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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4EEC8D it is the complementary color #B11372. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4EEC8D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4EEC8D shade: #53EC88, #64FE9B, #75FFAE, #86FFC1 and #97FFD4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4EEC8D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4EEC8D shade: #4EEC8D, #3DDA7A, #2CC867, #1BB654 and #0AA441

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4EEC8D shade: #50ED8E, #50ED64, #66ED50, #90ED50 and #BAED50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4EEC8D shade: #50ED8E, #50EDB9, #50EDE3, #50CCED and #50A2ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4EEC8D shade matches the following richer shades: #50ED8E and #40FC8B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4EEC8D shade: #50ED8E, #5FDD91, #6FCD95, #7FBE98 and #8EAE9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4EEC8D shade: #67ED50, #50ED62, #50ED8C, #50EDB6 and #50EDE0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4EEC8D shade: #16D362, #2AE976, #50ED8E, #75F1A6 and #9AF4BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4EEC8D shade: #4EEC8D, #5091ED and #ED5052

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4EEC8D shade: #4EEC8D, #8C50ED and #ED8C50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4EEC8D shade: #4EEC8D, #5091ED, #ED50B0 and #EDAB50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4EEC8D shade: #4EEC8D, #5062ED, #ED50B0 and #EDDA50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 40 / 7

HEX #4EEC8D

RGB 78 236 141

HSL 143.92, 0.81%, 0.62%

LAB 83.72, -61.67, 34.33

 

Complementary color

CMYK 0 / 89 / 36 / 31

HEX #B11372

RGB 177 19 114

HSL 323.92, 0.81%, 0.38%

LAB 39.63, 64.41, -11.62

 

CMYK 65 / 0 / 42 / 7

HEX #53EC88

RGB 83 236 136

HSL 140.78, 0.8%, 0.63%

LAB 83.76, -61.64, 36.89

 

CMYK 61 / 0 / 39 / 0

HEX #64FE9B

RGB 100 254 155

HSL 141.43, 0.99%, 0.69%

LAB 89.84, -61.91, 35.5

 

CMYK 54 / 0 / 32 / 0

HEX #75FFAE

RGB 117 255 174

HSL 144.78, 1%, 0.73%

LAB 90.94, -55.36, 27.56

 

CMYK 47 / 0 / 24 / 0

HEX #86FFC1

RGB 134 255 193

HSL 149.26, 1%, 0.76%

LAB 91.88, -47.8, 19.29

 

CMYK 41 / 0 / 17 / 0

HEX #97FFD4

RGB 151 255 212

HSL 155.19, 1%, 0.8%

LAB 92.95, -39.73, 11.14

 

CMYK 67 / 0 / 40 / 7

HEX #4EEC8D

RGB 78 236 141

HSL 143.92, 0.81%, 0.62%

LAB 83.72, -61.67, 34.33

 

CMYK 72 / 0 / 44 / 15

HEX #3DDA7A

RGB 61 218 122

HSL 143.31, 0.68%, 0.55%

LAB 77.6, -61.11, 35.82

 

CMYK 78 / 0 / 49 / 22

HEX #2CC867

RGB 44 200 103

HSL 142.69, 0.64%, 0.48%

LAB 71.43, -60.23, 37.39

 

CMYK 85 / 0 / 54 / 29

HEX #1BB654

RGB 27 182 84

HSL 142.06, 0.74%, 0.41%

LAB 65.22, -58.88, 39.04

 

CMYK 94 / 0 / 60 / 36

HEX #0AA441

RGB 10 164 65

HSL 141.43, 0.89%, 0.34%

LAB 58.97, -56.88, 40.69

 

CMYK 66 / 0 / 40 / 7

HEX #50ED8E

RGB 80 237 142

HSL 143.69, 0.81%, 0.62%

LAB 84.08, -61.52, 34.31

 

CMYK 66 / 0 / 58 / 7

HEX #50ED64

RGB 80 237 100

HSL 127.64, 0.81%, 0.62%

LAB 83.54, -67.67, 53.63

 

