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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4ECADC it is the complementary color #B13523. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4ECADC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4ECADC shade: #53CAD7, #64DCEA, #75EEFD, #86FFFF and #97FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4ECADC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4ECADC shade: #4ECADC, #3DB8C9, #2CA6B6, #1B94A3 and #0A8290

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4ECADC shade: #4CC9DC, #4CA3DC, #4C7CDC, #4C55DC and #6A4CDC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4ECADC shade: #4CC9DC, #4CA3DC, #4C7CDC, #4C55DC and #4C4CDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4ECADC shade matches the following richer shades: #4CC9DC, #3BD6ED and #29E3FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4ECADC shade: #4CC9DC, #5DBDCA, #6FB0B9, #80A3A8 and #919696

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4ECADC shade: #4CDCA0, #4CDCC6, #4CCBDC, #4CA5DC and #4C7EDC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4ECADC shade: #23A0B2, #2ABFD5, #4CC9DC, #6FD4E2 and #91DEE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4ECADC shade: #4ECADC, #7A4CDC and #DCB34C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4ECADC shade: #4ECADC, #DC4CCB and #CBDC4C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4ECADC shade: #4ECADC, #7A4CDC, #DC5D4C and #AEDC4C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4ECADC shade: #4ECADC, #A54CDC, #DC5D4C and #83DC4C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 8 / 0 / 14

HEX #4ECADC

RGB 78 202 220

HSL 187.61, 0.67%, 0.58%

LAB 75.47, -28.59, -19.09

 

Complementary color

CMYK 0 / 70 / 80 / 31

HEX #B13523

RGB 177 53 35

HSL 7.61, 0.67%, 0.42%

LAB 41.24, 49.22, 39.16

 

CMYK 61 / 6 / 0 / 16

HEX #53CAD7

RGB 83 202 215

HSL 185.91, 0.62%, 0.58%

LAB 75.44, -29.22, -16.42

 

CMYK 57 / 6 / 0 / 8

HEX #64DCEA

RGB 100 220 234

HSL 186.27, 0.76%, 0.65%

LAB 81.75, -29.62, -17.04

 

CMYK 54 / 6 / 0 / 1

HEX #75EEFD

RGB 117 238 253

HSL 186.62, 0.97%, 0.73%

LAB 87.98, -29.92, -17.62

 

CMYK 47 / 0 / 0 / 0

HEX #86FFFF

RGB 134 255 255

HSL 180, 1%, 0.76%

LAB 93.37, -33.98, -10.54

 

CMYK 41 / 0 / 0 / 0

HEX #97FFFF

RGB 151 255 255

HSL 180, 1%, 0.8%

LAB 94.02, -30.19, -9.5

 

CMYK 65 / 8 / 0 / 14

HEX #4ECADC

RGB 78 202 220

HSL 187.61, 0.67%, 0.58%

LAB 75.47, -28.59, -19.09

 

CMYK 70 / 8 / 0 / 21

HEX #3DB8C9

RGB 61 184 201

HSL 187.29, 0.56%, 0.51%

LAB 69.1, -27.89, -18.43

 

CMYK 76 / 9 / 0 / 29

HEX #2CA6B6

RGB 44 166 182

HSL 186.96, 0.61%, 0.44%

LAB 62.66, -26.96, -17.7

 

CMYK 83 / 9 / 0 / 36

HEX #1B94A3

RGB 27 148 163

HSL 186.62, 0.72%, 0.37%

LAB 56.14, -25.7, -16.87

 

CMYK 93 / 10 / 0 / 44

HEX #0A8290

RGB 10 130 144

HSL 186.27, 0.87%, 0.3%

LAB 49.55, -23.99, -15.92

 

CMYK 65 / 9 / 0 / 14

HEX #4CC9DC

RGB 76 201 220

HSL 187.92, 0.67%, 0.58%

LAB 75.12, -28.4, -19.62

 

CMYK 65 / 26 / 0 / 14

HEX #4CA3DC

RGB 76 163 220

HSL 203.75, 0.67%, 0.58%

LAB 64.08, -8.57, -36.6

 

