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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4EB925 it is the complementary color #B146DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4EB925. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4EB925 shade: #53B920, #64CB33, #75DD46, #86EF59 and #97FF6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4EB925. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4EB925 shade: #4EB925, #3DA712, #2C9500, #1B8300 and #0A7100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4EB925 shade: #4FBB25, #77BB25, #A0BB25, #BBAE25 and #BB8625

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4EB925 shade: #4FBB25, #26BB25, #25BB4C, #25BB75 and #25BB9E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4EB925 shade matches the following richer shades: #4FBB25, #47CE13 and #3EE001

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4EB925 shade: #4FBB25, #57A937, #5F9749, #67855B and #6F736E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4EB925 shade: #A0BB25, #78BB25, #50BB25, #28BB25 and #25BB4B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4EB925 shade: #327617, #40991E, #4FBB25, #60D733 and #7BDD55

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4EB925 shade: #4EB925, #25BBAF and #BB258C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4EB925 shade: #4EB925, #2550BB and #BB2550

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4EB925 shade: #4EB925, #25BBAF, #9125BB and #BB2532

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4EB925 shade: #4EB925, #259BBB, #9125BB and #BB4625

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 80 / 27

HEX #4EB925

RGB 78 185 37

HSL 103.38, 0.67%, 0.44%

LAB 66.86, -55.74, 60.2

 

Complementary color

CMYK 19 / 68 / 0 / 15

HEX #B146DA

RGB 177 70 218

HSL 283.38, 0.67%, 0.56%

LAB 50.44, 64.96, -56.59

 

CMYK 55 / 0 / 83 / 27

HEX #53B920

RGB 83 185 32

HSL 100, 0.71%, 0.43%

LAB 67.01, -54.67, 61.78

 

CMYK 51 / 0 / 75 / 20

HEX #64CB33

RGB 100 203 51

HSL 100.66, 0.6%, 0.5%

LAB 73.32, -55.49, 62.26

 

CMYK 47 / 0 / 68 / 13

HEX #75DD46

RGB 117 221 70

HSL 101.32, 0.69%, 0.57%

LAB 79.58, -56, 62

 

CMYK 44 / 0 / 63 / 6

HEX #86EF59

RGB 134 239 89

HSL 102, 0.82%, 0.64%

LAB 85.77, -56.3, 61.31

 

CMYK 41 / 0 / 58 / 0

HEX #97FF6C

RGB 151 255 108

HSL 102.45, 1%, 0.71%

LAB 91.32, -55.66, 59.73

 

CMYK 58 / 0 / 80 / 27

HEX #4EB925

RGB 78 185 37

HSL 103.38, 0.67%, 0.44%

LAB 66.86, -55.74, 60.2

 

CMYK 63 / 0 / 89 / 35

HEX #3DA712

RGB 61 167 18

HSL 102.68, 0.81%, 0.36%

LAB 60.49, -54.48, 58.99

 

CMYK 70 / 0 / 100 / 42

HEX #2C9500

RGB 44 149 0

HSL 102.28, 1%, 0.29%

LAB 54.06, -52.65, 56.42

 

CMYK 79 / 0 / 100 / 49

HEX #1B8300

RGB 27 131 0

HSL 107.63, 1%, 0.26%

LAB 47.58, -49.86, 51.11

 

CMYK 91 / 0 / 100 / 56

HEX #0A7100

RGB 10 113 0

HSL 114.69, 1%, 0.22%

LAB 41.02, -46.34, 45.76

 

CMYK 58 / 0 / 80 / 27

HEX #4FBB25

RGB 79 187 37

HSL 103.2, 0.67%, 0.44%

LAB 67.53, -56.2, 60.84

 

CMYK 36 / 0 / 80 / 27

HEX #77BB25

RGB 119 187 37

HSL 87.2, 0.67%, 0.44%

LAB 69.18, -43.79, 62.96

 

