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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4EEBDF it is the complementary color #B11420. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4EEBDF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4EEBDF shade: #53EBDA, #64FDED, #75FFFF, #86FFFF and #97FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4EEBDF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4EEBDF shade: #4EEBDF, #3DD9CC, #2CC7B9, #1BB5A6 and #0AA393

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4EEBDF shade: #4CEBDF, #4CEBB4, #4CEB89, #4CEB5E and #65EB4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4EEBDF shade: #4CEBDF, #4CCCEB, #4CA1EB, #4C77EB and #4C4CEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4EEBDF shade matches the following richer shades: #4CEBDF and #3CFBED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4EEBDF shade: #4CEBDF, #5CDBD1, #6CCBC4, #7CBBB6 and #8CABA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4EEBDF shade: #4CEB89, #4CEBB3, #4CEBDE, #4CCEEB and #4CA4EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4EEBDF shade: #17CEC0, #27E7D8, #4CEBDF, #71EFE6 and #96F3EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4EEBDF shade: #4EEBDF, #5F4CEB and #EB9E4C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4EEBDF shade: #4EEBDF, #DE4CEB and #EBDE4C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4EEBDF shade: #4EEBDF, #5F4CEB, #EB4C59 and #D9EB4C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4EEBDF shade: #4EEBDF, #8E4CEB, #EB4C59 and #A9EB4C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 5 / 8

HEX #4EEBDF

RGB 78 235 223

HSL 175.41, 0.8%, 0.61%

LAB 85.18, -43.08, -6.16

 

Complementary color

CMYK 0 / 89 / 82 / 31

HEX #B11420

RGB 177 20 32

HSL 355.41, 0.8%, 0.39%

LAB 37.76, 58.8, 37.36

 

CMYK 65 / 0 / 7 / 8

HEX #53EBDA

RGB 83 235 218

HSL 173.29, 0.79%, 0.62%

LAB 85.16, -43.66, -3.55

 

CMYK 60 / 0 / 6 / 1

HEX #64FDED

RGB 100 253 237

HSL 173.73, 0.97%, 0.69%

LAB 91.27, -44.03, -4.44

 

CMYK 54 / 0 / 0 / 0

HEX #75FFFF

RGB 117 255 255

HSL 180, 1%, 0.73%

LAB 92.8, -37.35, -11.44

 

CMYK 47 / 0 / 0 / 0

HEX #86FFFF

RGB 134 255 255

HSL 180, 1%, 0.76%

LAB 93.37, -33.98, -10.54

 

CMYK 41 / 0 / 0 / 0

HEX #97FFFF

RGB 151 255 255

HSL 180, 1%, 0.8%

LAB 94.02, -30.19, -9.5

 

CMYK 67 / 0 / 5 / 8

HEX #4EEBDF

RGB 78 235 223

HSL 175.41, 0.8%, 0.61%

LAB 85.18, -43.08, -6.16

 

CMYK 72 / 0 / 6 / 15

HEX #3DD9CC

RGB 61 217 204

HSL 175, 0.67%, 0.55%

LAB 79.03, -42.44, -5.21

 

CMYK 78 / 0 / 7 / 22

HEX #2CC7B9

RGB 44 199 185

HSL 174.58, 0.64%, 0.48%

LAB 72.82, -41.57, -4.17

 

CMYK 85 / 0 / 8 / 29

HEX #1BB5A6

RGB 27 181 166

HSL 174.16, 0.74%, 0.41%

LAB 66.55, -40.39, -3.01

 

CMYK 94 / 0 / 10 / 36

HEX #0AA393

RGB 10 163 147

HSL 173.73, 0.88%, 0.34%

LAB 60.22, -38.82, -1.71

 

CMYK 68 / 0 / 5 / 8

HEX #4CEBDF

RGB 76 235 223

HSL 175.47, 0.8%, 0.61%

LAB 85.14, -43.36, -6.23

 

CMYK 68 / 0 / 23 / 8

HEX #4CEBB4

RGB 76 235 180

HSL 159.25, 0.8%, 0.61%

LAB 84.09, -53.88, 14.83

 

