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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4ED91B it is the complementary color #B126E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4ED91B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4ED91B shade: #53D916, #64EB29, #75FD3C, #86FF4F and #97FF62

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4ED91B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4ED91B shade: #4ED91B, #3DC708, #2CB500, #1BA300 and #0A9100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4ED91B shade: #4EDA1B, #82DA1B, #B5DA1B, #DACB1B and #DA981B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4ED91B shade: #4EDA1B, #1BDA1B, #1BDA4F, #1BDA82 and #1BDAB6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4ED91B shade matches the following richer shades: #4EDA1B and #45EE07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4ED91B shade: #4EDA1B, #57C62F, #61B243, #6A9E56 and #738B6A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4ED91B shade: #B7DA1B, #84DA1B, #51DA1B, #1EDA1B and #1BDA4B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4ED91B shade: #349012, #41B516, #4EDA1B, #67E638 and #83EB5C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4ED91B shade: #4ED91B, #1BDACA and #DA1B9D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4ED91B shade: #4ED91B, #1B51DA and #DA1B51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4ED91B shade: #4ED91B, #1BDACA, #A41BDA and #DA1B2B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4ED91B shade: #4ED91B, #1BB1DA, #A41BDA and #DA441B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 88 / 15

HEX #4ED91B

RGB 78 217 27

HSL 103.89, 0.78%, 0.48%

LAB 76.88, -67.03, 71.55

 

Complementary color

CMYK 22 / 83 / 0 / 11

HEX #B126E4

RGB 177 38 228

HSL 283.89, 0.78%, 0.52%

LAB 47.41, 77.49, -67.16

 

CMYK 62 / 0 / 90 / 15

HEX #53D916

RGB 83 217 22

HSL 101.23, 0.82%, 0.47%

LAB 76.99, -66.08, 72.57

 

CMYK 57 / 0 / 83 / 8

HEX #64EB29

RGB 100 235 41

HSL 101.75, 0.83%, 0.54%

LAB 83.07, -67.38, 74.23

 

CMYK 54 / 0 / 76 / 1

HEX #75FD3C

RGB 117 253 60

HSL 102.28, 0.98%, 0.61%

LAB 89.09, -68.32, 74.9

 

CMYK 47 / 0 / 69 / 0

HEX #86FF4F

RGB 134 255 79

HSL 101.25, 1%, 0.65%

LAB 90.39, -63.19, 70.1

 

CMYK 41 / 0 / 62 / 0

HEX #97FF62

RGB 151 255 98

HSL 99.75, 1%, 0.69%

LAB 91.23, -56.61, 63.85

 

CMYK 64 / 0 / 88 / 15

HEX #4ED91B

RGB 78 217 27

HSL 103.89, 0.78%, 0.48%

LAB 76.88, -67.03, 71.55

 

CMYK 69 / 0 / 96 / 22

HEX #3DC708

RGB 61 199 8

HSL 103.35, 0.92%, 0.41%

LAB 70.77, -65.21, 69

 

CMYK 76 / 0 / 100 / 29

HEX #2CB500

RGB 44 181 0

HSL 105.41, 1%, 0.35%

LAB 64.63, -62.76, 64.83

 

CMYK 83 / 0 / 100 / 36

HEX #1BA300

RGB 27 163 0

HSL 110.06, 1%, 0.32%

LAB 58.44, -59.67, 59.78

 

CMYK 93 / 0 / 100 / 43

HEX #0A9100

RGB 10 145 0

HSL 115.86, 1%, 0.28%

LAB 52.19, -55.93, 54.71

 

CMYK 64 / 0 / 88 / 15

HEX #4EDA1B

RGB 78 218 27

HSL 103.98, 0.78%, 0.48%

LAB 77.19, -67.35, 71.82

 

CMYK 40 / 0 / 88 / 15

HEX #82DA1B

RGB 130 218 27

HSL 87.64, 0.78%, 0.48%

LAB 79.02, -53, 74.11

 