CMYK 65 / 44 / 0 / 14

HEX #4C7CDC

RGB 76 124 220

HSL 220, 0.67%, 0.58%

LAB 53.08, 14.3, -53.98

 

CMYK 65 / 61 / 0 / 14

HEX #4C55DC

RGB 76 85 220

HSL 236.25, 0.67%, 0.58%

LAB 43.06, 38.52, -70.16

 

CMYK 52 / 65 / 0 / 14

HEX #6A4CDC

RGB 106 76 220

HSL 252.5, 0.67%, 0.58%

LAB 43.36, 48.54, -69.58

 

CMYK 65 / 9 / 0 / 14

HEX #4CC9DC

RGB 76 201 220

HSL 187.92, 0.67%, 0.58%

LAB 75.12, -28.4, -19.62

 

CMYK 65 / 26 / 0 / 14

HEX #4CA3DC

RGB 76 163 220

HSL 203.75, 0.67%, 0.58%

LAB 64.08, -8.57, -36.6

 

CMYK 65 / 44 / 0 / 14

HEX #4C7CDC

RGB 76 124 220

HSL 220, 0.67%, 0.58%

LAB 53.08, 14.3, -53.98

 

CMYK 65 / 61 / 0 / 14

HEX #4C55DC

RGB 76 85 220

HSL 236.25, 0.67%, 0.58%

LAB 43.06, 38.52, -70.16

 

CMYK 65 / 65 / 0 / 14

HEX #4C4CDC

RGB 76 76 220

HSL 240, 0.67%, 0.58%

LAB 41.01, 43.93, -73.51

 

CMYK 65 / 9 / 0 / 14

HEX #4CC9DC

RGB 76 201 220

HSL 187.92, 0.67%, 0.58%

LAB 75.12, -28.4, -19.62

 

CMYK 75 / 10 / 0 / 7

HEX #3BD6ED

RGB 59 214 237

HSL 187.75, 0.83%, 0.58%

LAB 79.12, -31.79, -22.71

 

CMYK 84 / 11 / 0 / 0

HEX #29E3FE

RGB 41 227 254

HSL 187.61, 0.99%, 0.58%

LAB 83.21, -34.3, -25.53

 

CMYK 65 / 9 / 0 / 14

HEX #4CC9DC

RGB 76 201 220

HSL 187.92, 0.67%, 0.58%

LAB 75.12, -28.4, -19.62

 

CMYK 54 / 6 / 0 / 21

HEX #5DBDCA

RGB 93 189 202

HSL 187.16, 0.51%, 0.58%

LAB 71.55, -24.61, -15.2

 

CMYK 40 / 5 / 0 / 27

HEX #6FB0B9

RGB 111 176 185

HSL 187.3, 0.35%, 0.58%

LAB 67.97, -18.37, -11.15

 

CMYK 24 / 3 / 0 / 34

HEX #80A3A8

RGB 128 163 168

HSL 187.5, 0.19%, 0.58%

LAB 64.65, -10.77, -6.53

 

CMYK 3 / 0 / 0 / 41

HEX #919696

RGB 145 150 150

HSL 180, 0.02%, 0.58%

LAB 61.68, -1.8, -0.64

 

CMYK 65 / 0 / 27 / 14

HEX #4CDCA0

RGB 76 220 160

HSL 155, 0.67%, 0.58%

LAB 79.19, -52.2, 18.44

 

CMYK 65 / 0 / 10 / 14

HEX #4CDCC6

RGB 76 220 198

HSL 170.83, 0.67%, 0.58%

LAB 80.07, -43.28, -0.45

 

CMYK 65 / 8 / 0 / 14

HEX #4CCBDC

RGB 76 203 220

HSL 187.08, 0.67%, 0.58%

LAB 75.71, -29.38, -18.73

 

CMYK 65 / 25 / 0 / 14

HEX #4CA5DC

RGB 76 165 220

HSL 202.92, 0.67%, 0.58%

LAB 64.66, -9.68, -35.71

 

