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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4EE16A it is the complementary color #B11E95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4EE16A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4EE16A shade: #53E165, #64F378, #75FF8B, #86FF9E and #97FFB1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4EE16A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4EE16A shade: #4EE16A, #3DCF57, #2CBD44, #1BAB31 and #0A991E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4EE16A shade: #4CE169, #58E14C, #80E14C, #A8E14C and #D0E14C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4EE16A shade: #4CE169, #4CE191, #4CE1B9, #4CE1E1 and #4CB9E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4EE16A shade matches the following richer shades: #4CE169 and #3BF25E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4EE16A shade: #4CE169, #5DD073, #6EBF7D, #7FAE88 and #909D92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4EE16A shade: #80E14C, #59E14C, #4CE167, #4CE18F and #4CE1B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4EE16A shade: #20BB3D, #29DB4B, #4CE169, #6FE786 and #93EDA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4EE16A shade: #4EE16A, #4CA8E1 and #E14C6C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4EE16A shade: #4EE16A, #674CE1 and #E1674C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4EE16A shade: #4EE16A, #4CA8E1, #E14CC5 and #E1854C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4EE16A shade: #4EE16A, #4C7BE1, #E14CC5 and #E1B24C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 53 / 12

HEX #4EE16A

RGB 78 225 106

HSL 131.43, 0.71%, 0.59%

LAB 79.9, -63.14, 46.55

 

Complementary color

CMYK 0 / 83 / 16 / 31

HEX #B11E95

RGB 177 30 149

HSL 311.43, 0.71%, 0.41%

LAB 41.92, 66.48, -29.66

 

CMYK 63 / 0 / 55 / 12

HEX #53E165

RGB 83 225 101

HSL 127.61, 0.7%, 0.6%

LAB 79.97, -62.81, 48.98

 

CMYK 59 / 0 / 51 / 5

HEX #64F378

RGB 100 243 120

HSL 128.39, 0.86%, 0.67%

LAB 86.09, -63.19, 47.66

 

CMYK 54 / 0 / 45 / 0

HEX #75FF8B

RGB 117 255 139

HSL 129.57, 1%, 0.73%

LAB 90.4, -61.11, 44.13

 

CMYK 47 / 0 / 38 / 0

HEX #86FF9E

RGB 134 255 158

HSL 131.9, 1%, 0.76%

LAB 91.26, -54.01, 36.09

 

CMYK 41 / 0 / 31 / 0

HEX #97FFB1

RGB 151 255 177

HSL 135, 1%, 0.8%

LAB 92.25, -46.3, 28.03

 

CMYK 65 / 0 / 53 / 12

HEX #4EE16A

RGB 78 225 106

HSL 131.43, 0.71%, 0.59%

LAB 79.9, -63.14, 46.55

 

CMYK 71 / 0 / 58 / 19

HEX #3DCF57

RGB 61 207 87

HSL 130.68, 0.6%, 0.53%

LAB 73.74, -62.43, 47.92

 

CMYK 77 / 0 / 64 / 26

HEX #2CBD44

RGB 44 189 68

HSL 129.93, 0.62%, 0.46%

LAB 67.54, -61.3, 49.19

 

CMYK 84 / 0 / 71 / 33

HEX #1BAB31

RGB 27 171 49

HSL 129.17, 0.73%, 0.39%

LAB 61.29, -59.57, 50.22

 

CMYK 93 / 0 / 80 / 40

HEX #0A991E

RGB 10 153 30

HSL 128.39, 0.88%, 0.32%

LAB 55.01, -57, 50.64

 

CMYK 66 / 0 / 53 / 12

HEX #4CE169

RGB 76 225 105

HSL 131.68, 0.71%, 0.59%

LAB 79.84, -63.65, 46.94

 

CMYK 61 / 0 / 66 / 12

HEX #58E14C

RGB 88 225 76

HSL 115.17, 0.71%, 0.59%

LAB 79.87, -64.47, 59.68

 