CMYK 17 / 0 / 88 / 15

HEX #B5DA1B

RGB 181 218 27

HSL 71.62, 0.78%, 0.48%

LAB 81.86, -34.08, 77.63

 

CMYK 0 / 7 / 88 / 15

HEX #DACB1B

RGB 218 203 27

HSL 55.29, 0.78%, 0.48%

LAB 80.57, -11.37, 77.75

 

CMYK 0 / 30 / 88 / 15

HEX #DA981B

RGB 218 152 27

HSL 39.27, 0.78%, 0.48%

LAB 67.61, 15.38, 67.46

 

CMYK 64 / 0 / 88 / 15

HEX #4EDA1B

RGB 78 218 27

HSL 103.98, 0.78%, 0.48%

LAB 77.19, -67.35, 71.82

 

CMYK 88 / 0 / 88 / 15

HEX #1BDA1B

RGB 27 218 27

HSL 120, 0.78%, 0.48%

LAB 76.35, -74.64, 70.76

 

CMYK 88 / 0 / 64 / 15

HEX #1BDA4F

RGB 27 218 79

HSL 136.34, 0.78%, 0.48%

LAB 76.64, -70.9, 54.61

 

CMYK 88 / 0 / 40 / 15

HEX #1BDA82

RGB 27 218 130

HSL 152.36, 0.78%, 0.48%

LAB 77.27, -63.31, 31.26

 

CMYK 88 / 0 / 17 / 15

HEX #1BDAB6

RGB 27 218 182

HSL 168.69, 0.78%, 0.48%

LAB 78.32, -51.72, 5.45

 

CMYK 64 / 0 / 88 / 15

HEX #4EDA1B

RGB 78 218 27

HSL 103.98, 0.78%, 0.48%

LAB 77.19, -67.35, 71.82

 

CMYK 71 / 0 / 97 / 7

HEX #45EE07

RGB 69 238 7

HSL 103.9, 0.94%, 0.48%

LAB 83.14, -75.67, 79.19

 

CMYK 64 / 0 / 88 / 15

HEX #4EDA1B

RGB 78 218 27

HSL 103.98, 0.78%, 0.48%

LAB 77.19, -67.35, 71.82

 

CMYK 56 / 0 / 76 / 22

HEX #57C62F

RGB 87 198 47

HSL 104.11, 0.62%, 0.48%

LAB 71.3, -57.47, 61.44

 

CMYK 46 / 0 / 62 / 30

HEX #61B243

RGB 97 178 67

HSL 103.78, 0.45%, 0.48%

LAB 65.58, -45.29, 47.87

 

CMYK 33 / 0 / 46 / 38

HEX #6A9E56

RGB 106 158 86

HSL 103.33, 0.3%, 0.48%

LAB 60.06, -31.19, 32.16

 

CMYK 17 / 0 / 24 / 45

HEX #738B6A

RGB 115 139 106

HSL 103.64, 0.13%, 0.48%

LAB 55.23, -15.15, 14.88

 

CMYK 16 / 0 / 88 / 15

HEX #B7DA1B

RGB 183 218 27

HSL 70.99, 0.78%, 0.48%

LAB 82, -33.28, 77.79

 

CMYK 39 / 0 / 88 / 15

HEX #84DA1B

RGB 132 218 27

HSL 87.02, 0.78%, 0.48%

LAB 79.11, -52.33, 74.23

 

CMYK 63 / 0 / 88 / 15

HEX #51DA1B

RGB 81 218 27

HSL 103.04, 0.78%, 0.48%

LAB 77.26, -66.7, 71.91

 

CMYK 86 / 0 / 88 / 15

HEX #1EDA1B

RGB 30 218 27

HSL 119.06, 0.78%, 0.48%

LAB 76.37, -74.4, 70.8

 

CMYK 88 / 0 / 66 / 15

HEX #1BDA4B

RGB 27 218 75

HSL 135.08, 0.78%, 0.48%

LAB 76.61, -71.33, 56.22

 