CMYK 14 / 0 / 80 / 27

HEX #A0BB25

RGB 160 187 37

HSL 70.8, 0.67%, 0.44%

LAB 71.66, -27.82, 66.12

 

CMYK 0 / 7 / 80 / 27

HEX #BBAE25

RGB 187 174 37

HSL 54.8, 0.67%, 0.44%

LAB 70.16, -9.72, 65.61

 

CMYK 0 / 28 / 80 / 27

HEX #BB8625

RGB 187 134 37

HSL 38.8, 0.67%, 0.44%

LAB 59.66, 11.84, 56.25

 

CMYK 58 / 0 / 80 / 27

HEX #4FBB25

RGB 79 187 37

HSL 103.2, 0.67%, 0.44%

LAB 67.53, -56.2, 60.84

 

CMYK 80 / 0 / 80 / 27

HEX #26BB25

RGB 38 187 37

HSL 119.6, 0.67%, 0.44%

LAB 66.59, -64.12, 59.61

 

CMYK 80 / 0 / 59 / 27

HEX #25BB4C

RGB 37 187 76

HSL 135.6, 0.67%, 0.44%

LAB 66.87, -60.6, 44.83

 

CMYK 80 / 0 / 37 / 27

HEX #25BB75

RGB 37 187 117

HSL 152, 0.67%, 0.44%

LAB 67.44, -53.86, 24.98

 

CMYK 80 / 0 / 16 / 27

HEX #25BB9E

RGB 37 187 158

HSL 168.4, 0.67%, 0.44%

LAB 68.32, -44.34, 4

 

CMYK 58 / 0 / 80 / 27

HEX #4FBB25

RGB 79 187 37

HSL 103.2, 0.67%, 0.44%

LAB 67.53, -56.2, 60.84

 

CMYK 66 / 0 / 91 / 19

HEX #47CE13

RGB 71 206 19

HSL 103.32, 0.83%, 0.44%

LAB 73.24, -65.2, 69.75

 

CMYK 72 / 0 / 100 / 12

HEX #3EE001

RGB 62 224 1

HSL 103.59, 0.99%, 0.44%

LAB 78.66, -72.77, 76.06

 

CMYK 58 / 0 / 80 / 27

HEX #4FBB25

RGB 79 187 37

HSL 103.2, 0.67%, 0.44%

LAB 67.53, -56.2, 60.84

 

CMYK 49 / 0 / 67 / 34

HEX #57A937

RGB 87 169 55

HSL 103.16, 0.51%, 0.44%

LAB 62.23, -45.85, 49.26

 

CMYK 37 / 0 / 52 / 41

HEX #5F9749

RGB 95 151 73

HSL 103.08, 0.35%, 0.44%

LAB 57.12, -33.53, 35.11

 

CMYK 23 / 0 / 32 / 48

HEX #67855B

RGB 103 133 91

HSL 102.86, 0.19%, 0.44%

LAB 52.3, -19.08, 19.28

 

CMYK 3 / 0 / 4 / 55

HEX #6F736E

RGB 111 115 110

HSL 108, 0.02%, 0.44%

LAB 47.96, -2.54, 2.23

 

CMYK 14 / 0 / 80 / 27

HEX #A0BB25

RGB 160 187 37

HSL 70.8, 0.67%, 0.44%

LAB 71.66, -27.82, 66.12

 

CMYK 36 / 0 / 80 / 27

HEX #78BB25

RGB 120 187 37

HSL 86.8, 0.67%, 0.44%

LAB 69.23, -43.43, 63.03

 

CMYK 57 / 0 / 80 / 27

HEX #50BB25

RGB 80 187 37

HSL 102.8, 0.67%, 0.44%

LAB 67.56, -55.94, 60.88

 

CMYK 79 / 0 / 80 / 27

HEX #28BB25

RGB 40 187 37

HSL 118.8, 0.67%, 0.44%

LAB 66.62, -63.85, 59.65

 

CMYK 80 / 0 / 60 / 27

HEX #25BB4B

RGB 37 187 75

HSL 135.2, 0.67%, 0.44%

LAB 66.86, -60.72, 45.27

 