CMYK 43 / 0 / 66 / 12

HEX #80E14C

RGB 128 225 76

HSL 99.06, 0.71%, 0.59%

LAB 81.27, -53.75, 61.6

 

CMYK 25 / 0 / 66 / 12

HEX #A8E14C

RGB 168 225 76

HSL 82.95, 0.71%, 0.59%

LAB 83.28, -40.05, 64.33

 

CMYK 8 / 0 / 66 / 12

HEX #D0E14C

RGB 208 225 76

HSL 66.85, 0.71%, 0.59%

LAB 85.9, -24.48, 67.86

 

CMYK 66 / 0 / 53 / 12

HEX #4CE169

RGB 76 225 105

HSL 131.68, 0.71%, 0.59%

LAB 79.84, -63.65, 46.94

 

CMYK 66 / 0 / 36 / 12

HEX #4CE191

RGB 76 225 145

HSL 147.79, 0.71%, 0.59%

LAB 80.42, -57.17, 27.91

 

CMYK 66 / 0 / 18 / 12

HEX #4CE1B9

RGB 76 225 185

HSL 163.89, 0.71%, 0.59%

LAB 81.23, -48.63, 8.14

 

CMYK 66 / 0 / 0 / 12

HEX #4CE1E1

RGB 76 225 225

HSL 180, 0.71%, 0.59%

LAB 82.28, -38.33, -11.53

 

CMYK 66 / 18 / 0 / 12

HEX #4CB9E1

RGB 76 185 225

HSL 196.11, 0.71%, 0.59%

LAB 70.64, -18.8, -29.18

 

CMYK 66 / 0 / 53 / 12

HEX #4CE169

RGB 76 225 105

HSL 131.68, 0.71%, 0.59%

LAB 79.84, -63.65, 46.94

 

CMYK 76 / 0 / 61 / 5

HEX #3BF25E

RGB 59 242 94

HSL 131.48, 0.88%, 0.59%

LAB 84.61, -73.32, 57.35

 

CMYK 66 / 0 / 53 / 12

HEX #4CE169

RGB 76 225 105

HSL 131.68, 0.71%, 0.59%

LAB 79.84, -63.65, 46.94

 

CMYK 55 / 0 / 45 / 18

HEX #5DD073

RGB 93 208 115

HSL 131.48, 0.55%, 0.59%

LAB 75.25, -52.26, 36.47

 

CMYK 42 / 0 / 35 / 25

HEX #6EBF7D

RGB 110 191 125

HSL 131.11, 0.39%, 0.59%

LAB 70.91, -38.93, 25.76

 

CMYK 27 / 0 / 22 / 32

HEX #7FAE88

RGB 127 174 136

HSL 131.49, 0.22%, 0.59%

LAB 66.95, -23.53, 14.55

 

CMYK 8 / 0 / 7 / 38

HEX #909D92

RGB 144 157 146

HSL 129.23, 0.06%, 0.59%

LAB 63.44, -6.79, 4.16

 

CMYK 43 / 0 / 66 / 12

HEX #80E14C

RGB 128 225 76

HSL 99.06, 0.71%, 0.59%

LAB 81.27, -53.75, 61.6

 

CMYK 60 / 0 / 66 / 12

HEX #59E14C

RGB 89 225 76

HSL 114.77, 0.71%, 0.59%

LAB 79.9, -64.24, 59.71

 

CMYK 66 / 0 / 54 / 12

HEX #4CE167

RGB 76 225 103

HSL 130.87, 0.71%, 0.59%

LAB 79.82, -63.91, 47.84

 

CMYK 66 / 0 / 36 / 12

HEX #4CE18F

RGB 76 225 143

HSL 146.98, 0.71%, 0.59%

LAB 80.39, -57.55, 28.89

 

CMYK 66 / 0 / 19 / 12

HEX #4CE1B7

RGB 76 225 183

HSL 163.09, 0.71%, 0.59%

LAB 81.18, -49.1, 9.13

 

