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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4EDD84 it is the complementary color #B1227B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4EDD84. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4EDD84 shade: #53DD7F, #64EF92, #75FFA5, #86FFB8 and #97FFCB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4EDD84. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4EDD84 shade: #4EDD84, #3DCB71, #2CB95E, #1BA74B and #0A9538

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4EDD84 shade: #4FDE85, #4FDE5F, #66DE4F, #8DDE4F and #B3DE4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4EDD84 shade: #4FDE85, #4FDEAB, #4FDED2, #4FC3DE and #4F9DDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4EDD84 shade matches the following richer shades: #4FDE85 and #3EEE81

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4EDD84 shade: #4FDE85, #60CD89, #71BC8D, #82AB91 and #939A96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4EDD84 shade: #67DE4F, #4FDE5E, #4FDE83, #4FDEA9 and #4FDECF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4EDD84 shade: #23B75B, #2DD76D, #4FDE85, #72E49D and #95EBB5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4EDD84 shade: #4EDD84, #4F8DDE and #DE4F54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4EDD84 shade: #4EDD84, #834FDE and #DE834F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4EDD84 shade: #4EDD84, #4F8DDE, #DE4FA9 and #DEA04F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4EDD84 shade: #4EDD84, #4F62DE, #DE4FA9 and #DECB4F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 40 / 13

HEX #4EDD84

RGB 78 221 132

HSL 142.66, 0.68%, 0.59%

LAB 79.04, -57.66, 32.72

 

Complementary color

CMYK 0 / 81 / 31 / 31

HEX #B1227B

RGB 177 34 123

HSL 322.66, 0.68%, 0.41%

LAB 41.09, 62.21, -15

 

CMYK 62 / 0 / 43 / 13

HEX #53DD7F

RGB 83 221 127

HSL 139.13, 0.67%, 0.6%

LAB 79.09, -57.55, 35.33

 

CMYK 58 / 0 / 39 / 6

HEX #64EF92

RGB 100 239 146

HSL 139.86, 0.81%, 0.66%

LAB 85.26, -57.72, 33.95

 

CMYK 54 / 0 / 35 / 0

HEX #75FFA5

RGB 117 255 165

HSL 140.87, 1%, 0.73%

LAB 90.79, -56.97, 31.87

 

CMYK 47 / 0 / 28 / 0

HEX #86FFB8

RGB 134 255 184

HSL 144.79, 1%, 0.76%

LAB 91.71, -49.52, 23.63

 

CMYK 41 / 0 / 20 / 0

HEX #97FFCB

RGB 151 255 203

HSL 150, 1%, 0.8%

LAB 92.76, -41.53, 15.49

 

CMYK 65 / 0 / 40 / 13

HEX #4EDD84

RGB 78 221 132

HSL 142.66, 0.68%, 0.59%

LAB 79.04, -57.66, 32.72

 

CMYK 70 / 0 / 44 / 20

HEX #3DCB71

RGB 61 203 113

HSL 141.97, 0.58%, 0.52%

LAB 72.82, -57.2, 34.2

 

CMYK 76 / 0 / 49 / 27

HEX #2CB95E

RGB 44 185 94

HSL 141.28, 0.62%, 0.45%

LAB 66.55, -56.42, 35.77

 

CMYK 84 / 0 / 55 / 35

HEX #1BA74B

RGB 27 167 75

HSL 140.57, 0.72%, 0.38%

LAB 60.23, -55.16, 37.4

 

CMYK 93 / 0 / 62 / 42

HEX #0A9538

RGB 10 149 56

HSL 139.86, 0.87%, 0.31%

LAB 53.86, -53.21, 39.03

 

CMYK 64 / 0 / 40 / 13

HEX #4FDE85

RGB 79 222 133

HSL 142.66, 0.68%, 0.59%

LAB 79.38, -57.67, 32.67

 

CMYK 64 / 0 / 57 / 13

HEX #4FDE5F

RGB 79 222 95

HSL 126.71, 0.68%, 0.59%

LAB 78.89, -63.3, 50.41

 