CMYK 57 / 0 / 66 / 7

HEX #66ED50

RGB 102 237 80

HSL 111.59, 0.81%, 0.62%

LAB 83.95, -65.05, 62.61

 

CMYK 39 / 0 / 66 / 7

HEX #90ED50

RGB 144 237 80

HSL 95.54, 0.81%, 0.62%

LAB 85.54, -53.15, 64.79

 

CMYK 22 / 0 / 66 / 7

HEX #BAED50

RGB 186 237 80

HSL 79.49, 0.81%, 0.62%

LAB 87.77, -38.39, 67.81

 

CMYK 66 / 0 / 40 / 7

HEX #50ED8E

RGB 80 237 142

HSL 143.69, 0.81%, 0.62%

LAB 84.08, -61.52, 34.31

 

CMYK 66 / 0 / 22 / 7

HEX #50EDB9

RGB 80 237 185

HSL 160.13, 0.81%, 0.62%

LAB 84.88, -52.95, 13.35

 

CMYK 66 / 0 / 4 / 7

HEX #50EDE3

RGB 80 237 227

HSL 176.18, 0.81%, 0.62%

LAB 85.92, -42.63, -7.17

 

CMYK 66 / 14 / 0 / 7

HEX #50CCED

RGB 80 204 237

HSL 192.61, 0.81%, 0.62%

LAB 76.68, -24.22, -26.39

 

CMYK 66 / 32 / 0 / 7

HEX #50A2ED

RGB 80 162 237

HSL 208.66, 0.81%, 0.62%

LAB 64.69, -1.74, -45

 

CMYK 66 / 0 / 40 / 7

HEX #50ED8E

RGB 80 237 142

HSL 143.69, 0.81%, 0.62%

LAB 84.08, -61.52, 34.31

 

CMYK 75 / 0 / 45 / 1

HEX #40FC8B

RGB 64 252 139

HSL 143.94, 0.97%, 0.62%

LAB 88.24, -69.75, 41.13

 

CMYK 66 / 0 / 40 / 7

HEX #50ED8E

RGB 80 237 142

HSL 143.69, 0.81%, 0.62%

LAB 84.08, -61.52, 34.31

 

CMYK 57 / 0 / 34 / 13

HEX #5FDD91

RGB 95 221 145

HSL 143.81, 0.65%, 0.62%

LAB 79.72, -51.88, 27.06

 

CMYK 46 / 0 / 27 / 20

HEX #6FCD95

RGB 111 205 149

HSL 144.26, 0.48%, 0.62%

LAB 75.58, -40.48, 19.41

 

CMYK 33 / 0 / 20 / 25

HEX #7FBE98

RGB 127 190 152

HSL 143.81, 0.33%, 0.62%

LAB 71.96, -28.33, 12.87

 

CMYK 18 / 0 / 11 / 32

HEX #8EAE9B

RGB 142 174 155

HSL 144.38, 0.16%, 0.62%

LAB 68.31, -14.8, 6.14

 

CMYK 57 / 0 / 66 / 7

HEX #67ED50

RGB 103 237 80

HSL 111.21, 0.81%, 0.62%

LAB 83.98, -64.81, 62.65

 

CMYK 66 / 0 / 59 / 7

HEX #50ED62

RGB 80 237 98

HSL 126.88, 0.81%, 0.62%

LAB 83.52, -67.9, 54.49

 

CMYK 66 / 0 / 41 / 7

HEX #50ED8C

RGB 80 237 140

HSL 142.93, 0.81%, 0.62%

LAB 84.05, -61.87, 35.27

 

CMYK 66 / 0 / 23 / 7

HEX #50EDB6

RGB 80 237 182

HSL 158.98, 0.81%, 0.62%

LAB 84.82, -53.61, 14.82

 

CMYK 66 / 0 / 5 / 7

HEX #50EDE0

RGB 80 237 224

HSL 175.03, 0.81%, 0.62%

LAB 85.83, -43.42, -5.72

 