CMYK 65 / 43 / 0 / 14

HEX #4C7EDC

RGB 76 126 220

HSL 219.17, 0.67%, 0.58%

LAB 53.63, 13.08, -53.1

 

CMYK 80 / 10 / 0 / 30

HEX #23A0B2

RGB 35 160 178

HSL 187.55, 0.67%, 0.42%

LAB 60.53, -26.16, -18.71

 

CMYK 80 / 10 / 0 / 16

HEX #2ABFD5

RGB 42 191 213

HSL 187.72, 0.67%, 0.5%

LAB 71.25, -29.73, -21.76

 

CMYK 65 / 9 / 0 / 14

HEX #4CC9DC

RGB 76 201 220

HSL 187.92, 0.67%, 0.58%

LAB 75.12, -28.4, -19.62

 

CMYK 51 / 6 / 0 / 11

HEX #6FD4E2

RGB 111 212 226

HSL 187.3, 0.66%, 0.66%

LAB 79.59, -25.74, -15.99

 

CMYK 38 / 5 / 0 / 9

HEX #91DEE9

RGB 145 222 233

HSL 187.5, 0.67%, 0.74%

LAB 84.04, -20.95, -12.89

 

CMYK 65 / 8 / 0 / 14

HEX #4ECADC

RGB 78 202 220

HSL 187.61, 0.67%, 0.58%

LAB 75.47, -28.59, -19.09

 

CMYK 45 / 65 / 0 / 14

HEX #7A4CDC

RGB 122 76 220

HSL 259.17, 0.67%, 0.58%

LAB 44.9, 51.43, -67

 

CMYK 0 / 19 / 65 / 14

HEX #DCB34C

RGB 220 179 76

HSL 42.92, 0.67%, 0.58%

LAB 74.81, 3.79, 56.54

 

CMYK 65 / 8 / 0 / 14

HEX #4ECADC

RGB 78 202 220

HSL 187.61, 0.67%, 0.58%

LAB 75.47, -28.59, -19.09

 

CMYK 0 / 65 / 8 / 14

HEX #DC4CCB

RGB 220 76 203

HSL 307.08, 0.67%, 0.58%

LAB 56.78, 69.78, -37.58

 

CMYK 8 / 0 / 65 / 14

HEX #CBDC4C

RGB 203 220 76

HSL 67.08, 0.67%, 0.58%

LAB 84.18, -24.1, 65.98

 

CMYK 65 / 8 / 0 / 14

HEX #4ECADC

RGB 78 202 220

HSL 187.61, 0.67%, 0.58%

LAB 75.47, -28.59, -19.09

 

CMYK 45 / 65 / 0 / 14

HEX #7A4CDC

RGB 122 76 220

HSL 259.17, 0.67%, 0.58%

LAB 44.9, 51.43, -67

 

CMYK 0 / 58 / 65 / 14

HEX #DC5D4C

RGB 220 93 76

HSL 7.08, 0.67%, 0.58%

LAB 55.65, 48.63, 34.66

 

CMYK 21 / 0 / 65 / 14

HEX #AEDC4C

RGB 174 220 76

HSL 79.17, 0.67%, 0.58%

LAB 82.22, -35.54, 63.33

 

CMYK 65 / 8 / 0 / 14

HEX #4ECADC

RGB 78 202 220

HSL 187.61, 0.67%, 0.58%

LAB 75.47, -28.59, -19.09

 

CMYK 25 / 65 / 0 / 14

HEX #A54CDC

RGB 165 76 220

HSL 277.08, 0.67%, 0.58%

LAB 49.9, 60.19, -58.67

 

CMYK 0 / 58 / 65 / 14

HEX #DC5D4C

RGB 220 93 76

HSL 7.08, 0.67%, 0.58%

LAB 55.65, 48.63, 34.66

 

CMYK 40 / 0 / 65 / 14

HEX #83DC4C

RGB 131 220 76

HSL 97.08, 0.67%, 0.58%

LAB 79.92, -50.81, 60.19

 

Description

Color code: HEX #4ECADC | qconv.com Color code: HEX #4ECADC | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 202 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 202 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 8 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 8% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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