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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4EB9EB it is the complementary color #B14614. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4EB9EB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4EB9EB shade: #53B9E6, #64CBF9, #75DDFF, #86EFFF and #97FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4EB9EB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4EB9EB shade: #4EB9EB, #3DA7D8, #2C95C5, #1B83B2 and #0A719F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4EB9EB shade: #4CB8EB, #4C8EEB, #4C63EB, #604CEB and #8B4CEB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4EB9EB shade: #4CB8EB, #4C8EEB, #4C63EB and #4C4CEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4EB9EB shade matches the following richer shades: #4CB8EB and #3CBEFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4EB9EB shade: #4CB8EB, #5CB3DB, #6CADCB, #7CA7BB and #8CA1AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4EB9EB shade: #4CEBC9, #4CE3EB, #4CB9EB, #4C8EEB and #4C64EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4EB9EB shade: #1793CE, #27AAE7, #4CB8EB, #71C7EF and #96D6F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4EB9EB shade: #4EB9EB, #9E4CEB and #EBDE4C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4EB9EB shade: #4EB9EB, #EB4CB9 and #B9EB4C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4EB9EB shade: #4EB9EB, #9E4CEB, #EB7E4C and #99EB4C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4EB9EB shade: #4EB9EB, #CE4CEB, #EB7E4C and #69EB4C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 21 / 0 / 8

HEX #4EB9EB

RGB 78 185 235

HSL 199.11, 0.8%, 0.61%

LAB 71.09, -15.35, -33.93

 

Complementary color

CMYK 0 / 60 / 89 / 31

HEX #B14614

RGB 177 70 20

HSL 19.11, 0.8%, 0.39%

LAB 43.91, 41.35, 48.47

 

CMYK 64 / 20 / 0 / 10

HEX #53B9E6

RGB 83 185 230

HSL 198.37, 0.75%, 0.61%

LAB 71.04, -16.12, -31.27

 

CMYK 60 / 18 / 0 / 2

HEX #64CBF9

RGB 100 203 249

HSL 198.52, 0.93%, 0.68%

LAB 77.44, -16.8, -31.61

 

CMYK 54 / 13 / 0 / 0

HEX #75DDFF

RGB 117 221 255

HSL 194.78, 1%, 0.73%

LAB 83.29, -21.04, -25.78

 

CMYK 47 / 6 / 0 / 0

HEX #86EFFF

RGB 134 239 255

HSL 187.93, 1%, 0.76%

LAB 88.93, -26.38, -17.18

 

CMYK 41 / 0 / 0 / 0

HEX #97FFFF

RGB 151 255 255

HSL 180, 1%, 0.8%

LAB 94.02, -30.19, -9.5

 

CMYK 67 / 21 / 0 / 8

HEX #4EB9EB

RGB 78 185 235

HSL 199.11, 0.8%, 0.61%

LAB 71.09, -15.35, -33.93

 

CMYK 72 / 23 / 0 / 15

HEX #3DA7D8

RGB 61 167 216

HSL 198.97, 0.67%, 0.54%

LAB 64.63, -14.32, -33.56

 

CMYK 78 / 24 / 0 / 23

HEX #2C95C5

RGB 44 149 197

HSL 198.82, 0.63%, 0.47%

LAB 58.1, -13.01, -33.16

 

CMYK 85 / 26 / 0 / 30

HEX #1B83B2

RGB 27 131 178

HSL 198.68, 0.74%, 0.4%

LAB 51.47, -11.32, -32.69

 

CMYK 94 / 29 / 0 / 38

HEX #0A719F

RGB 10 113 159

HSL 198.52, 0.88%, 0.33%

LAB 44.77, -9.11, -32.13

 

CMYK 68 / 22 / 0 / 8

HEX #4CB8EB

RGB 76 184 235

HSL 199.25, 0.8%, 0.61%

LAB 70.74, -15.12, -34.47

 

CMYK 68 / 40 / 0 / 8

HEX #4C8EEB

RGB 76 142 235

HSL 215.09, 0.8%, 0.61%

LAB 58.86, 8.61, -53.13

 

