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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4EC503 it is the complementary color #B13AFC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4EC503. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4EC503 shade: #53C500, #64D711, #75E924, #86FB37 and #97FF4A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4EC503. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4EC503 shade: #4EC503, #3DB300, #2CA100, #1B8F00 and #0A7D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4EC503 shade: #4EC403, #82C403, #B6C403, #C49E03 and #C46A03

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4EC503 shade: #4EC403, #1AC403, #03C420, #03C454 and #03C488

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4EC503 shade matches the following richer shades: #4EC403

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4EC503 shade: #4EC403, #51B413, #55A423, #599433 and #5C8443

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4EC503 shade: #B7C403, #84C403, #50C403, #1DC403 and #03C41D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4EC503 shade: #2D7302, #3D9B02, #4EC403, #5EED04 and #74FC1E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4EC503 shade: #4EC503, #03C49D and #C4039D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4EC503 shade: #4EC503, #0350C4 and #C40350

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4EC503 shade: #4EC503, #03C49D, #7703C4 and #C4032A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4EC503 shade: #4EC503, #03B1C4, #7703C4 and #C41603

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 98 / 23

HEX #4EC503

RGB 78 197 3

HSL 96.8, 0.97%, 0.39%

LAB 70.57, -60.99, 69.56

 

Complementary color

CMYK 30 / 77 / 0 / 1

HEX #B13AFC

RGB 177 58 252

HSL 276.8, 0.97%, 0.61%

LAB 51.15, 76.33, -74.57

 

CMYK 58 / 0 / 100 / 23

HEX #53C500

RGB 83 197 0

HSL 94.72, 1%, 0.39%

LAB 70.71, -59.79, 70.07

 

CMYK 53 / 0 / 92 / 16

HEX #64D711

RGB 100 215 17

HSL 94.85, 0.85%, 0.45%

LAB 76.89, -61.26, 73.43

 

CMYK 50 / 0 / 85 / 9

HEX #75E924

RGB 117 233 36

HSL 95.33, 0.82%, 0.53%

LAB 83.01, -62.38, 75.54

 

CMYK 47 / 0 / 78 / 2

HEX #86FB37

RGB 134 251 55

HSL 95.82, 0.96%, 0.6%

LAB 89.08, -63.19, 76.54

 

CMYK 41 / 0 / 71 / 0

HEX #97FF4A

RGB 151 255 74

HSL 94.48, 1%, 0.65%

LAB 91.05, -58.45, 72.76

 

CMYK 60 / 0 / 98 / 23

HEX #4EC503

RGB 78 197 3

HSL 96.8, 0.97%, 0.39%

LAB 70.57, -60.99, 69.56

 

CMYK 66 / 0 / 100 / 30

HEX #3DB300

RGB 61 179 0

HSL 99.55, 1%, 0.35%

LAB 64.35, -58.96, 64.76

 

CMYK 73 / 0 / 100 / 37

HEX #2CA100

RGB 44 161 0

HSL 103.6, 1%, 0.32%

LAB 58.06, -56.54, 59.6

 

CMYK 81 / 0 / 100 / 44

HEX #1B8F00

RGB 27 143 0

HSL 108.67, 1%, 0.28%

LAB 51.7, -53.62, 54.4

 

CMYK 92 / 0 / 100 / 51

HEX #0A7D00

RGB 10 125 0

HSL 115.2, 1%, 0.25%

LAB 45.26, -50.01, 49.16

 

CMYK 60 / 0 / 98 / 23

HEX #4EC403

RGB 78 196 3

HSL 96.68, 0.97%, 0.39%

LAB 70.25, -60.65, 69.3

 

CMYK 34 / 0 / 98 / 23

HEX #82C403

RGB 130 196 3

HSL 80.52, 0.97%, 0.39%

LAB 72.38, -44.5, 71.9

 

CMYK 7 / 0 / 98 / 23

HEX #B6C403

RGB 182 196 3

HSL 64.35, 0.97%, 0.39%

LAB 75.72, -23.64, 75.9

 

CMYK 0 / 19 / 98 / 23

HEX #C49E03

RGB 196 158 3

HSL 48.19, 0.97%, 0.39%

LAB 66.67, 2.08, 69.84

 

CMYK 0 / 46 / 98 / 23

HEX #C46A03

RGB 196 106 3

HSL 32.02, 0.97%, 0.39%

LAB 54.08, 30.37, 61.31

 

CMYK 60 / 0 / 98 / 23

HEX #4EC403

RGB 78 196 3

HSL 96.68, 0.97%, 0.39%

LAB 70.25, -60.65, 69.3

 

CMYK 87 / 0 / 98 / 23

HEX #1AC403

RGB 26 196 3

HSL 112.85, 0.97%, 0.39%

LAB 69.26, -69.2, 68.09

 

CMYK 98 / 0 / 84 / 23

HEX #03C420

RGB 3 196 32

HSL 129.02, 0.97%, 0.39%

LAB 69.19, -69.6, 63.26

 

CMYK 98 / 0 / 57 / 23

HEX #03C454

RGB 3 196 84

HSL 145.18, 0.97%, 0.39%

LAB 69.57, -64.76, 44.22

 

CMYK 98 / 0 / 31 / 23

HEX #03C488

RGB 3 196 136

HSL 161.35, 0.97%, 0.39%

LAB 70.37, -55.28, 18.8

 

CMYK 60 / 0 / 98 / 23

HEX #4EC403

RGB 78 196 3

HSL 96.68, 0.97%, 0.39%

LAB 70.25, -60.65, 69.3

 

CMYK 60 / 0 / 98 / 23

HEX #4EC403

RGB 78 196 3

HSL 96.68, 0.97%, 0.39%

LAB 70.25, -60.65, 69.3

 

