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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4EE6AA it is the complementary color #B11955. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4EE6AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4EE6AA shade: #53E6A5, #64F8B8, #75FFCB, #86FFDE and #97FFF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4EE6AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4EE6AA shade: #4EE6AA, #3DD497, #2CC284, #1BB071 and #0A9E5E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4EE6AA shade: #4DE6A9, #4DE680, #4DE657, #6CE64D and #95E64D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4EE6AA shade: #4DE6A9, #4DE6D2, #4DCFE6, #4DA6E6 and #4D7DE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4EE6AA shade matches the following richer shades: #4DE6A9 and #3CF6AD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4EE6AA shade: #4DE6A9, #5DD5A6, #6EC4A2, #7EB49F and #8FA39B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4EE6AA shade: #4DE657, #4DE680, #4DE6A8, #4DE6D1 and #4DD1E6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4EE6AA shade: #1CC481, #28E098, #4DE6A9, #71EBBA and #95F0CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4EE6AA shade: #4EE6AA, #4D6BE6 and #E66B4D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4EE6AA shade: #4EE6AA, #A84DE6 and #E6A84D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4EE6AA shade: #4EE6AA, #4D6BE6, #E64D8A and #E6C74D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4EE6AA shade: #4EE6AA, #5C4DE6, #E64D8A and #D6E64D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 26 / 10

HEX #4EE6AA

RGB 78 230 170

HSL 156.32, 0.75%, 0.6%

LAB 82.44, -53.74, 17.74

 

Complementary color

CMYK 0 / 86 / 52 / 31

HEX #B11955

RGB 177 25 85

HSL 336.32, 0.75%, 0.4%

LAB 39.07, 60.62, 5.93

 

CMYK 64 / 0 / 28 / 10

HEX #53E6A5

RGB 83 230 165

HSL 153.47, 0.75%, 0.61%

LAB 82.46, -53.94, 20.38

 

CMYK 60 / 0 / 26 / 3

HEX #64F8B8

RGB 100 248 184

HSL 154.05, 0.91%, 0.68%

LAB 88.59, -54.12, 19.15

 

CMYK 54 / 0 / 20 / 0

HEX #75FFCB

RGB 117 255 203

HSL 157.39, 1%, 0.73%

LAB 91.51, -49.61, 13.55

 

CMYK 47 / 0 / 13 / 0

HEX #86FFDE

RGB 134 255 222

HSL 163.64, 1%, 0.76%

LAB 92.51, -41.75, 5.27

 

CMYK 41 / 0 / 5 / 0

HEX #97FFF1

RGB 151 255 241

HSL 171.92, 1%, 0.8%

LAB 93.65, -33.46, -2.82

 

CMYK 66 / 0 / 26 / 10

HEX #4EE6AA

RGB 78 230 170

HSL 156.32, 0.75%, 0.6%

LAB 82.44, -53.74, 17.74

 

CMYK 71 / 0 / 29 / 17

HEX #3DD497

RGB 61 212 151

HSL 155.76, 0.64%, 0.54%

LAB 76.26, -53.3, 19.06

 

CMYK 77 / 0 / 32 / 24

HEX #2CC284

RGB 44 194 132

HSL 155.2, 0.63%, 0.47%

LAB 70.03, -52.61, 20.52

 

CMYK 85 / 0 / 36 / 31

HEX #1BB071

RGB 27 176 113

HSL 154.63, 0.73%, 0.4%

LAB 63.73, -51.54, 22.12

 

CMYK 94 / 0 / 41 / 38

HEX #0A9E5E

RGB 10 158 94

HSL 154.05, 0.88%, 0.33%

LAB 57.39, -49.97, 23.89

 

CMYK 67 / 0 / 27 / 10

HEX #4DE6A9

RGB 77 230 169

HSL 156.08, 0.75%, 0.6%

LAB 82.4, -54.12, 18.19

 

CMYK 67 / 0 / 44 / 10

HEX #4DE680

RGB 77 230 128

HSL 140, 0.75%, 0.6%

LAB 81.69, -61.84, 38.16

 

