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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4EDD3B it is the complementary color #B122C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4EDD3B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4EDD3B shade: #53DD36, #64EF49, #75FF5C, #86FF6F and #97FF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4EDD3B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4EDD3B shade: #4EDD3B, #3DCB28, #2CB915, #1BA702 and #0A9500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4EDD3B shade: #4FDD3C, #7ADD3C, #A5DD3C, #D1DD3C and #DDBD3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4EDD3B shade: #4FDD3C, #3CDD54, #3CDD80, #3CDDAB and #3CDDD6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4EDD3B shade matches the following richer shades: #4FDD3C and #41EF29

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4EDD3B shade: #4FDD3C, #5DCA4E, #6BB761, #79A574 and #889286

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4EDD3B shade: #A7DD3C, #7CDD3C, #51DD3C, #3CDD51 and #3CDD7C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4EDD3B shade: #2EA81E, #38CB24, #4FDD3C, #6EE35F and #8EE982

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4EDD3B shade: #4EDD3B, #3CD2DD and #DD3C92

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4EDD3B shade: #4EDD3B, #3C51DD and #DD3C51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4EDD3B shade: #4EDD3B, #3CD2DD, #C73CDD and #DD473C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4EDD3B shade: #4EDD3B, #3CA2DD, #C73CDD and #DD773C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 73 / 13

HEX #4EDD3B

RGB 78 221 59

HSL 112.96, 0.7%, 0.55%

LAB 78.26, -66.65, 64.22

 

Complementary color

CMYK 10 / 83 / 0 / 23

HEX #B122C4

RGB 177 34 196

HSL 292.96, 0.7%, 0.45%

LAB 44.91, 72.78, -52.81

 

CMYK 62 / 0 / 76 / 13

HEX #53DD36

RGB 83 221 54

HSL 109.58, 0.71%, 0.54%

LAB 78.36, -65.93, 66.02

 

CMYK 58 / 0 / 69 / 6

HEX #64EF49

RGB 100 239 73

HSL 110.24, 0.84%, 0.61%

LAB 84.44, -66.8, 65.77

 

CMYK 54 / 0 / 64 / 0

HEX #75FF5C

RGB 117 255 92

HSL 110.8, 1%, 0.68%

LAB 89.89, -66.66, 64.45

 

CMYK 47 / 0 / 56 / 0

HEX #86FF6F

RGB 134 255 111

HSL 110.42, 1%, 0.72%

LAB 90.66, -60.3, 57.49

 

CMYK 41 / 0 / 49 / 0

HEX #97FF82

RGB 151 255 130

HSL 109.92, 1%, 0.75%

LAB 91.56, -53.22, 50.11

 

CMYK 65 / 0 / 73 / 13

HEX #4EDD3B

RGB 78 221 59

HSL 112.96, 0.7%, 0.55%

LAB 78.26, -66.65, 64.22

 

CMYK 70 / 0 / 80 / 20

HEX #3DCB28

RGB 61 203 40

HSL 112.27, 0.67%, 0.48%

LAB 72.13, -65.34, 64.11

 

CMYK 76 / 0 / 89 / 27

HEX #2CB915

RGB 44 185 21

HSL 111.59, 0.8%, 0.4%

LAB 65.97, -63.44, 62.99

 

CMYK 84 / 0 / 99 / 35

HEX #1BA702

RGB 27 167 2

HSL 110.91, 0.98%, 0.33%

LAB 59.78, -60.8, 60.56

 

CMYK 93 / 0 / 100 / 42

HEX #0A9500

RGB 10 149 0

HSL 115.97, 1%, 0.29%

LAB 53.56, -57.09, 55.8

 

CMYK 64 / 0 / 73 / 13

HEX #4FDD3C

RGB 79 221 60

HSL 112.92, 0.7%, 0.55%

LAB 78.29, -66.37, 63.92

 

CMYK 45 / 0 / 73 / 13

HEX #7ADD3C

RGB 122 221 60

HSL 96.89, 0.7%, 0.55%

LAB 79.71, -55.21, 65.82

 