CMYK 68 / 0 / 42 / 8

HEX #4CEB89

RGB 76 235 137

HSL 143.02, 0.8%, 0.61%

LAB 83.32, -62.33, 35.79

 

CMYK 68 / 0 / 60 / 8

HEX #4CEB5E

RGB 76 235 94

HSL 126.79, 0.8%, 0.61%

LAB 82.79, -68.42, 55.36

 

CMYK 57 / 0 / 68 / 8

HEX #65EB4C

RGB 101 235 76

HSL 110.57, 0.8%, 0.61%

LAB 83.29, -64.93, 63.44

 

CMYK 68 / 0 / 5 / 8

HEX #4CEBDF

RGB 76 235 223

HSL 175.47, 0.8%, 0.61%

LAB 85.14, -43.36, -6.23

 

CMYK 68 / 13 / 0 / 8

HEX #4CCCEB

RGB 76 204 235

HSL 191.7, 0.8%, 0.61%

LAB 76.51, -25.4, -25.59

 

CMYK 68 / 31 / 0 / 8

HEX #4CA1EB

RGB 76 161 235

HSL 207.92, 0.8%, 0.61%

LAB 64.18, -2.47, -44.71

 

CMYK 68 / 49 / 0 / 8

HEX #4C77EB

RGB 76 119 235

HSL 223.77, 0.8%, 0.61%

LAB 52.65, 22.61, -63.08

 

CMYK 68 / 68 / 0 / 8

HEX #4C4CEB

RGB 76 76 235

HSL 240, 0.8%, 0.61%

LAB 42.31, 48.8, -79.9

 

CMYK 68 / 0 / 5 / 8

HEX #4CEBDF

RGB 76 235 223

HSL 175.47, 0.8%, 0.61%

LAB 85.14, -43.36, -6.23

 

CMYK 76 / 0 / 6 / 2

HEX #3CFBED

RGB 60 251 237

HSL 175.6, 0.96%, 0.61%

LAB 89.89, -48.42, -6.56

 

CMYK 68 / 0 / 5 / 8

HEX #4CEBDF

RGB 76 235 223

HSL 175.47, 0.8%, 0.61%

LAB 85.14, -43.36, -6.23

 

CMYK 58 / 0 / 5 / 14

HEX #5CDBD1

RGB 92 219 209

HSL 175.28, 0.64%, 0.61%

LAB 80.48, -37.31, -5.65

 

CMYK 47 / 0 / 3 / 20

HEX #6CCBC4

RGB 108 203 196

HSL 175.58, 0.48%, 0.61%

LAB 76, -29.81, -5.24

 

CMYK 34 / 0 / 3 / 27

HEX #7CBBB6

RGB 124 187 182

HSL 175.24, 0.32%, 0.61%

LAB 71.69, -21.23, -3.9

 

CMYK 18 / 0 / 2 / 33

HEX #8CABA8

RGB 140 171 168

HSL 174.19, 0.16%, 0.61%

LAB 67.67, -11.21, -1.99

 

CMYK 68 / 0 / 42 / 8

HEX #4CEB89

RGB 76 235 137

HSL 143.02, 0.8%, 0.61%

LAB 83.32, -62.33, 35.79

 

CMYK 68 / 0 / 24 / 8

HEX #4CEBB3

RGB 76 235 179

HSL 158.87, 0.8%, 0.61%

LAB 84.07, -54.1, 15.32

 

CMYK 68 / 0 / 6 / 8

HEX #4CEBDE

RGB 76 235 222

HSL 175.09, 0.8%, 0.61%

LAB 85.11, -43.62, -5.74

 

CMYK 68 / 12 / 0 / 8

HEX #4CCEEB

RGB 76 206 235

HSL 190.94, 0.8%, 0.61%

LAB 77.09, -26.4, -24.71

 

CMYK 68 / 30 / 0 / 8

HEX #4CA4EB

RGB 76 164 235

HSL 206.79, 0.8%, 0.61%

LAB 65.03, -4.17, -43.38

 