CMYK 67 / 0 / 62 / 10

HEX #4DE657

RGB 77 230 87

HSL 123.92, 0.75%, 0.6%

LAB 81.21, -67.33, 56.57

 

CMYK 53 / 0 / 67 / 10

HEX #6CE64D

RGB 108 230 77

HSL 107.84, 0.75%, 0.6%

LAB 82.01, -61.3, 61.77

 

CMYK 35 / 0 / 67 / 10

HEX #95E64D

RGB 149 230 77

HSL 91.76, 0.75%, 0.6%

LAB 83.71, -48.87, 64.09

 

CMYK 67 / 0 / 27 / 10

HEX #4DE6A9

RGB 77 230 169

HSL 156.08, 0.75%, 0.6%

LAB 82.4, -54.12, 18.19

 

CMYK 67 / 0 / 9 / 10

HEX #4DE6D2

RGB 77 230 210

HSL 172.16, 0.75%, 0.6%

LAB 83.35, -44.42, -2

 

CMYK 67 / 10 / 0 / 10

HEX #4DCFE6

RGB 77 207 230

HSL 189.02, 0.75%, 0.6%

LAB 77.23, -28.24, -21.8

 

CMYK 67 / 28 / 0 / 10

HEX #4DA6E6

RGB 77 166 230

HSL 205.1, 0.75%, 0.6%

LAB 65.41, -6.79, -40.04

 

CMYK 67 / 46 / 0 / 10

HEX #4D7DE6

RGB 77 125 230

HSL 221.18, 0.75%, 0.6%

LAB 53.98, 17.32, -58.14

 

CMYK 67 / 0 / 27 / 10

HEX #4DE6A9

RGB 77 230 169

HSL 156.08, 0.75%, 0.6%

LAB 82.4, -54.12, 18.19

 

CMYK 76 / 0 / 30 / 4

HEX #3CF6AD

RGB 60 246 173

HSL 156.45, 0.91%, 0.6%

LAB 86.94, -61.79, 22.38

 

CMYK 67 / 0 / 27 / 10

HEX #4DE6A9

RGB 77 230 169

HSL 156.08, 0.75%, 0.6%

LAB 82.4, -54.12, 18.19

 

CMYK 56 / 0 / 22 / 16

HEX #5DD5A6

RGB 93 213 166

HSL 156.5, 0.59%, 0.6%

LAB 77.68, -44.75, 13.22

 

CMYK 44 / 0 / 17 / 23

HEX #6EC4A2

RGB 110 196 162

HSL 156.28, 0.42%, 0.6%

LAB 73.16, -33.97, 9.03

 

CMYK 30 / 0 / 12 / 29

HEX #7EB49F

RGB 126 180 159

HSL 156.67, 0.26%, 0.6%

LAB 69.17, -22.26, 5.06

 

CMYK 12 / 0 / 5 / 36

HEX #8FA39B

RGB 143 163 155

HSL 156, 0.1%, 0.6%

LAB 65.28, -8.62, 1.77

 

CMYK 67 / 0 / 62 / 10

HEX #4DE657

RGB 77 230 87

HSL 123.92, 0.75%, 0.6%

LAB 81.21, -67.33, 56.57

 

CMYK 67 / 0 / 44 / 10

HEX #4DE680

RGB 77 230 128

HSL 140, 0.75%, 0.6%

LAB 81.69, -61.84, 38.16

 

CMYK 67 / 0 / 27 / 10

HEX #4DE6A8

RGB 77 230 168

HSL 155.69, 0.75%, 0.6%

LAB 82.38, -54.33, 18.69

 

CMYK 67 / 0 / 9 / 10

HEX #4DE6D1

RGB 77 230 209

HSL 171.76, 0.75%, 0.6%

LAB 83.32, -44.68, -1.51

 

CMYK 67 / 9 / 0 / 10

HEX #4DD1E6

RGB 77 209 230

HSL 188.24, 0.75%, 0.6%

LAB 77.81, -29.21, -20.92

 