CMYK 54 / 0 / 64 / 13

HEX #66DE4F

RGB 102 222 79

HSL 110.35, 0.68%, 0.59%

LAB 79.4, -59.76, 58.09

 

CMYK 36 / 0 / 64 / 13

HEX #8DDE4F

RGB 141 222 79

HSL 93.99, 0.68%, 0.59%

LAB 81, -48.09, 60.28

 

CMYK 19 / 0 / 64 / 13

HEX #B3DE4F

RGB 179 222 79

HSL 78.04, 0.68%, 0.59%

LAB 83.12, -34.33, 63.18

 

CMYK 64 / 0 / 40 / 13

HEX #4FDE85

RGB 79 222 133

HSL 142.66, 0.68%, 0.59%

LAB 79.38, -57.67, 32.67

 

CMYK 64 / 0 / 23 / 13

HEX #4FDEAB

RGB 79 222 171

HSL 158.6, 0.68%, 0.59%

LAB 80.09, -50.11, 13.92

 

CMYK 64 / 0 / 5 / 13

HEX #4FDED2

RGB 79 222 210

HSL 174.97, 0.68%, 0.59%

LAB 81.05, -40.58, -5.38

 

CMYK 64 / 12 / 0 / 13

HEX #4FC3DE

RGB 79 195 222

HSL 191.33, 0.68%, 0.59%

LAB 73.52, -24.37, -23.13

 

CMYK 64 / 29 / 0 / 13

HEX #4F9DDE

RGB 79 157 222

HSL 207.27, 0.68%, 0.59%

LAB 62.55, -4.05, -40.09

 

CMYK 64 / 0 / 40 / 13

HEX #4FDE85

RGB 79 222 133

HSL 142.66, 0.68%, 0.59%

LAB 79.38, -57.67, 32.67

 

CMYK 74 / 0 / 46 / 7

HEX #3EEE81

RGB 62 238 129

HSL 142.84, 0.84%, 0.59%

LAB 83.84, -66.83, 40.35

 

CMYK 64 / 0 / 40 / 13

HEX #4FDE85

RGB 79 222 133

HSL 142.66, 0.68%, 0.59%

LAB 79.38, -57.67, 32.67

 

CMYK 53 / 0 / 33 / 20

HEX #60CD89

RGB 96 205 137

HSL 142.57, 0.52%, 0.59%

LAB 74.8, -46.56, 24.58

 

CMYK 40 / 0 / 25 / 26

HEX #71BC8D

RGB 113 188 141

HSL 142.4, 0.36%, 0.59%

LAB 70.46, -33.74, 16.6

 

CMYK 24 / 0 / 15 / 33

HEX #82AB91

RGB 130 171 145

HSL 141.95, 0.2%, 0.59%

LAB 66.46, -19.27, 8.92

 

CMYK 5 / 0 / 3 / 40

HEX #939A96

RGB 147 154 150

HSL 145.71, 0.03%, 0.59%

LAB 62.94, -3.3, 1.22

 

CMYK 54 / 0 / 64 / 13

HEX #67DE4F

RGB 103 222 79

HSL 109.93, 0.68%, 0.59%

LAB 79.44, -59.5, 58.13

 

CMYK 64 / 0 / 58 / 13

HEX #4FDE5E

RGB 79 222 94

HSL 126.29, 0.68%, 0.59%

LAB 78.88, -63.42, 50.85

 

CMYK 64 / 0 / 41 / 13

HEX #4FDE83

RGB 79 222 131

HSL 141.82, 0.68%, 0.59%

LAB 79.35, -58.02, 33.64

 

CMYK 64 / 0 / 24 / 13

HEX #4FDEA9

RGB 79 222 169

HSL 157.76, 0.68%, 0.59%

LAB 80.05, -50.55, 14.92

 

CMYK 64 / 0 / 7 / 13

HEX #4FDECF

RGB 79 222 207

HSL 173.71, 0.68%, 0.59%

LAB 80.97, -41.37, -3.91

 