CMYK 68 / 58 / 0 / 8

HEX #4C63EB

RGB 76 99 235

HSL 231.32, 0.8%, 0.61%

LAB 47.57, 35.01, -71.31

 

CMYK 59 / 68 / 0 / 8

HEX #604CEB

RGB 96 76 235

HSL 247.55, 0.8%, 0.61%

LAB 43.73, 51.39, -77.52

 

CMYK 41 / 68 / 0 / 8

HEX #8B4CEB

RGB 139 76 235

HSL 263.77, 0.8%, 0.61%

LAB 47.82, 58.49, -70.67

 

CMYK 68 / 22 / 0 / 8

HEX #4CB8EB

RGB 76 184 235

HSL 199.25, 0.8%, 0.61%

LAB 70.74, -15.12, -34.47

 

CMYK 68 / 40 / 0 / 8

HEX #4C8EEB

RGB 76 142 235

HSL 215.09, 0.8%, 0.61%

LAB 58.86, 8.61, -53.13

 

CMYK 68 / 58 / 0 / 8

HEX #4C63EB

RGB 76 99 235

HSL 231.32, 0.8%, 0.61%

LAB 47.57, 35.01, -71.31

 

CMYK 68 / 68 / 0 / 8

HEX #4C4CEB

RGB 76 76 235

HSL 240, 0.8%, 0.61%

LAB 42.31, 48.8, -79.9

 

CMYK 68 / 22 / 0 / 8

HEX #4CB8EB

RGB 76 184 235

HSL 199.25, 0.8%, 0.61%

LAB 70.74, -15.12, -34.47

 

CMYK 76 / 24 / 0 / 2

HEX #3CBEFB

RGB 60 190 251

HSL 199.16, 0.96%, 0.61%

LAB 72.73, -15.11, -40.07

 

CMYK 68 / 22 / 0 / 8

HEX #4CB8EB

RGB 76 184 235

HSL 199.25, 0.8%, 0.61%

LAB 70.74, -15.12, -34.47

 

CMYK 58 / 18 / 0 / 14

HEX #5CB3DB

RGB 92 179 219

HSL 198.9, 0.64%, 0.61%

LAB 69.21, -14.71, -28.07

 

CMYK 47 / 15 / 0 / 20

HEX #6CADCB

RGB 108 173 203

HSL 198.95, 0.48%, 0.61%

LAB 67.57, -12.7, -21.72

 

CMYK 34 / 11 / 0 / 27

HEX #7CA7BB

RGB 124 167 187

HSL 199.05, 0.32%, 0.61%

LAB 66.14, -9.52, -14.93

 

CMYK 18 / 6 / 0 / 33

HEX #8CA1AB

RGB 140 161 171

HSL 199.35, 0.16%, 0.61%

LAB 64.97, -5.15, -7.66

 

CMYK 68 / 0 / 14 / 8

HEX #4CEBC9

RGB 76 235 201

HSL 167.17, 0.8%, 0.61%

LAB 84.57, -48.97, 4.52

 

CMYK 68 / 3 / 0 / 8

HEX #4CE3EB

RGB 76 227 235

HSL 183.02, 0.8%, 0.61%

LAB 83.16, -36.45, -15.51

 

CMYK 68 / 21 / 0 / 8

HEX #4CB9EB

RGB 76 185 235

HSL 198.87, 0.8%, 0.61%

LAB 71.03, -15.65, -34.02

 

CMYK 68 / 40 / 0 / 8

HEX #4C8EEB

RGB 76 142 235

HSL 215.09, 0.8%, 0.61%

LAB 58.86, 8.61, -53.13

 

CMYK 68 / 57 / 0 / 8

HEX #4C64EB

RGB 76 100 235

HSL 230.94, 0.8%, 0.61%

LAB 47.81, 34.39, -70.91

 

