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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4EE7DF it is the complementary color #B11820. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4EE7DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4EE7DF shade: #53E7DA, #64F9ED, #75FFFF, #86FFFF and #97FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4EE7DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4EE7DF shade: #4EE7DF, #3DD5CC, #2CC3B9, #1BB1A6 and #0A9F93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4EE7DF shade: #50E7DF, #50E7B6, #50E78E, #50E765 and #64E750

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4EE7DF shade: #50E7DF, #50C6E7, #509EE7, #5075E7 and #5050E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4EE7DF shade matches the following richer shades: #50E7DF and #40F7EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4EE7DF shade: #50E7DF, #60D7D1, #70C7C2, #80B7B4 and #90A7A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4EE7DF shade: #50E78C, #50E7B5, #50E7DD, #50C9E7 and #50A1E7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4EE7DF shade: #1BC9C0, #2CE2D9, #50E7DF, #74ECE6 and #99F1EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4EE7DF shade: #4EE7DF, #6450E7 and #E7A150

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4EE7DF shade: #4EE7DF, #DD50E7 and #E7DD50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4EE7DF shade: #4EE7DF, #6450E7, #E7505A and #D3E750

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4EE7DF shade: #4EE7DF, #9150E7, #E7505A and #A6E750

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 3 / 9

HEX #4EE7DF

RGB 78 231 223

HSL 176.86, 0.76%, 0.61%

LAB 84.02, -41.3, -7.88

 

Complementary color

CMYK 0 / 86 / 82 / 31

HEX #B11820

RGB 177 24 32

HSL 356.86, 0.76%, 0.39%

LAB 38.03, 58.02, 37.63

 

CMYK 64 / 0 / 6 / 9

HEX #53E7DA

RGB 83 231 218

HSL 174.73, 0.76%, 0.62%

LAB 83.99, -41.89, -5.27

 

CMYK 60 / 0 / 5 / 2

HEX #64F9ED

RGB 100 249 237

HSL 175.17, 0.93%, 0.68%

LAB 90.13, -42.26, -6.12

 

CMYK 54 / 0 / 0 / 0

HEX #75FFFF

RGB 117 255 255

HSL 180, 1%, 0.73%

LAB 92.8, -37.35, -11.44

 

CMYK 47 / 0 / 0 / 0

HEX #86FFFF

RGB 134 255 255

HSL 180, 1%, 0.76%

LAB 93.37, -33.98, -10.54

 

CMYK 41 / 0 / 0 / 0

HEX #97FFFF

RGB 151 255 255

HSL 180, 1%, 0.8%

LAB 94.02, -30.19, -9.5

 

CMYK 66 / 0 / 3 / 9

HEX #4EE7DF

RGB 78 231 223

HSL 176.86, 0.76%, 0.61%

LAB 84.02, -41.3, -7.88

 

CMYK 71 / 0 / 4 / 16

HEX #3DD5CC

RGB 61 213 204

HSL 176.45, 0.64%, 0.54%

LAB 77.84, -40.66, -6.97

 

CMYK 77 / 0 / 5 / 24

HEX #2CC3B9

RGB 44 195 185

HSL 176.03, 0.63%, 0.47%

LAB 71.6, -39.79, -5.96

 

CMYK 85 / 0 / 6 / 31

HEX #1BB1A6

RGB 27 177 166

HSL 175.6, 0.74%, 0.4%

LAB 65.3, -38.61, -4.84

 

CMYK 94 / 0 / 8 / 38

HEX #0A9F93

RGB 10 159 147

HSL 175.17, 0.88%, 0.33%

LAB 58.94, -37.03, -3.58

 

CMYK 65 / 0 / 3 / 9

HEX #50E7DF

RGB 80 231 223

HSL 176.82, 0.76%, 0.61%

LAB 84.06, -41.02, -7.81

 

CMYK 65 / 0 / 21 / 9

HEX #50E7B6

RGB 80 231 182

HSL 160.53, 0.76%, 0.61%

LAB 83.04, -51.17, 12.31

 