CMYK 81 / 0 / 50 / 28

HEX #23B75B

RGB 35 183 91

HSL 142.7, 0.68%, 0.43%

LAB 65.73, -57.33, 36.22

 

CMYK 79 / 0 / 49 / 16

HEX #2DD76D

RGB 45 215 109

HSL 142.59, 0.68%, 0.51%

LAB 76.23, -64.29, 40.45

 

CMYK 64 / 0 / 40 / 13

HEX #4FDE85

RGB 79 222 133

HSL 142.66, 0.68%, 0.59%

LAB 79.38, -57.67, 32.67

 

CMYK 50 / 0 / 31 / 11

HEX #72E49D

RGB 114 228 157

HSL 142.63, 0.68%, 0.67%

LAB 82.65, -48.12, 24.93

 

CMYK 37 / 0 / 23 / 8

HEX #95EBB5

RGB 149 235 181

HSL 142.33, 0.68%, 0.75%

LAB 86.57, -37.32, 18.15

 

CMYK 65 / 0 / 40 / 13

HEX #4EDD84

RGB 78 221 132

HSL 142.66, 0.68%, 0.59%

LAB 79.04, -57.66, 32.72

 

CMYK 64 / 36 / 0 / 13

HEX #4F8DDE

RGB 79 141 222

HSL 213.99, 0.68%, 0.59%

LAB 58.02, 5.23, -47.22

 

CMYK 0 / 64 / 62 / 13

HEX #DE4F54

RGB 222 79 84

HSL 357.9, 0.68%, 0.59%

LAB 53.77, 55.99, 27.81

 

CMYK 65 / 0 / 40 / 13

HEX #4EDD84

RGB 78 221 132

HSL 142.66, 0.68%, 0.59%

LAB 79.04, -57.66, 32.72

 

CMYK 41 / 64 / 0 / 13

HEX #834FDE

RGB 131 79 222

HSL 261.82, 0.68%, 0.59%

LAB 46.57, 52.12, -65.4

 

CMYK 0 / 41 / 64 / 13

HEX #DE834F

RGB 222 131 79

HSL 21.82, 0.68%, 0.59%

LAB 63.61, 30.45, 42.59

 

CMYK 65 / 0 / 40 / 13

HEX #4EDD84

RGB 78 221 132

HSL 142.66, 0.68%, 0.59%

LAB 79.04, -57.66, 32.72

 

CMYK 64 / 36 / 0 / 13

HEX #4F8DDE

RGB 79 141 222

HSL 213.99, 0.68%, 0.59%

LAB 58.02, 5.23, -47.22

 

CMYK 0 / 64 / 24 / 13

HEX #DE4FA9

RGB 222 79 169

HSL 322.24, 0.68%, 0.59%

LAB 56.07, 64.29, -19.04

 

CMYK 0 / 28 / 64 / 13

HEX #DEA04F

RGB 222 160 79

HSL 33.99, 0.68%, 0.59%

LAB 70.34, 14.94, 50.3

 

CMYK 65 / 0 / 40 / 13

HEX #4EDD84

RGB 78 221 132

HSL 142.66, 0.68%, 0.59%

LAB 79.04, -57.66, 32.72

 

CMYK 64 / 56 / 0 / 13

HEX #4F62DE

RGB 79 98 222

HSL 232.03, 0.68%, 0.59%

LAB 46.54, 31.63, -65.63

 

CMYK 0 / 64 / 24 / 13

HEX #DE4FA9

RGB 222 79 169

HSL 322.24, 0.68%, 0.59%

LAB 56.07, 64.29, -19.04

 

CMYK 0 / 9 / 64 / 13

HEX #DECB4F

RGB 222 203 79

HSL 52.03, 0.68%, 0.59%

LAB 81.18, -7.64, 62.11

 

Description

Color code: HEX #4EDD84 | qconv.com Color code: HEX #4EDD84 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 221 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 221 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 40 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 40% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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