CMYK 58 / 0 / 81 / 54

HEX #327617

RGB 50 118 23

HSL 102.95, 0.67%, 0.28%

LAB 43.79, -39.09, 42.45

 

CMYK 58 / 0 / 80 / 40

HEX #40991E

RGB 64 153 30

HSL 103.41, 0.67%, 0.36%

LAB 56.05, -48.16, 52

 

CMYK 58 / 0 / 80 / 27

HEX #4FBB25

RGB 79 187 37

HSL 103.2, 0.67%, 0.44%

LAB 67.53, -56.2, 60.84

 

CMYK 55 / 0 / 76 / 16

HEX #60D733

RGB 96 215 51

HSL 103.54, 0.67%, 0.52%

LAB 76.88, -60.95, 65.67

 

CMYK 44 / 0 / 62 / 13

HEX #7BDD55

RGB 123 221 85

HSL 103.24, 0.67%, 0.6%

LAB 79.94, -52.91, 56.4

 

CMYK 58 / 0 / 80 / 27

HEX #4EB925

RGB 78 185 37

HSL 103.38, 0.67%, 0.44%

LAB 66.86, -55.74, 60.2

 

CMYK 80 / 0 / 6 / 27

HEX #25BBAF

RGB 37 187 175

HSL 175.2, 0.67%, 0.44%

LAB 68.77, -39.7, -4.68

 

CMYK 0 / 80 / 25 / 27

HEX #BB258C

RGB 187 37 140

HSL 318.8, 0.67%, 0.44%

LAB 43.92, 65.84, -20.94

 

CMYK 58 / 0 / 80 / 27

HEX #4EB925

RGB 78 185 37

HSL 103.38, 0.67%, 0.44%

LAB 66.86, -55.74, 60.2

 

CMYK 80 / 57 / 0 / 27

HEX #2550BB

RGB 37 80 187

HSL 222.8, 0.67%, 0.44%

LAB 37.33, 25.07, -60.5

 

CMYK 0 / 80 / 57 / 27

HEX #BB2550

RGB 187 37 80

HSL 342.8, 0.67%, 0.44%

LAB 41.95, 59.99, 13.43

 

CMYK 58 / 0 / 80 / 27

HEX #4EB925

RGB 78 185 37

HSL 103.38, 0.67%, 0.44%

LAB 66.86, -55.74, 60.2

 

CMYK 80 / 0 / 6 / 27

HEX #25BBAF

RGB 37 187 175

HSL 175.2, 0.67%, 0.44%

LAB 68.77, -39.7, -4.68

 

CMYK 22 / 80 / 0 / 27

HEX #9125BB

RGB 145 37 187

HSL 283.2, 0.67%, 0.44%

LAB 39.46, 64.68, -56.59

 

CMYK 0 / 80 / 73 / 27

HEX #BB2532

RGB 187 37 50

HSL 354.8, 0.67%, 0.44%

LAB 41.4, 58.31, 31.33

 

CMYK 58 / 0 / 80 / 27

HEX #4EB925

RGB 78 185 37

HSL 103.38, 0.67%, 0.44%

LAB 66.86, -55.74, 60.2

 

CMYK 80 / 17 / 0 / 27

HEX #259BBB

RGB 37 155 187

HSL 192.8, 0.67%, 0.44%

LAB 59.36, -20.41, -25.56

 

CMYK 22 / 80 / 0 / 27

HEX #9125BB

RGB 145 37 187

HSL 283.2, 0.67%, 0.44%

LAB 39.46, 64.68, -56.59

 

CMYK 0 / 63 / 80 / 27

HEX #BB4625

RGB 187 70 37

HSL 13.2, 0.67%, 0.44%

LAB 45.74, 45.53, 43.18

 

Description

Color code: HEX #4EB925 | qconv.com Color code: HEX #4EB925 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 185 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 185 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 80 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 80% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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