

HSL 84.98, 0.95%, 0.48%

LAB 85.75, -57.59, 82.34

 

CMYK 67 / 0 / 97 / 6

HEX #50EF06

RGB 80 239 6

HSL 100.94, 0.95%, 0.48%

LAB 83.68, -74, 79.81

 

CMYK 92 / 0 / 97 / 6

HEX #12EF06

RGB 18 239 6

HSL 116.91, 0.95%, 0.48%

LAB 82.85, -81.34, 78.79

 

CMYK 97 / 0 / 76 / 6

HEX #06EF39

RGB 6 239 57

HSL 133.13, 0.95%, 0.48%

LAB 82.95, -79.83, 69.22

 

CMYK 67 / 0 / 97 / 38

HEX #349E04

RGB 52 158 4

HSL 101.3, 0.95%, 0.32%

LAB 57.26, -53.85, 58.43

 

CMYK 67 / 0 / 97 / 22

HEX #41C605

RGB 65 198 5

HSL 101.35, 0.95%, 0.4%

LAB 70.54, -64.17, 69.17

 

CMYK 67 / 0 / 97 / 6

HEX #4EEF06

RGB 78 239 6

HSL 101.46, 0.95%, 0.48%

LAB 83.63, -74.38, 79.75

 

CMYK 59 / 0 / 85 / 2

HEX #67F925

RGB 103 249 37

HSL 101.32, 0.95%, 0.56%

LAB 87.37, -71.49, 78.96

 

CMYK 48 / 0 / 69 / 2

HEX #83FA4D

RGB 131 250 77

HSL 101.27, 0.95%, 0.64%

LAB 88.8, -62.34, 69.14

 

CMYK 67 / 0 / 97 / 7

HEX #4EEE06

RGB 78 238 6

HSL 101.38, 0.95%, 0.48%

LAB 83.33, -74.07, 79.51

 

CMYK 97 / 0 / 11 / 6

HEX #06EFD4

RGB 6 239 212

HSL 173.05, 0.95%, 0.48%

LAB 85.26, -53.16, -0.35

 

CMYK 0 / 97 / 28 / 6

HEX #EF06AD

RGB 239 6 173

HSL 317, 0.95%, 0.48%

LAB 53.49, 84.92, -25.09

 

CMYK 67 / 0 / 97 / 7

HEX #4EEE06

RGB 78 238 6

HSL 101.38, 0.95%, 0.48%

LAB 83.33, -74.07, 79.51

 

CMYK 97 / 67 / 0 / 6

HEX #0650EF

RGB 6 80 239

HSL 220.94, 0.95%, 0.48%

LAB 41.23, 43.21, -84.03

 

CMYK 0 / 97 / 67 / 6

HEX #EF0650

RGB 239 6 80

HSL 340.94, 0.95%, 0.48%

LAB 50.76, 77.7, 26.98

 

CMYK 67 / 0 / 97 / 7

HEX #4EEE06

RGB 78 238 6

HSL 101.38, 0.95%, 0.48%

LAB 83.33, -74.07, 79.51

 

CMYK 97 / 0 / 11 / 6

HEX #06EFD4

RGB 6 239 212

HSL 173.05, 0.95%, 0.48%

LAB 85.26, -53.16, -0.35

 

CMYK 31 / 97 / 0 / 6

HEX #A506EF

RGB 165 6 239

HSL 280.94, 0.95%, 0.48%

LAB 44.75, 82.93, -77.81

 

CMYK 0 / 97 / 86 / 6

HEX #EF0621

RGB 239 6 33

HSL 353.05, 0.95%, 0.48%

LAB 50.2, 76.18, 52.86

 

CMYK 67 / 0 / 97 / 7

HEX #4EEE06

RGB 78 238 6

HSL 101.38, 0.95%, 0.48%

LAB 83.33, -74.07, 79.51

 

CMYK 97 / 18 / 0 / 6

HEX #06C4EF

RGB 6 196 239

HSL 191.07, 0.95%, 0.48%

LAB 73.38, -25.55, -32.63

 

CMYK 31 / 97 / 0 / 6

HEX #A506EF

RGB 165 6 239

HSL 280.94, 0.95%, 0.48%

LAB 44.75, 82.93, -77.81

 

CMYK 0 / 79 / 97 / 6

HEX #EF3106

RGB 239 49 6

HSL 11.07, 0.95%, 0.48%

LAB 52.47, 69.08, 63.53

 

Description

Color code: HEX #4EEE06 | qconv.com Color code: HEX #4EEE06 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 238 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 238 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 97 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 97% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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