CMYK 86 / 0 / 34 / 23

HEX #1CC481

RGB 28 196 129

HSL 156.07, 0.75%, 0.44%

LAB 70.39, -55.56, 22.58

 

CMYK 82 / 0 / 32 / 12

HEX #28E098

RGB 40 224 152

HSL 156.52, 0.75%, 0.52%

LAB 79.63, -60.08, 23.12

 

CMYK 67 / 0 / 27 / 10

HEX #4DE6A9

RGB 77 230 169

HSL 156.08, 0.75%, 0.6%

LAB 82.4, -54.12, 18.19

 

CMYK 52 / 0 / 21 / 8

HEX #71EBBA

RGB 113 235 186

HSL 155.9, 0.75%, 0.68%

LAB 85.24, -45.57, 13.46

 

CMYK 38 / 0 / 15 / 6

HEX #95F0CC

RGB 149 240 204

HSL 156.26, 0.75%, 0.76%

LAB 88.48, -35.08, 8.88

 

CMYK 66 / 0 / 26 / 10

HEX #4EE6AA

RGB 78 230 170

HSL 156.32, 0.75%, 0.6%

LAB 82.44, -53.74, 17.74

 

CMYK 67 / 53 / 0 / 10

HEX #4D6BE6

RGB 77 107 230

HSL 228.24, 0.75%, 0.6%

LAB 49.26, 28.47, -65.75

 

CMYK 0 / 53 / 67 / 10

HEX #E66B4D

RGB 230 107 77

HSL 11.76, 0.75%, 0.6%

LAB 59.77, 45.66, 39.42

 

CMYK 66 / 0 / 26 / 10

HEX #4EE6AA

RGB 78 230 170

HSL 156.32, 0.75%, 0.6%

LAB 82.44, -53.74, 17.74

 

CMYK 27 / 67 / 0 / 10

HEX #A84DE6

RGB 168 77 230

HSL 275.69, 0.75%, 0.6%

LAB 51.09, 62.55, -62.4

 

CMYK 0 / 27 / 67 / 10

HEX #E6A84D

RGB 230 168 77

HSL 35.69, 0.75%, 0.6%

LAB 73.13, 13.92, 54.57

 

CMYK 66 / 0 / 26 / 10

HEX #4EE6AA

RGB 78 230 170

HSL 156.32, 0.75%, 0.6%

LAB 82.44, -53.74, 17.74

 

CMYK 67 / 53 / 0 / 10

HEX #4D6BE6

RGB 77 107 230

HSL 228.24, 0.75%, 0.6%

LAB 49.26, 28.47, -65.75

 

CMYK 0 / 67 / 40 / 10

HEX #E64D8A

RGB 230 77 138

HSL 336.08, 0.75%, 0.6%

LAB 56.05, 63.73, -0.75

 

CMYK 0 / 13 / 67 / 10

HEX #E6C74D

RGB 230 199 77

HSL 47.84, 0.75%, 0.6%

LAB 80.85, -2.34, 62.81

 

CMYK 66 / 0 / 26 / 10

HEX #4EE6AA

RGB 78 230 170

HSL 156.32, 0.75%, 0.6%

LAB 82.44, -53.74, 17.74

 

CMYK 60 / 67 / 0 / 10

HEX #5C4DE6

RGB 92 77 230

HSL 245.88, 0.75%, 0.6%

LAB 43.21, 48.74, -75.57

 

CMYK 0 / 67 / 40 / 10

HEX #E64D8A

RGB 230 77 138

HSL 336.08, 0.75%, 0.6%

LAB 56.05, 63.73, -0.75

 

CMYK 7 / 0 / 67 / 10

HEX #D6E64D

RGB 214 230 77

HSL 66.27, 0.75%, 0.6%

LAB 87.69, -24.39, 69.45

 

Description

Color code: HEX #4EE6AA | qconv.com Color code: HEX #4EE6AA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 230 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 230 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 26 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 26% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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