CMYK 90 / 0 / 54 / 17

HEX #16D362

RGB 22 211 98

HSL 144.13, 0.81%, 0.46%

LAB 74.6, -66.64, 43.68

 

CMYK 82 / 0 / 49 / 9

HEX #2AE976

RGB 42 233 118

HSL 143.87, 0.81%, 0.54%

LAB 81.88, -69.19, 43.14

 

CMYK 66 / 0 / 40 / 7

HEX #50ED8E

RGB 80 237 142

HSL 143.69, 0.81%, 0.62%

LAB 84.08, -61.52, 34.31

 

CMYK 51 / 0 / 31 / 5

HEX #75F1A6

RGB 117 241 166

HSL 143.71, 0.82%, 0.7%

LAB 86.72, -51.14, 25.88

 

CMYK 37 / 0 / 22 / 4

HEX #9AF4BE

RGB 154 244 190

HSL 144, 0.8%, 0.78%

LAB 89.53, -38.28, 17.66

 

CMYK 67 / 0 / 40 / 7

HEX #4EEC8D

RGB 78 236 141

HSL 143.92, 0.81%, 0.62%

LAB 83.72, -61.67, 34.33

 

CMYK 66 / 39 / 0 / 7

HEX #5091ED

RGB 80 145 237

HSL 215.16, 0.81%, 0.62%

LAB 59.95, 8.14, -52.5

 

CMYK 0 / 66 / 65 / 7

HEX #ED5052

RGB 237 80 82

HSL 359.24, 0.81%, 0.62%

LAB 56.44, 60.32, 32.86

 

CMYK 67 / 0 / 40 / 7

HEX #4EEC8D

RGB 78 236 141

HSL 143.92, 0.81%, 0.62%

LAB 83.72, -61.67, 34.33

 

CMYK 41 / 66 / 0 / 7

HEX #8C50ED

RGB 140 80 237

HSL 262.93, 0.81%, 0.62%

LAB 48.79, 57.21, -70.22

 

CMYK 0 / 41 / 66 / 7

HEX #ED8C50

RGB 237 140 80

HSL 22.93, 0.81%, 0.62%

LAB 67.53, 31.81, 47.11

 

CMYK 67 / 0 / 40 / 7

HEX #4EEC8D

RGB 78 236 141

HSL 143.92, 0.81%, 0.62%

LAB 83.72, -61.67, 34.33

 

CMYK 66 / 39 / 0 / 7

HEX #5091ED

RGB 80 145 237

HSL 215.16, 0.81%, 0.62%

LAB 59.95, 8.14, -52.5

 

CMYK 0 / 66 / 26 / 7

HEX #ED50B0

RGB 237 80 176

HSL 323.31, 0.81%, 0.62%

LAB 58.86, 68.84, -18.63

 

CMYK 0 / 28 / 66 / 7

HEX #EDAB50

RGB 237 171 80

HSL 34.78, 0.81%, 0.62%

LAB 74.64, 15.43, 55.06

 

CMYK 67 / 0 / 40 / 7

HEX #4EEC8D

RGB 78 236 141

HSL 143.92, 0.81%, 0.62%

LAB 83.72, -61.67, 34.33

 

CMYK 66 / 59 / 0 / 7

HEX #5062ED

RGB 80 98 237

HSL 233.12, 0.81%, 0.62%

LAB 47.69, 36.86, -72.22

 

CMYK 0 / 66 / 26 / 7

HEX #ED50B0

RGB 237 80 176

HSL 323.31, 0.81%, 0.62%

LAB 58.86, 68.84, -18.63

 

CMYK 0 / 8 / 66 / 7

HEX #EDDA50

RGB 237 218 80

HSL 52.74, 0.81%, 0.62%

LAB 86.37, -8.91, 67.52

 

Description

Color code: HEX #4EEC8D | qconv.com Color code: HEX #4EEC8D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 236 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 236 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 40 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 40% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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