CMYK 25 / 0 / 73 / 13

HEX #A5DD3C

RGB 165 221 60

HSL 80.87, 0.7%, 0.55%

LAB 81.86, -40.4, 68.65

 

CMYK 5 / 0 / 73 / 13

HEX #D1DD3C

RGB 209 221 60

HSL 64.47, 0.7%, 0.55%

LAB 84.79, -22.98, 72.48

 

CMYK 0 / 14 / 73 / 13

HEX #DDBD3C

RGB 221 189 60

HSL 48.07, 0.7%, 0.55%

LAB 77.34, -1.85, 65.69

 

CMYK 64 / 0 / 73 / 13

HEX #4FDD3C

RGB 79 221 60

HSL 112.92, 0.7%, 0.55%

LAB 78.29, -66.37, 63.92

 

CMYK 73 / 0 / 62 / 13

HEX #3CDD54

RGB 60 221 84

HSL 128.94, 0.7%, 0.55%

LAB 78.06, -67.59, 54.2

 

CMYK 73 / 0 / 42 / 13

HEX #3CDD80

RGB 60 221 128

HSL 145.34, 0.7%, 0.55%

LAB 78.6, -61.31, 34.09

 

CMYK 73 / 0 / 23 / 13

HEX #3CDDAB

RGB 60 221 171

HSL 161.37, 0.7%, 0.55%

LAB 79.39, -52.56, 12.88

 

CMYK 73 / 0 / 3 / 13

HEX #3CDDD6

RGB 60 221 214

HSL 177.39, 0.7%, 0.55%

LAB 80.48, -41.6, -8.4

 

CMYK 64 / 0 / 73 / 13

HEX #4FDD3C

RGB 79 221 60

HSL 112.92, 0.7%, 0.55%

LAB 78.29, -66.37, 63.92

 

CMYK 73 / 0 / 83 / 6

HEX #41EF29

RGB 65 239 41

HSL 112.73, 0.86%, 0.55%

LAB 83.45, -75.67, 74.27

 

CMYK 64 / 0 / 73 / 13

HEX #4FDD3C

RGB 79 221 60

HSL 112.92, 0.7%, 0.55%

LAB 78.29, -66.37, 63.92

 

CMYK 54 / 0 / 61 / 21

HEX #5DCA4E

RGB 93 202 78

HSL 112.74, 0.54%, 0.55%

LAB 72.97, -54.77, 51.28

 

CMYK 42 / 0 / 47 / 28

HEX #6BB761

RGB 107 183 97

HSL 113.02, 0.37%, 0.55%

LAB 67.91, -40.68, 36.38

 

CMYK 27 / 0 / 30 / 35

HEX #79A574

RGB 121 165 116

HSL 113.88, 0.21%, 0.55%

LAB 63.54, -24.66, 20.75

 

CMYK 7 / 0 / 8 / 43

HEX #889286

RGB 136 146 134

HSL 110, 0.05%, 0.55%

LAB 59.45, -5.98, 5.11

 

CMYK 24 / 0 / 73 / 13

HEX #A7DD3C

RGB 167 221 60

HSL 80.12, 0.7%, 0.55%

LAB 81.98, -39.64, 68.8

 

CMYK 44 / 0 / 73 / 13

HEX #7CDD3C

RGB 124 221 60

HSL 96.15, 0.7%, 0.55%

LAB 79.8, -54.59, 65.93

 

CMYK 63 / 0 / 73 / 13

HEX #51DD3C

RGB 81 221 60

HSL 112.17, 0.7%, 0.55%

LAB 78.34, -65.95, 63.99

 

CMYK 73 / 0 / 63 / 13

HEX #3CDD51

RGB 60 221 81

HSL 127.83, 0.7%, 0.55%

LAB 78.03, -67.91, 55.44

 

CMYK 73 / 0 / 44 / 13

HEX #3CDD7C

RGB 60 221 124

HSL 143.85, 0.7%, 0.55%

LAB 78.54, -61.99, 36.02

 

