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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4ED521 it is the complementary color #B12ADE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4ED521. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4ED521 shade: #53D51C, #64E72F, #75F942, #86FF55 and #97FF68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4ED521. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4ED521 shade: #4ED521, #3DC30E, #2CB100, #1B9F00 and #0A8D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4ED521 shade: #4ED421, #7ED421, #AED421, #D4C921 and #D49921

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4ED521 shade: #4ED421, #21D425, #21D455, #21D485 and #21D4B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4ED521 shade matches the following richer shades: #4ED421 and #44E80D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4ED521 shade: #4ED421, #58C035, #62AC49, #6B985C and #758570

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4ED521 shade: #ADD421, #7DD421, #4ED421, #21D424 and #21D454

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4ED521 shade: #348C16, #41B01B, #4ED421, #66E13D and #82E661

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4ED521 shade: #4ED521, #21D4CB and #D42195

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4ED521 shade: #4ED521, #214ED4 and #D4214E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4ED521 shade: #4ED521, #21D4CB, #A721D4 and #D4212A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4ED521 shade: #4ED521, #21A7D4, #A721D4 and #D44E21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 85 / 16

HEX #4ED521

RGB 78 213 33

HSL 105, 0.73%, 0.48%

LAB 75.65, -65.5, 69.23

 

Complementary color

CMYK 20 / 81 / 0 / 13

HEX #B12ADE

RGB 177 42 222

HSL 285, 0.73%, 0.52%

LAB 47.34, 75.36, -63.87

 

CMYK 61 / 0 / 87 / 16

HEX #53D51C

RGB 83 213 28

HSL 102.16, 0.77%, 0.47%

LAB 75.77, -64.57, 70.45

 

CMYK 57 / 0 / 80 / 9

HEX #64E72F

RGB 100 231 47

HSL 102.72, 0.79%, 0.55%

LAB 81.87, -65.74, 71.62

 

CMYK 53 / 0 / 73 / 2

HEX #75F942

RGB 117 249 66

HSL 103.28, 0.94%, 0.62%

LAB 87.93, -66.56, 71.9

 

CMYK 47 / 0 / 67 / 0

HEX #86FF55

RGB 134 255 85

HSL 102.71, 1%, 0.67%

LAB 90.43, -62.73, 67.93

 

CMYK 41 / 0 / 59 / 0

HEX #97FF68

RGB 151 255 104

HSL 101.32, 1%, 0.7%

LAB 91.28, -56.05, 61.4

 

CMYK 63 / 0 / 85 / 16

HEX #4ED521

RGB 78 213 33

HSL 105, 0.73%, 0.48%

LAB 75.65, -65.5, 69.23

 

CMYK 69 / 0 / 93 / 24

HEX #3DC30E

RGB 61 195 14

HSL 104.42, 0.87%, 0.41%

LAB 69.51, -63.83, 67.26

 

CMYK 75 / 0 / 100 / 31

HEX #2CB100

RGB 44 177 0

HSL 105.08, 1%, 0.35%

LAB 63.33, -61.54, 63.79

 

CMYK 83 / 0 / 100 / 38

HEX #1B9F00

RGB 27 159 0

HSL 109.81, 1%, 0.31%

LAB 57.1, -58.48, 58.71

 

CMYK 93 / 0 / 100 / 45

HEX #0A8D00

RGB 10 141 0

HSL 115.74, 1%, 0.28%

LAB 50.82, -54.76, 53.61

 

CMYK 63 / 0 / 84 / 17

HEX #4ED421

RGB 78 212 33

HSL 104.92, 0.73%, 0.48%

LAB 75.34, -65.17, 68.96

 

CMYK 41 / 0 / 84 / 17

HEX #7ED421

RGB 126 212 33

HSL 88.83, 0.73%, 0.48%

LAB 77.06, -51.76, 71.14

 

CMYK 18 / 0 / 84 / 17

HEX #AED421

RGB 174 212 33

HSL 72.74, 0.73%, 0.48%

LAB 79.72, -33.98, 74.48

 

CMYK 0 / 5 / 84 / 17

HEX #D4C921

RGB 212 201 33

HSL 56.31, 0.73%, 0.48%

LAB 79.55, -12.8, 75.48

 

CMYK 0 / 28 / 84 / 17

HEX #D49921

RGB 212 153 33

HSL 40.22, 0.73%, 0.48%

LAB 67.19, 12.37, 65.22

 

CMYK 63 / 0 / 84 / 17

HEX #4ED421

RGB 78 212 33

HSL 104.92, 0.73%, 0.48%

LAB 75.34, -65.17, 68.96

 

CMYK 84 / 0 / 83 / 17

HEX #21D425

RGB 33 212 37

HSL 121.34, 0.73%, 0.48%

LAB 74.54, -72.01, 66.97

 

CMYK 84 / 0 / 60 / 17

HEX #21D455

RGB 33 212 85

HSL 137.43, 0.73%, 0.48%

LAB 74.87, -67.88, 50.01

 

CMYK 84 / 0 / 37 / 17

HEX #21D485

RGB 33 212 133

HSL 153.52, 0.73%, 0.48%

LAB 75.52, -60.18, 27.4

 

CMYK 84 / 0 / 15 / 17

HEX #21D4B5

RGB 33 212 181

HSL 169.61, 0.73%, 0.48%

LAB 76.53, -49.14, 3.4

 

CMYK 63 / 0 / 84 / 17

HEX #4ED421

RGB 78 212 33

HSL 104.92, 0.73%, 0.48%

LAB 75.34, -65.17, 68.96

 

CMYK 71 / 0 / 94 / 9

HEX #44E80D

RGB 68 232 13

HSL 104.93, 0.89%, 0.48%

LAB 81.28, -73.96, 77.14

 