CMYK 65 / 0 / 39 / 9

HEX #50E78E

RGB 80 231 142

HSL 144.64, 0.76%, 0.61%

LAB 82.28, -59.29, 31.93

 

CMYK 65 / 0 / 56 / 9

HEX #50E765

RGB 80 231 101

HSL 128.34, 0.76%, 0.61%

LAB 81.73, -65.49, 51.05

 

CMYK 57 / 0 / 65 / 9

HEX #64E750

RGB 100 231 80

HSL 112.05, 0.76%, 0.61%

LAB 82.08, -63.41, 60.57

 

CMYK 65 / 0 / 3 / 9

HEX #50E7DF

RGB 80 231 223

HSL 176.82, 0.76%, 0.61%

LAB 84.06, -41.02, -7.81

 

CMYK 65 / 14 / 0 / 9

HEX #50C6E7

RGB 80 198 231

HSL 193.11, 0.76%, 0.61%

LAB 74.74, -23.01, -26.14

 

CMYK 65 / 32 / 0 / 9

HEX #509EE7

RGB 80 158 231

HSL 209.01, 0.76%, 0.61%

LAB 63.28, -1.46, -43.91

 

CMYK 65 / 49 / 0 / 9

HEX #5075E7

RGB 80 117 231

HSL 225.3, 0.76%, 0.61%

LAB 52.06, 23.08, -61.79

 

CMYK 65 / 65 / 0 / 9

HEX #5050E7

RGB 80 80 231

HSL 240, 0.76%, 0.61%

LAB 43.08, 45.68, -76.37

 

CMYK 65 / 0 / 3 / 9

HEX #50E7DF

RGB 80 231 223

HSL 176.82, 0.76%, 0.61%

LAB 84.06, -41.02, -7.81

 

CMYK 74 / 0 / 4 / 3

HEX #40F7EE

RGB 64 247 238

HSL 177.05, 0.92%, 0.61%

LAB 88.82, -46.02, -8.66

 

CMYK 65 / 0 / 3 / 9

HEX #50E7DF

RGB 80 231 223

HSL 176.82, 0.76%, 0.61%

LAB 84.06, -41.02, -7.81

 

CMYK 55 / 0 / 3 / 16

HEX #60D7D1

RGB 96 215 209

HSL 176.97, 0.6%, 0.61%

LAB 79.44, -34.71, -7.18

 

CMYK 44 / 0 / 3 / 22

HEX #70C7C2

RGB 112 199 194

HSL 176.55, 0.44%, 0.61%

LAB 74.94, -27.43, -5.7

 

CMYK 30 / 0 / 2 / 28

HEX #80B7B4

RGB 128 183 180

HSL 176.73, 0.28%, 0.61%

LAB 70.7, -18.51, -4.24

 

CMYK 14 / 0 / 1 / 35

HEX #90A7A6

RGB 144 167 166

HSL 177.39, 0.12%, 0.61%

LAB 66.76, -8.17, -2.18

 

CMYK 65 / 0 / 39 / 9

HEX #50E78C

RGB 80 231 140

HSL 143.84, 0.76%, 0.61%

LAB 82.24, -59.65, 32.9

 

CMYK 65 / 0 / 22 / 9

HEX #50E7B5

RGB 80 231 181

HSL 160.13, 0.76%, 0.61%

LAB 83.02, -51.4, 12.8

 

CMYK 65 / 0 / 4 / 9

HEX #50E7DD

RGB 80 231 221

HSL 176.03, 0.76%, 0.61%

LAB 84.01, -41.55, -6.84

 

CMYK 65 / 13 / 0 / 9

HEX #50C9E7

RGB 80 201 231

HSL 191.92, 0.76%, 0.61%

LAB 75.61, -24.52, -24.81

 

CMYK 65 / 30 / 0 / 9

HEX #50A1E7

RGB 80 161 231

HSL 207.81, 0.76%, 0.61%

LAB 64.13, -3.17, -42.58

 