CMYK 73 / 0 / 82 / 34

HEX #2EA81E

RGB 46 168 30

HSL 113.04, 0.7%, 0.39%

LAB 60.5, -57.37, 55.98

 

CMYK 72 / 0 / 82 / 20

HEX #38CB24

RGB 56 203 36

HSL 112.81, 0.7%, 0.47%

LAB 72.01, -66.42, 65.04

 

CMYK 64 / 0 / 73 / 13

HEX #4FDD3C

RGB 79 221 60

HSL 112.92, 0.7%, 0.55%

LAB 78.29, -66.37, 63.92

 

CMYK 52 / 0 / 58 / 11

HEX #6EE35F

RGB 110 227 95

HSL 113.18, 0.7%, 0.63%

LAB 81.34, -57.9, 53.5

 

CMYK 39 / 0 / 44 / 9

HEX #8EE982

RGB 142 233 130

HSL 113.01, 0.7%, 0.71%

LAB 84.81, -46.8, 41.61

 

CMYK 65 / 0 / 73 / 13

HEX #4EDD3B

RGB 78 221 59

HSL 112.96, 0.7%, 0.55%

LAB 78.26, -66.65, 64.22

 

CMYK 73 / 5 / 0 / 13

HEX #3CD2DD

RGB 60 210 221

HSL 184.1, 0.7%, 0.55%

LAB 77.44, -34.56, -16.68

 

CMYK 0 / 73 / 34 / 13

HEX #DD3C92

RGB 221 60 146

HSL 327.95, 0.7%, 0.55%

LAB 52.6, 68.16, -10.79

 

CMYK 65 / 0 / 73 / 13

HEX #4EDD3B

RGB 78 221 59

HSL 112.96, 0.7%, 0.55%

LAB 78.26, -66.65, 64.22

 

CMYK 73 / 63 / 0 / 13

HEX #3C51DD

RGB 60 81 221

HSL 232.17, 0.7%, 0.55%

LAB 41.32, 39.3, -73.62

 

CMYK 0 / 73 / 63 / 13

HEX #DD3C51

RGB 221 60 81

HSL 352.17, 0.7%, 0.55%

LAB 50.92, 62.7, 25.88

 

CMYK 65 / 0 / 73 / 13

HEX #4EDD3B

RGB 78 221 59

HSL 112.96, 0.7%, 0.55%

LAB 78.26, -66.65, 64.22

 

CMYK 73 / 5 / 0 / 13

HEX #3CD2DD

RGB 60 210 221

HSL 184.1, 0.7%, 0.55%

LAB 77.44, -34.56, -16.68

 

CMYK 10 / 73 / 0 / 13

HEX #C73CDD

RGB 199 60 221

HSL 291.8, 0.7%, 0.55%

LAB 52.5, 73.78, -54.81

 

CMYK 0 / 68 / 73 / 13

HEX #DD473C

RGB 221 71 60

HSL 4.1, 0.7%, 0.55%

LAB 52.07, 57.63, 39.43

 

CMYK 65 / 0 / 73 / 13

HEX #4EDD3B

RGB 78 221 59

HSL 112.96, 0.7%, 0.55%

LAB 78.26, -66.65, 64.22

 

CMYK 73 / 27 / 0 / 13

HEX #3CA2DD

RGB 60 162 221

HSL 201.99, 0.7%, 0.55%

LAB 63.36, -10.04, -38.31

 

CMYK 10 / 73 / 0 / 13

HEX #C73CDD

RGB 199 60 221

HSL 291.8, 0.7%, 0.55%

LAB 52.5, 73.78, -54.81

 

CMYK 0 / 46 / 73 / 13

HEX #DD773C

RGB 221 119 60

HSL 21.99, 0.7%, 0.55%

LAB 60.69, 35.3, 48.84

 

Description

Color code: HEX #4EDD3B | qconv.com Color code: HEX #4EDD3B | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 221 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 221 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 73 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 73% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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