CMYK 63 / 0 / 84 / 17

HEX #4ED421

RGB 78 212 33

HSL 104.92, 0.73%, 0.48%

LAB 75.34, -65.17, 68.96

 

CMYK 54 / 0 / 72 / 25

HEX #58C035

RGB 88 192 53

HSL 104.89, 0.57%, 0.48%

LAB 69.49, -54.6, 57.6

 

CMYK 43 / 0 / 58 / 33

HEX #62AC49

RGB 98 172 73

HSL 104.85, 0.4%, 0.48%

LAB 63.82, -41.83, 43.12

 

CMYK 30 / 0 / 39 / 40

HEX #6B985C

RGB 107 152 92

HSL 105, 0.25%, 0.48%

LAB 58.37, -27.08, 26.81

 

CMYK 12 / 0 / 16 / 48

HEX #758570

RGB 117 133 112

HSL 105.71, 0.09%, 0.48%

LAB 53.74, -10.05, 9.38

 

CMYK 18 / 0 / 84 / 17

HEX #ADD421

RGB 173 212 33

HSL 73.07, 0.73%, 0.48%

LAB 79.66, -34.38, 74.4

 

CMYK 41 / 0 / 84 / 17

HEX #7DD421

RGB 125 212 33

HSL 89.16, 0.73%, 0.48%

LAB 77.02, -52.1, 71.08

 

CMYK 63 / 0 / 84 / 17

HEX #4ED421

RGB 78 212 33

HSL 104.92, 0.73%, 0.48%

LAB 75.34, -65.17, 68.96

 

CMYK 84 / 0 / 83 / 17

HEX #21D424

RGB 33 212 36

HSL 121.01, 0.73%, 0.48%

LAB 74.53, -72.06, 67.22

 

CMYK 84 / 0 / 60 / 17

HEX #21D454

RGB 33 212 84

HSL 137.09, 0.73%, 0.48%

LAB 74.86, -68, 50.45

 

CMYK 63 / 0 / 84 / 45

HEX #348C16

RGB 52 140 22

HSL 104.75, 0.73%, 0.32%

LAB 51.32, -46.95, 49.83

 

CMYK 63 / 0 / 85 / 31

HEX #41B01B

RGB 65 176 27

HSL 104.7, 0.73%, 0.4%

LAB 63.55, -56.28, 59.73

 

CMYK 63 / 0 / 84 / 17

HEX #4ED421

RGB 78 212 33

HSL 104.92, 0.73%, 0.48%

LAB 75.34, -65.17, 68.96

 

CMYK 55 / 0 / 73 / 12

HEX #66E13D

RGB 102 225 61

HSL 105, 0.73%, 0.56%

LAB 80.19, -62.3, 65.7

 

CMYK 43 / 0 / 58 / 10

HEX #82E661

RGB 130 230 97

HSL 105.11, 0.73%, 0.64%

LAB 83.02, -53.18, 54.76

 

CMYK 63 / 0 / 85 / 16

HEX #4ED521

RGB 78 213 33

HSL 105, 0.73%, 0.48%

LAB 75.65, -65.5, 69.23

 

CMYK 84 / 0 / 4 / 17

HEX #21D4CB

RGB 33 212 203

HSL 176.98, 0.73%, 0.48%

LAB 77.11, -43.14, -7.55

 

CMYK 0 / 84 / 30 / 17

HEX #D42195

RGB 212 33 149

HSL 321.12, 0.73%, 0.48%

LAB 48.58, 73.49, -18.83

 

CMYK 63 / 0 / 85 / 16

HEX #4ED521

RGB 78 213 33

HSL 105, 0.73%, 0.48%

LAB 75.65, -65.5, 69.23

 

CMYK 84 / 63 / 0 / 17

HEX #214ED4

RGB 33 78 212

HSL 224.92, 0.73%, 0.48%

LAB 38.77, 35.53, -72.68

 

CMYK 0 / 84 / 63 / 17

HEX #D4214E

RGB 212 33 78

HSL 344.92, 0.73%, 0.48%

LAB 46.49, 67.52, 21.62

 

CMYK 63 / 0 / 85 / 16

HEX #4ED521

RGB 78 213 33

HSL 105, 0.73%, 0.48%

LAB 75.65, -65.5, 69.23

 

CMYK 84 / 0 / 4 / 17

HEX #21D4CB

RGB 33 212 203

HSL 176.98, 0.73%, 0.48%

LAB 77.11, -43.14, -7.55

 

CMYK 21 / 84 / 0 / 17

HEX #A721D4

RGB 167 33 212

HSL 284.92, 0.73%, 0.48%

LAB 44.31, 74.15, -63.11

 

CMYK 0 / 84 / 80 / 17

HEX #D4212A

RGB 212 33 42

HSL 356.98, 0.73%, 0.48%

LAB 45.98, 66, 42.35

 

CMYK 63 / 0 / 85 / 16

HEX #4ED521

RGB 78 213 33

HSL 105, 0.73%, 0.48%

LAB 75.65, -65.5, 69.23

 

CMYK 84 / 21 / 0 / 17

HEX #21A7D4

RGB 33 167 212

HSL 195.08, 0.73%, 0.48%

LAB 63.93, -18.58, -32.48

 

CMYK 21 / 84 / 0 / 17

HEX #A721D4

RGB 167 33 212

HSL 284.92, 0.73%, 0.48%

LAB 44.31, 74.15, -63.11

 

CMYK 0 / 63 / 84 / 17

HEX #D44E21

RGB 212 78 33

HSL 15.08, 0.73%, 0.48%

LAB 51.33, 50.78, 51.75

 

Description

Color code: HEX #4ED521 | qconv.com Color code: HEX #4ED521 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 213 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 213 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 85 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 85% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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