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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4EE464 it is the complementary color #B11B9B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4EE464. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4EE464 shade: #53E45F, #64F672, #75FF85, #86FF98 and #97FFAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4EE464. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4EE464 shade: #4EE464, #3DD251, #2CC03E, #1BAE2B and #0A9C18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4EE464 shade: #4EE464, #60E44E, #89E44E, #B2E44E and #DAE44E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4EE464 shade: #4EE464, #4EE48C, #4EE4B5, #4EE4DE and #4EC2E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4EE464 shade matches the following richer shades: #4EE464 and #3DF558

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4EE464 shade: #4EE464, #5ED46F, #6FC37B, #7FB387 and #90A292

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4EE464 shade: #8AE44E, #62E44E, #4EE462, #4EE48A and #4EE4B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4EE464 shade: #1DC235, #2ADF44, #4EE464, #71EA83 and #95EFA2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4EE464 shade: #4EE464, #4EB2E4 and #E44E76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4EE464 shade: #4EE464, #624EE4 and #E4624E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4EE464 shade: #4EE464, #4EB2E4, #E44ED0 and #E4804E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4EE464 shade: #4EE464, #4E85E4, #E44ED0 and #E4AD4E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 56 / 11

HEX #4EE464

RGB 78 228 100

HSL 128.8, 0.74%, 0.6%

LAB 80.75, -64.96, 50.34

 

Complementary color

CMYK 0 / 85 / 12 / 31

HEX #B11B9B

RGB 177 27 155

HSL 308.8, 0.74%, 0.4%

LAB 42, 67.96, -33.16

 

CMYK 64 / 0 / 58 / 11

HEX #53E45F

RGB 83 228 95

HSL 124.97, 0.73%, 0.61%

LAB 80.82, -64.59, 52.7

 

CMYK 59 / 0 / 54 / 4

HEX #64F672

RGB 100 246 114

HSL 125.75, 0.89%, 0.68%

LAB 86.92, -65.05, 51.44

 

CMYK 54 / 0 / 48 / 0

HEX #75FF85

RGB 117 255 133

HSL 126.96, 1%, 0.73%

LAB 90.32, -61.96, 46.89

 

CMYK 47 / 0 / 40 / 0

HEX #86FF98

RGB 134 255 152

HSL 128.93, 1%, 0.76%

LAB 91.17, -54.95, 38.93

 

CMYK 41 / 0 / 33 / 0

HEX #97FFAB

RGB 151 255 171

HSL 131.54, 1%, 0.8%

LAB 92.15, -47.31, 30.91

 

CMYK 66 / 0 / 56 / 11

HEX #4EE464

RGB 78 228 100

HSL 128.8, 0.74%, 0.6%

LAB 80.75, -64.96, 50.34

 

CMYK 71 / 0 / 61 / 18

HEX #3DD251

RGB 61 210 81

HSL 128.05, 0.62%, 0.53%

LAB 74.62, -64.15, 51.61

 

CMYK 77 / 0 / 68 / 25

HEX #2CC03E

RGB 44 192 62

HSL 127.3, 0.63%, 0.46%

LAB 68.45, -62.89, 52.7

 

CMYK 84 / 0 / 75 / 32

HEX #1BAE2B

RGB 27 174 43

HSL 126.53, 0.73%, 0.39%

LAB 62.24, -61.01, 53.41

 

CMYK 94 / 0 / 85 / 39

HEX #0A9C18

RGB 10 156 24

HSL 125.75, 0.88%, 0.33%

LAB 55.99, -58.25, 53.3

 

CMYK 66 / 0 / 56 / 11

HEX #4EE464

RGB 78 228 100

HSL 128.8, 0.74%, 0.6%

LAB 80.75, -64.96, 50.34

 

CMYK 58 / 0 / 66 / 11

HEX #60E44E

RGB 96 228 78

HSL 112.8, 0.74%, 0.6%

LAB 81.03, -63.49, 60.2

 

