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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4EBA52 it is the complementary color #B145AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4EBA52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4EBA52 shade: #53BA4D, #64CC60, #75DE73, #86F086 and #97FF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4EBA52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4EBA52 shade: #4EBA52, #3DA83F, #2C962C, #1B8419 and #0A7206

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4EBA52 shade: #4FBA53, #68BA4F, #85BA4F, #A2BA4F and #BAB64F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4EBA52 shade: #4FBA53, #4FBA70, #4FBA8D, #4FBAAA and #4FAEBA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4EBA52 shade matches the following richer shades: #4FBA53, #3BCE40, #27E22E and #13F61C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4EBA52 shade: #4FBA53, #63A765, #769377, #8A7F8A and #9E6B9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4EBA52 shade: #85BA4F, #68BA4F, #4FBA52, #4FBA6F and #4FBA8C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4EBA52 shade: #338436, #3FA142, #4FBA53, #6CC670 and #8AD28D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4EBA52 shade: #4EBA52, #4FA1BA and #BA4F76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4EBA52 shade: #4EBA52, #524FBA and #BA524F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4EBA52 shade: #4EBA52, #4FA1BA, #BA4FB7 and #BA684F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4EBA52 shade: #4EBA52, #4F81BA, #BA4FB7 and #BA884F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 56 / 27

HEX #4EBA52

RGB 78 186 82

HSL 122.22, 0.44%, 0.52%

LAB 67.54, -52.04, 43.03

 

Complementary color

CMYK 0 / 61 / 2 / 31

HEX #B145AD

RGB 177 69 173

HSL 302.22, 0.44%, 0.48%

LAB 47.78, 57, -34.79

 

CMYK 55 / 0 / 59 / 27

HEX #53BA4D

RGB 83 186 77

HSL 116.7, 0.44%, 0.52%

LAB 67.64, -51.39, 45.55

 

CMYK 51 / 0 / 53 / 20

HEX #64CC60

RGB 100 204 96

HSL 117.78, 0.51%, 0.59%

LAB 74.02, -51.58, 44.32

 

CMYK 47 / 0 / 48 / 13

HEX #75DE73

RGB 117 222 115

HSL 118.88, 0.62%, 0.66%

LAB 80.33, -51.6, 43.05

 

CMYK 44 / 0 / 44 / 6

HEX #86F086

RGB 134 240 134

HSL 120, 0.78%, 0.73%

LAB 86.56, -51.52, 41.8

 

CMYK 41 / 0 / 40 / 0

HEX #97FF99

RGB 151 255 153

HSL 121.15, 1%, 0.8%

LAB 91.86, -50.12, 39.47

 

CMYK 58 / 0 / 56 / 27

HEX #4EBA52

RGB 78 186 82

HSL 122.22, 0.44%, 0.52%

LAB 67.54, -52.04, 43.03

 

CMYK 64 / 0 / 63 / 34

HEX #3DA83F

RGB 61 168 63

HSL 121.12, 0.47%, 0.45%

LAB 61.09, -51.57, 44.27

 

CMYK 71 / 0 / 71 / 41

HEX #2C962C

RGB 44 150 44

HSL 120, 0.55%, 0.38%

LAB 54.58, -50.66, 45.26

 

CMYK 80 / 0 / 81 / 48

HEX #1B8419

RGB 27 132 25

HSL 118.88, 0.68%, 0.31%

LAB 48.01, -49.06, 45.61

 

CMYK 91 / 0 / 95 / 55

HEX #0A7206

RGB 10 114 6

HSL 117.78, 0.9%, 0.24%

LAB 41.39, -46.38, 44.61

 

CMYK 58 / 0 / 55 / 27

HEX #4FBA53

RGB 79 186 83

HSL 122.24, 0.44%, 0.52%

LAB 67.58, -51.67, 42.62

 

CMYK 44 / 0 / 58 / 27

HEX #68BA4F

RGB 104 186 79

HSL 105.98, 0.44%, 0.52%

LAB 68.48, -45.15, 45.8

 

