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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4EB80C it is the complementary color #B147F3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4EB80C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4EB80C shade: #53B807, #64CA1A, #75DC2D, #86EE40 and #97FF53

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4EB80C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4EB80C shade: #4EB80C, #3DA600, #2C9400, #1B8200 and #0A7000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4EB80C shade: #4DB60C, #7BB60C, #A9B60C, #B6950C and #B6670C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4EB80C shade: #4DB60C, #1FB60C, #0CB626, #0CB654 and #0CB682

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4EB80C shade matches the following richer shades: #4DB60C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4EB80C shade: #4DB60C, #51A61B, #54972B, #58873B and #5C774A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4EB80C shade: #ABB60C, #7DB60C, #50B60C, #22B60C and #0CB622

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4EB80C shade: #2C6907, #3D8F09, #4DB60C, #5DDD0E and #72F123

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4EB80C shade: #4EB80C, #0CB694 and #B60C94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4EB80C shade: #4EB80C, #0C50B6 and #B60C50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4EB80C shade: #4EB80C, #0CB694, #720CB6 and #B60C2E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4EB80C shade: #4EB80C, #0CA5B6, #720CB6 and #B61D0C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 93 / 28

HEX #4EB80C

RGB 78 184 12

HSL 96.98, 0.88%, 0.38%

LAB 66.46, -56.34, 65.19

 

Complementary color

CMYK 27 / 71 / 0 / 5

HEX #B147F3

RGB 177 71 243

HSL 276.98, 0.88%, 0.62%

LAB 52.2, 69.66, -67.85

 

CMYK 55 / 0 / 96 / 28

HEX #53B807

RGB 83 184 7

HSL 94.24, 0.93%, 0.37%

LAB 66.62, -55.09, 66

 

CMYK 50 / 0 / 87 / 21

HEX #64CA1A

RGB 100 202 26

HSL 94.77, 0.77%, 0.45%

LAB 72.91, -56.33, 68.6

 

CMYK 47 / 0 / 80 / 14

HEX #75DC2D

RGB 117 220 45

HSL 95.31, 0.71%, 0.52%

LAB 79.13, -57.21, 69.84

 

CMYK 44 / 0 / 73 / 7

HEX #86EE40

RGB 134 238 64

HSL 95.86, 0.84%, 0.59%

LAB 85.3, -57.81, 70.16

 

CMYK 41 / 0 / 67 / 0

HEX #97FF53

RGB 151 255 83

HSL 96.28, 1%, 0.66%

LAB 91.11, -57.82, 69.6

 

CMYK 58 / 0 / 93 / 28

HEX #4EB80C

RGB 78 184 12

HSL 96.98, 0.88%, 0.38%

LAB 66.46, -56.34, 65.19

 

CMYK 63 / 0 / 100 / 35

HEX #3DA600

RGB 61 166 0

HSL 97.95, 1%, 0.33%

LAB 60.13, -54.61, 61.42

 

CMYK 70 / 0 / 100 / 42

HEX #2C9400

RGB 44 148 0

HSL 102.16, 1%, 0.29%

LAB 53.72, -52.31, 56.15

 

CMYK 79 / 0 / 100 / 49

HEX #1B8200

RGB 27 130 0

HSL 107.54, 1%, 0.25%

LAB 47.23, -49.54, 50.83

 

CMYK 91 / 0 / 100 / 56

HEX #0A7000

RGB 10 112 0

HSL 114.64, 1%, 0.22%

LAB 40.66, -46.03, 45.48

 

CMYK 58 / 0 / 93 / 29

HEX #4DB60C

RGB 77 182 12

HSL 97.06, 0.88%, 0.38%

LAB 65.8, -55.89, 64.63

 

CMYK 32 / 0 / 93 / 29

HEX #7BB60C

RGB 123 182 12

HSL 80.82, 0.88%, 0.38%

LAB 67.79, -40.98, 67.09

 

CMYK 7 / 0 / 93 / 29

HEX #A9B60C

RGB 169 182 12

HSL 64.59, 0.88%, 0.38%

LAB 70.81, -22.22, 70.75

 

CMYK 0 / 18 / 93 / 29

HEX #B6950C

RGB 182 149 12

HSL 48.35, 0.88%, 0.38%

LAB 62.9, 0.75, 65.21

 

CMYK 0 / 43 / 93 / 29

HEX #B6670C

RGB 182 103 12

HSL 32.12, 0.88%, 0.38%

LAB 51.46, 26.14, 56.8

 

CMYK 58 / 0 / 93 / 29

HEX #4DB60C

RGB 77 182 12

HSL 97.06, 0.88%, 0.38%

LAB 65.8, -55.89, 64.63

 

CMYK 83 / 0 / 93 / 29

HEX #1FB60C

RGB 31 182 12

HSL 113.29, 0.88%, 0.38%

LAB 64.78, -64.52, 63.38

 

CMYK 93 / 0 / 79 / 29

HEX #0CB626

RGB 12 182 38

HSL 129.18, 0.88%, 0.38%

LAB 64.7, -64.88, 57.43

 

CMYK 93 / 0 / 54 / 29

HEX #0CB654

RGB 12 182 84

HSL 145.41, 0.88%, 0.38%

LAB 65.1, -59.91, 38.86

 

CMYK 93 / 0 / 29 / 29

HEX #0CB682

RGB 12 182 130

HSL 161.65, 0.88%, 0.38%

LAB 65.86, -51.02, 15.8

 

CMYK 58 / 0 / 93 / 29

HEX #4DB60C

RGB 77 182 12

HSL 97.06, 0.88%, 0.38%

LAB 65.8, -55.89, 64.63

 

