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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4EE2BE it is the complementary color #B11D41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4EE2BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4EE2BE shade: #53E2B9, #64F4CC, #75FFDF, #86FFF2 and #97FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4EE2BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4EE2BE shade: #4EE2BE, #3DD0AB, #2CBE98, #1BAC85 and #0A9A72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4EE2BE shade: #50E2BF, #50E297, #50E270, #57E250 and #7FE250

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4EE2BE shade: #50E2BF, #50DFE2, #50B7E2, #508FE2 and #5068E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4EE2BE shade matches the following richer shades: #50E2BF and #3FF3C7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4EE2BE shade: #50E2BF, #60D2B6, #71C1AE, #81B1A5 and #92A09D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4EE2BE shade: #50E26F, #50E297, #50E2BE, #50E0E2 and #50B9E2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4EE2BE shade: #1FC099, #2CDDB2, #50E2BF, #73E8CC and #97EED9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4EE2BE shade: #4EE2BE, #5057E2 and #E28350

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4EE2BE shade: #4EE2BE, #BE50E2 and #E2BE50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4EE2BE shade: #4EE2BE, #5057E2, #E25074 and #E2DB50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4EE2BE shade: #4EE2BE, #7450E2, #E25074 and #BEE250

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 16 / 11

HEX #4EE2BE

RGB 78 226 190

HSL 165.41, 0.72%, 0.6%

LAB 81.69, -47.54, 6.16

 

Complementary color

CMYK 0 / 84 / 63 / 31

HEX #B11D41

RGB 177 29 65

HSL 345.41, 0.72%, 0.4%

LAB 38.91, 58.33, 18.49

 

CMYK 63 / 0 / 18 / 11

HEX #53E2B9

RGB 83 226 185

HSL 162.8, 0.71%, 0.61%

LAB 81.69, -47.9, 8.82

 

CMYK 59 / 0 / 16 / 4

HEX #64F4CC

RGB 100 244 204

HSL 163.33, 0.87%, 0.67%

LAB 87.86, -48.1, 7.76

 

CMYK 54 / 0 / 13 / 0

HEX #75FFDF

RGB 117 255 223

HSL 166.09, 1%, 0.73%

LAB 91.97, -45.17, 3.89

 

CMYK 47 / 0 / 5 / 0

HEX #86FFF2

RGB 134 255 242

HSL 173.55, 1%, 0.76%

LAB 93.01, -37.15, -4.34

 

CMYK 41 / 0 / 0 / 0

HEX #97FFFF

RGB 151 255 255

HSL 180, 1%, 0.8%

LAB 94.02, -30.19, -9.5

 

CMYK 65 / 0 / 16 / 11

HEX #4EE2BE

RGB 78 226 190

HSL 165.41, 0.72%, 0.6%

LAB 81.69, -47.54, 6.16

 

CMYK 71 / 0 / 18 / 18

HEX #3DD0AB

RGB 61 208 171

HSL 164.9, 0.61%, 0.53%

LAB 75.48, -47.08, 7.31

 

CMYK 77 / 0 / 20 / 25

HEX #2CBE98

RGB 44 190 152

HSL 164.38, 0.62%, 0.46%

LAB 69.2, -46.39, 8.57

 

CMYK 84 / 0 / 23 / 33

HEX #1BAC85

RGB 27 172 133

HSL 163.86, 0.73%, 0.39%

LAB 62.87, -45.37, 9.97

 

CMYK 94 / 0 / 26 / 40

HEX #0A9A72

RGB 10 154 114

HSL 163.33, 0.88%, 0.32%

LAB 56.48, -43.9, 11.55

 

CMYK 65 / 0 / 15 / 11

HEX #50E2BF

RGB 80 226 191

HSL 165.62, 0.72%, 0.6%

LAB 81.76, -46.98, 5.74

 

CMYK 65 / 0 / 33 / 11

HEX #50E297

RGB 80 226 151

HSL 149.18, 0.72%, 0.6%

LAB 80.92, -55.71, 25.52

 