CMYK 28 / 0 / 58 / 27

HEX #85BA4F

RGB 133 186 79

HSL 89.72, 0.44%, 0.52%

LAB 69.94, -35.22, 47.87

 

CMYK 13 / 0 / 58 / 27

HEX #A2BA4F

RGB 162 186 79

HSL 73.46, 0.44%, 0.52%

LAB 71.8, -23.97, 50.48

 

CMYK 0 / 2 / 58 / 27

HEX #BAB64F

RGB 186 182 79

HSL 57.76, 0.44%, 0.52%

LAB 72.53, -12.02, 51.81

 

CMYK 58 / 0 / 55 / 27

HEX #4FBA53

RGB 79 186 83

HSL 122.24, 0.44%, 0.52%

LAB 67.58, -51.67, 42.62

 

CMYK 58 / 0 / 40 / 27

HEX #4FBA70

RGB 79 186 112

HSL 138.5, 0.44%, 0.52%

LAB 67.98, -47.26, 28.51

 

CMYK 58 / 0 / 24 / 27

HEX #4FBA8D

RGB 79 186 141

HSL 154.77, 0.44%, 0.52%

LAB 68.54, -41.51, 13.73

 

CMYK 58 / 0 / 9 / 27

HEX #4FBAAA

RGB 79 186 170

HSL 171.03, 0.44%, 0.52%

LAB 69.24, -34.58, -1.13

 

CMYK 58 / 6 / 0 / 27

HEX #4FAEBA

RGB 79 174 186

HSL 186.73, 0.44%, 0.52%

LAB 66.12, -24.38, -14.61

 

CMYK 58 / 0 / 55 / 27

HEX #4FBA53

RGB 79 186 83

HSL 122.24, 0.44%, 0.52%

LAB 67.58, -51.67, 42.62

 

CMYK 71 / 0 / 69 / 19

HEX #3BCE40

RGB 59 206 64

HSL 122.04, 0.6%, 0.52%

LAB 73.18, -64.9, 57.04

 

CMYK 83 / 0 / 80 / 11

HEX #27E22E

RGB 39 226 46

HSL 122.25, 0.76%, 0.52%

LAB 79.05, -74.95, 68.8

 

CMYK 92 / 0 / 89 / 4

HEX #13F61C

RGB 19 246 28

HSL 122.38, 0.93%, 0.52%

LAB 85.06, -82.67, 78.09

 

CMYK 58 / 0 / 55 / 27

HEX #4FBA53

RGB 79 186 83

HSL 122.24, 0.44%, 0.52%

LAB 67.58, -51.67, 42.62

 

CMYK 41 / 0 / 40 / 35

HEX #63A765

RGB 99 167 101

HSL 121.76, 0.28%, 0.52%

LAB 62.7, -35.46, 27.54

 

CMYK 20 / 0 / 19 / 42

HEX #769377

RGB 118 147 119

HSL 122.07, 0.12%, 0.52%

LAB 58.09, -15.94, 11.52

 

CMYK 0 / 8 / 0 / 46

HEX #8A7F8A

RGB 138 127 138

HSL 300, 0.04%, 0.52%

LAB 54.47, 6.29, -4.43

 

CMYK 0 / 32 / 1 / 38

HEX #9E6B9C

RGB 158 107 156

HSL 302.35, 0.21%, 0.52%

LAB 52.05, 28.59, -18.38

 

CMYK 28 / 0 / 58 / 27

HEX #85BA4F

RGB 133 186 79

HSL 89.72, 0.44%, 0.52%

LAB 69.94, -35.22, 47.87

 

CMYK 44 / 0 / 58 / 27

HEX #68BA4F

RGB 104 186 79

HSL 105.98, 0.44%, 0.52%

LAB 68.48, -45.15, 45.8

 

CMYK 58 / 0 / 56 / 27

HEX #4FBA52

RGB 79 186 82

HSL 121.68, 0.44%, 0.52%

LAB 67.57, -51.79, 43.08

 

CMYK 58 / 0 / 40 / 27

HEX #4FBA6F

RGB 79 186 111

HSL 137.94, 0.44%, 0.52%

LAB 67.97, -47.43, 29.01

 