CMYK 87 / 0 / 4 / 21

HEX #1BC9C0

RGB 27 201 192

HSL 176.9, 0.76%, 0.45%

LAB 73.42, -41.82, -7.09

 

CMYK 81 / 0 / 4 / 11

HEX #2CE2D9

RGB 44 226 217

HSL 177.03, 0.76%, 0.53%

LAB 81.8, -44.52, -8.05

 

CMYK 65 / 0 / 3 / 9

HEX #50E7DF

RGB 80 231 223

HSL 176.82, 0.76%, 0.61%

LAB 84.06, -41.02, -7.81

 

CMYK 51 / 0 / 3 / 7

HEX #74ECE6

RGB 116 236 230

HSL 177, 0.76%, 0.69%

LAB 86.71, -35.14, -7.46

 

CMYK 37 / 0 / 2 / 5

HEX #99F1EC

RGB 153 241 236

HSL 176.59, 0.76%, 0.77%

LAB 89.74, -27.49, -5.96

 

CMYK 66 / 0 / 3 / 9

HEX #4EE7DF

RGB 78 231 223

HSL 176.86, 0.76%, 0.61%

LAB 84.02, -41.3, -7.88

 

CMYK 57 / 65 / 0 / 9

HEX #6450E7

RGB 100 80 231

HSL 247.95, 0.76%, 0.61%

LAB 44.54, 48.57, -73.93

 

CMYK 0 / 30 / 65 / 9

HEX #E7A150

RGB 231 161 80

HSL 32.19, 0.76%, 0.61%

LAB 71.59, 18.24, 51.5

 

CMYK 66 / 0 / 3 / 9

HEX #4EE7DF

RGB 78 231 223

HSL 176.86, 0.76%, 0.61%

LAB 84.02, -41.3, -7.88

 

CMYK 4 / 65 / 0 / 9

HEX #DD50E7

RGB 221 80 231

HSL 296.03, 0.76%, 0.61%

LAB 58.86, 73.02, -50.12

 

CMYK 0 / 4 / 65 / 9

HEX #E7DD50

RGB 231 221 80

HSL 56.03, 0.76%, 0.61%

LAB 86.64, -12.89, 67.64

 

CMYK 66 / 0 / 3 / 9

HEX #4EE7DF

RGB 78 231 223

HSL 176.86, 0.76%, 0.61%

LAB 84.02, -41.3, -7.88

 

CMYK 57 / 65 / 0 / 9

HEX #6450E7

RGB 100 80 231

HSL 247.95, 0.76%, 0.61%

LAB 44.54, 48.57, -73.93

 

CMYK 0 / 65 / 61 / 9

HEX #E7505A

RGB 231 80 90

HSL 356.03, 0.76%, 0.61%

LAB 55.55, 58.88, 26.9

 

CMYK 9 / 0 / 65 / 9

HEX #D3E750

RGB 211 231 80

HSL 67.95, 0.76%, 0.61%

LAB 87.77, -25.9, 68.32

 

CMYK 66 / 0 / 3 / 9

HEX #4EE7DF

RGB 78 231 223

HSL 176.86, 0.76%, 0.61%

LAB 84.02, -41.3, -7.88

 

CMYK 37 / 65 / 0 / 9

HEX #9150E7

RGB 145 80 231

HSL 265.83, 0.76%, 0.61%

LAB 48.92, 56.68, -66.61

 

CMYK 0 / 65 / 61 / 9

HEX #E7505A

RGB 231 80 90

HSL 356.03, 0.76%, 0.61%

LAB 55.55, 58.88, 26.9

 

CMYK 28 / 0 / 65 / 9

HEX #A6E750

RGB 166 231 80

HSL 85.83, 0.76%, 0.61%

LAB 84.91, -43.12, 64.46

 

Description

Color code: HEX #4EE7DF | qconv.com Color code: HEX #4EE7DF | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 231 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 231 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 3 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 3% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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