CMYK 65 / 0 / 50 / 11

HEX #50E270

RGB 80 226 112

HSL 133.15, 0.72%, 0.6%

LAB 80.33, -62.28, 44.24

 

CMYK 62 / 0 / 65 / 11

HEX #57E250

RGB 87 226 80

HSL 117.12, 0.72%, 0.6%

LAB 80.18, -64.66, 58.4

 

CMYK 44 / 0 / 65 / 11

HEX #7FE250

RGB 127 226 80

HSL 100.68, 0.72%, 0.6%

LAB 81.56, -54.12, 60.3

 

CMYK 65 / 0 / 15 / 11

HEX #50E2BF

RGB 80 226 191

HSL 165.62, 0.72%, 0.6%

LAB 81.76, -46.98, 5.74

 

CMYK 65 / 1 / 0 / 11

HEX #50DFE2

RGB 80 223 226

HSL 181.23, 0.72%, 0.6%

LAB 81.82, -36.56, -12.74

 

CMYK 65 / 19 / 0 / 11

HEX #50B7E2

RGB 80 183 226

HSL 197.67, 0.72%, 0.6%

LAB 70.22, -16.81, -30.36

 

CMYK 65 / 37 / 0 / 11

HEX #508FE2

RGB 80 143 226

HSL 214.11, 0.72%, 0.6%

LAB 58.83, 5.58, -48.18

 

CMYK 65 / 54 / 0 / 11

HEX #5068E2

RGB 80 104 226

HSL 230.14, 0.72%, 0.6%

LAB 48.38, 29.42, -64.91

 

CMYK 65 / 0 / 15 / 11

HEX #50E2BF

RGB 80 226 191

HSL 165.62, 0.72%, 0.6%

LAB 81.76, -46.98, 5.74

 

CMYK 74 / 0 / 18 / 5

HEX #3FF3C7

RGB 63 243 199

HSL 165.33, 0.88%, 0.6%

LAB 86.64, -54.44, 8.51

 

CMYK 65 / 0 / 15 / 11

HEX #50E2BF

RGB 80 226 191

HSL 165.62, 0.72%, 0.6%

LAB 81.76, -46.98, 5.74

 

CMYK 54 / 0 / 13 / 18

HEX #60D2B6

RGB 96 210 182

HSL 165.26, 0.56%, 0.6%

LAB 77.26, -39.15, 4.08

 

CMYK 41 / 0 / 10 / 24

HEX #71C1AE

RGB 113 193 174

HSL 165.75, 0.39%, 0.6%

LAB 72.7, -29.06, 1.88

 

CMYK 27 / 0 / 7 / 31

HEX #81B1A5

RGB 129 177 165

HSL 165, 0.24%, 0.6%

LAB 68.63, -18.51, 0.98

 

CMYK 9 / 0 / 2 / 37

HEX #92A09D

RGB 146 160 157

HSL 167.14, 0.07%, 0.6%

LAB 64.71, -5.55, -0.14

 

CMYK 65 / 0 / 51 / 11

HEX #50E26F

RGB 80 226 111

HSL 132.74, 0.72%, 0.6%

LAB 80.32, -62.42, 44.7

 

CMYK 65 / 0 / 33 / 11

HEX #50E297

RGB 80 226 151

HSL 149.18, 0.72%, 0.6%

LAB 80.92, -55.71, 25.52

 

CMYK 65 / 0 / 16 / 11

HEX #50E2BE

RGB 80 226 190

HSL 165.21, 0.72%, 0.6%

LAB 81.74, -47.22, 6.24

 

CMYK 65 / 1 / 0 / 11

HEX #50E0E2

RGB 80 224 226

HSL 180.82, 0.72%, 0.6%

LAB 82.11, -37.02, -12.3

 

CMYK 65 / 18 / 0 / 11

HEX #50B9E2

RGB 80 185 226

HSL 196.85, 0.72%, 0.6%

LAB 70.8, -17.86, -29.47

 