CMYK 58 / 0 / 25 / 27

HEX #4FBA8C

RGB 79 186 140

HSL 154.21, 0.44%, 0.52%

LAB 68.51, -41.73, 14.24

 

CMYK 61 / 0 / 59 / 48

HEX #338436

RGB 51 132 54

HSL 122.22, 0.44%, 0.36%

LAB 48.85, -41.28, 34.37

 

CMYK 61 / 0 / 59 / 37

HEX #3FA142

RGB 63 161 66

HSL 121.84, 0.44%, 0.44%

LAB 58.92, -48.13, 40.39

 

CMYK 58 / 0 / 55 / 27

HEX #4FBA53

RGB 79 186 83

HSL 122.24, 0.44%, 0.52%

LAB 67.58, -51.67, 42.62

 

CMYK 45 / 0 / 43 / 22

HEX #6CC670

RGB 108 198 112

HSL 122.67, 0.44%, 0.6%

LAB 72.72, -44.66, 34.87

 

CMYK 34 / 0 / 33 / 18

HEX #8AD28D

RGB 138 210 141

HSL 122.5, 0.44%, 0.68%

LAB 78.12, -36.28, 27.28

 

CMYK 58 / 0 / 56 / 27

HEX #4EBA52

RGB 78 186 82

HSL 122.22, 0.44%, 0.52%

LAB 67.54, -52.04, 43.03

 

CMYK 58 / 13 / 0 / 27

HEX #4FA1BA

RGB 79 161 186

HSL 194.02, 0.44%, 0.52%

LAB 62.25, -17.65, -20.48

 

CMYK 0 / 58 / 37 / 27

HEX #BA4F76

RGB 186 79 118

HSL 338.13, 0.44%, 0.52%

LAB 48.68, 47.07, -0.43

 

CMYK 58 / 0 / 56 / 27

HEX #4EBA52

RGB 78 186 82

HSL 122.22, 0.44%, 0.52%

LAB 67.54, -52.04, 43.03

 

CMYK 56 / 58 / 0 / 27

HEX #524FBA

RGB 82 79 186

HSL 241.68, 0.44%, 0.52%

LAB 39.46, 31.96, -56.34

 

CMYK 0 / 56 / 58 / 27

HEX #BA524F

RGB 186 82 79

HSL 1.68, 0.44%, 0.52%

LAB 48.31, 41.79, 22.53

 

CMYK 58 / 0 / 56 / 27

HEX #4EBA52

RGB 78 186 82

HSL 122.22, 0.44%, 0.52%

LAB 67.54, -52.04, 43.03

 

CMYK 58 / 13 / 0 / 27

HEX #4FA1BA

RGB 79 161 186

HSL 194.02, 0.44%, 0.52%

LAB 62.25, -17.65, -20.48

 

CMYK 0 / 58 / 2 / 27

HEX #BA4FB7

RGB 186 79 183

HSL 301.68, 0.44%, 0.52%

LAB 51.21, 56.66, -35.15

 

CMYK 0 / 44 / 58 / 27

HEX #BA684F

RGB 186 104 79

HSL 14.02, 0.44%, 0.52%

LAB 52.84, 30.36, 28.37

 

CMYK 58 / 0 / 56 / 27

HEX #4EBA52

RGB 78 186 82

HSL 122.22, 0.44%, 0.52%

LAB 67.54, -52.04, 43.03

 

CMYK 58 / 31 / 0 / 27

HEX #4F81BA

RGB 79 129 186

HSL 211.96, 0.44%, 0.52%

LAB 52.85, 0.32, -35.02

 

CMYK 0 / 58 / 2 / 27

HEX #BA4FB7

RGB 186 79 183

HSL 301.68, 0.44%, 0.52%

LAB 51.21, 56.66, -35.15

 

CMYK 0 / 27 / 58 / 27

HEX #BA884F

RGB 186 136 79

HSL 31.96, 0.44%, 0.52%

LAB 60.44, 12.71, 37.76

 

Description

Color code: HEX #4EBA52 | qconv.com Color code: HEX #4EBA52 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 186 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 186 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 56 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 56% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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