CMYK 40 / 0 / 66 / 11

HEX #89E44E

RGB 137 228 78

HSL 96.4, 0.74%, 0.6%

LAB 82.57, -51.95, 62.31

 

CMYK 22 / 0 / 66 / 11

HEX #B2E44E

RGB 178 228 78

HSL 80, 0.74%, 0.6%

LAB 84.74, -37.51, 65.27

 

CMYK 4 / 0 / 66 / 11

HEX #DAE44E

RGB 218 228 78

HSL 64, 0.74%, 0.6%

LAB 87.46, -21.76, 68.93

 

CMYK 66 / 0 / 56 / 11

HEX #4EE464

RGB 78 228 100

HSL 128.8, 0.74%, 0.6%

LAB 80.75, -64.96, 50.34

 

CMYK 66 / 0 / 39 / 11

HEX #4EE48C

RGB 78 228 140

HSL 144.8, 0.74%, 0.6%

LAB 81.29, -58.88, 31.63

 

CMYK 66 / 0 / 21 / 11

HEX #4EE4B5

RGB 78 228 181

HSL 161.2, 0.74%, 0.6%

LAB 82.08, -50.49, 11.46

 

CMYK 66 / 0 / 3 / 11

HEX #4EE4DE

RGB 78 228 222

HSL 177.6, 0.74%, 0.6%

LAB 83.12, -40.23, -8.69

 

CMYK 66 / 15 / 0 / 11

HEX #4EC2E4

RGB 78 194 228

HSL 193.6, 0.74%, 0.6%

LAB 73.42, -22.2, -26.54

 

CMYK 66 / 0 / 56 / 11

HEX #4EE464

RGB 78 228 100

HSL 128.8, 0.74%, 0.6%

LAB 80.75, -64.96, 50.34

 

CMYK 75 / 0 / 64 / 4

HEX #3DF558

RGB 61 245 88

HSL 128.8, 0.9%, 0.6%

LAB 85.5, -74.63, 60.85

 

CMYK 66 / 0 / 56 / 11

HEX #4EE464

RGB 78 228 100

HSL 128.8, 0.74%, 0.6%

LAB 80.75, -64.96, 50.34

 

CMYK 56 / 0 / 48 / 17

HEX #5ED46F

RGB 94 212 111

HSL 128.64, 0.58%, 0.6%

LAB 76.44, -54.19, 39.98

 

CMYK 43 / 0 / 37 / 24

HEX #6FC37B

RGB 111 195 123

HSL 128.57, 0.41%, 0.6%

LAB 72.12, -40.75, 28.43

 

CMYK 29 / 0 / 25 / 30

HEX #7FB387

RGB 127 179 135

HSL 129.23, 0.25%, 0.6%

LAB 68.39, -26.19, 17.1

 

CMYK 11 / 0 / 10 / 36

HEX #90A292

RGB 144 162 146

HSL 126.67, 0.09%, 0.6%

LAB 64.84, -9.49, 6.18

 

CMYK 39 / 0 / 66 / 11

HEX #8AE44E

RGB 138 228 78

HSL 96, 0.74%, 0.6%

LAB 82.61, -51.62, 62.37

 

CMYK 57 / 0 / 66 / 11

HEX #62E44E

RGB 98 228 78

HSL 112, 0.74%, 0.6%

LAB 81.09, -63.01, 60.29

 

CMYK 66 / 0 / 57 / 11

HEX #4EE462

RGB 78 228 98

HSL 128, 0.74%, 0.6%

LAB 80.73, -65.21, 51.22

 

CMYK 66 / 0 / 39 / 11

HEX #4EE48A

RGB 78 228 138

HSL 144, 0.74%, 0.6%

LAB 81.26, -59.23, 32.6

 

CMYK 66 / 0 / 22 / 11

HEX #4EE4B2

RGB 78 228 178

HSL 160, 0.74%, 0.6%

LAB 82.01, -51.17, 12.95

 