CMYK 84 / 0 / 20 / 25

HEX #1FC099

RGB 31 192 153

HSL 165.47, 0.72%, 0.44%

LAB 69.68, -48.23, 8.67

 

CMYK 80 / 0 / 19 / 13

HEX #2CDDB2

RGB 44 221 178

HSL 165.42, 0.72%, 0.52%

LAB 79.31, -52.66, 9.02

 

CMYK 65 / 0 / 15 / 11

HEX #50E2BF

RGB 80 226 191

HSL 165.62, 0.72%, 0.6%

LAB 81.76, -46.98, 5.74

 

CMYK 50 / 0 / 12 / 9

HEX #73E8CC

RGB 115 232 204

HSL 165.64, 0.72%, 0.68%

LAB 84.85, -39.81, 3.48

 

CMYK 37 / 0 / 9 / 7

HEX #97EED9

RGB 151 238 217

HSL 165.52, 0.72%, 0.76%

LAB 88.32, -30.85, 1.88

 

CMYK 65 / 0 / 16 / 11

HEX #4EE2BE

RGB 78 226 190

HSL 165.41, 0.72%, 0.6%

LAB 81.69, -47.54, 6.16

 

CMYK 65 / 62 / 0 / 11

HEX #5057E2

RGB 80 87 226

HSL 237.12, 0.72%, 0.6%

LAB 44.25, 39.88, -71.63

 

CMYK 0 / 42 / 65 / 11

HEX #E28350

RGB 226 131 80

HSL 20.96, 0.72%, 0.6%

LAB 64.15, 32.12, 42.83

 

CMYK 65 / 0 / 16 / 11

HEX #4EE2BE

RGB 78 226 190

HSL 165.41, 0.72%, 0.6%

LAB 81.69, -47.54, 6.16

 

CMYK 16 / 65 / 0 / 11

HEX #BE50E2

RGB 190 80 226

HSL 285.21, 0.72%, 0.6%

LAB 54.21, 65.16, -54.97

 

CMYK 0 / 16 / 65 / 11

HEX #E2BE50

RGB 226 190 80

HSL 45.21, 0.72%, 0.6%

LAB 78.21, 0.81, 58.62

 

CMYK 65 / 0 / 16 / 11

HEX #4EE2BE

RGB 78 226 190

HSL 165.41, 0.72%, 0.6%

LAB 81.69, -47.54, 6.16

 

CMYK 65 / 62 / 0 / 11

HEX #5057E2

RGB 80 87 226

HSL 237.12, 0.72%, 0.6%

LAB 44.25, 39.88, -71.63

 

CMYK 0 / 65 / 49 / 11

HEX #E25074

RGB 226 80 116

HSL 345.21, 0.72%, 0.6%

LAB 55.24, 59.26, 11.02

 

CMYK 0 / 3 / 65 / 11

HEX #E2DB50

RGB 226 219 80

HSL 57.12, 0.72%, 0.6%

LAB 85.71, -13.96, 66.55

 

CMYK 65 / 0 / 16 / 11

HEX #4EE2BE

RGB 78 226 190

HSL 165.41, 0.72%, 0.6%

LAB 81.69, -47.54, 6.16

 

CMYK 49 / 65 / 0 / 11

HEX #7450E2

RGB 116 80 226

HSL 254.79, 0.72%, 0.6%

LAB 45.55, 49.83, -69.38

 

CMYK 0 / 65 / 49 / 11

HEX #E25074

RGB 226 80 116

HSL 345.21, 0.72%, 0.6%

LAB 55.24, 59.26, 11.02

 

CMYK 16 / 0 / 65 / 11

HEX #BEE250

RGB 190 226 80

HSL 74.79, 0.72%, 0.6%

LAB 84.96, -31.85, 64.94

 

Description

Color code: HEX #4EE2BE | qconv.com Color code: HEX #4EE2BE | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 226 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 226 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 16 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 16% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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