CMYK 89 / 29 / 0 / 19

HEX #1793CE

RGB 23 147 206

HSL 199.34, 0.8%, 0.45%

LAB 57.56, -10.43, -39.08

 

CMYK 83 / 26 / 0 / 9

HEX #27AAE7

RGB 39 170 231

HSL 199.06, 0.8%, 0.53%

LAB 65.71, -13.15, -40.18

 

CMYK 68 / 22 / 0 / 8

HEX #4CB8EB

RGB 76 184 235

HSL 199.25, 0.8%, 0.61%

LAB 70.74, -15.12, -34.47

 

CMYK 53 / 17 / 0 / 6

HEX #71C7EF

RGB 113 199 239

HSL 199.05, 0.8%, 0.69%

LAB 76.43, -15.12, -27.76

 

CMYK 38 / 12 / 0 / 5

HEX #96D6F3

RGB 150 214 243

HSL 198.71, 0.79%, 0.77%

LAB 82.4, -13.13, -20.64

 

CMYK 67 / 21 / 0 / 8

HEX #4EB9EB

RGB 78 185 235

HSL 199.11, 0.8%, 0.61%

LAB 71.09, -15.35, -33.93

 

CMYK 33 / 68 / 0 / 8

HEX #9E4CEB

RGB 158 76 235

HSL 270.94, 0.8%, 0.61%

LAB 50.02, 62.1, -67.01

 

CMYK 0 / 6 / 68 / 8

HEX #EBDE4C

RGB 235 222 76

HSL 55.09, 0.8%, 0.61%

LAB 87.21, -11.95, 69.87

 

CMYK 67 / 21 / 0 / 8

HEX #4EB9EB

RGB 78 185 235

HSL 199.11, 0.8%, 0.61%

LAB 71.09, -15.35, -33.93

 

CMYK 0 / 68 / 21 / 8

HEX #EB4CB9

RGB 235 76 185

HSL 318.87, 0.8%, 0.61%

LAB 58.35, 70.94, -24.63

 

CMYK 21 / 0 / 68 / 8

HEX #B9EB4C

RGB 185 235 76

HSL 78.87, 0.8%, 0.61%

LAB 87.12, -38.13, 68.62

 

CMYK 67 / 21 / 0 / 8

HEX #4EB9EB

RGB 78 185 235

HSL 199.11, 0.8%, 0.61%

LAB 71.09, -15.35, -33.93

 

CMYK 33 / 68 / 0 / 8

HEX #9E4CEB

RGB 158 76 235

HSL 270.94, 0.8%, 0.61%

LAB 50.02, 62.1, -67.01

 

CMYK 0 / 46 / 68 / 8

HEX #EB7E4C

RGB 235 126 76

HSL 18.87, 0.8%, 0.61%

LAB 64.25, 38.03, 45.32

 

CMYK 35 / 0 / 68 / 8

HEX #99EB4C

RGB 153 235 76

HSL 90.94, 0.8%, 0.61%

LAB 85.36, -49.66, 66.25

 

CMYK 67 / 21 / 0 / 8

HEX #4EB9EB

RGB 78 185 235

HSL 199.11, 0.8%, 0.61%

LAB 71.09, -15.35, -33.93

 

CMYK 12 / 68 / 0 / 8

HEX #CE4CEB

RGB 206 76 235

HSL 289.06, 0.8%, 0.61%

LAB 56.38, 71.97, -56.45

 

CMYK 0 / 46 / 68 / 8

HEX #EB7E4C

RGB 235 126 76

HSL 18.87, 0.8%, 0.61%

LAB 64.25, 38.03, 45.32

 

CMYK 55 / 0 / 68 / 8

HEX #69EB4C

RGB 105 235 76

HSL 109.06, 0.8%, 0.61%

LAB 83.41, -63.95, 63.61

 

Description

Color code: HEX #4EB9EB | qconv.com Color code: HEX #4EB9EB | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 185 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 185 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 21 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 21% 0% 8% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

48% - 中小企業庁 / The Smal...
Link: http://www.chusho.meti.go.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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