CMYK 64 / 0 / 88 / 44

HEX #349012

RGB 52 144 18

HSL 103.81, 0.78%, 0.32%

LAB 52.64, -48.58, 52.05

 

CMYK 64 / 0 / 88 / 29

HEX #41B516

RGB 65 181 22

HSL 103.77, 0.78%, 0.4%

LAB 65.14, -58.18, 62.25

 

CMYK 64 / 0 / 88 / 15

HEX #4EDA1B

RGB 78 218 27

HSL 103.98, 0.78%, 0.48%

LAB 77.19, -67.35, 71.82

 

CMYK 55 / 0 / 76 / 10

HEX #67E638

RGB 103 230 56

HSL 103.79, 0.78%, 0.56%

LAB 81.71, -64.13, 68.85

 

CMYK 44 / 0 / 61 / 8

HEX #83EB5C

RGB 131 235 92

HSL 103.64, 0.78%, 0.64%

LAB 84.49, -55.36, 58.61

 

CMYK 64 / 0 / 88 / 15

HEX #4ED91B

RGB 78 217 27

HSL 103.89, 0.78%, 0.48%

LAB 76.88, -67.03, 71.55

 

CMYK 88 / 0 / 7 / 15

HEX #1BDACA

RGB 27 218 202

HSL 174.97, 0.78%, 0.48%

LAB 78.83, -46.39, -4.48

 

CMYK 0 / 88 / 28 / 15

HEX #DA1B9D

RGB 218 27 157

HSL 319.16, 0.78%, 0.48%

LAB 49.65, 76.76, -21.88

 

CMYK 64 / 0 / 88 / 15

HEX #4ED91B

RGB 78 217 27

HSL 103.89, 0.78%, 0.48%

LAB 76.88, -67.03, 71.55

 

CMYK 88 / 63 / 0 / 15

HEX #1B51DA

RGB 27 81 218

HSL 223.04, 0.78%, 0.48%

LAB 39.88, 35.49, -74.31

 

CMYK 0 / 88 / 63 / 15

HEX #DA1B51

RGB 218 27 81

HSL 343.04, 0.78%, 0.48%

LAB 47.34, 70.36, 21.12

 

CMYK 64 / 0 / 88 / 15

HEX #4ED91B

RGB 78 217 27

HSL 103.89, 0.78%, 0.48%

LAB 76.88, -67.03, 71.55

 

CMYK 88 / 0 / 7 / 15

HEX #1BDACA

RGB 27 218 202

HSL 174.97, 0.78%, 0.48%

LAB 78.83, -46.39, -4.48

 

CMYK 25 / 88 / 0 / 15

HEX #A41BDA

RGB 164 27 218

HSL 283.04, 0.78%, 0.48%

LAB 43.86, 76.1, -67.32

 

CMYK 0 / 88 / 80 / 15

HEX #DA1B2B

RGB 218 27 43

HSL 354.97, 0.78%, 0.48%

LAB 46.8, 68.78, 43.02

 

CMYK 64 / 0 / 88 / 15

HEX #4ED91B

RGB 78 217 27

HSL 103.89, 0.78%, 0.48%

LAB 76.88, -67.03, 71.55

 

CMYK 88 / 19 / 0 / 15

HEX #1BB1DA

RGB 27 177 218

HSL 192.88, 0.78%, 0.48%

LAB 67.08, -22.16, -30.92

 

CMYK 25 / 88 / 0 / 15

HEX #A41BDA

RGB 164 27 218

HSL 283.04, 0.78%, 0.48%

LAB 43.86, 76.1, -67.32

 

CMYK 0 / 69 / 88 / 15

HEX #DA441B

RGB 218 68 27

HSL 12.88, 0.78%, 0.48%

LAB 50.83, 56.79, 54.25

 

Description

Color code: HEX #4ED91B | qconv.com Color code: HEX #4ED91B | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 217 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 217 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 88 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 88% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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