CMYK 89 / 0 / 7 / 19

HEX #17CEC0

RGB 23 206 192

HSL 175.41, 0.8%, 0.45%

LAB 74.91, -44.23, -4.9

 

CMYK 83 / 0 / 6 / 9

HEX #27E7D8

RGB 39 231 216

HSL 175.31, 0.8%, 0.53%

LAB 83.2, -47.33, -5.46

 

CMYK 68 / 0 / 5 / 8

HEX #4CEBDF

RGB 76 235 223

HSL 175.47, 0.8%, 0.61%

LAB 85.14, -43.36, -6.23

 

CMYK 53 / 0 / 4 / 6

HEX #71EFE6

RGB 113 239 230

HSL 175.71, 0.8%, 0.69%

LAB 87.46, -37.13, -6.36

 

CMYK 38 / 0 / 3 / 5

HEX #96F3EC

RGB 150 243 236

HSL 175.48, 0.79%, 0.77%

LAB 90.16, -29.2, -5.36

 

CMYK 67 / 0 / 5 / 8

HEX #4EEBDF

RGB 78 235 223

HSL 175.41, 0.8%, 0.61%

LAB 85.18, -43.08, -6.16

 

CMYK 60 / 68 / 0 / 8

HEX #5F4CEB

RGB 95 76 235

HSL 247.17, 0.8%, 0.61%

LAB 43.65, 51.25, -77.65

 

CMYK 0 / 33 / 68 / 8

HEX #EB9E4C

RGB 235 158 76

HSL 30.94, 0.8%, 0.61%

LAB 71.31, 21.27, 53.2

 

CMYK 67 / 0 / 5 / 8

HEX #4EEBDF

RGB 78 235 223

HSL 175.41, 0.8%, 0.61%

LAB 85.18, -43.08, -6.16

 

CMYK 6 / 68 / 0 / 8

HEX #DE4CEB

RGB 222 76 235

HSL 295.09, 0.8%, 0.61%

LAB 58.69, 75.4, -52.62

 

CMYK 0 / 6 / 68 / 8

HEX #EBDE4C

RGB 235 222 76

HSL 55.09, 0.8%, 0.61%

LAB 87.21, -11.95, 69.87

 

CMYK 67 / 0 / 5 / 8

HEX #4EEBDF

RGB 78 235 223

HSL 175.41, 0.8%, 0.61%

LAB 85.18, -43.08, -6.16

 

CMYK 60 / 68 / 0 / 8

HEX #5F4CEB

RGB 95 76 235

HSL 247.17, 0.8%, 0.61%

LAB 43.65, 51.25, -77.65

 

CMYK 0 / 68 / 62 / 8

HEX #EB4C59

RGB 235 76 89

HSL 355.09, 0.8%, 0.61%

LAB 55.64, 61.65, 27.73

 

CMYK 8 / 0 / 68 / 8

HEX #D9EB4C

RGB 217 235 76

HSL 66.79, 0.8%, 0.61%

LAB 89.25, -25.62, 71.47

 

CMYK 67 / 0 / 5 / 8

HEX #4EEBDF

RGB 78 235 223

HSL 175.41, 0.8%, 0.61%

LAB 85.18, -43.08, -6.16

 

CMYK 40 / 68 / 0 / 8

HEX #8E4CEB

RGB 142 76 235

HSL 264.91, 0.8%, 0.61%

LAB 48.16, 59.04, -70.12

 

CMYK 0 / 68 / 62 / 8

HEX #EB4C59

RGB 235 76 89

HSL 355.09, 0.8%, 0.61%

LAB 55.64, 61.65, 27.73

 

CMYK 28 / 0 / 68 / 8

HEX #A9EB4C

RGB 169 235 76

HSL 84.91, 0.8%, 0.61%

LAB 86.19, -44.05, 67.38

 

Description

Color code: HEX #4EEBDF | qconv.com Color code: HEX #4EEBDF | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 235 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 235 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 5 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 5% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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