CMYK 85 / 0 / 73 / 24

HEX #1DC235

RGB 29 194 53

HSL 128.73, 0.74%, 0.44%

LAB 68.82, -66.06, 56.5

 

CMYK 81 / 0 / 70 / 13

HEX #2ADF44

RGB 42 223 68

HSL 128.62, 0.74%, 0.52%

LAB 78.28, -72.16, 60.8

 

CMYK 66 / 0 / 56 / 11

HEX #4EE464

RGB 78 228 100

HSL 128.8, 0.74%, 0.6%

LAB 80.75, -64.96, 50.34

 

CMYK 52 / 0 / 44 / 8

HEX #71EA83

RGB 113 234 131

HSL 128.93, 0.74%, 0.68%

LAB 83.96, -55.16, 39.8

 

CMYK 38 / 0 / 32 / 6

HEX #95EFA2

RGB 149 239 162

HSL 128.67, 0.74%, 0.76%

LAB 87.35, -42.45, 28.99

 

CMYK 66 / 0 / 56 / 11

HEX #4EE464

RGB 78 228 100

HSL 128.8, 0.74%, 0.6%

LAB 80.75, -64.96, 50.34

 

CMYK 66 / 22 / 0 / 11

HEX #4EB2E4

RGB 78 178 228

HSL 200, 0.74%, 0.6%

LAB 68.8, -13.85, -33.66

 

CMYK 0 / 66 / 48 / 11

HEX #E44E76

RGB 228 78 118

HSL 344, 0.74%, 0.6%

LAB 55.33, 60.85, 10.01

 

CMYK 66 / 0 / 56 / 11

HEX #4EE464

RGB 78 228 100

HSL 128.8, 0.74%, 0.6%

LAB 80.75, -64.96, 50.34

 

CMYK 57 / 66 / 0 / 11

HEX #624EE4

RGB 98 78 228

HSL 248, 0.74%, 0.6%

LAB 43.72, 48.47, -73.57

 

CMYK 0 / 57 / 66 / 11

HEX #E4624E

RGB 228 98 78

HSL 8, 0.74%, 0.6%

LAB 57.83, 49.27, 36.47

 

CMYK 66 / 0 / 56 / 11

HEX #4EE464

RGB 78 228 100

HSL 128.8, 0.74%, 0.6%

LAB 80.75, -64.96, 50.34

 

CMYK 66 / 22 / 0 / 11

HEX #4EB2E4

RGB 78 178 228

HSL 200, 0.74%, 0.6%

LAB 68.8, -13.85, -33.66

 

CMYK 0 / 66 / 9 / 11

HEX #E44ED0

RGB 228 78 208

HSL 308, 0.74%, 0.6%

LAB 58.51, 71.72, -37.63

 

CMYK 0 / 44 / 66 / 11

HEX #E4804E

RGB 228 128 78

HSL 20, 0.74%, 0.6%

LAB 63.74, 34.36, 43.46

 

CMYK 66 / 0 / 56 / 11

HEX #4EE464

RGB 78 228 100

HSL 128.8, 0.74%, 0.6%

LAB 80.75, -64.96, 50.34

 

CMYK 66 / 42 / 0 / 11

HEX #4E85E4

RGB 78 133 228

HSL 218, 0.74%, 0.6%

LAB 56.08, 11.91, -53.66

 

CMYK 0 / 66 / 9 / 11

HEX #E44ED0

RGB 228 78 208

HSL 308, 0.74%, 0.6%

LAB 58.51, 71.72, -37.63

 

CMYK 0 / 24 / 66 / 11

HEX #E4AD4E

RGB 228 173 78

HSL 38, 0.74%, 0.6%

LAB 74.15, 10.48, 55.16

 

Description

Color code: HEX #4EE464 | qconv.com Color code: HEX #4EE464 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 228 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 228 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 56 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 56% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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