CMYK 55 / 0 / 89 / 29

HEX #51B413

RGB 81 180 19

HSL 96.89, 0.81%, 0.39%

LAB 65.31, -53.91, 63.17

 

CMYK 48 / 0 / 79 / 36

HEX #55A423

RGB 85 164 35

HSL 96.74, 0.65%, 0.39%

LAB 60.43, -45.94, 54.84

 

CMYK 40 / 0 / 66 / 42

HEX #599433

RGB 89 148 51

HSL 96.49, 0.49%, 0.39%

LAB 55.63, -36.7, 43.88

 

CMYK 30 / 0 / 49 / 48

HEX #5C8443

RGB 92 132 67

HSL 96.92, 0.33%, 0.39%

LAB 50.9, -26.35, 30.57

 

CMYK 7 / 0 / 98 / 23

HEX #B7C403

RGB 183 196 3

HSL 64.04, 0.97%, 0.39%

LAB 75.79, -23.22, 75.99

 

CMYK 33 / 0 / 98 / 23

HEX #84C403

RGB 132 196 3

HSL 79.9, 0.97%, 0.39%

LAB 72.49, -43.76, 72.02

 

CMYK 59 / 0 / 98 / 23

HEX #50C403

RGB 80 196 3

HSL 96.06, 0.97%, 0.39%

LAB 70.31, -60.16, 69.38

 

CMYK 85 / 0 / 98 / 23

HEX #1DC403

RGB 29 196 3

HSL 111.92, 0.97%, 0.39%

LAB 69.29, -68.93, 68.13

 

CMYK 98 / 0 / 85 / 23

HEX #03C41D

RGB 3 196 29

HSL 128.08, 0.97%, 0.39%

LAB 69.18, -69.74, 63.97

 

CMYK 61 / 0 / 98 / 55

HEX #2D7302

RGB 45 115 2

HSL 97.17, 0.97%, 0.23%

LAB 42.5, -40.35, 46.78

 

CMYK 61 / 0 / 99 / 39

HEX #3D9B02

RGB 61 155 2

HSL 96.86, 0.97%, 0.31%

LAB 56.52, -50.72, 58.25

 

CMYK 60 / 0 / 98 / 23

HEX #4EC403

RGB 78 196 3

HSL 96.68, 0.97%, 0.39%

LAB 70.25, -60.65, 69.3

 

CMYK 60 / 0 / 98 / 7

HEX #5EED04

RGB 94 237 4

HSL 96.82, 0.97%, 0.47%

LAB 83.42, -70.42, 79.91

 

CMYK 54 / 0 / 88 / 1

HEX #74FC1E

RGB 116 252 30

HSL 96.76, 0.97%, 0.55%

LAB 88.65, -69.5, 81.51

 

CMYK 60 / 0 / 98 / 23

HEX #4EC503

RGB 78 197 3

HSL 96.8, 0.97%, 0.39%

LAB 70.57, -60.99, 69.56

 

CMYK 98 / 0 / 20 / 23

HEX #03C49D

RGB 3 196 157

HSL 167.88, 0.97%, 0.39%

LAB 70.83, -50.24, 8.11

 

CMYK 0 / 98 / 20 / 23

HEX #C4039D

RGB 196 3 157

HSL 312.12, 0.97%, 0.39%

LAB 44.57, 75.08, -30.08

 

CMYK 60 / 0 / 98 / 23

HEX #4EC503

RGB 78 197 3

HSL 96.8, 0.97%, 0.39%

LAB 70.57, -60.99, 69.56

 

CMYK 98 / 59 / 0 / 23

HEX #0350C4

RGB 3 80 196

HSL 216.06, 0.97%, 0.39%

LAB 37.38, 26.69, -65.72

 

CMYK 0 / 98 / 59 / 23

HEX #C40350

RGB 196 3 80

HSL 336.06, 0.97%, 0.39%

LAB 41.81, 67.91, 13.53

 

CMYK 60 / 0 / 98 / 23

HEX #4EC503

RGB 78 197 3

HSL 96.8, 0.97%, 0.39%

LAB 70.57, -60.99, 69.56

 

CMYK 98 / 0 / 20 / 23

HEX #03C49D

RGB 3 196 157

HSL 167.88, 0.97%, 0.39%

LAB 70.83, -50.24, 8.11

 

CMYK 39 / 98 / 0 / 23

HEX #7703C4

RGB 119 3 196

HSL 276.06, 0.97%, 0.39%

LAB 33.93, 69.81, -71.08

 

CMYK 0 / 98 / 79 / 23

HEX #C4032A

RGB 196 3 42

HSL 347.88, 0.97%, 0.39%

LAB 41.17, 66.15, 36.35

 

CMYK 60 / 0 / 98 / 23

HEX #4EC503

RGB 78 197 3

HSL 96.8, 0.97%, 0.39%

LAB 70.57, -60.99, 69.56

 

CMYK 98 / 10 / 0 / 23

HEX #03B1C4

RGB 3 177 196

HSL 185.91, 0.97%, 0.39%

LAB 66.1, -30.45, -20.31

 

CMYK 39 / 98 / 0 / 23

HEX #7703C4

RGB 119 3 196

HSL 276.06, 0.97%, 0.39%

LAB 33.93, 69.81, -71.08

 

CMYK 0 / 89 / 98 / 23

HEX #C41603

RGB 196 22 3

HSL 5.91, 0.97%, 0.39%

LAB 41.71, 63.12, 54.42

 

Description

Color code: HEX #4EC503 | qconv.com Color code: HEX #4EC503 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 197 green and 3 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 197 3 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 98 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 98% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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