CMYK 83 / 0 / 67 / 27

HEX #20BB3D

RGB 32 187 61

HSL 131.23, 0.71%, 0.43%

LAB 66.66, -62.88, 51.13

 

CMYK 81 / 0 / 66 / 14

HEX #29DB4B

RGB 41 219 75

HSL 131.46, 0.71%, 0.51%

LAB 77.07, -70.38, 56.77

 

CMYK 66 / 0 / 53 / 12

HEX #4CE169

RGB 76 225 105

HSL 131.68, 0.71%, 0.59%

LAB 79.84, -63.65, 46.94

 

CMYK 52 / 0 / 42 / 9

HEX #6FE786

RGB 111 231 134

HSL 131.5, 0.71%, 0.67%

LAB 83.05, -54.01, 37.12

 

CMYK 38 / 0 / 31 / 7

HEX #93EDA4

RGB 147 237 164

HSL 131.33, 0.71%, 0.75%

LAB 86.73, -41.82, 27.11

 

CMYK 65 / 0 / 53 / 12

HEX #4EE16A

RGB 78 225 106

HSL 131.43, 0.71%, 0.59%

LAB 79.9, -63.14, 46.55

 

CMYK 66 / 25 / 0 / 12

HEX #4CA8E1

RGB 76 168 225

HSL 202.95, 0.71%, 0.59%

LAB 65.73, -9.7, -36.79

 

CMYK 0 / 66 / 52 / 12

HEX #E14C6C

RGB 225 76 108

HSL 347.11, 0.71%, 0.59%

LAB 54.3, 59.89, 14.43

 

CMYK 65 / 0 / 53 / 12

HEX #4EE16A

RGB 78 225 106

HSL 131.43, 0.71%, 0.59%

LAB 79.9, -63.14, 46.55

 

CMYK 54 / 66 / 0 / 12

HEX #674CE1

RGB 103 76 225

HSL 250.87, 0.71%, 0.59%

LAB 43.49, 49.49, -72.23

 

CMYK 0 / 54 / 66 / 12

HEX #E1674C

RGB 225 103 76

HSL 10.87, 0.71%, 0.59%

LAB 58.25, 45.7, 37.97

 

CMYK 65 / 0 / 53 / 12

HEX #4EE16A

RGB 78 225 106

HSL 131.43, 0.71%, 0.59%

LAB 79.9, -63.14, 46.55

 

CMYK 66 / 25 / 0 / 12

HEX #4CA8E1

RGB 76 168 225

HSL 202.95, 0.71%, 0.59%

LAB 65.73, -9.7, -36.79

 

CMYK 0 / 66 / 12 / 12

HEX #E14CC5

RGB 225 76 197

HSL 311.28, 0.71%, 0.59%

LAB 57.28, 70.1, -33.31

 

CMYK 0 / 41 / 66 / 12

HEX #E1854C

RGB 225 133 76

HSL 22.95, 0.71%, 0.59%

LAB 64.41, 30.42, 45.15

 

CMYK 65 / 0 / 53 / 12

HEX #4EE16A

RGB 78 225 106

HSL 131.43, 0.71%, 0.59%

LAB 79.9, -63.14, 46.55

 

CMYK 66 / 45 / 0 / 12

HEX #4C7BE1

RGB 76 123 225

HSL 221.07, 0.71%, 0.59%

LAB 53.1, 16.65, -56.76

 

CMYK 0 / 66 / 12 / 12

HEX #E14CC5

RGB 225 76 197

HSL 311.28, 0.71%, 0.59%

LAB 57.28, 70.1, -33.31

 

CMYK 0 / 21 / 66 / 12

HEX #E1B24C

RGB 225 178 76

HSL 41.07, 0.71%, 0.59%

LAB 75.06, 6.44, 56.95

 

Description

Color code: HEX #4EE16A | qconv.com Color code: HEX #4EE16A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 225 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 225 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 53 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 53% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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