CMYK 58 / 0 / 93 / 29

HEX #4DB60C

RGB 77 182 12

HSL 97.06, 0.88%, 0.38%

LAB 65.8, -55.89, 64.63

 

CMYK 51 / 0 / 84 / 35

HEX #51A61B

RGB 81 166 27

HSL 96.69, 0.72%, 0.38%

LAB 60.87, -48.38, 57.52

 

CMYK 44 / 0 / 72 / 41

HEX #54972B

RGB 84 151 43

HSL 97.22, 0.56%, 0.38%

LAB 56.28, -40.4, 47.86

 

CMYK 35 / 0 / 56 / 47

HEX #58873B

RGB 88 135 59

HSL 97.11, 0.39%, 0.38%

LAB 51.52, -30.29, 35.41

 

CMYK 23 / 0 / 38 / 53

HEX #5C774A

RGB 92 119 74

HSL 96, 0.23%, 0.38%

LAB 46.93, -18.7, 21.65

 

CMYK 6 / 0 / 93 / 29

HEX #ABB60C

RGB 171 182 12

HSL 63.88, 0.88%, 0.38%

LAB 70.97, -21.36, 70.94

 

CMYK 31 / 0 / 93 / 29

HEX #7DB60C

RGB 125 182 12

HSL 80.12, 0.88%, 0.38%

LAB 67.9, -40.23, 67.22

 

CMYK 56 / 0 / 93 / 29

HEX #50B60C

RGB 80 182 12

HSL 96, 0.88%, 0.38%

LAB 65.89, -55.09, 64.75

 

CMYK 81 / 0 / 93 / 29

HEX #22B60C

RGB 34 182 12

HSL 112.24, 0.88%, 0.38%

LAB 64.82, -64.17, 63.43

 

CMYK 93 / 0 / 81 / 29

HEX #0CB622

RGB 12 182 34

HSL 127.76, 0.88%, 0.38%

LAB 64.68, -65.13, 58.6

 

CMYK 58 / 0 / 93 / 59

HEX #2C6907

RGB 44 105 7

HSL 97.35, 0.88%, 0.22%

LAB 38.99, -36.53, 42.63

 

CMYK 57 / 0 / 94 / 44

HEX #3D8F09

RGB 61 143 9

HSL 96.72, 0.88%, 0.3%

LAB 52.57, -46.16, 53.89

 

CMYK 58 / 0 / 93 / 29

HEX #4DB60C

RGB 77 182 12

HSL 97.06, 0.88%, 0.38%

LAB 65.8, -55.89, 64.63

 

CMYK 58 / 0 / 94 / 13

HEX #5DDD0E

RGB 93 221 14

HSL 97.1, 0.88%, 0.46%

LAB 78.5, -65.22, 75.02

 

CMYK 53 / 0 / 85 / 5

HEX #72F123

RGB 114 241 35

HSL 96.99, 0.88%, 0.54%

LAB 85.31, -66.08, 77.7

 

CMYK 58 / 0 / 93 / 28

HEX #4EB80C

RGB 78 184 12

HSL 96.98, 0.88%, 0.38%

LAB 66.46, -56.34, 65.19

 

CMYK 93 / 0 / 19 / 29

HEX #0CB694

RGB 12 182 148

HSL 168, 0.88%, 0.38%

LAB 66.27, -46.57, 6.51

 

CMYK 0 / 93 / 19 / 29

HEX #B60C94

RGB 182 12 148

HSL 312, 0.88%, 0.38%

LAB 41.76, 70.4, -29.23

 

CMYK 58 / 0 / 93 / 28

HEX #4EB80C

RGB 78 184 12

HSL 96.98, 0.88%, 0.38%

LAB 66.46, -56.34, 65.19

 

CMYK 93 / 56 / 0 / 29

HEX #0C50B6

RGB 12 80 182

HSL 216, 0.88%, 0.38%

LAB 36.35, 21.38, -59.18

 

CMYK 0 / 93 / 56 / 29

HEX #B60C50

RGB 182 12 80

HSL 336, 0.88%, 0.38%

LAB 39.22, 63.63, 9.49

 

CMYK 58 / 0 / 93 / 28

HEX #4EB80C

RGB 78 184 12

HSL 96.98, 0.88%, 0.38%

LAB 66.46, -56.34, 65.19

 

CMYK 93 / 0 / 19 / 29

HEX #0CB694

RGB 12 182 148

HSL 168, 0.88%, 0.38%

LAB 66.27, -46.57, 6.51

 

CMYK 37 / 93 / 0 / 29

HEX #720CB6

RGB 114 12 182

HSL 276, 0.88%, 0.38%

LAB 32.3, 65.08, -65.52

 

CMYK 0 / 93 / 75 / 29

HEX #B60C2E

RGB 182 12 46

HSL 348, 0.88%, 0.38%

LAB 38.56, 61.81, 30.22

 

CMYK 58 / 0 / 93 / 28

HEX #4EB80C

RGB 78 184 12

HSL 96.98, 0.88%, 0.38%

LAB 66.46, -56.34, 65.19

 

CMYK 93 / 9 / 0 / 29

HEX #0CA5B6

RGB 12 165 182

HSL 186, 0.88%, 0.38%

LAB 61.97, -28.84, -18.79

 

CMYK 37 / 93 / 0 / 29

HEX #720CB6

RGB 114 12 182

HSL 276, 0.88%, 0.38%

LAB 32.3, 65.08, -65.52

 

CMYK 0 / 84 / 93 / 29

HEX #B61D0C

RGB 182 29 12

HSL 6, 0.88%, 0.38%

LAB 39.33, 57.91, 48.55

 

Description

Color code: HEX #4EB80C | qconv.com Color code: HEX #4EB80C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 184 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 184 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 93 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 93% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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